Flight of the Navigator (1986)

Title: Flight of the Navigator (1986)

Director: Randal Kleiser

Cast: Cliff De Young, Joey Cramer, Paul Reubens, Veronica Cartwright, Sarah Jessica Parker, Matt Adler

Review:

Director Randal Kleiser has had a very eclectic directorial career; he is responsible for a very disparate bunch of successful films, never adhering to one genre. For example, this is the guy that directed one fo the most popular musicals ever; Grease (1978) and yet also the guy who directed Honey I Blew Up the Kid (1992) and The Blue Lagoon (1980). He also made Big Top Pee Wee (1988) which to me is one of the worst movies ever made, but I’ll forgive him for that one, every director is entitled to a stinker or two in their career. Flight of the Navigator is another one of Kleiser’s eclectic directorial choices; a sci-fi family film from Disney. It is one of the most endearing of movies for me because I watched it a whole lot when I was a kid, so yeah, this review is coming from the perspective of my nostalgia goggles, which is kind of cool because you’re getting the opinion of a true child of the 80’s!

Flight of the Navigator starts out in 1978, during a very sunny and beautiful  4^th of July day. Here we meet the Freemans, your typical American family comprised of mom, dad, two brothers and a dog. The focus of the story is on David Freeman, a twelve year old kid with twelve year old preoccupations: getting his dog to learn how to catch a Frisbee, fighting with his little brother and having the hots for a girl, but not knowing how to go about it. One day, while searching for his brother in the woods suddenly David discovers that he has traveled seven years into the future! How did this come to be? And what does it have to do with the spaceship that the U.S. government has found? 

So I love this movie for various reasons, one of them is because it sends out a very pro-family message. I am a family man at heart and I love it when films augment the importance of family. Flight of the Navigator speaks about the importance of appreciating your family when you have them, because you never know when you might lose them. The moments when David is sharing time with his family are really good, I mean, Kleiser really captured the feeling of a bright, colorful, sunny day with the family, those moments when the family is just having a great time with each other really clicked for me, made me want to be 12 years old again and spending time with my family. But when David gets swiped to the future, suddenly his family isn’t his family anymore. His little brother is older than he is, his mom and dad are older, it’s just not the family he had back in 1978, back when things were normal. So this is a story of David simply trying to get back to his time, and his family the way he knew them; not the altered reality version of them. Basically this is a kiddy friendly version of Back to the Future (1985), sans the sex and alcohol. And I’m pretty sure this is exactly what these filmmakers where aiming for, after all, just a year before Flight of the Navigator was released, Back to the Future made many millions at the box office, so this type of story was popular at the time.

The difference between both films is the science fiction angle is stronger on Flight of the Navigator. While the DeLorean in the Back to the Future films was created by a semi mad scientist, the time machine in Flight of the Navigator is an alien spaceship from another galaxy. Speaking of the alien spaceship, this is one cool looking ship! When I was a kid, I wanted to be David piloting that super cool alien craft. The ship was voiced by Paul Reuben’s;  a.k.a. Pee Wee Herman. Reuben’s distinct voice goes unnoticeable for most of the film because the filmmakers altered it to make it sound more like a computer, sometimes you’ll hear Reuben’s distinctive Pee Wee like laughter emerging. The ship is a combination of various forms of visual effects, but most noticeable of all is the use of computer generated images, which at the time were just getting started. I remember, as a kid, those few instances of computer generated images where awesome! Now of course, little bits of computer generated images like the ones found in Flight of the Navigator are childsplay; today entire films are computer generated! But back then, seeing something like this was innovative and exciting. So expect a film in which CGI was taking its first baby steps towards becoming the out of control rampaging monster it is today.

Another reason I love this movie is because it instantly takes me back to the 80’s. There’s this moment in which the government takes David to some sort of complex in order to perform some tests on him and in order to make him feel more at home, they buy him a bunch of toys. So when he gets to his room, it’s filled with a bunch of G.I. Joes and Transformers. Wow, now that took me back! They also talk about MTV (back when MTV was cool) and Twisted Sister and they have Sarah Jessica Parker dressed up all Madonna-like; it’s little bits like these that took me back to the decade. Another thing that makes this one very 80’s is how the entire film is centered on a twelve year old kid, so we’re talking about alien spaceships, time travel and mind melds, but everything depends on the actions of this kid! If I had to say anything negative about the film it’s that it’s very simplistic in nature, but then again, this is a film aimed at twelve year olds, so it’s not meant to be deep, the main purpose here is to feel good and have fun, and in this sense the movie delivers. There’s this really cool moment where David is flying the ship while listening to “Good Vibrations” by the Beach Boys, definitely felt some good vibes all around.  But then again, I was feeling good vibes from this movie all the time. It's one of the best kid movies from the 80's which is the reason why I mentioned it on my Quintessential Kid Films from the 80's blogpost, it’s lighthearted family fare of the best kind.

Rated:  3 1/2 out of 5  

  

Frankenweenie (2012)

Title: Frankenweenie (2012)

Director: Tim Burton

Cast: Martin Landau, Wynona Ryder, Catherine O’Hara, Martin Short

Review:

Funny how Frankenweenie, the short film that got Tim Burton fired from Disney in 1984 is the very film that has now gotten remade and released theatrically by Disney themselves, oh how the tables have turned!  You see, once upon a time, Tim Burton was a fledgling filmmaker, trying to make it in the big bad film world. Burton worked as a conceptual artist for Disney in films like The Black Cauldron (1985) and as an animator in films like Tron (1982) and The Fox and the Hound (1981). When he was given the chance and the budget to produce and direct a short film for Disney, the company found the resulting film too dark/scary for kids, and so they shelved the original Frankenweenie which was supposed to play before the theatrical re-release of Pinocchio (1940). So as fate would have it, the original Frankenweenie never saw the light of day in theaters. But things began to look up for Mr. Burton when he hit it big with films like Pee Wee’s Big Adventure (1985) and Beetlejuice (1988). Suddenly Disney was interested again in Burton’s work so in order to cash in on Burton’s success, Disney released Frankenweenie on VHS for all to see.  Right now if you want to see the original live action Frankenweenie short film, you can find it on the Nightmare Before Christmas (1993) dvd, as an extra alongside Burtons other stop motion animated short film Vincent (1982). So low and behold, Burton’s got so much power now as a filmmaker that he can pretty much do whatever the hell he wants, so of course Disney said yes to this new Frankenweenie remake, which is sort of a sweet revenge for Burton, to get Disney to produce a film for which they originally fired him for. But whatever, all that stuff aside, how was this new Burton film?

Poster for the original live action short film Frankenweenie (1984)

Frankenweenie tells the tale of a very creative little boy named Victor. He likes making short films with his dog ‘Sparky’ as the star, he is a scientist of sorts always experimenting, always asking questions, always curious.  Unfortunately for Victor, one day as he is playing baseball, his dog Sparky is hit by a car and killed. Victor doesn’t accept that his dog has died, so inspired by a scientific experiment he sees in school, he decides to try and re-animate Sparky, to bring him back from the dead, Frankenstein style. And what do you know, he succeeds! Can he hide the fact from his family and friends that he’s successfully brought his dog back from the dead?

Tim Burton’s films have aesthetic all their own, it’s gotten to the point where you see a film and you can immediately tell it’s a Tim Burton film or not. It’s that gothicness they have to them; that love for all things spooky. Frankenweenie feels like a film that exists within that Tim Burton universe we’ve all come to know and love, to me it felt like a mix between The Nightmare Before Christmas (1993), Sleepy Hollow (1999) and Edward Scissorhands (1990) and by that I mean the film is filled with cemeteries, tombstones, full moons, windmills at the top of a hill, stormy skies, monsters, picture perfect suburban neighborhoods, nosy neighbors, socially inept kids and parents who are oblivious to the things that their kids are going through. Plus, there’s the fact that it’s stop motion animated, a technique that has become closely associated with Burton because of his involvement with films like Nightmare Before Christmas, The Corpse Bride (2005) and James and the Giant Peach (1996). Tim Burton and Henry Selick have both become the champions of stop motion animation in a time when computer generated imagery is king and you know what I think about that: hip, hip hooray for these guys. Stop motion animation is such a beautiful filmmaking technique that I’m glad it hasn’t disappeared thanks to the efforts of these two guys and a couple of other filmmakers (like the creators of Wallace and Gromit) who just won’t let stop motion animation die.

New Sparky (top) Old Sparky (bottom) 

How does this new Frankeneweenie compare to the old one? Well, in terms of premise and themes, they are pretty much the same film. The biggest difference between the two is obviously that the first one is live action and this new remake is stop motion animated. The stop motion animation gives the remake a higher re-watchability ratio because, as is usually the case with these stop motion animated films, there’s so many little details you can fixate your eyes on, these films are eye candy for me. The other major difference between the two is that while the first one focuses only on Victor and Sparky alone, on this new one we meet a bunch of Victor’s schoolmates who are also interested in finding out how Victor brought his dog back from the dead so they can do it as well with their respective dead pets. So we get more zombie pets then in than in the original short film.

Both Frankenweenie films are a homage to James Whale’s Frankenstein (1931), so with this new one you’ll get a lot of references to both Mary Shelly and the old Universal film that starred Boris Karloff. Unfortunately, though I love that old film and the fact that Frankenweenie is a homage to it, this is where Frankenweenie felt a little redundant to me because Burton had already paid homage to James Whale’s Frankenstein in Sleepy Hollow. If you remember correctly, the whole ending in Sleepy Hollow with Christina Ricci hanging from the windmill came right out of those climactic moments in Frankenstein which also take place in a windmill that’s been set on fire. So when when you watch Frankenweenie you might feel that its climactic moments which also take place on a fiery windmill are very “been there done that”, especially if you are a fan of Burton’s films. I guess it’s fitting that the film ends this way when we take in consideration that it’s a homage to Frankenstein, but as I said before, it’s something that Burton has already done before in previous films, in almost the same exact way. The ending to Sleepy Hollow is extremely similar to the ending in Frankenweenie. This was really the only negative thing I could think of.

The film is very simple in nature because when we get right down to it, it simply turns into a film about stopping the monsters from destroying the town, not unlike Godzilla (1954) (another huge influence on Burton) or Gremlins (1984), yet it does have some social commentary hidden within, like for example, Burtons critique on the suburban lifestyle and the dwindling state of education in our school systems. I loved how Burton depicted the science teacher in the film. For Burton, the importance of science in education has always been of big issue in his films, for example, in Sleepy Hollow he highlights the importance of science and logic over superstition. In his films Burton is always addressing the folly of ignorance and the importance of knowledge, so I of course enjoyed that as well. At the end of the day this was a fun Halloween movie, great to take your kid and teach them about the acceptance of death as a natural part of life. It’s simple film in nature, but fun to watch (especially in 3-D) and extremely well animated, I marvel at the work and dedication that went into making a film like this.

Rating: 4 out of 5

Burton and Elvira at the Frankenweenie premiere