Showing posts with label The Evil Dead. Show all posts
Showing posts with label The Evil Dead. Show all posts

Tuesday, August 14, 2018

Celebrating my 50th with 50 Favorites ~ Part 4

We're getting down to the nitty gritty now.  Good stuff ahead.....

 20. Only Lovers Left Alive (2013)

I'm what I'd consider to be a connoisseur of vampire films.  I've seen a ton...disliked some, liked most, and truly loved only a handful.  This film falls into the latter category.  From Jim Jarmusch comes the story of Adam and Eve - no, not that Adam and Eve....right?
Adam (Tom Hiddleston) and Eve (Tilda Swinton) are two vampires who have been married for centuries though at the moment are living apart on different continents. Eve decides to make the trip from Tangier to Detroit to pay a visit to her hubby after a phone call from him tips her off to his despair.  Adam is a very melancholy vampire, disillusioned with his life to the point that he even is contemplating suicide. If it weren't for his music he'd end it, and in fact has a wooden bullet for that very task. Eve arrives and together they try to make some sense of their never-ending existence and to find reasons to go on.  Everything about this movie is just steeped in a thick veil of moody atmosphere. When they cruise around derelict Detroit it touches a nerve, as it seems they are as old and forgotten as the rows of dilapidated, abandoned house that line the streets. Eve tries to convince Adam that life is still worthwhile, but extenuating circumstances in the form of Eve's sister coming for a visit throw a wrench in their happily ever after.   Just a brilliant, amazing film.


19. Half Light (2006) 

This is probably a movie that most people have never even heard of and is a relatively PG-13 type of film. It stars Demi Moore as Rachel, a best-selling American author of thrillers that gets caught up in a mystery of her own,  It's not giving a lot away to say that her young son dies at the beginning, as that's the set up for the story.  Grief-stricken, she flees from her home in London to an isolated Scottish cottage on the beach, where she intends to finish her latest novel by her deadline. But soon, she begins to experience typical 'ghostly' behavior and assumes her son is trying to make contact. Meanwhile, she meets the attractive lighthouse keeper who lives just across a short stretch of water who helps her face her fears.  But is there something supernatural at work? Why does everyone in town act so strangely? And what really happened to the previous lighthouse keeper?  While there is nothing truly fantastic about this film, the story is decent enough, there are some genuinely creepy moments, and of course Demi is attractive as hell, especially with her long dark hair blowing in the Scottish sea breeze. But it's the location and the music that just suck me in.  Sweeping ocean vistas, the perfect little cottage at the sea's edge, the quaint yet quirky village nearby, wild horses running next to the ocean, and the simply gorgeous score accompanying all of this, making it a film I come back to again and again.


18. Don't Look Now (1973)

It's too bad that when most people think of Don't Look Now, they think of the controversy of whether the two leads, Donald Sutherland and Julie Christie, actually had sex during their graphic love scene...because behind all the speculation lies a truly satisfying film.  John and Laura Baxter have just lost their daughter in a drowning accident and flee to Venice to try and get their minds off their tragedy.  John accepts a commission to work on an ancient church there, and the two settle in.  One day, Laura meets a couple of sisters at dinner, one of whom claims to be a psychic and says she is in contact with their daughter.  John doesn't believe this at all, but goes along with it to make Laura happy.  Then John starts seeing a young person in a red cloak all around town, just like the one his daughter wore. So the question becomes is his daughter haunting them or is he having visions?  Or a little of both?  And where do the sisters fit in?  The Venetian scenery is a gorgeous back drop to the thrills and chills this movie provides.  John and Laura are very much in love, and the scenes of them together getting ready to go out for dinner are among some of the finest love scenes put to celluloid.

17.  The Evil Dead (1981)

Bruce Campbell is not just my hero, he's the world's hero, as we find out in this first movie in the series.  Ash, his girlfriend Linda, sister Cheryl, and friends Scotty and Shelly travel to a proverbial cabin in the woods for a nice getaway weekend.  Once at the cabin, it becomes quickly evident that something isn't quite right.  Touring the cabin's basement, they find recordings that when spoken aloud, summon demons - which is exactly what happens.  Only these demons inhabit the living. One by one, Ash's group succumb to the "deadites", until Ash is the only one left.  A very simple premise but oh so very effective.  What's great about this little low-budget charmer is the GORE.  The blood and guts and massive spewage is completely over the top - and you're going to love every second of it. This is the basis for the wildly popular Starz television series, Ash vs. Evil Dead - and I'd certainly check out at least this movie before digging in to that.  Though the series is ended, I find it so hard to believe that our beloved Ash is gone forever.  In fact, I'm holding out hope.....


16.  Angel Heart (1987)

Voodoo holds in inexplicable fascination for me, and there are just not enough films about it!  It feels like a sub-genre of its own, but maybe people are just deeming it religious horror, I don't know. Angel Heart, in my humble opinion, is one of the best examples of voodoo in the genre. Mickey Rourke plays Harry Angel, a gumshoe in Harlem who gets a call from a lawyer on behalf of an eccentric man looking to collect a long overdue debt.  Mr Cyphre (Robert De Niro) can't seem to locate crooner Johnny Favorite and employs Harry to track him down.  This leads Harry down a very precarious road, a journey of discoveries he may have been better off leaving alone.  The mood of this film is so dark and gritty, with so much impending doom, backed by a soundtrack by Trevor Jones that reeks of dread itself, with its sultry, melancholy lead sax that should be illegal it's so good. And yes, there is blood and chickens and dancing and chanting and curses and tarot readings and murder and magic and of course THAT extremely unsettling and immoral sex scene that nearly gave the film an X-rating.  In other words, it's a must-see.


15. Psycho II (1983)

Oh Norman, you sexy thing, you!  Anyone that knows me knows I have a huge crush on mama's boy Norman Bates.  With the exception of Jaws, there is no film I love more than Psycho.  It's a perfect, perfect film, and you'll see it on this list soon. But Psycho II is a terrific film in its own right. Made 22 years after the original 1960 film, we see Norman finally being released from the mental institution he was remanded to years ago. Considered "cured", his caseworker drops him off at the old homestead, where the motel has been used as a sleazy stop-over slash drug den these last several years. The house itself is exactly the same, and Norman immediately feels uneasy and soon starts finding notes from Mother. He is set up as a cook's helper at a local diner, where he meets Mary (Meg Tilly) and soon offers her a room at the motel when she has man trouble.  That's when things get even more wonky.  Is Norman losing his mind again? Is Mother really dead and buried? Is someone else haunting the Bates house? In most cases, sequels leave a lot to be desired, but in Psycho II's case, it's a truly understated yet formidable return to form.  It's no Hitchcock film, but Anthony Perkins slides easily back into the embodiment of Norman Bates, with all his nervous tics and mannerisms still spot on.  And so we're left to ponder whether Mother is trying to terrorize her son once again or if Norman just thinks she is.  Or....has it been Norman all along?


14. Night of the Living Dead (1968)

While others prefer Day or Dawn, I am firmly in the Night camp when it comes to Romero's Dead movies. It's the first one I saw, and has been my favorite for as long as I can recall, way back to watching it on Chilly Billy's Chiller Theater.  After all, I'm a Pittsburgh girl.  Well, northeast of the Burgh but somewhere between there and Evans City, where this film was shot. In case you've been living under a rock, Barbara and brother Johnny are visiting their father's grave at the cemetery when things run amok and the dead start walking.  Johnny is killed and Barbara finds cover at a house nearby where she meets our hero, Ben (and later a few others holed up in the basement). The remainder of the film is them attempting to find out just what is going on and how to deal with the zombies that are gathering outside the house quicker than a bunch of teen girls at a Justin Bieber concert.  Besides Ben being the first black hero in a horror film, it's really the living dead in their slow-moving madness and their voracious appetite that make this movie such a ground-breaking film. Though filmed in black and white, it takes nothing away from them chomping on viscera like mindless.....zombies.


13. Dead of Night (1945)

I love most anthology films, and you've seen a few here on this list already, but THIS British 1945 shocker is my favorite.  Walter keeps having a recurring nightmare and so the good wifey recommends he spend some time relaxing away from home.  He goes to a friend's weekend house and upon arrival feels a dreadful sense of deja vu, and all the other guests have been in his dream that he keeps having.  And each guest has their own story to tell.  A race car driver is haunted by the driver of a fatal bus crash, a haunted mirror, a Christmas ghost, a golf outing with a supernatural touch, and the most affecting and creepy story - a ventriloquist's dummy comes to life. There's something so fun about having not one but multiple stories to give you the chills.  And this one is a stellar production, the best anthology I've seen - including all my Amicus favorites.  The black and white makes it all the more terrifying. I dare you to sleep after watching that one with the dummy.   I double dog dare you.


12.  The Silence of the Lambs (1991)

Many of you may already know that parts of The Silence of the Lambs were filmed in my hometown, quite an experience and such a great feeling, considering the film won five Academy Awards.  Leads Anthony Hopkins and Jodie Foster who won Best Actor and Actress respectively, embody the roles of Dr Hannibal Lecter and FBI trainee Clarice Starling.  As Starling is given the assignment to meet with Lecter at the prison where he lives, the interactions between them are just impeccable, the bantering back and forth - quid pro quo, as Lecter says - will help Clarice in the FBI's search for the most vile serial killer, Buffalo Bill.  Say what you will, but this film is a horror film.  When someone is removing the skin from their victim in order to make a dress out of it, that's HORROR, people.  So it's good to know the Academy does recognize horror....it's happened a few times before, with Jaws, The Exorcist and Misery...but it's rare.  But for under your skin (pun intended) cinematic terror, The Silence of the Lambs fits the bill. 

11. City of the Living Dead (aka The Gates of Hell, 1980)

I'm a pretty big Fulci fan, and it's hard to choose from his films for this list, but this is the one I knew I couldn't leave off.  I've seen it so many times yet it always entertains.  A priest hangs himself and starts a chain reaction of evil predicted by the ancient book of Enoch.  Reporter Peter (Christopher George) saves Mary (Catriona MacColl) from suffocating to death in a coffin in which she was buried after collapsing at a seance.  Together, they investigate the evil taking over their town, trying to find a way to close the "door" to the Gates of Hell, which was opened by the priest's suicide.  As in usual Fulci fashion, there is loads of gore including a woman vomiting up her own entrails and a man killed by having a drill run through his head.  Every time the priest appears, he makes his victim's eyes bleed in ghastly fashion, then they die and become one of his undead army.  Once again, Fabio Frizzi provides the soundtrack to this gore-fest as we're treated to sublime 80's horror at its best.




Friday, October 2, 2015

Octoberfest Five: 5 Doomed Romances In Horror


  Bram Stoker's Dracula
 It would be hard to consider a list of unfortunate couples without including the ultimate love story, so let's just get this one out of the way first. In Francis Ford Coppola's opulent retelling of the classic novel, destiny brings two lovers together again in another lifetime only to be torn apart by hatred. Though Mina Murray is already betrothed to the (horribly cast) Jonathan Harker, when she meets Prince Vlad she is inexplicably drawn to him and is soon meeting him in secret and allows herself to be courted by the mysterious Count. Things take a tragic turn for the worst when the Prince's true identity is discovered and he is determined to steal away with his long lost love.
Love never dies, people.

An American Werewolf in London
Werewolf movies are always a kick in the pants to romance.  And perhaps none more so than ill-fated love affair of David and Alex.  After losing his best friend to a gruesome "animal" attack and suffering injuries himself, David's charms score him a place to stay with sexy nurse Alex. However, as we all know, that wasn't just some animal that worked David over, it was a werewolf.  And we all know once the moon is full and the CCR starts playing on the radio, the carnage begins.  Alex has only one task as the sweetheart of a hairy beast....slay him after professing her love.  Beware of the moon....

Christine
Yep, I'm putting Arnie and his babe of a car on this list because love breaks down all stereotypes.
Nerdy Arnie and his popular jock best friend Dennis happen upon a junkyard in which sits the the most beautiful girl in the world, a 1958 cherry-red Plymouth Fury.  Though she's in shambles when Arnie hastily purchases her, Christine quickly comes alive and takes hold of Arnie with an unmatched love. And Christine will stop at nothing to possess Arnie's heart and soul.....but mostly his soul. She's bad to the bone.

The Evil Dead
Ash and Linda were just a couple of crazy kids headed to the obligatory cabin in the woods with some friends for a weekend of fun.  As we all know, that didn't exactly work out too well when the deadites showed up.  When Linda is possessed by one of the demons, Ash is forced to stab her when she attempts to kill him. Dragging her out into the shed, he tries to dismember her but is too broken-hearted to do it, so he just buries her in the yard.  Naturally, in this world, the dead don't stay dead and Linda raises from her shallow grave and once again tries to attack Ash.  This time he takes off her head with a shovel.   Love....sometimes you just can't get ahead.  Sometimes you can.

Cannibal Holocaust
Well, it served them right, didn't it?  When documentary filmmaker Alan and his girlfriend Faye trek into the Amazon rainforest with their two cameramen,  they should have known what they were getting themselves into.  Trying to film a documentary about previously undiscovered indigenous tribes was always a bad idea - but they agitated the living hell out of the Yacumo tribe by gang-raping one of their virgins and shooting another in the leg in order to locate their village.  The couple and their friends had already murdered various creatures in the forest, which for me is a death sentence anyway - and they certainly got their due, in particular Faye who is violently gang-raped and beheaded while Alan watches from behind some trees. But don't worry, he doesn't last long after that.  The other other white meat....it's what's for dinner.....


Honorable mentions:  Creepshow (Something to tide you over), Eden Lake, Thirst

Saturday, May 4, 2013

Trifecta Of Terror! : "The Books Of Doom Derby"

We're back again with more terror in threes! I couldn't resist doing a Trifecta of Terror today on Kentucky Derby Day!

If you're not familiar with the Trifecta series, you can learn the ropes HERE.  Basically, I choose three films with a similar topic or like-minded idea that would compliment each other for a quiet afternoon of horror, or an evening with nachos and friends.
I then have a virtual "race" with the three films coming in first (the "win" film), second (the "place" film) and third (the "show" film).

Today we are highlighting nasty books. Well, films about nasty books. So I'm naming this one the Books of Doom Derby!

First up, your winner, a film everyone should be familiar with: THE EVIL DEAD (1981).

Billed as "the most ferociously original horror film of the year" back in 1981, The Evil Dead is the brain child of now-famed director Sam Raimi.  A bare bones story about a group of friends who discover an ancient evil in the woods surrounding an isolated cabin uses a fast-paced shaky cam, gruesome effects, and at times, wildly humorous acting to make this film near and dear to so many genre fans' hearts.
Ash (Bruce Campbell) and four friends arrive at the typical cabin in the woods for a little weekend getaway. Straight off one can certainly see this is not going to be your average spring break.  The cabin reeks creepy, and the film wastes no time getting to the action. The group, after exploring the (vast) basement, finds a book bound in human flesh and written in blood, as well as a recording that summons ancient Sumarian demons from the woods outside. The book, called the Necronomicon "Naturon Demonto" - is loosely translated as The Book of the Dead. Which is something you should never (EVER) even remotely try to read and/or translate. Yikes. Needless to say, they do.  Which causes the demons in the woods to come alive and wreak havoc - turning Ash's friends into possessed zombie-like demons who spew liquids of every color and consistency. Ash is one of the great heroes of horror and this little low-budget gem is the film that started it all!

Our 'place' film is THE BEYOND (1981)

Another film from the great year of 1981, Lucio Fulci's masterpiece a.k.a The Seven Doors of Death tells the story of Liza, a young woman who inherits the Seven Doors Hotel in the bayou of Louisiana.  Little does she know the hotel is built over one of the seven gateways to hell. Nice. Fulci gives us a ton of gore (including his trademark eyeball gouging) and goo, as well as a rather incoherent plot at some points. But it matters not, as this feature is widely considered to be Fulci's best.  The book in question within this movie is The Book of Eibon - a tome used frequently in Lovecraftian tales - which implores "Woe beyond to him who opens one of the seven gateways to hell… because through that gateway, evil will invade the world!” If that isn't an anti-Hallmark greeting I don't know what is. Probably the best part of The Beyond is that it is fairly unpredictable. Which is no doubt because much of it doesn't make sense. Not that that is a bad thing. Even with the plot being all over the place, you have a perfect combination of gore and confusion that is so popular in Italian horror. There are face-eating tarantulas, face-melting lye, impalings, nasty eye removals, blown-off heads, ripped out throats...should I go on?

And our third place "show" film is THE NINTH GATE (1999)

Roman Polanski is certainly better known for his other films (Rosemary's Baby, The Tenant, Repulsion, among others), but for me, one of my greatest guilty pleasures is this Johnny Depp vehicle about rare book dealer Dean Corso (Depp) whose client recently acquired a book known as 'The Nine Gates of the Kingdom of Shadows', supposed to be one of three known copies. His client (the always charismatic Frank Langella) believes two of the three copies to be fakes, so he sends Corso on a quest to discover the truth.  The catch is, the book is supposedly written by the devil himself, and reading from it can summon Lucifer.  (Why do people feel the need to be this stupid? Seems to happen a lot...)  The film takes viewers to various locations around the globe trying to authenticate the devilish tome, and along the way Corso meets many a foe intent on stopping his investigation - not the least of which may be the enigmatic client.  Certainly one of the better "books of doom" films out there, it is an atmospheric jaunt with a great cast and a fun plot. If you haven't seen it, check it out.

Friday, October 22, 2010

31 days, 31 faves: The Evil Dead




I couldn't let the month go by without mentioning the supremely fantabulous The Evil Dead (1981).
It was actually hard to choose as I'm a big fan of Evil Dead 2 as well, and Army of Darkness is no slouch either... But I had to go with the first in the series here.
At this point, I'm wondering how many films from 1981 made the cut here in this month-long favorites blog-a-thon. Has to be quite a few.

I was quite young, thirteen perhaps, when I first saw Bruce Campbell and Co. in this low-budget gore-fest. Director Sam Raimi was a nobody back then, and when he and his friends got together to make a horror film, I'm positive they had no idea how much of an iconic movie they were about to produce. Don't get me wrong, this is no Silence of the Lambs here. No Psycho. But what it is is a campy, rock 'n roll kind of horror film for which you really don't need a brain to watch. Which is fine by me. And let's face it, sometimes you just need a little Bruce Campbell!

As five college friends are on their way to a remote cabin in the backwoods of Tennessee, a mysterious force comes upon them and makes the wheel of the car jerk wildly and nearly send them into an oncoming truck.
Recovering from that, they travel across a bridge that nearly falls apart with them on it, and drive down a cow path of a lane, finally arriving at the tiny cabin.


Exiting the vehicle, Scotty (Richard DeManincor, aka Hal Delrich) heads up onto the porch where a swing for two on chains is swinging and banging against the side of the cabin in an annoying manner. Just as he takes the hidden key down from its resting place above the doorway (how original), the swing abruptly stops.
This is our first clue that there are forces at work here. Brushing that off, Scotty goes inside while the others unload the car.

There for the weekend, the group consists of our hero Ash (Bruce Campbell), his girlfriend Linda (Betsy Baker), the aforementioned Scotty, his girlfriend Shelley (Theresa Tilly, aka Sarah York) , and Ash's sister Cheryl (Ellen Sandweiss). As they settle in, Cheryl is in her designated room, drawing. The window is open and a nice evening breeze blows through it, bringing with it a whispering noise that sure sounds a lot like a voice saying 'Join Us'. Matter of fact, it is!

Cheryl feels compelled all the sudden to draw a rough sketch of a book, complete with a primitive demonic face on it.
Brushing that aside (apparently undisturbed that she has drawn a face from the depths of hell), she joins the others instead for dinner.

As Ash stumbles over a toast, the door to the basement flops open unexpectedly. They all stand around it and wonder what it is. (At this point, I could pretty much tell I was going to detest Scotty. He is an asshole from the word go, and when Cheryl suggests that it could be an animal in the basement, Scotty responds by saying that is the "stooopidest thing I've ever heard". Yep, he's a douche bag.)

After arguing about who's going to check it out, Douch bag Scotty finally disappears down into the basement. After a few minutes, Ash calls to him but he doesn't answer. A bit freaked, he takes a lantern and heads down. First of all, let me just say I love Ash (who doesn't?). Secondly, this basement is friggin' huge compared to the size of the cabin. The fact that it even has a basement is amazing. Lastly, if I were Ash I'd have cold-cocked Scotty, as after a lengthy search, the bastard jumps out and scares the shit out of Ash.

Soon, they're rooting through a bunch of stuff they found, including a picture of a creepy book - just like the one Cheryl drew a primitive one of. (On the wall in the background looms a poster of the 1977 version of The Hills Have Eyes. Nice.)

They decide to bring the stuff upstairs to check it out, and end up all sitting around to listen to the tapes on a recorder they discovered. Seems a scientist who was excavating Kandarian ruins brought his wife with him up to the cabin to go over the data and research.

Unfortunately, he found what is translated as the Book of the Dead, an ancient tome of incantations. Supposedly the book is written on human flesh and inked in human blood and deals with demons and demonic resurrections. Also presumed is the fact that if you read these incantations aloud, you can summon forth demons that have been at rest and compel them to possess the living. (Stop right here. So you'd read them out loud? Really? When you know what they are supposed to do? Ah hell, these are the same people who say Candyman five times in a mirror! Damn.) But our fab five continue on, listening as the scientist reads the incantations aloud.

Cheryl has a hissy-fit right about then - she screams like a child as the incantations are read. Outside, the ground begins to shake and break open, emitting a demonic (of course) red light. With Cheryl yelling to shut it off, a tree breaks through the window and everyone gets irritated with Scotty for not turning it off. Cheryl runs out of the room, unable to deal with everything.

Ash feels that this is the right time to present Linda with a little gift. Yeah, I always consider it a great time to be romantic after someone has read a laundry list of demon incantations and scared the shit out of everyone. Sexy!
While Linda admires her little magnifying glass on a chain, the demons become restless outside, peering through each person's window to gauge their possession-factor. Who will they choose!?

Why Cheryl of course! After hearing voices say 'Join Us', she traverses outside to ask the age old question: 'Is anybody out there?' (Man, if I had a quarter for every time I've heard someone say that...) Bizarrely, the trees and vines surrounding them come to life and hold her down so one branch in particular is able to quite literally rape her.
(Was this film actually shown in theaters?)
It's a sequence that is almost funny, if it weren't so brutal.


Completely mentally destroyed and full of fear, Cheryl rushes back inside and begs Ash to take her home. After trying to calm her down and reason with her without success, he agrees to take her.

They are able to get to the bridge, but find it is no longer viable. It's a tangled mess of metal and wood, and there's no way they're leaving tonight. Cheryl proceeds to have another attack of hysteria, rolling on the ground in desperation and panic.



Forced to retreat back to the cabin, Ash finishes listening to the recordings by himself, learning that the only way to kill a Kandarian demon is to dismember it.
As Linda and Shelley are playing a little game of guess the cards, Cheryl begins announcing the cards correctly one by one, in a demonic tone. Then she turns to face them and is indeed a freaky demon girl. When Linda gets a bit too close, Cheryl-Demon sticks a pencil into her foot, right near the Achilles tendon. (Besides Pet Sematary, this injury wins the prize for the most painful looking foot injury in horror!) She then throws everyone else in the room around like rag dolls. After a major struggle, Cheryl is forced kicked into the basement and locked there. You gotta love it.

The ghastly demonic ghouls (called deadites, actually) in the Evil Dead series are some kind of crazy, messed up fun. Their raspy demonic voices and way they spew forth gallons of foul liquid (not even blood, actually) when stabbed or even killed is legendary. It's such a hilariously gruesome film.

So now everyone wants to leave. (Yeah, no shit.) But since escape is impossible, they have to learn to fight the demons. Considering the only way to kill them is to cut them into pieces, you know you're going to get some major gore before it's all over.

When Shelley is attacked next (because her dumb-ass boyfriend left her alone in the bedroom), Scotty doesn't seem too concerned that she turns up missing. Like I said, douche bag. He searches for her, until she actually finds him first, attempting to rip off his face. He tosses her into the fire and burns her face quite nicely. In turn, she throttles Scotty until he grabs his trusty knife and hacks off her hand. Like I said, this is no doubt one of the goriest damn films I've ever had the pleasure of watching. After she gets stabbed in the back, she makes the most godawful noise - for about three straight minutes - until she finally lies still. But surprise, like any horror movie villain, she springs back to life when someone gets too close and Ash proceeds to cut her apart limb from limb. Yay Ash!

Ash and Scotty bury Shelley, but Scotty is determined he's getting the hell out of Dodge. He heads into the woods to find a path around the disabled bridge.
With Scotty apparently gone, Ash then makes the discovery that his lovely Linda has been possessed as well - giggling like an annoying schoolgirl. Scotty then busts through the door, obviously attacked by the woods and near death.

With Linda giggling and smiling at Ash, he finds it impossible to kill her and put her out of her misery. For a few moments, she morphs into normal Linda and begs him not to kill her, and not to let them take her away.
Next up, a normal Cheryl pleads with him from the basement to let her go as well. The reprieve doesn't last long, and as the demons manifest once more, Ash drags Linda from the house.

Douche bag Scotty then succumbs to his injuries and Ash is feeling pretty melancholy. But it's back to the action when Linda shows up again and chases him around with a big knife, all the while cackling like the Wicked Witch of the West. Ash is able to finagle the knife away from her and he stabs her, bringing forth projectile body fluids that do NOT make you want a milkshake anytime soon. Poor guy, he's just not having a banner day.

Once again, he drags Linda outside, this time taking her to the woodshed, and straps her down on the table. Grabbing the chainsaw, he prepares to dismember her but finds he can't. Instead he attempts to bury her, only to have her raise from the grave and rip open his leg. Ash struggles to kill her by blunt force trauma, but she just keeps freaking laughing the entire time. Wow, if it wasn't so amusing I'd be pulling out my hair.

As she leaps in the air towards him, he grabs the shovel and decapitates her in motion. As her head rolls away, Ash is covered with bloody gore from her headless corpse. Yuck!
He makes his way back to the cabin and into the basement, where blood seems to be seeping from every open crack in the place - filling the light bulbs, running down the walls, etc. He heads back upstairs, where his mind plays tricks on him. The clock ticks louder than Big Ben, doors slam open and closed, his heart beats faster than humanly possible.

He sees himself in a mirror and is able to put his whole hand into the mirror - something is obviously not right with that.
Soon all his reanimated ghoulish friends all have a go at him, and more unbelievable amounts of blood, guts, and inexpliciable gore pass the time almost hysterically.
When Ash finally realizes he needs to destroy the Book of the Dead in order to stop the menacing zombie-like creatures, he struggles but finally pitches it into the fire. Presto!

Within seconds, all his zombie friends start to disintegrate before his eyes. In a really cool stop motion sequence, bodies decompose and shrivel into nothing, with stuff that looks like fully cooked risotto seeping out of every orifice. Blood and body parts sling themselves onto Ash, who takes it like the real trooper we know he is.

By this time, it is dawn. The curse is supposed to be broken. Ash steps outside, checking out the sunrise and hobbling towards the car. But just as you think everything is alright, the camera cuts to the demon's point of view as it races back through the woods, into and out of the cabin, down the porch and straight at Ash.

End game.

There are so many reasons to love this film. Campbell's physical comedy and acting are really stellar here, even more so in the sequel/re-imagining Evil Dead 2: Dead by Dawn. It's no wonder he has such a huge fan following. This film, combined with Evil Dead 2, are wild showcases for his stand-out talent.

The simple 'bad-ass cabin in the woods' storyline isn't really detrimental to the movie, and it gained such an incredible and loyal fan base that it holds a rare 100% rating on Rotten Tomatoes.com.
I don't know anyone that doesn't enjoy The Evil Dead, actually.

*On a side note, my hubby and I own a little cabin in the woods that reminds me very much of this one, in fact we call it our Evil Dead cabin. And no, I don't talk walks through the woods nearby at night. The trees look all too familiar.

So it you're looking to have "The ultimate experience in grueling terror" (its tag line) then throw this baby in the DVD player and have at it.

Tuesday, June 1, 2010

The Evil Dead in 60 Seconds...

Maybe some of you have seen this, but those who haven't... need to!!
I had a relatively crappy day today, and when I found this it made it all better!



Okay, so I have no idea why Ash sounds Irish and Scotty sounds somewhat of a cross between British and Australian, but it adds to the humor, so just go with it.

HorrorBlips: vote it up!