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the NAKBA ... الـنـكـبــَـة حـق يـآبــى الـنـسـيــَـان

Showing posts with label Oriental Secrets Ensemble. Show all posts
Showing posts with label Oriental Secrets Ensemble. Show all posts

Sunday, 16 October 2011

Oriental Breeze نــســيـم الــشــرق الـســاحــر ♪ Mohammed Antar and Oriental Secrets Ensemble


Album :
Oriental Breeze نــســيـم الــشــرق الـســاحــر

Artists :
Mohammed Antar and Oriental Secrets Ensemble
مــحـمـد عــنــتــر و مـجــمــوعــة أســرار الــشـــرق
Amru Sobhi, (Cello) • Ayman Mabrouk, (Middle-Eastern Percussion) Karim Sami, (Oud) Medhat Al-Wardani, (Middle-Eastern Percussion) Mohammed Antar, (Ney ) Mohammed Sami, (Kaman or Oriental Violin) Omar Ziyad, (Qanoun) Wael Al-Sayyid, (Middle-Eastern Percussion)

Index :
http://www.facebook.com/mohammed.sm.antar
http://www.facebook.com/omer.zyad
http://www.facebook.com/people/Wael-El-Sayed/1206925897
http://www.mohammedantar.com/

Language : Instrumental

Country : Egypt - Iraq

Melodies :
[.01.] 01, Sirto, Maqam Ushshaq, composed in Eskisehir/Turkey • [.02.] Anatolia, Maqam Qarjighar, composed following a tour in Turkey. It contains a Oud improvisation • [.03.] a solo Ney improvisation from Qarjighar to Ushshaq • [.04.] Egyptian Dance, Maqam Ushshaq, originally composed as a sound track. It contains a violin improvisation • [.05.] Conclusion, Maqam Bayyati Al-Husseini, composed in Beirut/Lebanon by the end of a visit • [.06.] Introduction, Maqam Suznak-Rast, typically traditional Egyptian piece composed in an Egyptian Café • [.07.] solo Oud improvisation, Maqam Rast • [.08.] 9th of April, Maqam Rast, composed in memory of the fall of Baghdad • [.09.] Solo cello improvisation, Maqam Panjgah • [.10.] Oyun Havasi, Maqam Panjgah, originally composed in Istanbul/Turkey, and completed in Marsa-Matrouh/Egypt. It contains Ney and Cello improvisations • [.11.] Andalusiyya, Maqam Hijaz, composed in memory of Andalusia with a Ney improvisation • [.12.] A solo Ney improvisation, Maqam Hijaz • [.13.] Oyun Havasi, Maqam Hijaz, composed in Baku/Azerbaijan in memory of the Middle-Eastern original culture • [.14.] Introduction, Maqam Nahawand, an emotional piece • [.15.] A solo Qanoun Improvisation, Maqam Nahawand • [.16.] Oriental Breeze, Maqam Nahawand, composed after a concert in a breezy Alexandrian evening on the Mediterranean • [.17.] Longa, Maqam Nekriz, composed following a crowded Cairo day
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