Showing posts with label Joel Kinnaman. Show all posts
Showing posts with label Joel Kinnaman. Show all posts

Tuesday, December 27, 2016

Suicide Squad (2016)


Suicide Squad (2016)

Director: David Ayer

Cast: Will Smith, Jared Leto, Margot Robbie,Viola Davis, Common, Jai Courtney, Ezra Miller, Jay Hernandez, Adewale Akinnuoye Agbaje, Cara Delevingne, Joel Kinnaman, Karen Fukuhara, Ben Affleck

The thing about Suicide Squad is that it’s neither a good nor a bad film. Sadly, this is what Hollywood is doing a lot of these days, films that are neither here, nor there, they simply exist somewhere in the realm between good and bland. That being said, I had a decent time with Suicide Squad; it entertained even through its flaws. I was surprised to discover that it had moments of brilliance, few as they were yet was extremely dissapointed that a writer/director of David Ayer’s caliber delivered such an average film. But before we get into anything, I want to let you guys know that this review is coming from a true blue comic book fan, so I’m not one of those people who went into Suicide Squad already hating it. Actually I was truly looking forward to it. I even saw it opening day. The main draw for me were all the cool possibilities the concept of villains as heroes had to offer, plus we had director David Ayer behind the cameras which gave me a lot of hope. The result wasn’t as disastrous as some reviews make it sound, there’s some fun to be had with Suicide Squad. But I’m sure you’re wondering exactly what these pesky flaws everyone keeps talking about were, so let’s get down to it shall we? 


Suicide Squad is all about this top secret government project called “Task Force X” that unites a group of villains who are under the custody of the federal government (read: in jail) in order to have them do the governments dirty work. So as it turns out, these villains end up being the heroes, because an even more villainous witch called ‘The Enchantress’  is hell-bent on taking over the world. In order to achieve this, she brings to life her once dead, but equally powerful brother. The Suicide Squad’s supposed to stop this all powerful entity. Will they achieve their mission? Or will their collective insanity tear the group apart?


If you have seen Ayer’s body of work, then you will know why I was a bit disappointed here. I mean, Harsh Times (2005)? An amazing picture! End of Watch (2012) and Sabotage (2014) were both highly watchable in my book.  Let’s not forget that Mr. Ayer was a great writer before successfully transferring his talents to the directing department. Before becoming a successful film director, he wrote amazing scripts like Training Day (2001). So yes, I’m perplexed as to why Suicide Squad didn’t blow me away story wise. With Ayer at the helm, I was expecting more of an edge to this film. When the film starts, you are first lambasted with a ton of background stories for each character, which I thought was a mistake because what ends up happening is we get a bunch of fast forwarded versions of each characters origin story. Hollywood’s forgotten that mystery is one of the major elements of cinema, we don’t need to know every single little thing about every single character; especially not in an ensemble piece like this one. I mean, if we’re watching a solo Harley Quinn movie then fine, give me that full blown origin story. Otherwise it’s too much, too fast. As it is, you get these little snippets of everybody’s story squeezed into an already cluttered film. That’s problem number one.


 It’s The Joker and Harley Quinn that you want to see the most of. Sadly, the Joker isn’t on the film as much as you’d think he is. Don’t know what the general consensus on Jared Letos Joker is, but I do know that the decision to make him The Joker divided fans. Me? I was happy with the choice; I’ve always thought he was an underused actor. In my book he is one of the greats of his generation. His Joker is the first to feel like a real gangster, like a crime boss, a guy who’d dabble in selling drugs in a night club while screwing his hot psychiatrist, I mean, he wasn't so cartoony, he felt evil. Each representation of the Joker has been special for different reasons, but I like where Leto is going with it. He wasn’t so much a comic book character, he felt closer to the kind of gangster you’d find on the streets, only with make up on his face; loved whenever Joker and Harley were on screen. That scene of Joker rescuing Harley Quinn while shooting a machine gun from a helicopter while laughing maniacally? Yes please! More of that!


Where the DC cinematic universe is failing is in not giving equal importance to each character. Some are the stars of the show because they are played by the big stars, while characters like Killer Croc, Katana and Slipknot are treated like throwaways. That’s something that Marvel movies never do. Even the smallest, weirdest characters are given their moment to shine in a Marvel movie. While in DC, the weird characters are simply that, weird. Sometimes the way they are portrayed makes you wonder why they are even there. That boomerang throwing villain, why was he there? He does very little. Oh, he’s supposed to be the comic relief? He doesn’t do a good job of it either. Then there’s Slipknot a character introduced at the last minute, like that nameless character that comes along for the mission on an episode of Star Trek, the one you just know is going to bite the bullet. And so on. By comparison, in Marvel movies even Ant-Man gets epic!


On the positive side of things the film does have its moments which for me dealt with Harley Quinn and The Joker, and let’s face it. These two characters are the main draw of the film; it’s why the kiddies are going to see it. You think they care about a Boomerang throwing dude? Nope, their butts are in those seats to see Joker and Harley fall madly in love. The visuals that come out of that origin story are some of the best the film has to offer. I would have preferred seeing a Joker/Harley Quinn solo film instead of this film, but whatever; maybe Warner Bros. will wise up and release it for next Valentine’s Day or something. The squad goes up against powerful villains, almost too powerful for the Suicide Squad, but that’s what this film is all about, it’s less about super powers and more about the tricks these characters have up their sleeves. In the end, the film is told in a choppy manner. It’s messy story wise and doesn’t flow. Some scenes feel forced, so much so that you can practically detect where they squeezed in those re-shoots. Still, though troubled in certain areas, there’s fun to be had with Suicide Squad and thanks to Harley and The Joker, it’s a success at the box office, but I’m going to have to side with the general consensus on this one, DC needs to start making better movies instead of making mediocre ones.

Rating: 3 out of 5 
       

Wednesday, February 19, 2014

Robocop (2014) vs. Robocop (1987)


This comparison between Robocop (1987) and Robocop (2014)comes from a hardcore Robocop fan, who truly freaking loved the original. I mean, when that first movie came out, it was the talk of the town, I remember. All my buddies and I could talk about was Robocop and how cool it was. How awesome was Robocop to me? Well, this is how cool: I made a mini comic that was a parody of Robocop! I called it ‘Bobocop’, the series went on for five whole issues! My 12 year old self loved this ‘R’ rated film, I worshiped this freaking movie. Thinking back, I was a pretty tough kid, I mean, I loved this hardcore ‘R’ movie that included scenes of drug abuse, nudity and hardcore gore! I mean, here’s a movie where Alex Murphy, a Detroit City cop literally gets his brains blown out by the bad guys! But then again, that’s what I liked about it; how over the top it was. How hardcore was Robocop? Well, let me put it this way, in the original film, when the Robocop project gets green lit, the guy who was spearheading the project goes and gets a couple of hookers, sprays some cocaine on their breasts and snorts away to celebrate his success! Want more? Well, in that first film, a bad guy gets a vat of chemicals poured on him and we see his flesh melt off his bones! Basically, this movies modus operandi was called overkill. And you know what? That’s the way I liked it! That was director Paul Verhoeven’s way, many of the movies he made during the 80's and 90's were always over the top with their violence. If you don’t believe me, then check out Total Recall (1989), a film that was criticized for its bucket loads of blood and disregard for human life.

Paul Verhoeven directs

But it’s like Verhoeven says, the violence in these movies is an exaggeration of real life, cartoonish in some ways, in other words, it’s all in good fun. Which is exactly what I loved about Verhoeven’s Robocop, the shock value. And let’s talk a bit about that, I didn’t watch a film like Robocop for how deep it was or how it touched upon what it means to be a human, as a kid I devoured Verhoeven’s film for the cheap thrills, the shock value, that jolt of electricity that you get when Robocop slashes Clearance Boddicker’s throat. It’s what made these movies fun. Not that I’m some sort of blood thirsty violent person, I’m actually quite the peace loving dude, but I love the shock in movies like Robocop, it was never, not for one second boring! Of course, I also loved that science fiction angle; I loved that Robocop was a cyborg and I loved ED-209. In the end, to my twelve year old mind, Robocop was an irresistible mix of science fiction, action and shock, what’s not to love? And I’m not just talking through my nostalgia goggles here, I still think Verhoeven’s Robocop is a solid film with an amazing cast in every single role. Heroes took chances and risks, I mean, Alex Murphy was a brave guy! So was Lewis. The villains where scary dudes, Clearance Boddicker, that guy was really evil in that movie, it took me a while to see that actor as anything but the villain from Robocop. You felt a certain kind of energy through their performances, which is something I didn’t get from the new one. Everyone is so one note on this new film, it was nauseating! Where was the anger and fury on these people? Doesn’t anybody feel? Point is the old Robocop was an intense, solid film all around.  The action was so intense and in your face, it just felt real.


In contrast, this new Robo does not deliver the same levels of intensity, which is sad. Now, when I first heard about the news of a Robo-remake I was excited as hell because I’d been needing a new dose of Robo action. I wanted more Robocop, even if it was through a remake. I was thrilled with the prospect of a new Robo film, and I have to admit that in certain moments of the new film I was genuinely excited to see Robocop again, unfortunately the cons outweigh the pros on this one.  Of course, as it is always the case when the remake of a beloved franchise is announced, film buffs and geeks all across the world shouted sacrilege. I’m not the type to immediately hate a remake because as I’ve said a thousand times before, there’s the off chance that it might be one of the good ones. I was seeing a lot of good things in the previews. In all fariness, the remake does not warrant the intense hatred it’s been getting. It actually has some good ideas. For example, I liked that whole idea about the United States using robots to invade (read: conquer) other countries, the military applications for Robocop where not ignored, this is an element we never saw in previous Robocop films. They dwelled a whole lot more on the technological advances that allow these people to merge a man with a robot. They explored the ideas of what makes a cyborg a cyborg a whole lot more than on Verhoeven’s film. But then again, therein lies part of the problem; while the first film glazed over a lot of the logic in order to make room for the fun stuff, this one wants to be a bit more cerebral.


They spend too much screen time explaining everything; which by the way is something that a lot of films are doing nowadays; they analyze things to death. The original film didn’t explain everything about Robocop, we were meant to take certain things for granted, we found our own explanations in our minds. We as an audience connected the dots in our heads. Not so on this new film where they explore ideas to death. The problem with that is that after seeing Verhoeven’s Robocop and watching this new one, I swear I felt like a junkie with freaking withdrawal symptoms, I needed my jolt of shock! I needed that fun factor turned up! Sadly, this is a problem with films nowadays, they want to be so politically correct that they are no longer fun. They don’t want Alex Murphy to say fuck, they don’t want drugs, they don’t want blood, they don’t want  gore…we my friends are living in an age where action films are being sensored, the action film as we knew it no longer exists. We are living in an age where films simply have no guts. I know that studios want to make more money, and that making films PG-13 is a way to do that, but damn, seriously, is every single thing that Hollywood makes going to be watered down? Is everything going to be made for pre-teens?  


And here’s part of the problem with the Robocop franchise, it started out as a hardcore action franchise for adults. The first two films were ‘R’ rated sci-fi films for adults, but once they got to the third one, well, the owners of the Robo franchise decided to turn it into a franchise for kids. By then they had made Saturday morning cartoons of Robocop, a television series, toys, video games and even comic books, all made for children, which makes no sense whatsoever. I mean, why would you want to make a cartoon series for children based on a movie where Robocop’s creator snorts cocaine from the breasts of a prostitute? You know what I mean? From inception Robocop was a very adult series of films, but Hollywood thinks Robots, and they immediately think kids and toys. Which is the reason why by the time the franchise arrived to its third film, well, Robocop had a little kid sidekick. It was also by the third film that the studio decided to make Robocop a PG-13 franchise. And you know how that story goes, Robocop 3 (1993) turned out to be the worst film in the franchise because it wasn’t the Robocop that we knew and loved, it was by then, a watered down version of the first film.

More of this please! 

Which, I’m sad to say is what we get with this new Robocop film. This is not to say the film doesn’t have its moments. I mean, I love Robocop itself, how he looks when he puts the visor on and aims his gun is positively cool. I loved seeing Robocop in action, sadly there’s not enough action to be had, and what action we do get, is computer generated. On the first film when Robocop gets shot to death by all those cops, you can practically taste the gun powder and the shards of glass, you felt an intensity in Peter Weller’s performance, even through the helmet. Weller’s eyes and mouth expressed the pain; I felt sympathy for Robocop in those scenes!  On the new one I didn’t feel for the character. Joel Kinnaman was a bad choice to play Robocop, it’s the biggest bit of miscasting since John Cusack playing Nixon in The Butler (2013). I felt no sympathy for this Robocop because I didn’t care for the guy, there were no moments in the film where I connected with the character. In the first we felt we were Alex Murphy, a cop out on a new turf, Detroit. On this film the city is not a character and neither are the people who inhabit it, in the old one Detroit was a hell hole you did not want to live in. And then there's Kinnaman, why fill a movie with all these stars and then leave the most important role in the film to a complete unknown? You know how much better Robocop is because Peter Weller’s in it? A whole lot better! I’m sorry, but Kinnaman even looks goofy in his robo gear. And speaking of Robo gear, I was willing to give the film a chance in this department, but the black was a bad choice. Here’s the thing, they should’ve left him looking all metallic, whenever Robocop looks metallic in the new film, everything was so much better! If it aint broke don’t fix it. Robocop is not black, he’s metallic!


One of the biggest problems with the film is that nothing feels tangible or intense, the film felt as cold as the robots it portrays. My advice to Hollywood is: stop doing entire films in CGI! However cool you guys think everything looks, things just don’t feel real. Use freaking computer animation sparingly dammit! The minute I saw a computer generated Robocop jumping through the air in the previews, I knew something was rotten in Denmark. So my final say on this is that the first film is still superior in every single way possible. I gave this one a chance; I gave it the benefit of the doubt and while it has some cool moments and shots, the film as a whole felt like it was missing what made the old one so much fun to watch, Hollywood is an old man afraid to have fun these days. When it started, Robocop was a concept made for adults, it had biting satyre! I mean, beneath all that shock and action, the film made fun of society. Basically, what happened with this new Robocop remake is the same thing that happened with the Total Recall (2012) remake, while enjoyable to some extent, they took away the edgy, fun elements, it brings down the film if you ask me, it makes it less than what it was. And you know what I say to that? Boo, is what I say. I want my fun movies back. Bring back the freaking eighties because I don’t like what action films have become. Simply put: they don’t feel like action films anymore. If you want to see what all the hoopla is about go see this new Robocop movie, I’m not calling it a bad film, I’m calling it a watered down version of its former self. Shame on you Hollywood, you know what we want, you’ve just decided not to give it to us. 

Robocop (1987): 5 out of 5

Robocop (2014): 2 out of 5


LinkWithin

Related Posts with Thumbnails