Showing posts with label Louise Fletcher. Show all posts
Showing posts with label Louise Fletcher. Show all posts

Wednesday, July 9, 2014

Invaders from Mars (1986)

                                                                                                                                                                                                     
Invaders from Mars (1986)

Director: Tobe Hooper

Cast: Karen Black, James Karen, Louise Fletcher, Laraine Newman, Bud Cort

I have a lot of love for this movie because I grew up watching it. When this film was released, I was about 11 years old or something, I didn’t even know it was a remake back then. I just knew that I loved those goofy aliens. I guess I just watched this movie at the right age and time, I connected with the little kid in the movie and his feeling of paranoia, after all, who doesn’t feel that there’s sometimes something slightly ‘off’ about the world they live in right? Hell, I still feel that way today! Weird thing is that as time passes by, I like this movie even more! Last night I screened it, and the crowd stayed glued to it all the way to the end, I guess that says something about the kind of spectacle that Tobe Hooper created with this film.


Invaders from Mars is all about David Gardner, a little kid who actually sees an alien spaceship land on the hill, just behind his house. Is his mind playing tricks on him? Did he dream it? Soon after that, David noticing that people are acting weird all over town, even his mom and pops are talking in this weird tone and doing weird things like putting tic-tacs in their coffee and eating burnt bacon. What gives with everyone in town? Are they all being controlled by Martians like David suspects? Can David stop the Martians from taking over his town?


So yeah, this is that kind of movie. The kind in which everyone in town starts acting strange, as if they were all telepathically connected in a hive like mentality, not unlike the plot we can find in films like Invasion of the Body Snatchers (1956) which has an extremely similar structure. If we take in consideration the type of atmosphere that Americans were living back in those days, it makes perfect sense that films like these were being made. You see, back in the 50’s, Americans hated and feared communism. Communism was like this decease that had to be eradicated from society. This mentality bled into films such as these, as mentalities often do. We can easily say that they Martians in the 1950’s version of this film represented the fear Americans had for communism and the fear that this mentality might spread somehow. In the film, Martians were secretly gathering and plotting against the humans, the same way Americans thought that there were communists amongst them secretly gather and plotting against capitalism and the American way of life. Of course, it’s the American military that saves the day in the film! The film makes a whole lot more sense when we see it from that perspective don’t it? Suddenly, it’s not just a film about an alien invasion. Fast forward a few decades and here comes the 1980’s version of the film, did it still hold the same meaning it did in the 50’s? Would this remake still be about the fears of communism?


The way I see it, Hooper's remake takes a slightly different route with its meanings. Now it’s not so much about communism, to me it’s more about the evils of the powers that be controlling the masses with lies. The leader of the Martians is called the “Supreme Intelligence” and it is essentially a giant talking brain. The Supreme Intelligence injects a needle into the brains of humans in order to control them and use them for world dominating purposes, so while yeah, it’s still about plotting against the humans, it’s also a plea against controlling the minds of the masses. It’s a film about letting the people think for themselves, about letting people make their own choices in life instead of manipulating their perceptions with lies. In one pivotal scene David Gardner actually begs the aliens not to control people. It’s wrong, he tells them, they never did anything wrong, he pleas. This film actually has something to say as opposed to what a lot of people might think about it, it isn’t as empty as you might think! The beauty of the film is that it delivers these deep themes through an awesome and entertaining spectacle and an otherworldly story about Martians wanting to take over our minds, and our planet.


This remake pays its respects to the original film with a few homages here and there, while still offering welcomed new elements. For example, there’s a scene in which two cops come over to David’s house because he files a complaint, well, one of the cops is the original actor who played David Gardner in the original film! As the cop inspects the hill, he says “I haven’t been up here since I was a kid”, which is true of course. The update on the Martians is a welcomed element, they were designed by the great Stan Winston, and trust me, they are a real highlight of the film, The Supreme Intelligence is an awesome creation that looks alive, it pulsates, it breathes! It’s so refreshing to see creatures that are actually physically there and not computer generated, I miss this kind of physical effect on films. Finally, there’s this sense of wonder throughout the whole film because we see everything through the eyes of a child, everything happens because of this kid, and for once the adults actually listen to the kid! This is one of those '80’s Kid Movies', where the pre-teens are the main characters of the show. Sadly, the only weak link in the film is the kid himself, played by Hunter Carson. Still, it’s about the only bad thing I can say about this film. In an interesting turn of events, Hunter Carson the kid who played David Gardner was actually acting next to his mom, actress Karen Black, who plays the nurse in the film. It’s interesting to see them acting side by side. And speaking about the acting, I’d say it’s Louise Fletcher the actress who plays Mrs. McKeltch, the evil teacher whom the Martians take control of, that steals the show, she plays a memorable villain here.


Ultimately, what we get with Tobe Hooper’s Invaders from Mars is a loving homage to the original. This was one of Tobe Hooper’s favorite films, he says that the original film burned holes in his memory. This was obviously a film that made an impression on him when he was a child. What Hooper did with this remake was recreate some of the images that the original director William Cameron Menzies had created in the original film, by using the original film as a very definite foundation, but embellishing the classic imagery, making  it bigger, flashier. Hooper took the classic film and amplified it. I’d say he achieved this quite well because the remake feels familiar, yet more spectacular in a lot of ways. It’s certainly flashier and louder than the original; the visual and make up effects were obviously improved upon. It was Stan Winston’s intention to create aliens that didn’t feel like a man in a suit. The design of the aliens surpasses anything we saw in the original film by leaps and bounds. So this film comes to us from a crew of people who really loved the original film and wanted to pay their respects to it by keeping what worked so well in the original, while improving the effects and visuals, that makes it, in my book an excellent remake.

Rating: 4 out of 5

Tobe Hooper (extreme left) on the set of Invaders from Mars (1986)


Tuesday, May 7, 2013

Brainstorm (1983)



Title: Brainstorm (1983)

Director: Douglas Trumbull

Cast: Christopher Walken, Natalie Wood, Louise Fletcher, Cliff Robertson, Jason Lively

Review:

Troubled productions, they always have an interesting story behind them. Reading about these fiascos lets us see the nature of Hollywood filmmaking, and how frustrating and money oriented it can all be. I’ve read various books on filmmaking, and trust me; all of them have a very acid outlook on Hollywood. Take for example David Mamet’s book on his experiences in Hollywood filmmaking called Bambi vs. Godzilla. The title alone let’s you see the kind of battle you can expect while making a Hollywood production. You are Bambi and the Hollywood system is Godzilla. I’ve never read a book with a more acid hatred for Hollywood then that one. And it was written by a writer experienced in both writing and directing various big budget Hollywood films! These books will always tell you how frustrating making a full length multi-million dollar feature film can be, if you want to get into that game, you gotta really want to be in that game because it can swallow you whole and then spit you’re puny little Bambi carcass out. Yes my friends, Hollywood can be one cruel mother for those working behind the scenes. Case in point: Douglas Trumbull and Brainstorm, a film with an original concept that half way through completion was shut down by the studio. Why did the studio want to shut down Trumbull’s film?  


In Brainstorm we meet a group of scientists that are experimenting with a new kind of machine, a helmet that can record whatever your experience. The innovative part of the whole thing is that someone else can later watch the recording and relive the experience, all sensory input included. This means that you can smell, see, hear and feel anything the original person recorded! Commercial and military applications immediately abound for an invention like this one. But like any new invention, there’s always a dark side, for example, what happens when someone decides to record their death? And what happens when someone wants to play that recording? Would you want to experience what it feels like to have a heart attack, or to die? Well, these are some of the questions that arise when one of the scientists decides to record her death. The inevitable question pops up: can this new invention record what happens after death?


When Brainstorm was made it was an extremely original concept, there had been nothing like it before. Correct me if I’m wrong my dear readers, but I can’t remember anything like Brainstorm before it was made. After Brainstorm is another story, after it various films have copied it’s premise, which reveals Brainstorms influential nature. For example we have Kathryn Bigelow’s Strange Days (1995) the first one that pops to mind. I’ve always seen Strange Days as a remake of Brainstorm because it plays with some of the same ideas and situations, but takes things a bit further and is a more complete film in my opinion, I highly recommend that one. There have been other films about machines that explore the human mind, for example, Dreamscape (1984), The Cell (2000), Videodrome (1983) and The Lawnmower Man (1992), but Brainstorm is unique because it presents us with the idea of a head piece that can record your experience. But what if someone decides to record a murder, or a torture? What if someone forces you to watch these recordings? Brainstorm explores these possibilities, especially the possibility of having to experience someone’s death. Strange Days explores that idea, but is a bit more intense, it goes more into the dark side of the techonology. In fact, Strange Days can be seen as a sequel because it shows us a world in which this technology has become common; there’s even a black market for recordings with highly sexual and violent content!


In Brainstorm the technology hasn’t gone to the mass market yet, it’s still on its experimental phase. Scientists are still trying to figure the invention out, work out the bugs; they still don’t know what they got in their hands. But Brainstorm does go into this tangent that I liked. In the film, Christopher Walken’s character is going through a divorce, but in order to save his marriage, he makes a recording of these beautiful memories he conjures up in his mind of him and his wife falling in love for the first time, which helps them fall in love all over again. Reminded of what they once had, they reunite, really tender moments there, loved that about it. Walken and Natlie Wood (the actress who played Walken’s wife in the film) really achieved an onscreen chemistry that worked; their moments are some of the sweetest in the whole film. So the film is not only about technology and its possible applications, but also about saving a marriage and rekindling a love that was once alive.  

  
There is this moment in Brainstorm where the scientists perform a show for the investors to try and “knock their socks off”, so they can really get a taste of what the technology can do. Those scenes felt like I was visiting the website for Google Glass. Yes my friends, it looks like technology is once again catching up with our imaginations! You don’t know what Google Glass is? Well, look it up, it’s this new thing that they are cooking up, basically, it’s these glasses you wear that can record anything you are seeing in an extremely similar fashion to the technology presented in Brainstorm. The only difference between Google Glass and the technology presented in Brainstorm is that while in Brainstorm you can relive all of the sensory input including smell, touch and feel, with Google Glass we can only relive the visual and auditory aspects of someone else’s experience. But I’m wondering if it’s only a manner of time before that happens! So anyhow, Brainstorm was kind of prophetic in that way. Anyways, the Google Glass thing (same as the technology in the film) is still on its prototype phase, only a few people in the world where chosen to use it to test them out and see how they perform in the real world. If it all works out, Im sure we’ll be seeing a lot more of these glasses soon. Something similar to Google Glass also showed up in Iron Man 3 (2013), there's a couple of scenes in which Iron Man actually controls his suits with the help of these ultra technological glasses.


But going back to why Brainstorm was such a fiasco, well what happened was that Natalie Wood (one of the main actresses in the film) died during filming, MGM seeing an opportunity to make some money shut down the film and filed an insurance claim, hoping to get some of that insurance money. At the time, the guys running MGM though it would be more of a benefit to them to claim their insurance money then finish a film that was already midway through completion! MGM claimed that because of the death of one of its main stars, it was impossible to finish the film; which was a flat out lie, because most of the film had already been shot, MGM just wanted to get their insurance money. So whatever, their claim was denied and Douglas Trumbull managed to finish his movie by using a body double and rewriting parts of the script. But the film was destined to be a failure, MGM didn’t promote it enough and only released it in a minimum amount of screens, so we can chalk up this films failure to a vengeful movie studio. But the film still lives on, it’s been released on various formats and has currently been released on Blue Ray and DVD, as it deserves to. This film was directed by Douglas Trumbull, the effects genius who was responsible for some of the brilliant photographic effects work in films like 2001: A Space Odyssey (1968), Close Encounters of the Third Kind (1977) and Blade Runner (1982). Sadly, his sour experience with making Brainstorm made Trumbull give his back to Hollywood, he vowed never to make a huge Hollywood film ever again. And he’s kept his promise. In the end, Brainstorm is a movie that explores some interesting themes and philosophical ideas, my only gripe with it is that the ending felt a little inconclusive, probably due to Natalie Woods death, but as it is, you want to know what was going to happen to these characters after the shit storm they created, the films abrupt end leaves us wanting more. I guess the best thing you can do is watch Brainstorm and Strange Days back to back, you’ll feel like you’re watching more or less two films that take place in similar worlds

Rating:  4 out of 5 


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