Monday, January 30, 2017

ARAT, Hrummph!

by Carol






Last Thursday Cathy wrote a beautiful introduction to our new month's theme - "Shadows". I chose that theme with exactly the thoughts in mind that Cathy expressed so perfectly. The groundhog and his shadow inspired me to choose the theme for February, but I too had thoughts of Peter Pan in mind as I considered it. So I am going to use my space here today to throw out one more thought about January's theme (which ironically was chosen by Cathy!) - 'Branches.'



In the latest issue of Lenswork, Editor Brooks Jensen has written a thoughtful piece that ties directly in to my personal approach to photography. He tells of being slighted at a social event by a city gallery owner for continuing to publish landscapes, pronounced as if it were a dirty word. Jensen introduced to me the acronym ARAT, which stands for "Another Rock, Another Tree." It has risen to popularity as part of a general denigration of landscape photography as boring. It goes without saying that Jensen does not agree with that thinking, but he uses it as a teaching moment.

If you are a nature photographer, he asks you to think about how many rocks and trees you walk past every day. Why did you not choose to photograph each one? What was it that drew you to the one out of hundreds that you did photograph? If landscape photography has become banal, perhaps we are not translating what we personally feel as we look at that tree well enough to make the viewer share it.  He puts it like this:

"Isn't it obvious that a magnificent tree and a photograph of a magnificent tree are two different things......We are asking a lot from a two-dimensional, small-scale, media based reproduction {if we want a viewer to} have the same experience we have when photographing the real thing."




That's where all this ties in to my love of contemplative photography. Whether you are photographing trees and branches as we did here last month, or the shadows we are going to feature this month - or whatever your particular focal interest, it is our goal to show our viewer what drew us to that particular moment in time. What spoke to you? What exactly are you sharing? What did you see that someone else might have walked right past? How can you translate the feelings you felt standing under that tree?




The answer is attention. Truly Look (with a capital L) at the detail that called to you and make art from it. Add your personal vision in. (I am reminded of a post Leigh wrote here years ago about a tree in Oklahoma being photographed by many different people)

"Art is something you make, not merely record...I can easily visualize a book of 50 photographs of artwork, each unique, each wonderful, each insightful, each inspiring, all of which use trees (or rocks) as their subject, but whose content is far greater."
                                           Brooks Jensen



I have so greatly enjoyed this past month's gallery of trees and branches and I am looking forward to seeking the shadows with you this month. We are all so grateful for your continued collaboration here at FOL. Our Flickr and Instagram galleries are just chuck full of your wonderful talent! Its a pleasure to share the beauty of the world with you all!













Monday, June 20, 2016

Attention

by Carol






It takes time that few are willing to give or make. It takes slowing down and looking, yes, but it also takes attention and thought. Since I was a little girl people have said to me "I can't believe you noticed that!" Of course (no kidding) they have also said "Are you paying attention?" - meaning am I looking  at what they think I should be looking at. Maybe I wasn't looking at those math problems, but I did notice that berry frozen in the snow.



It wasn't really on purpose when I was younger, but Meister Eckhart says that this looking is freedom. If we have "the freedom to look without preconception" we are able to discover new sights. It's work to unblock your vision, and realize that the rusty nail is as beautiful as a flower.



As I have been taking a watercolor/sketch course online, I have had to paint or sketch something everyday. I see my classmates choosing shoes, desk supplies, bowls, toothbrushes, and it makes me wonder why we are all drawn to the subjects we choose. It's the same with our photography, of course. Why is our Terri drawn to her flowers so strongly? Or Kim her bugs, Kelly her home vignettes, Cathy her nature walks, or me my boats? And on and on for all of us.

I think it comes from deep within - from everything we have done and seen, but also what our ancestors have done and seen too. Have you ever watched "Who Do You Think You Are?. Isn't it interesting that the histories often reveal generations of teachers, or musicians, or soldiers, or artists? I don't think it's a coincidence. I don't always know why I choose to see, but I'm so glad I do. I wouldn't want to be limited in what I see. I wouldn't want to be any other way! Why do you choose to look at what you do?  

"When a pickpocket looks at a saint, he sees pockets."
                                             Meister Eckhart







     (Don't forget to try some dark and moody for our gallery too!)






 
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