Showing posts with label Kevin Spacey. Show all posts
Showing posts with label Kevin Spacey. Show all posts

Monday, April 5, 2010

The Men Who Stare at Goats (2009)


Title: The Men Who Stare at Goats (2009)

Director: Grant Heslov

Cast: George Clooney, Kevin Spacey, Ewan McGregor, Jeff Bridges

Writer: Peter Straughan based on the book by Jon Ronson

Sometimes, things that happen in the real world are a million times stranger then fiction. Take for example “The First Earth Batallion”. The First Earth Batallion was a secret U.S. Military group that was being trained to use psychic powers against the enemy! This group of soldiers was lead by a hippy/new wave activist/environmentalist Jim Channon. Basically, the U.S. Military gave Channon the okay to experiment with the idea of creating an army that could use mental powers in battle. Supposedly, these “warrior monks” were being trained to do all sorts of new agey bullshit like:

- moving things with the power of their minds

- phasing through walls

- seeing into the past or into the future

- talking to spirits

- having out of body experiences

- telepathy

- stopping the heart of an enemy with the powers of the mind

Of course, these soldiers never really developed any of these special powers (big surprise there!) and the project was shelved. I’m actually extremely surprised that the military actually went as far as they did with this whole stupid idea. They actually went ahead and bought hundreds of goats so that the “warrior monks” or Jedi’s (yeah they actually called themselves Jedi Warriors) could try and stop their hearts with the powers of their minds! There were manuals written, there were designs for special warrior monk uniforms, I mean, this thing got out of hand! Strangely enough, some of the psychological warfare tactics did crossover into real life practical use. The U.S. Army has been known to use psychological torture techniques that stem from Channon’s techniques and research. Like for example, the U.S. Army has been known to play the theme song to the Barney children’s television show for hours on end to Iraqi prisoners of war. But most of the other ideas Channon had to offer (like talking to spirits) were completely eliminated. A couple of years down the line, Jon Ronson -an English journalist- wrote a book on the whole thing which ended up being the movie I will be reviewing today. The Men Who Stare at Goats.

The book on which the film is based on

Basically, the movie follows Bob Wilton, an English journalist who decides to go and cover the Iraq war. While there, he encounters Special Forces operator Lyn Cassidy, who lets Bob in on his secret mission involving meeting up with the creator of the “New Earth Battalion” Bill Django. Will they ever meet up with Bill? Is this whole “New Earth Battalion” thing real? Do these guys really have any psychic abilities or super powers? Bob Wilton decides to follow Lyn Cassidy in order to get to the truth.


I found this movie really interesting for various reasons. Number one, I think it’s absolutely bonkers that the U.S. Military was involved in something like this. I mean, come on, talking to spirits? Phasing through walls? To me, this whole thing just proves one thing: the world is under the control of mad men! They actually spent time and money on this thing! In real life! But whatever, that point aside, the movie decides to take a very interesting route as well.

The religious leader of the "New Earth Battalion"

In the film Jeff Bridges plays the role of Bill Django, the man in charge of creating this new kind of warrior for the United States government. And in the film, he functions very much like a religious leader to this military unit. The soldiers have to repeat a prayer; they give themselves entirely to the guidance of Django, they have to congregate. For all intents and purposes Bill Django is their spiritual guide. So right there and then I said, the film is commenting on religion. On cults. Jamestown and Waco Texas instantly popped into mind. And its true, this is precisely what the film comments on. These men all put their trust in Mr. Django’s new agey philosophy and way of life. He tells them that they will all develop these special powers, that they will all be able to achieve these incredible feats, which by the way seem to come straight out of a comic book. But the unit goes with it, because they trust Django. They trust that he knows what he is talking about because he just seems so enlightened. Or maybe he knows how to talk a lot of bull crap really well?


George Clooney plays Lyn Cassady, the follower; the guy who’s put his complete trust in Django’s teachings. The guy who will do whatever Django tells him to. In many ways, Clooney’s Lyn represents the people who will follow a religious leader to the ends of the earth (something Lyn does in the movie by the way) and live and breathe by their leader’s teachings. One could say that Clooney is blindly following Bill, same way many people will blindly follow a religious leader. Cassidy reads fervently from a manual written by Django for his New Earth Battalion, kind of like the same way religious individuals can read from a holy book, like the bible, the Koran or the Book of Mormon. It is aluded in the film that Lyn was looking for something to believe in, and Django, through his New Earth Battalion, gave him exactly what he was looking for. Which is really what happens to a lot of people looking for spiritual guidance through a religion, they are looking for something to believe in, something to guide them and give them peace in this crazy world. Give things a purpose, an answer.


On the film, Django wants to promote peace and love in the world. In Django’s book, the planet and nature are number one. Peace is the real objective of the New Earth Battalion; their main objective is finding resolution to conflict through the use of non lethal methods. All of Django’s teachings are based on these ideals. In my book, these ideals that Django teaches in the film are good and could actually help make the world a better place. I’m all for peace in the world, the unification of the countries, the end of war. But why did Django feel he needed to link fantasy elements (or the "hippy bullshit" as they are referred to in the film) along with these ideals? Phasing through walls and moving things with the power of the mind are a complete fantasy and go in contrast with the other very real teachings he promoted. Teachings about attainable things like peace, love and unification of the world. This is the same thing that happens in some religions, like Scientology for example, where they offer you this whole way of life that can supposedly help you achieve all your goals and dreams.Unfortunately, if you read the fine print you'll find out that you have to also believe alien warlords named Xenu, and in ghost aliens. Oh and add time traveling to that list. Some religions offer people a new positive way of life. Many of them have teachings based on love and compassion, which are all great things in my book. But why do they feel the need to lace that with a bunch of fantasies that don’t have an iota of truth to them? This is something the film addresses as well, I won’t comment any further so you’ll come to your own conclusions after you see the film.

Free the Goats from their mental slavery!

George Clooney shines as the Lieutenant Lyn Cassidy. He plays his character in a very goofy absent minded manner; a guy who has gone a bit coo-coo with Django’s teachings. He believes it all to be true, and in some ways this helps him get through life, and in others, it doesn’t. He often times gets into a lot of trouble because he thinks he has these special abilities. But also, by just thinking he has them helps him as well. In this way the film comments on how religion can become sort of a psychological comfort cushion. You think you got somebody watching over you, you feel more confident, you dare to achieve more. That’s fine and dandy, but me, I rather rely on my own inner strength and confidence to achieve things then in some mystical invisible being that’s supposed there yet we never see or hear. I guess some people need that additional psychological back up, and all those perfect pre-packaged shinny answers to everything, so as they say, more power to them. I like to live with my feet firmly placed on reaffirming reality. You want to tell me that love, peace and companion are things we have to live by? Sure, Ill buy that for a dollar. Just leave all the new agey hippy bullshit out of it!

Rating: 4 out of 5

 The Men Who Stare At Goats

Thursday, January 14, 2010

Moon (2009)


Title: Moon (2009)


Director: Duncan Jones

Stars: Sam Rockwell, Kevin Spacey (as the voice of GERTY 3000)

Review:

The plausible science fiction film is the one that presents us with a situation or a scenario that we can buy, that we can believe might happen. There are few science fiction films that could be included in this category of films because most science fiction films concern themselves with mixing science fiction and fantasy in the same genre. Like the Star Wars franchise for example. Yes its science fiction, but it’s about as believable as The Lord of the Rings is. On the other hand we have the serious science fiction film, the one that puts its characters and story within the reach of science. Nothing is too unbelievable in a serious science fiction film.


Take Stanley Kubrick’s 2001: A Space Odyssey (Moon’s most obvious influence) for example. Completely plausible. Computers will undoubtedly one day become HAL 9000. There is a very big possibility that one day we will encounter an alien species. Moon colonization isn’t too far off in the future either. Aside from that its just great film, filled with mystery, heavy themes and intrigue. In the words of Arthur C. Clark, 2001 is the “quintessential good science fiction film”. Steven Spielberg’s Close Encounters of the Third Kind (1975) presented us with the possibility of alien visitors in a very credible fashion. These types of science fiction films are hard a rare bird. One look at your science fiction section of your local video club will attest to this. Fortunately for us, there are those sci-fi flicks that that stick more to the science side of things. These films turn out to be more interesting for me because they feel more real. While watching these kinds of films you feel like maybe, if the technology advanced enough in the near future, what’s presented to us in the film could quite possibly happen. What plausible situation does Moon (a film that can be categorized as a serious science fiction film) present us with?


Story revolves around Sam Bell a guy whose job is to run a lunar station that mines and extracts Helium 3 from the solar surface and transforms it into clean energy for everyone back on earth. Problem is that the place runs itself, and they don’t need many employs to run it, Sam is the only employee. His duties are minor; he watches over the place making sure everything runs smoothly. His only company comes in the form of a computer named GERTY 3000. Sam has been working on the moon for three years straight and he is now ready to go back home. He misses both his wife and his daughter whom he left back on earth three years ago to take up this job. Two weeks away from ending his three year stint on the lunar base Sam begins to see strange things happening on the base. Is he alone? Is someone with him? Is his mind playing tricks on him? Is Sam going koo-koo? Will he ever get back to earth to see his wife and daughter?


Some films wear their influences on their sleeves and Moon is one of them. This is director Duncan Jones debut feature, and in it, he has decided to show us which filmmakers and films he admires. First and foremost, he is a huge fan of Kubrick. Moon owes a lot to Kubrick’s 2001: A Space Odyssey. This is a fact that some might find detrimental to their enjoyment of Moon. I personally do not immediately write a film off as bad because it has elements from other films in it. I only do this when a film is a carbon copy of another, which in my opinion isn’t the case with Moon.


To me, Moon adds enough of its own flare so that it stands on its own. Still there are moments where you go “damn, that moment is straight out of 2001!” For example, when Sam is talking to his little girl on the TV-phone. Also, GERTY 3000 is an obvious nod to HAL 9000. And on this movie there’s a moment when Sam has to trick GERTY into opening some doors because GERTY doesn’t want to open them. So yeah, there are some similarities to Kubrick’s masterpiece not only with these elements I mentioned, but both in tone and look. I mean, when seeing all those white rooms in the lunar base, one cant help but think of Kubrick’s love of the color white in his films.


It has elements from Tarkovsky’s Solaris (1976) because Sam begins to see strange things on the lunar base, similar to how the astronauts who went to Solaris started seeing things once they got close to the strange planet. We also got elements from the Alien films, with the thing about the big corporation lying to its employees and having an ulterior motive for their actions. It has bits of Peter Hyam’s Outland (1979) with a guy working on a mining outpost. So yeah, this movie has influences up the wazoo, but does it bring anything new to the table?


Of course it does. Moon does what some of my favorite movies do. They summarize the director or writers view on life and encapsulate those views in one movie. This is a film that is about life, from beginning to end. What it takes to be human. It’s about being young and strong, and being old and sick. It’s about arriving into this world, and learning to accept we are someday going to depart, and that sadly, the things we leave behind will ironically outlive us. But it goes even further then that. Is what we are told when we come into the world the truth? Or is it just an illusion? Is there a bigger truth hidden somewhere deeper? Where normally we wouldn’t see it? These are the questions this film asks, and this is the reason why I thought the film went down its own path as opposed to simply being a clone of 2001. I loved the symbolisms in the film, and it’s a film that you can enjoy a whole lot more if you read into them. The films themes are squeezed in there in a very subtle manner, within its science fiction elements, but they are there.

The film is very slow in pace and it does not pretend to be more then it is: a deeply philosophical film. This is not the kind of science fiction that wants to wow you with its nifty CGI effects. Nope, this is a close encounter with science fiction of the brainy kind. It can go in the same category as films like Danny Boyle’s Sunshine and Alejandro Cuaron’s Children of Men. These are science fiction films that make you think. Which of course is way better then the empty calories that come from a science fiction summer blockbuster. Speaking of the films effects, they are not the center piece of the film, but I do admire the effort put forth to use old school effects, like miniatures. This film has an interesting blend of minimal use of CGI and lots of miniatures, but you’d never know it because they are so well achieved.

I cannot go on writing this review without mentioning the great work that Sam Rockwell does in it. The whole film rests on his shoulders, and I have to say that he did an amazing job considering the different tasks that this particular role required of him. Just goes to show that Rockwell’s career should only go up from here on in. Same goes for director Duncan Jones who by the way is the son of one of the greatest glam rock stars to ever walk the face of the earth. A rocker who is familiar with space oddities and spiders from Mars. Mr. David Bowie himself.

Duncan: "Hey dad, will you fund my first film?" David Bowie: "If you make it trippy enough I will!"

So that’s my take on Moon. If you’re in the mood for some intelligent sci-fi, Moon will have you blasting off into the philosophical stratosphere.

Rating: 4 out of 5

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