Showing posts with label Donald Pleasance. Show all posts
Showing posts with label Donald Pleasance. Show all posts

Friday, January 14, 2011

THX-1138 (1971)



Title: THX-1138 (1971)

Director: George Lucas

Cast: Robert Duvall, Donald Pleasance

Review:

So I hadn’t written a proper review for THX-1138 and considering how its one of my favorite science fiction films ever and considering I recently gave it a re-watch, I decided to properly review it. After all, with the possible exception of the first Star Wars film, in my eyes THX-1138 is George Lucas’s finest day behind the camera. At the very least, this is George Lucas’s most relevant and thought provoking film.


Story centers around a character called THX-1138. He works in a factory constructing robots for the government. It is a highly stressful job because the slightest mistake can cause a chain reaction of explosions that can result in the death of many of his co-workers. But to avoid that tragedy, THX works under the effects of a mind numbing drug that every citizen is supposed to take. Problem comes when THX stops taking the drug and starts feeling the stress of every day life building up on him. Will he be able to escape the madness of society? The pressure of living in such a complex, consumption centered, burocratic and oppressive society is getting to THX, will he stand the pressure? Will he ever find a means to escape it all and be truly free?

THX looses it at his job

Some might think that such a subversive film is a rare thing coming from such a commercial director as George Lucas, but when you look at it, Lucas has always been a bit of a rebel. What is Star Wars if not the story of a group of rebels fighting against a totalitarian government? What are Emperor Palpatine and Darth Vader if not the epitome of evil dictators? Aren’t Luke Skywalker and his friends the definition of true rebels? So it comes as no surprise to me that THX-1138 is so subversive a film, even coming from such a commercial a director as George Lucas. The difference between Star Wars and THX-1138 is that THX-1138 isn’t a film for kids. It isn’t sugar coated with jokes from R2-D2 and C3PO. THX-1138 is as serious a film as they come. The tone is one of bleakness and despair.


he world that THX inhabits is one devoid of emotions or life. Emotions are prohibited in this futuristic dystopia. Individualism is not encouraged, everyone must look and dress the same. Everyone shaves their heads bald, everyone dresses in white clothing. This is how the world would be if a totalitarian government completely took over. For some reason, some forms of government focus all their strengths in quieting the expression of the individual. Art forms a big part of self expression, as a result, art is banned in a totalitarian government. The only art that is acceptable is the one that the system gives you, the art that is approved by them. I have personally seen art expos shut down because they speak up against the government, so we are not that far away from the world that this film presents us with.


In fact, while watching the film I almost didn’t fell like I was watching a science fiction film. There is this scene in which THX is captured by the police and taken away to a room to be visually analyzed and studied. While they do this, faceless police men probe THX with electrical rods. Psychologically and physically torturing him. This film could easily become a representation of how many countries are living today; the scrutiny of the individual for example. We are being watched 24/7 by cameras. Wherever you go, you are in fact being watched. You go to the mall, the theater, the bank, you are being recorded without even knowing it. The websites you visit are monitored. Everything you type in an e-mail can be read if so desired. And if they chose to do so, you could be watched with the help of those nifty satellites that circle our planet. So privacy has gone out the window, and the proverbial words from Orwell’s 1984 have become oh so true. “Big Brother IS Watching you”. Make no mistakes about that.


But THX just wants to think on his own, make his own decisions, take control of his life. Feel what its like to be alive and alert and deciding his own destiny. This is the reason why he stops taking the government issued drugs. This drug intake is an obvious allusion at how the government deals with rebels in society. Those subversive individuals who don’t want to play by the rules are sometimes considered crazy by the rest of society. When the grand majority thinks one way, the one person thinking differently will be considered a nut job. And nut jobs are sent to the shrink were they will be prescribed a number of mind numbing drugs similar to the ones THX has to take on a daily basis on the film. The ultimate desire is to subdue, to quiet the individual. This drug theme can also be seen in Equilibrium (2005) where everyone has to take emotion suppressing drugs. THX is treated the same way when he is deemed uncontrollable by the system. He is sent to a looney bin with a bunch of bonafide crazies. Thing is that after a while amongst them, he realizes is not one of them, he knows he is not crazy and that he doesn’t belong. Once again, we are not so far away from the future depicted in THX-1138.


Realizing he is not crazy and that he doesn’t belong in an insane asylum, THX steals a race car and escapes in a thrilling extended chase sequence. If you get the recent dvd release, then this chase sequence is a bit more special then the theatrical release because Lucas tweaked it (as he often does with his films) to make it more exciting. Wee see more of THX driving at high speeds through the highway. As for Lucas’s new additions to the film, Im actually completely okay with it because it makes the film look all the better, it expands the THX-1138 universe. We see more of the factory where THX works in, we see more of the robots he builds. The city landscape is richer. It seems that George Lucas never really finishes his movies, apparently he will keep altering them till the day he dies, its part of the Lucas way I guess.

Robert Duvall and George Lucas go over a scene

Watching this movie can be a suffocating experience, you feel the grip of the system in every scene. THX is not a happy camper, the weight of society pushes down heavily on him. There is one amazing scene where he finally escapes the insane asylum in which THX comes face to face with literally thousands upon thousands of human beings walking up and down the road, almost to the point where he cant walk anywhere. They push and shove, on a big hurry to their destinations. THX is paralyzed by the over population. But what’s most crushing really is the grip that this totalitarian government has on its people. From the mind numbing drugs, to the constant monitoring, to the constant hammering of ideas through the media, through speaker phones on the streets urging you to be “productive” and to consume constantly. Through out the whole film you are constantly hearing a pre-recorded robotic message blurting out instructions as to how to behave all the time. Its no surprise that THX himself doesn’t say much, it’s the system that does most of the talking on this film; which says a lot about how personal freedom is displayed here, you almost cant think for yourself. Your thoughts are suppressed by the overpowering hammering of the systems ideas into your psyche. Kind of reminds me of when I get a media overload (yeah I bet you get those too) and don’t want to watch anything else being sold to me, so I go into this mode where I ignore all kinds of billboards and commercials entirely. Watching THX-1138 can be as soul crushing of an experience as watching 1984. Both films give us a look at a future that we hope will never come. Sadly, the truth is that it’s partially already here.

Rating: 5 out of 5
 

THX 1138 - The Director's Cut (Two-Disc Special Edition)THX 1138 (The George Lucas Director's Cut) [Blu-ray]Thx1138 [VHS]THX 1138 (The George Lucas Director's Cut)



Wednesday, March 24, 2010

Prince of Darkness (1987)

Title: Prince of Darkness (1987)

Director: John Carpenter

Written by: John Carpenter

Stars: Donald Pleasance, Victor Wong, Alice Cooper, Dennis Dun

Review:

John Carpenter’s career is filled with really high ups and some medium size downs. By this I mean that when Carpenter makes a good movie, it’s a really good movie. And when he doesn’t make them great, they are just “watchable”. For example The Thing (1982), Escape from New York (1981), Halloween (1978) and In the Mouth of Madness (1994) (to name just a few of the really good ones) are all excellent in my book. Unfortunately in between those films Carpenter also made films like Memoirs of an Invisible Man (1992), Escape from L.A. (1996) and Ghost of Mars (2001), which are some of Carpenters not so great films. In my opinion, they don’t really represent Carpenter at his full potential. Prince of Darkness, the film I’ll be talking about today, falls somewhere in that second category of “not so great” yet watchable Carpenter films. Not great, not horrible, just watchable.


Story is about this group of scientists who are brought together to try and decipher a great mystery that the Catholic Church has been keeping from all of humanity for far too long. You see, the church has a secret sect called “The Brotherhood of Sleep” which has been guarding a container that holds the entity known to all Catholics across the world as the Anti-Christ! Yes my friends were talking about the son of Satan here! The scientists are called in by a priest to try and decipher the mystery behind the container. This container lays hidden deep within the catacombs of an old church in the middle of the city. Little by little the malevolent force within the container starts to exert its evil influence over the small group of scientists. Will the evil contained within escape? Or will the end of civilization as we know it commence?


The main problem for me with this movie is that there is absolutely no pay off. The movie is all build up, build up, build up without a satisfying climax. Basically, the whole movie consists of this group of people being scared of the green slime that swirls inside of a container thing. Supposedly the green slime is the ultimate evil in the universe! The Catholics think it’s the anti-Christ, but the scientists think that it might be alien in origin. One thing is for certain, the green slime does make weird things happen. The green slime escapes the container and turns people into ravenous murderous zombies! It makes homeless people turn into murderers as well! And for some reason, it turns ants into flesh eating creatures! Pretty nifty stuff for a vat of green slime huh?


In Prince of Darkness, there’s always that ominous feeling, like we are going to get to see whatever is inside the container at some point. The characters keep talking about it, they feel the room getting colder, they feel an evil presence, and they keep looking at the container like it’s the most evil thing they have ever seen. After all this build up, I’m expecting something cool because after all, this movie comes to us from John Carpenter, the guy who gave us The Thing! Unfortunately, when the movie is close to finishing and no creature, monster, demon or devil shows up, you feel like you’ve been had. All we get to see of the ultimate evil in the universe is its hand! I’m thinking that Carpenter was trying to make a film in which he could scare you without showing you a whole lot. And that’s a valid notion; unfortunately, the movie feels like a half hearted effort that keeps repeating the same themes all the way to the end. It stretches things to make up for the fact that the story wont go any further!


But I guess for a movie made with a budget of 3 million dollars, this isn’t that bad at all. Carpenter made a deal with a company called “Alive Films” in which he would get to make various films with them, at a budget of 3 million each. He only ended up making two movies for Alive Films: They Live (1988) and Prince of Darkness. This low budget approach that Carpenter took with Alive Films is probably the reason why Prince of Darkness and They Live never truly live up to their full potential. They Live for example is a film about an alien race trying to invade earth, which is really an epic storyline; but keeping true to its low budget nature, the film only reveals the true appearance of the aliens only when they use these special glasses that allow us to see them. And when we do get to see the aliens, its nothing spectacular, they look like bug eyed purple skeletons. A simple yet effective make up effect. The film is deliberately kept at a small scale, and I love that movie for what it is. On Prince of Darkness, we can tell the films story is kept deliberately small because the film is about a container that holds the greatest evil in the universe; yet all the movie gives us is a bunch of scared scientists turning into zombies inside of an old church.


But I don’t want to sound like I absolutely loath this movie because I don’t. I enjoyed the science vs. religion angle. There is always that constant debate of religious myth versus scientific fact. The movie does a good job of mixing the two. Carpenter plays with catholic secrecy on this movie, where the “Brotherhood of Sleep” has kept guard over the container for years and years without anyone knowing much about it. This secrecy within the Catholic Church is a theme he later revisited in Vampires (1998). There’s some gory fun to be had on this one, though it’s not too over the top. Lovers of heavy metal get Alice Cooper playing the leader of the homeless zombies that hover outside of the church’s gates. And it was cool seeing some of the cast members of Carpenter’s Big Trouble in Little China (Victor Wong and Dennis Dun) working with Carpenter again. I also enjoyed the films dreadful atmosphere, this is something that Carpenter has always been good at. Creating that feeling of dread.


The movie has many elements in common with John Carpenter’s own The Thing. The green slime inside of the container is probably alien in nature and it spits out this liquid that transforms people into zombies, making people turn on each other. Like in The thing, Prince of Darkness has that element of distrust amongst people by turning people you once considered friends into deadly enemies. The only difference between both films being that the levels of tention felt in Prince of Darkness are nowhere nearly as high as those displayed on The Thing. This film also reminded me of Phantasm (1979) because it mixes science fiction with religion, and it has that dimensional portal thing going for it as well.


I guess the thing with this movie is that it pales in comparison with Carpenter’s bigger films like The Thing and Big Trouble in Little China. It feels like it deliberately took a minimalist approach with its storytelling. If there’s an upside to Prince of Darkness it’s that it was interesting seeing Carpenter trying something different, stretching his storytelling muscles by telling a story that’s smaller in scope. Prince of Darkness and They Live both have that epic-ness in their background, but their budgets never let that epic side emerge. My advice is, if you want to see a movie about people locked up in a spooky church with some real demons, watch Michelle Soavi’s The Church (1989). Now there’s a movie that won’t disappoint ya!
 
Rating: 3 out of 5
 

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