Behind the Scenes Awesomeness: Dune (1984)

David Lynch's Dune (1984) is a film that in my book, gets unwarranted bad wrap all around. First of all, producers took this film away from David Lynch and edited it in their own way and as a result, Lynch himself disowns it. True, this was unfortunate, but you know what? In my book, this film still rocks and it rocks hard! First off, as an adaptation of the book, it's actually a decent adaptation. True, it feels like a fast forward version of the book and it does leave some stuff out, but then again, doesn't every single book to film adaptation do that? Yes they do. So anyways, I admire this movie because of the incredible artistry involved in making it, and plus, even though the producers took the film away from Lynch, it's still very much a Lynch film if you ask me. This was before the days of computer generated images, so it was made old school, with matte paintings, miniatures and actual sets. When you look at this behind the scenes pictures and see the work and artistry involved for one single shot that lasts a few seconds...well, it just blows me away and makes me love the film that much more. What's that you say? You've yet to see David Lynch's Dune? Well, you're only missing out on one of the biggest science fiction films ever made that's all. I say give it a chance, I doubt you'll be dissapointed! So anyway, here I offer you guys more than 40 behind the scenes pics of this science fiction masterpiece, enjoy! 

David Lynch next to Frank Herbert the author and creator of Dune 

Jodorowsky’s Dune (2013)

Jodorowsky’s Dune (2013)

Director: Frank Pavich

There are certain documentaries out there that really dive into what it means to really make a film, a side of movies we hardly ever see, the creative side, the side that struggles to make ideas come to cinematic life. All we have to do as an audience is sit, and take in the movie; sometimes we forget just how grueling an experience making a film can be. I mean, it’s not just shooting a film, you have to go through the whole process of writing the script, of casting it, of assembling the team that’s going to help you bring your dreams come to life. One of my favorite documentaries that explores this side of filmmaking is Lost in La Mancha (2002), which chronicles the rise and fall of what could have been Terry Gilliam’s take on Don Quixote, a film that was to be called ‘The Man Who Killed Quixote’. Unfortunately for Gilliam, the whole project collapsed on him through a combination of raging storms that destroyed equipment and a protagonist who fell ill, amongst other catastrophes. Many millions were lost and the film never got made, but what an incredible spectacle it is to watch it all happen! That documentary is special because they actually filmed the whole disaster as it occurred. I always recommend it because it’s a brilliant peek into the frustrations of a filmmaker who desperately wants to make a film, yet the universe conspires against him. Gilliam is still trying to get that film made believe it or not, I hope he finally gets there because there’s nothing worse than a director who never got to make that one film he or she has always wanted to make. This brings to mind Jodorowski and his adaptation of Frank Herbert’s sci-fi, Magnus opus, Dune. A film that sadly never got made. This documentary goes into all the pre-production work that went into the film, and the reason why it never took off.

Jodorowsky (left) next to what would have been one of the Emperor's Saudukar Warriors. To the right, Michel Seydoux one of the films hopeful producers.

Alejandro Jodorowski was eighty four years old when they shot this documentary, but boy, his mind is as clear as if he was 30! I mean at 80, most people are with one foot in the grave, begging for forgiveness, yet here is Jodorowski alive and kicking, still a creative force to be reckoned with. I mean, to this day, Jodorowsky still directs films! His most recent one is called The Dance of Reality (2013), which I will be seeing and reviewing here soon. He writes for a French sci-fi show called ‘Metal Hurlant Chronicles’ and every now and then continues writing incredible comic books and graphic novels. I love the guy, I want to be like him when I get old, just writing and creating cool stuff. Which is why I think it’s such a tragedy that he didn’t get a chance to make his version of Dune. If his pre-production archives are any indication, this movie was going to blow everyone’s mind!

The Man, The Myth, The Legend, Alejandro Jodorowsky

To hear Jodorwski talk is pure delight, he speaks like a genius mad man, a point that the documentary makes clear. There cannot be great art without some madness. Hearing Jodorowsky say how his Dune was going to change the world, you believe him. Then you see the story boards for the film, and it becomes evident, this film was going to be something special. But it was not to be, the powers that be shied away from greatness. I mean, here’s a project that has influenced many others after it, and it wasn’t even made! Can you imagine how it would have influenced other filmmakers, had it actually gotten made? Jodorowsky planned this movie so well that he had this giant ass storyboard book he printed that included every scene, shot and camera move. There’s a myth amongst movie buffs that says that many a Hollywood director/producer copied from this book, George Lucas included. Elements from Dune have always popped up all over the Star Wars saga and I’ve always noticed them. Could it be that George Lucas simply loved Frank Herbert’s Dune and was influenced by it? Or did Lucas get a peek at a copy of Jodorowsky’s storyboard book? I don’t know the answer to that one my friends, but there are some blaring similarities between what could have been Jodorowsky’s Dune and George Lucas’s Star Wars.

H.R. Giger working on conceptual artwork for Jodorowsky's Dune, these paintings would go on to be some of Giger's most recognized works. 

There’s this moment in the documentary where Jodorowsky totally looses it and his anger emerges, you can see he is truly upset that after so many plans and after so much time spent, his version of Dune never took off. He is so passionate about the film that I’d give him the money if I had it! Instead, he offers the film to any other young director out there willing to take a crack at it, Nicolas Winding Refn the director behind Drive (2011) and Only God Forgives (2013) seems to admire Jodorowsky enough, so much so that he dedicated Only God Forgives to him, maybe their kinship will give us Jodorowsky's Dune someday? Here's hoping!  Let’s see, many directors have been about to make the new Dune, but as of yet, nothing. It’s so sad because you can see that what happened to Jodorowsky is the typical situation in which Hollywood detects weirdness and runs away from it like a child running away from the boogeyman. Movies with strange premises, films that they don’t know how to sell, films that don’t follow a formula or a structure, auteur directors with a knack for the bizarre, these are just some of the things that Hollywood tries its best to run away from. It’s sad seeing true artistes like David Lynch, Terry Gilliam and Alejandro Jodorowsky struggling to make movies. I mean, here’s a bunch of directors who can truly add something to cinema, yet these are the voices that Hollywood silences. Worst part is that they shut the door on Jodorowsky and crew, yet just a few years down the road the project gets done with an even bigger budget and with a similar production plan. I’m sure this was a slap in the face to Jodorowsky, getting doors shut in your face only to see Hollywood copy your idea and do it their way.

A promotional poster for the would be film. 

Jodorowsky says he was relieved when he saw Lynch’s film because according to him it was terrible, which is kind of weird seeing one ateur hit on the work of another like that, but Jodorowsky makes it clear, he knows Dune was taken from Lynch and that it was a film done primarily by the producers, he actually aknowledges Lynch as a true creative force. Many film buffs and critics don’t consider Lynch's Dune a true David Lynch film, Lynch himself included. You ask me, I don’t hate Lynch’s Dune (1984), I in fact love it. Out of all the adaptations of Herbert’s work, it’s the biggest and most epic of all, production wise. And even with all the bitchin’ and moaning you hear about how supposedly “bad” Lynch’s Dune is, when we get down to it, it’s a pretty close adaptation of Herbert’s book. But rest assured my friends, Jodorowsky’s Dune would have been something else entirely different. There’s this line in the documentary that has to be the best line in it where Jodorowsky says that when you adapt a book, you cannot do it exactly the same, you have to rape it. And then he says, “that’s what I was doing, I was raping Frank Herbert!” Then he pauses and says: “but in a good way…” Jodorowsky’s mind, it really is  brilliant, I hope that when I am 84 I can be as cool and as sharp as he is. This documentary is a testament to his genius.  It lets us see once again how afraid Hollywood is of anything different, or anything with the desire to “change the world!” This documentary is a fascinating peek into Jodorowsky’s mind, anyone who appreciates art, Frank Herbert’s Dune novels and filmmaking in general will have an amazing time watching this, highly recommend it.

Rating: 5 out of 5  

     

Dune (1984)

Title: Dune (1984)

Director: David Lynch

Cast: Kyle MacLachlan, Sean Young, Max Von Sydow, Dean Stockwell, Sting, Patrick Stewart, Jurgen Prochnow, Jack Nance, Virginia Madsen, Richard Jordan, Jose Ferrer, Brad Dourif

David Lynch’s Dune is a film that is hated by many but loved by another many, it’s a film that divides people, a love it or hate it type of thing, though if you ask me, there’s very little to hate about Lynch’s Dune. I’ve loved this movie ever since I was a kid, I didn’t fully “get it” back then, but there was something I liked about it anyways, my young mind recognized it as a special film. Dune is a film that I have revisited many times over in my life; it’s become one of those films that I will always love. Many years after I first discovered it, I read the book and appreciated the film on a whole other level. Considering the complexity of the book, I applaud Lynch for taking this gargantuan story and transferring it to the big screen because it was never going to be an easy job, the story that Frank Herbert weaved is epic, always has been, yet Lynch took it upon himself to film the thing, he even wrote the script himself! Many directors tried and failed for whatever the reason (Jodorowski and Ridley Scott being two of the filmmakers that didn’t end up directing) yet Lynch stuck to his guns and took the project head on. He even rejected an offer to direct Return of the Jedi (1983) in order to make Dune! Can you imagine what Return of the Jedi might have been like had Lynch directed it? Yeah, I know, the idea of Lynch playing with the Star Wars universe boggles the mind, yet I’m happy he ended up directing Dune instead because in many ways, Lynch was the perfect director for this project, especially when it comes to the more mystical aspects of the story, the telepathic abilities, Lynch had the perfect sensibilities for the more “weird” aspects of the Dune saga.

Herbert’s classic science fiction tale of politics, witches, religion and rebellion is one of those science fiction novels that any self respecting science fiction fan should tackle at some point in their lives. It really is one of the best designed fictional worlds; Herbert really constructed a fascinating, complex universe you can easily lose yourself in, a world filled with mysticism and inner dialog, of prophecies, false gods and abusive governments. The story of Dune is an all encompassing tale that covers many important aspects of our society, as you can expect, like all good science fiction, our way of life is mirrored in the story. For example, one of the main themes of the book revolves around religious fanatism, because after all, the story of Dune is one about a messiah coming to free his people, but that’s just the tip of the iceberg in this fantastic tale of liberation. You see, Dune is one of those books that is so complex that Herbert created a unique lexicon just for these books. So if you ever decide to read it, just remember your going to be introduced to a whole glossary of words unique to the Dune books, in fact, just in case you get lost, the book actually includes a glossary of Dune words! Words like “Kwisatz Haderach”, “Benne Gesserit Witches” and last but not least, the “Spice Melange”, but same as reading Anthony Burgesses’s A Clockwork Orange which also created its own lexicon, all the new words will end up making perfect sense to you by the time you finish reading the book.  So I highly recommend checking this novel out to all sci-fi fans out there. As with any book to film adaptation, the question remains, was the film a good adaptation of the book?

I’d say that yes, it in deed was a good adaptation of the book. In its essence, the film tells the story of the liberation of the Fremen and the rise of Paul Moadib as ruler of the known universe. And this is coming from me, a huge fan of Frank Herbert’s Dune books! I’ve read almost all of them (still need to read the last one Chapterhouse: Dune) so I can say that yeah, Lynch’s adaptation was faithful for the most part. The only area in which he ended up changing things just a bit was in the last five minutes of film, but the rest of the film is pretty much the book. Of course, quite a few things were left out of the book in order to deliver a two hour movie. Speaking of which, the only real problem for me with the film is that if you’ve read the books, you’ll feel as if you’re seeing the story in fast forward. Truth be told, this book has enough story going for it to make two movies, but what Lynch did with the script and what the producers did when they edited the film themselves was compress the whole story into one movie; a pretty daunting task if you ask me. At the end of the day, the film kept the spirit of the book; even Frank Herbert himself complimented Lynch on the film. Herbert mentioned that he was mostly happy with the film, except for the ending which is where Lynch turned things around towards the more theatrical. You see, in the book, Paul Atreides is a man playing to be a god, without in fact being one; he recognizes the power that being a god to the masses represents, so he uses that to the peoples advantage. But the way the film ends, it makes him look like he is actually a god with powers like making it rain on planet Arrakis. This is why Herbert himself said that while he liked the film, he says that Lynch got the ending wrong. “I have my quibbles about the film, of course. Paul was a man playing a god, not a god who could make it rain” So this is really the only real difference between the books and the film. Though the ending of the film has an impact, and makes Paul Atreides a more powerful character, the problem with it is that Lynch’s ending changes the whole character around going against the actual message that Herbert was trying to put across with his book, that religion is a powerful farce used to control the masses.

In retrospective, considering how much of the story Lynch actually shot, they should have taken the opportunity to film two movies back to back. Lynch filmed enough of the story to make a four hour long movie! That’s right my friends, Lynch’s original cut of Dune was four hours long! So they might as well have split the thing in two and released it as two movies, kind of like what Tarantino did with his Kill Bill movies. But no, instead the producers decided to take the film away from Lynch and edit it down to two hours and seventeen minutes, which is one of the reasons why Lynch disowns this movie. It’s the one he considers a ‘failure’ in his career. In my opinion the resulting film is not a bad one and very far from being a failure. Lynch had shot too much good stuff for it to be bad; the result was going to be good no matter what. But obviously, had Lynch had final cut of the film, it would have been better. This is the main reason why Lynch has always denied participation in any of the dvd releases of the film. I’m wondering if maybe one day we’ll get a director’s cut of the film; which simply put, would be awesome! But considering how Lynch refuses to even talk about this film, well, I’m guessing we’ll never see that happen. As of my typing this review, there are three versions of the film, each varying in length. There’s the theatrical cut, the extended cut you get to see on television and then there’s the special edition version. The most complete one is the special edition version because it includes many scenes that were deleted from the original theatrical cut, which is a nifty extra for any Dune fan. But out of all the versions, I still prefer the original theatrical version best, it’s the one I have always known and loved. But true Dune fans will get a kick out of seeing all those scenes that were left out of the original theatrical cut.  

Lynch considers it painful to even talk about Dune! I can understand why, here’s a movie that took three years of Lynch’s life to make! This was a huge, huge production. Funny how gargantuan productions like this one often times end up in failure! To have so much of your life invested in a film that would ultimately end up not being truly yours can be a huge let down for any director, but such is the nature of big budget productions; it’s the producers or the studio who have the final say, they put up all the millions so that should not suprise anyone. Speaking of which this here movie cost something around the vicinity of 40 million dollars, yet strangely enough, it looks more expensive than some of today’s 200 million dollar movies. The art direction is truly impressive on this film! Dune was made in a time when sets were completely built, not half way digitized like most of today’s films. The film required a crew of 1700 people! 80 sets were built in 16 sound stages! I mean this movie was huge in every way you look at it; and what about that cast? So many amazing actors! And here’s this big budget movie being made by a director used to working on small budgets. The film proved to be too big for Lynch who obviously works better with smaller, more personal material. Still, if you ask me, I think the film we ended up getting is a great slice of science fiction.

Speaking of the different adaptations of Dune, there was a mini-series from director John Harrison which was actually extremely faithful to the books. From a fans point of view, John Harrisons take on Dune was an extremely complete adaptation, he even went further than Lynch’s films and adapted both Dune Messiah (the second book in the series) and Children of Dune (the third book in the series) by making a second mini-series entitled Children of Dune (2003), which by the way was also pretty good. These television mini-series, though faithful, lack the lavish production values of Lynch’s film, which is one of the things I love the most about Lynch’s Dune: how big budget it is! Speaking of the cinematic future of the Dune series, director Peter Berg (Hancock, The Kingdom) attempted a remake a while back and was actively involved in it for more than two years, but stepped down in order to direct Battleship (2012). I know that doesn’t make much sense but that’s what happened! My take on it is that Berg was probably trying to make a commercial film that would make tons of money so that he could then go on and make Dune, unfortunately, Battleship was a huge ass loud flop! So those plans went down the drain. As I type this Pierre Morel, the director behind Taken (2008) and District B-13 (2004) was the last director attached to the project, but so far nothing has come of it, here’s hoping it happens, I’d love to see the Dune universe resurrected for a new generation.

Rating: 5 out of 5

    FOR A DETAILED ANALYSIS OF ALL THE TIMES DUNE WENT IN AND OUT OF PRODUCTION, AND ALL OF THE DIRECTORS AND PRODUCERS THAT FAILED TO MAKE THIS FILM ADAPTATION BEFORE LYNCH GOT A HOLD OF IT, VISIT RADIOATOR HEAVEN WHERE MY BUDDY J.D. LAFRANCE GIVES A DETAILED REPORT ON THE WHOLE STORY IN AN ARTICLE ENTITLED: DUNE: IT'S NAME IS A KILLING WORD.

Keep your eyes peeled for David Lynch's cameo as one of the Spice Miners!