Showing posts with label Julian Sands. Show all posts
Showing posts with label Julian Sands. Show all posts

Tuesday, June 25, 2013

Naked Lunch (1991)


Title: Naked Lunch (1991)

Director: David Cronenberg

Writer: David Cronenberg (script) and William S. Burroughs (novel)

Cast: Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Joseph Scoren, Monique Mercure

Review:

Naked Lunch is a film that many consider to be incomprehensible, the kind of film that some will watch and inevitably reach a point where they’ll think “what the hell is going on here?” I can understand anyone who ends up feeling this way while watching Naked Lunch because it certainly has various levels of bizarreness going for it, but in my opinion the film is not the unintelligible mess that some make it out to be. Personally I think you can watch Naked Lunch as a comment on drug addiction and nothing more and you’ll be fine, but you’d understand the movie on a whole other level if you go in knowing and understanding the films background, where it’s coming from and how it came to be. So with this review my dear readers I offer you a small glimpse of the tale that comes before the movie, so it’ll help you understand it just a little better. But going into Naked Lunch what you must first keep in mind is that it’s a film about writers and writing. It’s a film that explores that whole world of literary guys and gals who live, breath and die for writing. As one of the characters says in the film: "It's a literary high, a Kafka high" 


Naked Lunch the film, is based on William S. Burroughs novel of the same name. Now Naked Lunch isn’t any old novel, it was written by Burroughs in 1959 and it is based on Burroughs own experiences with various forms of drug addiction. Upon it’s first release the book was considered highly controversial, it was banned in many states and countries because it was considered too vulgar.  Burroughs was a Junkie in the worst sense of the word. He was not only addicted to Heroin, he also dabbled in all sorts of drugs. He got into all sorts of legal troubles throughout his life because of his drug addiction, he even did some jail time. In a way, I’d compare him with Hunter S. Thompson; both of their writings where based on their own personal experiences with drugs. It’s like they went into this crazy drug addled trip and then came back and reported everything they saw in their hallucinatory states. This is why in the film; the main character takes a drug that takes him to an “alternate universe” called ‘Interzone’. Being “in the zone” is a term often times used to refer to being under the influence, so in the film, whenever the main character says he’s in Interzone, he’s in a drug trip. In the same way that Dorothy visited the magical Land of Oz when she got hit in the head, William Lee, the films main character visits Interzone when he takes the drug called ‘Black Meat’. So you have to pay attention to the moments when we are in Interzone, and the moments when we are in the real world.


I saw Interzone as Burroughs own literary fantasy land, where everyone is a writer, everyone has their own living typewriters; that’s right, on Interzone typewriters are alive (actually they resemble giant insects!) and they also speak. The typewriters in Interzone are sexually excited when they like what you type into them. Of course, this is a metaphor for a writers own desire to write things that are worth a damn. In Interzone, if your writing is good, maybe your typewriter will have an orgasm. The theme of writing and the things that writers care about permeates the whole film. In this film characters talk about things like the validity of stream of consciousness writing vs. a more coherent form of writing. They talk about writing what comes out of your brain, vs. constant rewriting and so forth. So if you’re not into writing, then don’t bother with this film! If on the other hand you like to explore the nature of writing, and the crazy world of writers, then indulge, this movie was made for you.


Now something that we need to keep in mind when watching Naked Lunch is that it’s more of a Cronenberg film then an actual adaptation of William Burrough’s novel, so don’t expect a literal translation of the book. Cronenberg himself has gone down as saying that this film functions more as an amalgamation of many of Burroughs novels, including Junkie, which is also one of his most famous ones. Cronenberg explains that Naked Lunch the film, captures a lot of who Burrough’s was as a human being, it tries to capture the kind of life he lived, which is probably why the film dives deep into the life of a man who struggles with his own homosexual desires. Other similarities with Burroughs life include, same as the main character in the film, working as an exterminator, being addicted to various drugs and accidentally killing his wife, an event that marked Burrough’s life and writing till the end of his days. In fact, he said on one occasion that it was her death that pushed him to become an accomplished writer. So do not expect an exact literal translation of the book, rather, expect a mix up of events and elements from Burroughs life, elements from various Burroughs novels and Cronenberg’s own visual perks as a director and storyteller, for example, the insect typewriters are all Cronenberg, who admits to having something of an obsession with insects, what can you expect from the guy who directed The Fly (1986)? In my opinion, this melding of two genius minds makes for an extremely interesting and unique film, one that you won’t soon forget.


Naked Lunch cost something from 16 to 18 million dollars, but only made about 2.6 in theaters, something to be expected from a film that’s so offbeat. I sometimes wonder how David Cronenberg continues to make movies! Sure he has a hit every now and then, like The Fly (1986) and A History of Violence (2005), but a lot of his films don’t make their budget back or don’t make enough to be considered a success, so how does he do it? He makes flops yet always finds someone to finance his next one. Take for example Cosmopolis (2012), a film that cost 20 million to make yet only made 6! It flopped because it was so dense, so stale, 90% of the film takes place inside of a limo! I’m not saying I didn’t like Cosmopolis (I actually enjoyed the themes) but I will say that it’s not an easy film to see on one sitting because everything happens inside of a car and there comes a point where you can’t avoid thinking it’s monotonous; a fact that ensured its failure even though it starred current ‘it’ boy Robert Pattinson. And yet there’s Cronenberg, slated to direct yet another film called Maps to the Stars (2014). But who cares if they make money or not as long as he keeps making his movies. I’ve always admired Cronenberg as a director, in my opinion, he has never sold out. He refuses to make stupid cinema, and for that I respect the guy immensely. Cronenberg caters to those that like brainy films, films with meat to them, this of course does not sit well with the masses who love only explosions and special effects. Cronenberg aims to feed your mind, his films always have a philosophical angle to them, which is what attracts me to them.

Cronenberg (right) next to Burroughs
     
Naked Lunch is a film that speaks in symbolisms, so when you see something terribly strange like a person who kills bugs with his breath, well, you just gotta ask yourself what the filmmakers are trying to say with these visuals. Same goes for all the bizarre things you’ll see in this movie which range from giant half caterpillar, half human creatures, to alien like beings known as ‘Mugwumps’. But when we look at it from a Cronenberg perspective, and the kind of films that Cronenberg makes, all this weirdness fits in perfectly, after all, we’re talking here about the guy who made films like Videodrome (1983) and eXistenZ (1999)! Bottom line with this movie is that you must strap yourself tight for one bizarre trip. It’s not a film for everyone. This is a film for those who have a resistance to the bizarre, the dark, the depressive, if you can take a trip to the dark side of the moon, then go for it. Otherwise you’ll just be weirded out.

Rating: 5 out of 5



Tuesday, January 12, 2010

Gothic (1986)





Title: Gothic (1986)


Director: Ken Russell

Cast: Julian Sands, Gabriele Byrne, Natasha Richardson, Timothy Spall

Review:

So wow, Ken Russell’s Gothic. Where do I begin? In my search for all things horror, there is a certain film that has eluded me. I have not been able to get my hands on it for whatever reason (the freaking movie is banned from everywhere!) and my Film Connoisseur eyes are starving for it. The film I speak of is Ken Russell’s The Devils. A film that is supposedly so shocking, so offensive, so pagan, that it has not been released on dvd yet. But seeing Ken Russell’s available filmography have given me a general idea of what I can expect from The Devils. Case in point, I’m working my way through Ken Russell’s career until I finally get to see the holy grail of Ken Russell’s filmography. So anyhows, I got around to seeing Gothic. Wow, what a movie!

This film is a period piece and takes place during the 1800’s when Mary Shelly and Lord Byron would get together, take laudanum, get crazy, hallucinate, then write their masterpieces. According to the history books, this is how Frankenstein came to be. In this film, Lord Byron receives Mary Shelly, her husband and his sister Claire in his mansion. Lord Byron being the rich dude that he is has a huge mansion all to himself, except tonight he is going to share it with his friends to read ghost stories and write their own spooky tales. But this films plot isn’t too complex, basically it concerns these four individuals and the nightmarish drug induced evening that they have.



Ken Russell’s artsy fartsy. Lets get that out of the way. The guy isn’t concerned with pleasing the audience or making sure you “get” his movie. This is a guy who wants to say what he has to say through imagery, through film. At times you might even ask yourself, is this film scripted? Was any of this planned? Because sometimes it doesn’t feel like it. At times the film looses all hope of following a coherent narrative and simply dives deeply and without remorse into the abyss of the surreal and the bizarre. And guess what, I applaud this movie for it! I love movies that do this. I love films that exuberantly speak through imagery. They thrive in trying to get you to understand ideas, simply through images, no dialog, no voiceover, just imagery and music. And this movie does this so well!



The music by Thomas Dolby matches so perfectly well with the images, and gives the film a felling of grandeur and fright. One of the most cinematic scores I've heard in a while. Its a dark soundtrack, for a dark film. Russell didn't bother lighting anything too much, because he probably wanted two things: to augment the feeling of horror through out the film, and to make things more realistic. I mean, back in those days, people used mostly candles during the night. As a result we get a dimly lit picture, the film feels dark, brooding and when the time comes for insanity to appear in this picture, the dark makes things look even more nightmarish.




Speaking of nightmarish moments, this film has lots of them. Its what Ken Russell specializes in. I've noticed that in quite a few of his films, he loves to play with images through the use of collage. Scene on top of scene, images flying on top of another in a whirlwind of illusion, by the end of the trip, you should have grasped the emotion or idea that the director is trying to pull across. Sam Raimi does the same thing in some of his films. The Evil Dead and Darkman come to mind. Russell also goes deep into dream logic, by illustrating the things that each of the characters see during their hallucinatory moments, when every body is just seeing fucked up shit after fucked up shit. Speaking of strange imagery, this movie has a moment that is hands down on my top 5 freakiest moments captured on film. Russell was a genius for coming up with it. Don't want to spoil it for you guys, but you will most certainly know it when you see it. You'll say, this is the scene that that guy was talking about on his review!!




The horror element on this film is done in a very different way then your regular run of the mill horror film. Ken Russell's main concern is to completely disturb you with his images. He wants you to feel what it would be like to be hallucinating badly under the effects of a trippy drug. The film is very atmospheric, I loved that about it. Everything happens one night during a rabid thunderstorm. Thunder and Lightning are a constant on this film as well as the fog. Some scenes are completely fog filled, and what can I say, Im a fan of fog in horror movies, it makes things that much spookier.

This painting is Henry Fuseli's 'Nightmare', its the painting on wich a nightmarish sequence of the film is based on

This is a movie where humans indulge in all the excesses in life. Ken Russell likes to augment that in his movies, mans tendency to go overboard on everything. Characters in this movie eat a lot of food, have a lot of sex, do a lot of drugs and don't believe in god. Im guessing thats part of Ken Russell's tendency to go to the pagan side of things. So be ready for a movie who's characters have no moral whatsoever for a long part of the film. This comes as a result of their drug and alcohol abuse, but it also gives Ken Russell a chance to shine a light on the darker side of human behavior.

In conclusion, I say this is a very unconventional horror film, with some disturbing and unique imagery. A very rewarding one if you stick all the way to the end.

Rating:  3  1/2 out of 5



GothicGothic [VHS]

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