Showing posts with label Jack Sholder. Show all posts
Showing posts with label Jack Sholder. Show all posts

Friday, December 5, 2014

The Hidden (1987) and The Hidden 2 (1993)


The Hidden was directed by a guy known as Jack Sholder, you might know him as the guy who directed A Nightmare on ElmStreet 2: Freddy’s Revenge (1985), a very entertaining Nightmare on Elm Street film filled with its fare share of memorable moments, like the famous Krueger quote: “you have the body and I have the brain”. Nightmare on Elm Street 2: Freddy’s Revenge was a very successful horror film, so of course, Sholder was given a second chance to direct a theatrical release and thus, we got The Hidden (1987) which by the way I have to say is an extremely entertaining action  sci-fi hybrid, which the director himself categorizes as his best film.  


This is the story of an alien race that thrives on sensory input, if it likes something, it takes it, it does it. In the case of this alien, he likes sports cars, girls and heavy metal and he will do anything to get these things. The one problem is that he can’t be caught because he goes around jumping from body to body, so you never know who he will look like. Like Night of the Creeps (1986) or Slither (2006), the creepy crawlies in The Hidden are the kind of slimy critters that will crawl in through your mouth and control your body from within. Thankfully, there’s a “good alien” who has come to stop this greedy sensation glutton, can it be stopped? 


Again I am faced with yet another action film from the 80’s that shows me what real action films were like. It has that high violence quotient that you just don’t find in today’s action films; today’s action films? Yeah right, what a joke. There’s no such thing. Sure Furious 6 (2013) is bucket loads of fun, but it all feels either too far fetched, or like a computer animated film with little tangibility to it. You see the cars blow up and it’s great fun, but in the end you know it’s all a lot of computer generated wizardry. Not so with films like The Hidden, where the action happens on camera in all its explosive glory. Speaking of the violence factor in The Hidden, it’s pretty high. The film starts out with this cool as hell chase sequence that involves a red Lamborghini going through town crashing everything in its way and killing pedestrians along the way. I mean, this alien is so vicious that he doesn’t think about it twice before blowing away ten cops to get through, he’ll do it, he doesn’t care. Which of course amusing because rarely do you see a character that solves everything by simply blowing people out of the way without the slightest hint of  fore thought or remorse; the alien just does it. I like how the film addresses the issue of instant gratification, how the ‘me’ generation of the 80’s only lived for getting what they wanted as fast as they could get it. These issues are still relevant today, I’d say today’s generation is like that, only amplified a thousand fold. 


Though this film is all about slimy aliens that invade our bodies to control us, it doesn’t focus so much on special effects, in fact, we see the alien briefly, only twice in the film. What’s really cool about this movie is the action, which is practically none stop. Expect a lot of Uzi’s and shotguns being fired. Uzi’s were super popular in 80’s action films, these mini machine guns popped up a lot in films like Invasion U.S.A. (1985) and Cobra(1986), and we see a couple of them here. Trust me when I say that a lot of fire arms are fired on this movie! If the alien can get his hands on it, he’ll shoot it. Even bazookas are fired here! This movie is an onslaught of violence! In that sense it reminded me a lot of The Terminator (1984) a film that I feel influenced this one a whole lot. In fact, it has a very similar scene in which the villain enters a police station and starts blowing away police men. The overall structure of The  Hidden is almost exactly that of The Terminator. It’s a film about a nearly unstoppable villain with no remorse, no emotion, it will kill without hesitation.


This film is very 80’s, it’s filled with a lot of cliché’s that we used to see a lot in films of this era. For example, there’s a high speed chase sequence and wouldn’t you know it, these two guys are carrying a huge piece of glass across the street? And of course the car has to drive through it and smash it into a million pieces! Since the alien loves heavy metal/rock and roll, we get lots of 80’s rock and roll tunes throughout the entire film; there are a lot of Concrete Blonde tunes on this film. Another thing that marks the era of The Hidden is this cool scene where the alien walks into a music store and starts stealing cassettes because cd’s where not invented yet? The posters on the wall are all of bands from the era (I spotted one for R.E.M.) also, the alien carry’s a boom box on his shoulders! Not to mention the clothes that some of the characters wear…and the cars they drive. This movie oozes eighties! So anyhow’s The Hidden was a moderate success, it made about 10 million bucks on a half that budget, so of course a sequel was made, but with an entirely different creative team. It was directed by a guy called Seth Pinsker, but don’t ask me who he is or what he’s done. He hasn’t directed anything after this, and with only a few short films and television work under his belt, he doesn’t have much of a career as a director. I guess this was as far as he went as a filmmaker.


This is the kind of sequel that starts off exactly where the previous one left off, so it does have a level of continuity to it. There’s a difference between the two films though, first off, while the first was a very 80’s film, this sequel was made in 1993, so it no longer has that 80’s vibe going for it, and you can actually feel the difference. There’s a scene where the alien walks into a nightclub/rave type of deal, and everyone is dressed with the 90’s fashions, which  is also cool to revisit, it reminded me of a C and C Music Factory music video or something. Another difference between the first film and the this one is that it focuses a whole lot more on showing us the aliens, only thing is that they don’t look a heck of a lot like the ones we saw in the original film, but we do see a lot of them because this time around the alien doesn’t just want instant gratification, he also wants to procreate.


Sadly, what we get with this sequel is more of the same, almost exact same sequences throughout the whole film. The bad alien needs a car, he steals it! He wants a boom box he takes it! The good alien doesn’t know what it’s like to be human, so the girl shows him; oh man is it just me or is this sequel complete snores ville? It’s the same thing all over again. The thing that sets this sequel apart the most is that instead of playing out like a buddy cop movie like the first one did, it instead decides to go the way of John Carpenter’s Starman (1985) and suddenly turns into a love story between an alien and a human. While watching this movie I also got flashbacks from yet another John Carpenter film, namely, The Thing (1982), cause there’s this sequence that involves a dog, an alien and a bunch of slimy tentacles.


So anyways, what we get here is not a very original sequel, it’s essentially the same movie, only instead of getting lots of guns and violence, we get a love story and less violence. But more aliens. I have to say that it does add a bit more to the story by explaining to us a little more about the aliens and their home world, I liked how they compared the good aliens to angels and the bad aliens to demons and their home world to heaven, but if I had to give you an ultimatum about this movie, it would be that I only recommend it if you’re absolutely freaking bored and have nothing better to watch, or if you want to see a bit more of the same. While the original is a good action sci-fi, the sequel is a straight to video cheap-o cash in, yet still, for a straight to video release, you could do a whole lot worse.

The Hidden (1985): 4 out of 5

The Hidden 2 (1993): 3 out of 5


Wednesday, June 23, 2010

Nightmare on Elm Street 2: Freddy's Revenge (1985)

Title: Nightmare on Elm Street 2: Freddy’s Revenge (1985)

Director: Jack Sholder

Cast: Robert Englund, Mark Patton

Review:

In every horror franchise that exists, there’s usually a film that turns out so bad, and deviates so clearly from the rest of the series mythology that it garners the hatred of fans. In the Friday the 13th franchise, that film is Friday the 13th part 5: A new beginning (1985). On that one, Jason doesn’t even appear! On the Halloween franchise, there are a lot of bad entries, but the one everyone hates the most is Halloween 6: The Curse of Michael Myers (1995), which is an incredible mess. On the Nightmare on Elm Street franchise, the most despised of all the entries was the film Ill be reviewing today: Nightmare on Elm Street 2: Freddy’s Revenge. A lot of that hatred has to do with the themes the film plays with, and the way the film changed the series original premise. I recently had a chance to re-watch this flick and decided to review it, cause hell, it’s a movie that begs to be reviewed.


Story follows a teenager who goes by the name of Jesse Walsh. Jesse and his family have just moved into their new home and are getting adjusted with life in the town of Springwood. There is just one small problem, the Walsh’s have just moved into the Elm Street home in which Nancy Thompson used to live in. It was the house in which Freddy Krueger tormented Nancy through her dreams! Problems start to arise when Jesse begins having horrible nightmares himself; nightmares on which Freddy Krueger appears! Soon, Freddy confronts Jesse in the dream world and lets him know that he wants to use his body so that he can crossover into the real world and exact revenge upon those that killed him. Will Jesse conquer his inner demons? Or will Freddy get what he wants?


This movie gets a lot of heat for one reason and one reason alone: it is about a boy battling with his latent homosexuality. There is no beating around the bush about that. This movie is about a psychologically tortured young man, struggling with inner demons. The symbolisms that let us know what this movie is about are quite obvious in one spectacular scene in which Freddy Kruger is trying to push himself out of Jesse’s body.  The symbolisms are quite clear: Freddy is Jesse's homosexuality trying to 'come out' so to speak, and it is a painful process! Jesse doesn’t want this to happen, but it happens, and there is nothing he can do to stop it!


This is a film about a young man afraid to face his sexuality. Freddy represents Jesse’s sexual urges, and Jesse’s sexual urges are represented in the form of a monster. As if sexual desires (either heterosexual or homosexual) were something evil. In a way, the film demonizes sex. This is not something new in horror films. Ive seen quite a few films that demonize sex, for example films like: Bad Biology (2008) or Teeth (2006) . On these films, sex is an evil and traumatic experience. Freddys Revenge fits quite well amongst these kinds of films. But this all makes sense when we think of the context and the time on which the film was made. Robert Englund himself mentioned this in an interview where he stated that “the second Nightmare on Elm Street is obviously intended as a bisexual themed film. It was early 80s, pre-AIDS paranoia. Jesse's wrestling with whether to come out or not and his own sexual desires was manifested by Freddy. His friend is the object of his affection. That's all there in that film. We did it subtly but the casting of Mark Patton was intentional too, because Mark was out and had done Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean". I dont know if I agree with what Englund says on this comment about the film being sublte, cause I actually found the imagery, situations and symbolisms to be quite obvious.


Certain key sequences are visually gayer than Richard Simmons, I mean, literally they pale in comparison. One scene has Jesse and his girlfriend trying to make out, but that doesn’t work out so what does Jesse do? He goes over to his best dudes house and asks him if he could stay over. Another scene has Jesse walking into an S&M bar. Another scene has Jesse’s gym teacher sending him to the shower, so he could whip him? Hell, Freddy himself ends up whipping some dudes ass with a wet towel! By the way, that last remarK? Totally true! Every other dude in the movie is shirtless, or showing their ass for whatever reason. I mean, the homosexual undertones are all over the place with this one. I mean, what’s gayer in a film than a parakeet that suddenly turns evil and starts attacking people, only to explode in a million pieces a couple of minutes later? By the way, that scene has to be seen to be believed. We have a scene where one boy rips off the pants of another (exposing his butt cheeks!) and then, in this condition, they begin to wrestle! One scene has Jesse wake up to suddenly discover that he is wearing Freddy’s glove on his hand, when he realizes this he gives the girliest scream I’ve ever heard any dude give! I wonder how Brad Pitt would have done that scene. By the way, Brad Pitt actually auditioned for the role of Jesse!

Place girly scream right here

But aside from the films themes, the question remains: was this a good Nightmare on Elm Street film? The answer for me is a resounding yes! Why? Freddy looks as evil as ever! On this film Freddy has these incredibly evil looking blood shot eyes. The make up effects on Freddy Krueger was excellent; it was with this film that Freddy’s look was really coming together. We get a better look at Krueger on this movie, though most of the time, same as in the first film; Freddy hides in shadows most of the time. It wasn’t until Nightmare on Elm Street 3: The Dream Warriors that we got a real clear look at Freddy. There are moments in this film that are some of the best in the whole series. For example, the aforementioned Freddy emerging from Jesse’s chest scene, the scene where Freddy rips the flesh on his head to reveal his brain and then gives one the most memorable lines of dialog in the whole series. I’m talking of course of “You got the body and I got the brain!” There’s that pool party scene where suddenly the pool starts to boil, hotdogs start exploding like firecrackers and Freddy appears in the real world to kill off some real teenagers! On this scene he delivers yet another memorable line: “You are all my children now!” The nightmare sequences are pretty nifty as well, the best one involving Freddy driving a high school bus that ends up dangling from a mountain. So the film is actually an entertaining horror film, and it has its memorable moments.

"Hey, where's the exploding hot dogs on this party?"

Not everything is perfect though. Freddy’s Revenge presents us with the idea that Freddy can crossover into the real world. This is nothing new for the weathered Nightmare on Elm Street watcher. We know that in all films, people have been able to carry things in and out of the dream world. Sometimes they bring Freddy’s hat, sometimes his glove, on this one, its Freddy himself who comes out of the dream world to visit us. Some people don’t like that element in the film, and all subsequent sequels practically ignored the rules set by this film, but I found it to be a decent Nightmare on Elm Street flick. Yeah it has a lot of gay stuff in it, but this is the films theme. According to the director, this was intentional. They purposely set out to make a horror film that spoke about these themes, and why not, films are made about any given subject, why not a young mans struggles with his latent homosexuality? I don’t think the film warrants hatred because of that. Plus Freddy’s Revenge has its awesome moments, like those scenes where Jesse’s girlfriend goes searching for him in Freddy’s boiler room, and suddenly she is faced with these two dogs that have a human face on them….freaky in deed! My last words on Freddy’s Revenge is that it’s a good entry into the Nightmare on Elm Street franchise and that it can be enjoyed if you are not a complete homophobe. Remember, in a world as complicated and diversified as our own, the key is co-existence. Plus, what’s to stop you from watching a murderous exploding parakeet?

Rating: 3 1/2 out of 5

A Nightmare on Elm Street 2 - Freddy's RevengeBad BiologyTeeth (Ws Sub)

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