Once Upon a Time...In Hollywood (2019)

Once Upon a Time…In Hollywood (2019)

Written and Directed by: Quentin Tarantino 

Cast: Margot Robbie, Leonardo Di Caprio, Brad Pitt, Al Pacino, Michael Madsen, Emil Hirsch, Kurt Russell, Luke Perry 

The god of cinema decided to make another one so of course I had to go see it. Movie buffs like me live for days like this, when a legendary filmmaker releases his new masterpiece upon an unsuspecting universe. As you can see, with every Tarantino film there comes a certain expectation of greatness for me. It goes without saying that I am a full blown Tarantino fan since day one, when I first saw Pulp Fiction back in ‘94 and felt a bucket of cold ice being poured down my cinematic back. But time has passed and as Tarantino himself has said, directors do not make their best movies in their heyday. And Tarantino is close to what he calls his ‘heyday’.  But whatever, I don’t subscribe to that idea, I mean, Scorcese is still amazing and he's close to hitting 80 as I write this. It’s true, that directing a film is a “young person’s game” but Tarantino isn’t that old yet. He still has it in him to hammer out a few good ones. So, was this one of his “good ones”?

 Once Upon a Time… in Hollywood is as the title suggest, a huge love letter to Hollywood, filmmaking, actors and life in L.A. during the end of the 60’s. We follow Rick Dalton, an actor who’s afraid of being a has been and his stunt man Cliff Booth. Together they go from gig to gig hoping that it isn’t their last. Somehow, they end up getting entangled with Charles Manson and his gang of zelot followers. The rest is fun times in La La Land, Tarantino style. 

 I’ve noticed this thing Tarantino’s been doing with his films. He takes a moment in history and totally changes it as if saying “this is how I wish it had happened!”. Remember how he burned Hitler and all his cronies in Inglorious Bastards (2009)? Of course we all know that’s not how it happened, but that’s how Tarantino wished it had. Well, Tarantino does the same thing here with Sharon Tate’s murder at the hands of Charles Manson’s followers. It was a crime of pure hate and stupidity. Tate was pregnant and two weeks away from giving birth to her new child when these crazy Manson zombies killed her and her guests. Tarantino feels this was a great wrong, Tate was a beloved actress, she was loved for her looks and her talent and was a star on the rise. Tarantino decides to tell us the events that occurred that night, but in a completely different way, using Poetic Justice as his weapon. 

 Along the way, the film muses on the hardships of being an actor and trying to survive in Hollywood. What’s it like to have that pressure of delivering a great performance? What is the actors duty on a film or a television show? Tarantino also takes us on a stroll down Los Angeles 1969, with all the cinema marquees and automobiles from that era that you’d expect. I thought it was awesome how he brought that era to life, no digital effects to be seen I might add. A lot of scenes in the film are of characters just driving around L.A. streets so we can absorb the era. Granted, this film isn’t as profound as Inglorious Basterds (2009), there’s a decidedly lighter tone to the film, like a fun breezy vibe, a feeling enhanced by Brad Pitt’s character Cliff Booth, always smiling, his character serves as a counter part to the darkness of one of the films themes, Sharon Tate’s murder at the hands of the Manson Family.

 Tarantino, Di Caprio and Pitt get together once again and I have to say the results are fantastic. Di Caprio delivers another amazing performance to his repertoire. I’ve always thought that Di Caprio is one of the best actors of his generation from day one when he blew me away in What’s Eating Gilbert Grape? (1993) and to be honest he continues to do so to this day. Love his performance on Once Upon a Time…In Hollywood. A flawed, imperfect character struggling with his craft, worried about becoming useless in life. Brad Pitt turns in another loopy sort of happy go lucky stoner type, where nothing fades him, always the cool dude. His character reminded me of that stoner guy he played in True Romance (1993), it felt as if that character had grown up and become a stunt man in Hollywood. There are lots of cameos sprinkled all through out the film, we get Al Pacino playing a film producer and Kurt Russell as a stunt coordinator, in a way, it felt like he was perhaps playing the same character he played in Tarantino’s Death Proof (2007)? We also get a lot of Tarantino regulars like Zoe Bell, Bruce Dern and Michael Madsen, sorry, no Samuel Jackson this time around. 

 This is Tarantino’s 9^thfilm and there’s been a lot of talk about Tarantino saying that his next one, his tenth film, will be his last. Quite honestly I think they will milk that angle to death for his next film and make a profit out of it being “Tarantino’s 10^thand final film”, but I can almost guarantee that wont be the case. Tarantino’s love for cinema is too strong, a fact that’s evident by what we see in Once Upon a Time…In Hollywood. Tarantino has still got it and I don’t think it’s going anywhere, not even after he makes his 10^thfilm. But that’s just me and I could be horribly wrong so don’t quote me on that. As for Once Upon a Time…in Hollywood, it’s a fun ride down the trippy 60’s. It’s a fun time at the movies that explores a dark chapter in Hollywood history while also exploring in a very entertaining way what it means to produce, act and direct films. A film buffs dream this movie is. 

Rating: 5 out of 5.  

Dick Tracy (1990)

Dick Tracy (1990)

Director: Warren Beatty

Cast:  Warren Beatty, Madonna, Al Pacino, Dustin Hoffman, Charlie Korsmo, William Forsythe, Mandy Patinkin, Catherine O’Hara, James Caan, Dick Van Dyke, Kathy Bates

The 90’s brought on the rebirth of the big budget comic book movie (which had been dead since Richard Donner’s Superman films) thanks to the phenomenal worldwide success of Tim Burton’s Batman (1989), suddenly every studio wanted to make a comic book movie, the problem was they didn’t know how to go about it. For some reason, they got the idea in their heads that going with ancient comic book heroes like The Phantom (1996) and The Shadow (1994) was a good idea. And even when they did do original comic book films, they went with a comic book that paid tribute to all those old heroes called The Rocketeer (1991). The studios hadn’t figured out yet that people really wanted the more contemporary heroes like Spiderman and the X-Men, which is probably why a lot of those old school comic book movies tanked at the box office. Batman made kajillions because the character had remained alive in the collective consciousness because Batman has always remained in print, it had its own television show and it became a part of popular culture. Not so with the older characters, which though not entirely dead, were not as recognized by modern audiences. In other words, characters like The Shadow and The Phantom all had their day back in the 30’s and 40’s. Today’s kids aren’t really familiar with these characters. The same can be said of Dick Tracy, Chester Gould’s hard boiled detective that started out in comic strips, on news papers, three little squares of story per week. The strip was such hit that they made Dick Tracy serials, radio shows, b-movies, you name it. Unfortunately, Tracy never got the big screen treatment that Chester Gould wanted. That is until Warren Beatty came along and directed this here picture.

I remember seeing Dick Tracy in theaters, that awesome summer of 1990. It was a big summer as far as blockbuster movies go. Squished in between big action films like Robocop 2 (1990), Die Hard 2: Die Harder (1990) and Total Recall (1990), Beatty’s Dick Tracy (1990) seemed tame in comparison, it made my 15 year old mind wonder if it was going to make it a the box office. I remember there was a big publicity push for the movie, Disney (under the Buena Vista Pictures banner) made sure you knew about the film one way or another, right down to selling Madonna’s soundtrack ‘I’m Breathless’, which by the way I really dug and still own to this day. Was the film a huge hit in theaters? Well, it didn’t lose money, but it wasn’t the smash hit that they were expecting either. The smash hit of that summer was Patrick Swayze and Demi Moore in Ghost (1990). Dick Tracy ended up making  162 million dollars worldwide, a figure that didn’t impress its producers and probably the main reason we never saw a sequel. But who cares what producers think right? At the end of the day, what we really care about is if the movie was good or not.  And in my opinion, Dick Tracy was excellent; the problem was that Dick Tracy was a hero from another era, with a big budget film that came many decades too late.

But if you can see past the fact that Dick Tracy is a hero from the 30’s you can actually have a lot of fun with this movie. While I understand why the masses shy away from anything they consider ‘old’ or ‘passé’, I personally enjoy all types of films, I don’t just watch contemporary things, I can appreciate the many attributes that a film like Dick Tracy has to offer, for example, it’s a beautiful film to look at. Warren Beatty aimed to make a film that looked like the comic strips; so he went with a color palette composed of primary colors that leap off the screen; this movie is pure eye candy, a vibrant kaleidoscope of colors! Dick Tracy was made using old school filmmaking techniques and I have a great appreciation for films made using miniatures and matte paintings to create city landscapes, I just love that about films made this way. The interesting thing is that Dick Tracy was made just before computer generated effects were about to take over, so it’s one of the last films to be made this way. I think that Beatty wanted to purposely make an old school film, same way that Coppola purposely used old school visual effects to make Bram Stoker’s Dracula (1992). In this way, the director evokes a bygone era of filmmaking; Beatty wanted to take us back in time. And he achieved it if you ask me. We go back to a time when hardboiled detectives were out on the streets trying to solve the crime, getting the bad guys in the big bad city. In this way Dick Tracy is an interesting film because it has elements of film noir, yet it’s also colorful and vibrant, bringing together an interesting mix of genres and styles.

The cast is something truly amazing! Beatty as Tracy is pitch perfect casting if you ask me. Beatty has said that they tried applying fake noses and jaws on him to make him look more like Gould’s sketches and that ultimately they decided not to go with it because it would distract audiences. I think it was a great idea because Tracy’s normality goes in direct contrast to the downright grotesque villains. And while the villains are comic book monsters, Tracy is human, he’s all about heart. He’s Tracy, the ultimate good guy who is in many ways like Superman, the embodiment of all that is good and pure in humanity. He’s loyal to the love of his life, Tess Truehart even though Breathless Mohoney is trying to eat him up every chance she gets. Tracy’s such a good guy; he wants to adopt an orphan he picks up from the streets. He’s all about the law and doing what’s right, he’s honest and hard working, he wants to get the bad guys. He’s the ultimate do gooder. His counterpart is Al Pacino’s Big Boy Caprice, one of Pacino’s most over the top performances, he got an Oscar nomination for this performance. He just goes nuts here. Madonna as Breathless Mahoney oozes sensuality, you have to understand this was Madonna at the peak of her youthful beauty, she was so damn sexy in those days! She exploits that sensuality for all its worth. Every line Breathless speaks is in double entendres. Then we have Big Boys gang, which is composed of a who’s who of character actors like William Forsythe, Ed O Ross and Paul Sorvino. We also get big name actors playing smaller roles, like Dustin Hoffman playing ‘Mumbles’ one of Big Boys men, who, as his name suggests, mumbles everything he says. All these characters make the film an amalgam of craziness straight out of a comic book, made all the more interesting because each and every one of these actors are made up to look exactly like Gould’s original drawings. Which I’m sure made making this film, a huge challenge, I mean, having all those actors in make up at the same time!

The icing on this Dick Tracy cake is the music! The orchestral score was composed by the always excellent Danny Elman. His score is grandiose and epic, similar in many ways to his score for Batman (1989), but then again, that’s the exact reason why Elfman was hired, Beatty was impressed with Elfman’s score for Batman (1989). Then we have the soundtrack, written by Broadway composer Stephen Sondheim and sung by Madonna, it makes for one of Madonna’s most unique albums. It’s fun, retro and heartfelt. So as you can see, many awesome elements came together to make Dick Tracy an extremely unique film, a trip back in time to simpler times when good was good and evil was evil, no place for in betweens; or is there? At the end of the day, while Tracy is always out to get Big Boy and his gang, this film is really about Tracy having to decide between pleasure and sensuality over true love, marriage, kids and possibly becoming a family man. Which one will he choose? Tracy is torn between being a bachelor or becoming a family, some say this mirrored Warren Beatty’s own personal life, after all, Beatty was the ultimate bachelor back in his day. So anyhow, I’ve gone on long enough, bottom line is Dick Tracy is an excellent comic book movie, dare I say one of the best ones ever, an excellent production from beginning to end.  

Rating:  5 out of 5