Elitist Book Reviews

Celia has been asked to be a bridesmaid at the wedding of the century: her siren cousin the princess Adrianna is marrying the king of Rusland. Celia has been chosen not simply because she's Adrianna's cousin, but also because the bride-to-be has already survived one attempt on her life and Celia's bodyguard experience may just save the day.

You see, not everyone in Rusland is pleased about the upcoming nuptials, and are convinced that Adrianna has bewitched their king using dark siren magic. And they'll do anything to stop the wedding.

But that isn't the extent of Celia's problems: she's on the outs with former co-worker John Creede, her boyfriend Bruno's ex-girlfriend is determined to get him back, and her own gran is hiding an unpleasant secret from her. Celia does what she can to get by, but it seems that life is ganging up on her.

THE ELDRITCH CONSPIRACY is book 5 of the Blood Singer novel series by Cat Adams, and continues the story of Celia Graves, who does bodyguard work for a living, but as of book 1 being attacked by a vampire changed her life: she's not only part-vampire, but her siren abilities were  awakened.

The opening chapter is confusing, and I had to re-check the series order to make sure I didn't miss a book. Her relationship with John Creede has become strained and we find that her relationship with former flame Bruno is back on. I felt like I was dumped into the middle of the story, and the love triangle isn't ever really addressed in this book--here's hoping it will be in the next, because it's the development of such things that lady readers want mapped out in a series like this.

I also had a hard time keeping track of characters, it's been over a year since I read the last book (EBR review for ISIS COLLAR here) and I got lost easily with not only the characters, but also events from past books. A little refresher here and there would have helped, but maybe it's just me.

The good thing about this particular book is that plot itself is handled better than even previous books, the progression of events felt more natural and less arbitrary. Also, Adams' characterization across the series is well done, with Celia's progression and even the progression of secondary characters: they grow and change, for better or worse.

The series is only now growing on me, and here we are on book 5. It's taken a while to get to this point, when I'm usually the kind of person to drop a series if the first book doesn't pique my interest--but that's the concession we EBR reviews make for our readers. I will be reading TO DANCE WITH THE DEVIL soon and hope that ELDRITCH is a sign of things to come.

Recommended Age: 16+
Language: A handful of instances
Violence: A few fights, nothing gruesome
Sex: Referenced

The books in the Blood Singer series:

BLOOD SONG

SIREN SONG

DEMON SONG

THE ISIS COLLAR

THE ELDRITCH CONSPIRACY

Helen thinks she can't do anything right. Of course those realizations are all after the fact. Take, for example, the marriage to her husband Alastair six months ago. At the time it was the best possible thing for her, and she even thought she could grow to really love him. But lately she's discovered he's not who she thought he was.

A lot of that is due to his new involvement with Copperhead, a group of men who want to rid the city of fey and dwarvven. Completely. In IRONSKIN, Helen discovered the dangers of the fey personally, so her fear is genuine. But she's still of the "live and let life" philosophy and finds Copperhead's methods alarming.

In a desire to be useful, Helen agrees to help her sister Jane convince the fashionable ladies of society that keeping the fey faces that make them beautiful actually put them in danger. But will she mess this up, too?

Set in an alternative England of the early 1900s, you can jump into COPPERHEARD without having read IRONSKIN. It's a fun series with interesting characters and a well-plotted mystery. The first book was told from Helen's sister Jane's PoV, but here she takes a back seat. I especially enjoyed Helen's PoV voice, her wry observations, and her personal struggle to understand herself and the people around her. She's not as feisty as other heroines, but that doesn't make her contributions insignificant. Rather like Eff Rothmer in THE FAR WEST; but where Eff is thoughtful and conscientious, Helen is determined and competent...if rather vain. The secondary characters were well-drawn and fun to read, particularly the flamboyant Eglantine and her menagerie of hangers-on.

The one thing I wish I knew more about was the fey. There's more here about the Great War than in IRONSKIN, but the story doesn't expand much beyond talking about a Fey King (there used to be a queen) who punishes fey by ripping them apart and leaving blue vapor bits around town. Fey energy is used for lights and other devices. We do learn that fey can take over a person who has fey on their body...say a fey face like Helen and the society ladies. And how magic in her face gives her emphatic abilities. Fortunately there were enough details that the story made sense.

Connolly deals with themes of racism, women's rights in marriage/divorce, and suffrage with a subtle hand. She blends these issues in a story about women who are capable in a world that would pass them by. And by the end you will see Helen for the heroine she doesn't know she is.

Recommended Age: 14+
Language: None
Violence: Some; one scene is more amusing than scary
Sex: Vague references

Find this series here:

IRONSKIN

COPPERHEAD

Kestrel is the teenage daughter of a general in the Valoria army, the equivalent of the ancient Roman Empire. He helps the provincial governor in the Herrani territory, where they have enslaved the invaded locals. As a Valorian she must soon decide to join the military or be married. But despite a knack for strategy her combat skills are lacking--her true talent lies in the piano.

Arin is Harrani, and like all his people he is a slave. But he has a secret, and when Kestrel buys him spontaneously at an auction, even she doesn't guess his intentions until it's too late.

You can pretty much guess where the story goes from here: two star-crossed youth from different worlds who, over time, come to realize their feelings for each other. Cue mushy, wide-eyed, and contrived scenes. Still, it was fun and I'm sure a lot of YA female readers will love it.

Not only will they enjoy the romance, they'll find the main character Kestrel a typical teenage girl, with her own strengths and weaknesses. Her love of music is inherited from her mother, but it's a skill usually only Harrani have. Her knack for strategy gets her out of more than one tight spot (as well as causing problems), and while this adult's discerning eye sees the obvious set-up, I know that the target audience will find her talents pretty cool.

Arin is the brooding yet clever slave whose blacksmith training is a valuable skill (convenient, no?). He's handsome, although Kestrel doesn't ever seem to notice(???). He thinks that Valorians are a ruthless and corrupt people, but as a result of his direct observation of the tender-hearted Kestrel, he discovers his belief may be wrong. Unfortunately he discovers this too late and must attempt to mitigate the potential fall-out with the woman he's fallen in love with.

The story is told in third person PoV between Kestrel and Arin in a way that highlights their personalities yet also gives us a view of this alternate world Rutkoski is creating. There are parallels with ancient Rome and its conquered territories--but that's as far as the fantasy-side gets, there is no magic/mystical here. It was interesting to see how invaders and the conquered would have lived side-by-side, how the different cultures clash. There are descriptions about the land and the people and their interactions, but it could have been so much more. However, while more world-building could have created more depth, alas there wasn't enough time.

The story starts off well enough, but the middle is circular as the main characters interact with each other, until the plot finally takes off in the last quarter and everything turns upside-down. It didn't end the way I expected. THE WINNER'S CURSE is the first book in a trilogy so I have no idea where the story is headed, but with that ending (even if it was rather deus ex machina) I think I might want to find out what happens next, just to see how Rutkoski tries to unravel the mess she's made.

Recommended Age: 14+
Language: None
Violence: Several scenes, but not particularly graphic
Sex: Vague references

Find the start to this new series here:

THE WINNER'S CURSE

It's Risa Jones' fault that the first key to the portal of hell was found and used, and why dark energies are beginning to leach into the world. OK, maybe it's not all her fault, but she's convinced that none of it would have happened without her interference. Or her existence.

Guilt, however, doesn't stop her from continuing her search for the second key with the hopes of keeping it out of the wrong hands. But it seems everyone has their eye on her and are always trying to pull her strings. Such as the vampire council leader Madeline Hunter who makes her investigate the gruesome death of a vampire whose insides were sucked out completely, leaving only a dried-out shell.

At her side is her Aedh protector Azriel, a dark angel and reaper of spirits, who has lately become more to her than merely a bodyguard. Together they sprint around Melbourne, trying to find the husk-leaving demon and the key at the same time. But Risa is young and relatively uneducated in a world filled with old priests, angels, vampires, and demons--how is she going to stay one step ahead of everyone who wants the key?

DARKNESS UNMASKED is the fifth book in Keri Arthur's Dark Angels series, which is a spin-off from her popular Riley Jensen Guardian series. She's written plenty of novels and you can tell that she hammered this one out pretty fast (and that in their haste the editor missed a few errors)--but that doesn't mean it wasn't a fun novel. Imperfect, but still popcorn-type fun, nonetheless. Arthur has built up a storyline that's been woven clear from book one and is reaching a feverish pitch with the most recent installment.

Risa is our first-person PoV narrator. She's got a little bit of a potty mouth but she has a big attitude. For her benefit there's her demon-sword Amaya, a few magical skills of her own, and plenty of friends who can help out with things she can't do. Plus there's the handsome Azriel to keep her alive so she can finish her quest without having to become a martyr. Without all this to back her up, Risa wouldn't have made it as far as she has. But unfortunately, being who he is can cause trouble for her friends, and she's willing to do whatever it takes to keep them safe. She's a fun character to read, not overly emo, or unrealistically kick-butt. The side-characters are interesting in their own right if light on the characterization because the story is so lop-sidedly Risa's.

Arthur tells the story at a breakneck pace--sometimes moving so fast from scene to scene that I barely had time to get my bearings then, wham, the action and Risa and Azriel have whisked off to the next scene of mayhem. While the sequence of events mostly made sense, this breakneck movement and tossing around of seemingly random information was hard for me to track, clear up to the exciting ending. I wonder if maybe this is what ADD feels like.

The setting in Australia is fun for me because most Urban Fantasy I read is set in the U.S. Arthur is obviously familiar with the location and it shows with Risa's movements around the city, its architecture, and the people who live there. The world of magic, shape-shifters, demons, spirits, witches, sorcerers, and other magical creatures all move around Arthur's imaginative world with a unique style. It's rather exciting to explore and experience. Sometimes I'm not clear on what everyone can do magically, which can be frustrating, because I need to understand the limitations Risa is trying to work around. Still, it's creative.

We get a few revelations (some seemed kinda 'duh' moments for me, but whatever) and things change for Risa as she grows more confident in her own abilities. DARKNESS UNMASKED is a great setup for what promises to be the following and final two novels in the series.

Recommended Age: 18+
Language: Yes, quite a bit actually
Violence: Scattered and moderately gory
Sex: Frequent scenes with detail, and otherwise plenty of innuendo

Find this book here:

DARKNESS UNMASKED

Luna Masterson can see demons. Unfortunately most other folks can't, so she's concerned that everyone thinks she's crazy. Like her brother, Seth, who is patiently skeptical. She lives with him and her one-year-old niece so she can help out after his wife abandons them. Luna does her best to not shake things up so she can be there for her family.

Until she meets Reed Taylor, who talks to something that people can't see...only it's not a demon (yep, it turns out that angels do exist!). Luna and Reed's mutual interest is apparent from the start, and he asks her out. But in true Luna style she messes up their first date; of course, she can blame the demons for that one.

The fight with the demon turns out to be game changing because it "marks" her, which is like sticking a homing beacon on her, only she can't get rid of it. Now every demon she happens across has it out for her, and she begins to realize that there's a reason the stakes have changed, and she knows she needs to find out why or else her very soul is at risk.

NAMELESS is the first book in a new Urban Fantasy series called The Bone Angel Trilogy by Mercedes M. Yardley. The story is told from Luna's funny (seriously, I lol'd) and witty first-person PoV. It's her narrative that carries the story as she tries to figure out not only what's going on, but also her place in a world where demons influence people, but 99.9% of the population doesn't see any of it or even believe it's happening. She hasn't quite figured out her role in all of this--it doesn't help that she's inherited this ability from a father who never really understood his purpose, either.

And therein lies the rub. She doesn't know why she sees demons. She can do some sort of thing that protects a house from them, but we never learn how. Does this mean she has magic? Or is it as simple as pouring salt around the foundation? She can beat up the demons, but I'm not sure how she can (she uses her fists, knives, and general cat-like fury), or even what happens to them when she's successful. Demons talk to her, and most want to possess her, while others sort of float around, and yet others want to "help"--which pretty much only involves warning her that bad things are going to happen. She doesn't seem much interested in solving her lack of education in all things demon. There are the beginnings of world-building--demon hierarchy, demons can only come in a house when invited, etc--but it falls flat because so much is left unexplained. The concept for the book is there, but the story still felt full of holes, like it's a glorified outline without the detail to give it depth and interest.

The plot is a simple one that moves forward in a straightforward and predictable fashion clear up to the end. The pacing and flow suffers from the occasional hiccup in scene movement and jumps in time--the short, choppy chapters don't help this problem. The novel reads more like an introduction to Luna and her relationship with Reed than a set-up to a trilogy. I'm not clear what Yardley was trying to accomplish with this first book, but since the book read fast and I enjoyed Luna's voice, I'm willing to try book two and see where the story goes.

Recommended Age: 14+
Language: A handful
Violence: A fair amount of blood and other unpleasant imagery
Sex: A reference to an affair but without detail

Find this book here:

NAMELESS

Captured as a slave while a child, Laura escapes and finds a new life in the home of a mountain healer and midwife. Clever and industrious, Laura learns her new profession so well that her adoptive mother, Crescia, sends her to Solerno's famed medical school so she can become a physician and bring her worldly learning back to the midwife's humble cottage.

Laura works hard to be accepted among her male peers--this is thirteenth century Italy, after all, so that's no easy task--but her medical brilliance is impossible to ignore. However, having lived a sheltered life with Crescia, Laura finds herself unprepared when she falls in love with another student, and makes a choice that changes the rest of her life.

SOLD FOR ENDLESS RUE is a retelling of the Rapunzel story, but there's no magic. In fact, SOLD treats the fairytale as though it symbolizes the everyday human experience. Let me explain, and even though you know the Rapunzel story, I'll try not to spoil Robins' retelling for you.

Told via the women (and a little by a man), SOLD is the story of women's experience with love, motherhood, profession, and heartache. Laura's family was killed by slavers, but with Crescia's help she overcomes her fears. Not that Laura is weak, she is far from it; in fact she can be rather single-minded, to her detriment. Agnesa is the young, innocent bride of a favorable union of mercer houses. She looks up to the educated medica Laura, and seeks her friendship and medical advice in conceiving a much-wanted child. Beita is Laura's young adopted daughter, willing to please, but also curious about the world around her. Her mother wants her to be accepted into the medical school, but as Beita grows to womanhood she comes to understand that her shortcomings may disappoint her mother.

With the limitations of a short book and three distinct PoV characters it was hard to get very deep into their personalities; even if what we were shown was interesting, it still felt like only an introduction. Still, I liked Laura, Agnesa, and Bieta (and token PoV male Tibalt), I only wished there were more.

The setting was well-done, and it was easy to visualize the hills above Solerno, the city itself, and the people who lived there. The dialogue, details of everyday life, and even the people themselves added to the story that made the era come alive for me. The pacing was steady, and even though it doesn't move particularly fast, I found myself quickly engrossed in the story. SOLD is an easy book to read, Robins' prose is flawless and carries the story from scene to scene with grace and beauty.

Despite the quality of the writing, the novel isn't perfect. Rapunzel is not an easy story to work around, but Robins does her best to make sense of what the fairytale could have meant underneath the drama of long hair, a maiden in the tower, a handsome prince, and an ugly witch. Some readers may be disappointed by the story's simplicity, no magic, and lack of feeling like a fairytale. Despite the inherent tragedy of Rapunzel's story, the retelling has a sweet tone, and ultimately the theme is one of love and forgiveness.

Recommended Age: 17+
Language: None
Violence: Some peril and death, but relatively mild
Sex: Since there are three different love stories sex is referenced fairly frequently; there is one graphic scene and other less-detailed scenes; rape is referenced

Find this sweet book here:

SOLD FOR ENDLESS RUE

After the exciting events of KITTY STEALS THE SHOW (EBR review), Kitty returns home to Denver to get down to the serious business of building a strong base of allies in the war against the vampire Roman and his plan to change the status of vampires among humans.

But even the best-laid plans seem to go awry. The local vampire master Rick--her #1 ally--is approached by a secret sect of Catholic vampire crusaders and contemplates leaving Denver. A new pack member is causing trouble in the ranks. Cormac/Amelia seem determined to be a thorn in Kitty's side in the name of "helping." And even Kitty's own dysfunctional family demand her time and attention. How is she supposed to defeat Roman if she can't even keep her own life under control?

The eleventh book in Carrie Vaughn's Kitty Norville series, KITTY ROCKS THE HOUSE is a continuation of the buildup from the revelation of Kitty's plan to bring down Roman in KITTY'S BIG TROUBLE (EBR review). As a result of it being buildup this particular episode feels like filler, and even though its multiple plot threads resolve, the book felt too short. I want to get to the meat of the overarching conflict with Roman and didn't see the point of these seeming side-stories. I guess we'll have to see if they're relevant in book twelve.

At this point in the series I'd also have liked to see Kitty be more assertive in her role as pack alpha. In some ways she does show this, but it's inconsistent and she seems whiny. There also isn't enough fallout from Cormac's brash and destructive actions, and Rick seemed more wishy-washy than usual. All these issues made the plot feel forced, which was too bad because the pacing was great. Fortunately Kitty and Ben's relationship is as good as usual and we got to see more of pack dynamics.

A mediocre addition to the series, KITTY ROCKS THE HOUSE really just paves the way for what's coming. It doesn't ruin my enjoyment of the series, but I'm getting impatient for what's coming.

Recommended Age: 14+
Language: Less than five instances
Violence: Some blood and fighting, but minor
Sex: Implied

Find this book here:

KITTY ROCKS THE HOUSE

I don't get as much time to read books these days as I'd like to, so I've widened my available reading time by opening up to the wonderful world of audiobooks. I found myself with a long drive ahead of me and nothing picked out to read, so I went to my library and checked out a digital audiobook. Time was short, so I didn't have much of a chance to research what I wanted to read.

Which is a long way of saying I wasn't quite sure of what I was going to get when I picked out Maggie Stiefvater's THE RAVEN BOYS.

Going into it, details were sketchy. I knew it had a 4.05 on Goodreads--with over 22,000 reviews--so clearly it had some appeal. I knew it was about a girl and some boys, and that's all I really had time for before I downloaded it and started listening.

I didn't love this book, but if I'd started a relationship with it, I would have given it the "It's not you, it's me" talk. Because I'm not the target audience, I soon discovered. This is very much a teen fantasy romance novel, and . . . I'm far from a teen fantasy romance reader. Despite this fact, I still finished the book, mainly because there were some fantasy elements in it that were strong enough to get me through the lovey-dovey stuff.

Blue Sargent comes from a family of psychics, and for as long as she can remember, her family has been telling her that if she ever kisses her true love, he'll die. Interesting premise. Add to that a plot of a rich teenage boy hunting the grave of a long lost Welch king, some cool fantasy world building, and well-drawn characters, and you've got a recipe for success on your hands.

Just not a book that I'm going to love.

There were long swathes of girls and boys thinking and yearning and debating who to kiss. Intense descriptions of hand holding and whispers that tickle ears and touches filled with electricity and desire. If that sounds like something you'd like, allow me to point you in the direction of this fine novel. If not, then you're probably better served looking elsewhere.

Even for you romance fans out there, I have a few caveats. First up is the fact that this is very much the first book in a series. I'm not going to spoil anything in this review, but be aware that there are some major plot points that aren't going to be tied up by the final page. Disappointingly so. I like my main plots taken care of, and I felt like Stiefvater promised some things that weren't followed through on. It's a literary bait and switch, and I don't like the technique.

Then again, maybe if I were a big romance fantasy fan, I'd be all aflutter with the thought of more pages with Blue and the Raven Boys. I have the ARC for the second book, but I don't think I'll be reading it.

In the end, it's a great book for what it's trying to be. Just not a great book for me.

Recommended Age: 16+ (with caveats about the language)
Language: Yes. A few f-bombs peppered throughout the text
Sex: Nope
Violence: A brawl here or there, but nothing beyond punching and some pointed guns.

Still want to give this a try? Here's your link:

THE RAVEN BOYS

Charley Davidson is the grim reaper--but it's not like you think. She's more a portal to heaven than someone who actively reaps souls. But she's still mortal, and a girl's gotta have a day job. Hers is as a private detective in New Mexico, with her dad as a business partner and her best friend Cookie as the receptionist.

The third book of the series, THIRD GRAVE DEAD AHEAD, Charley works to solve the mystery of a doctor's missing wife, a man who faked his own murder, and even a few other side jobs. Charley is not above using her otherworldly abilities to give her advantages a regular detective wouldn't have. It doesn't hurt that she can see and communicate with ghosts, or that her Uncle Bob is still a detective with the local police, or that she's made friends with a FBI agent on the missing woman's case.

The real mystery here, however, is how to solve the problem of Reyes--the handsome son of Satan (yes, that Satan) in mortal form. He resents Charley's binding him to his corporeal form, which has the unfortunate result of forcing him to come when she calls, even if it's subconsciously. Right now it always seems to be when she's asleep, so Charley has decided to not sleep again. Ever. Of course.

Charley is a smart-aleck, fast-talking, coffee-chugging woman who doesn't understand why the men in her life can't seem to trust her to take care of herself when she's perfectly capable of doing just that. It can't be all those horrible situations she seems to get into, the ones that almost kill her. They happen to be the natural consequence of her job as a PI, that's all. The secondary characters are a quirky and memorable lot, easy to like, with the villains just as easy to loathe. I liked Charley from the start; but while Reyes is an important character I had a hard time really getting to know him. Alas the pitfalls of first person PoV.

Darynda Jones cannot only tell a great mystery (well...multiple mysteries as Charley goes mad dash through New Mexico towns looking for clues), but she does it through the hilarious narrative of a wise-cracking woman who uses humor to keep herself from getting bogged down by all the horrible things she sees. Seriously, these dialogue sequences can't be for real, but they were so funny I had tears in my eyes from laughing by page 10. Either that or after 10+ hours of flying in one day (with 4 more to go) I had become slightly hysterical--it was exactly the kind of book I needed by that point.

During Charley's travels to talk to people and glean information I got a decent feel for where she lived and worked. Jones adds fun details about the people and places that really make Charley's surroundings come to life. There are other things that weren't so clear, like why is she the grim reaper and how does this 'portal to heaven' thing work? And the solution to unbinding Reyes...duh? But maybe Jones is saving those for the sequel, or else I missed them from the first two books, which I haven't read.

By the end I was fully invested in Charley's story and the people she was trying to help. And I had fun in the process.

Recommended Age: 18+ for sexual content
Language: Yes
Violence: Mostly peril with a bloody torture scene and references to sexual abuse
Sex: The first few chapters are pretty steamy with detailed scenes; the rest is mostly innuendo

Find out about this hilarious series here:

FIRST GRAVE ON THE RIGHT
SECOND GRAVE ON THE LEFT
THIRD GRAVE DEAD AHEAD
FOURTH GRAVE BENEATH MY FEET

This past April I visited New Orleans for the first time. As a tourist I saw all the sites: the French Quarter, walked Magazine Street, St. Louis Cemetery #1. One morning I took a walking tour hosted by a local, and he talked about the history of New Orleans and its inhabitants. We all had a good time. Then he talked about hurricane Katrina and everyone went quiet. He had lived it and survived to tell the tale.

So did Suzanne Johnson, and while ROYAL STREET is your typical Urban Fantasy, she handles the Katrina angle with the reverence it deserves, thereby adding with fascinating detail a compelling setting.

The story starts with our plucky heroine DJ (short for Drusilla Jane), who feels like her wizardly training has progressed enough for her to tackle the more complicated jobs sending back those who come across from the Beyond: like vampires, old gods, and even the occasional historical undead. But before she can get any headway with the local sentinel/mentor Gerry, Katrina starts heading their way and she is forced to evacuate and wait out the storm.

But then Gerry disappears and the Elders send her back to New Orleans to repair the surge of rifts caused by Katrina. Fortunately they send help in the form of handsome Alex Warin, whose preference for the use of force frustrates DJ. Alex's cousin Jacob--a bar owner in the French Quarter--rounds out the love triangle.

Johnson paces ROYAL STREET well, from page one clear until the end, tying the events and characters together deftly. The opening scene isn't a mere throwaway to introduce our heroine. Characters we meet along the way matter to the story--even the seemingly random dog. It's not simply a string of events, and by the time we reach the exciting climax we've already connected the dots and are ready to watch DJ fix the problem.

DJ herself is unlike most kick butt Urban Fantasy heroines. Sure she's a wizard, but her style of magic (green congress wizard) requires incantations and time, unlike her mentor Gerry whose physical magic (red congress wizard) packs more punch. She doesn't know how to fight or even handle a gun. But she can make a nasty smoke bomb in a pinch. She learns to come to grips with the danger of her situation and the new responsibilities given to her and does the best she can.

The magic is interesting as well as the explanation as to why wizards must keep tabs on those magical beings who cross over from Beyond. New Orleans is a popular setting for Urban Fantasy magic and mayhem as a result of its vibrant history. But the reality of living with Katrina and the havoc it caused really add a nice flair to the story--especially since Johnson is a native. She gives a good sense of the city, its flavor, and what the city itself means to those who lived through the hurricane.

Recommended Age: 16+
Language: A handful of mild references
Violence: Fighting and blood, with minor gore
Sex: A couple of steamy moments but otherwise only referenced

Check out this fun book here:
ROYAL STREET

One of the hardest things about being a reviewer is not letting yourself fall into a routine. By that, I mean only reading one type of book, or only reading books you are positive you are going to like. I think it is something most reviewers struggle with when we get sent a pile of novels to read. Hmm, do I choose the Steven Erikson epic...or a novel about fairies in historical London. For me, the choice would seem obvious--Erikson. However, I think it is healthy as a reviewer to read outside your comfort zone. Often times the results are astounding. Reading outside my comfort zone is how I discovered Marie Brennan (fairies in historical London) and Robert Jackson Bennett. It's how rediscovered that elves can be OK with James Barclay, and that YA can be entertaining.

A little while ago I was sent a review copy of Janci Patterson's debut YA novel, CHASING THE SKIP. Normally I would have given this novel directly to one of my reviewers who would be more in the target audience, but I decided it was time for me to read outside my comfort zone again. Why? Because I'm always trying to broaden my reading and become a better reviewer.

Guess what happened? I ended up enjoying the novel. As a reviewer, I love when I take a risk that is rewarded like this.

CHASING THE SKIP follows the PoV of Ricki, a teenage girl who is now stuck on the road with her estranged father. Oh, and her dad is a freaking bounty hunter. As an adult guy reading a book targeted at young females, this immediately gave me a character I could root for. I cannot overstate how important this is for a new author trying to gobble up as many readers as possible.

The novel picks up with Ricki's mother having left nearly a month earlier. Her mom does this from time to time. She just leaves. Ricki will go and stay with her grandmother, but she gets abandoned on a fairly regular basis. This time though it is a lot longer than usual. Enter Ricki's dad. He has virtually stayed out of his daughter's life until recently. Now, the two are on the road together as Ricki's father is on the tail of another "skip"--the term used for parole evaders. As this is a YA novel, it comes as no surprise when the new "skip" is a teenage boy. He's easy on the eyes and slightly mysterious.

I know what you are thinking. This really doesn't seem like the type of story I would normally enjoy. You're right, of course. So let me tell you exactly why I did end up enjoying this novel.

First, CHASING THE SKIP reads extremely fast. I read it in one sitting, before bed, without much effort. It was a nice, easy read that I never felt any desire to stop reading. I think this was because Patterson's writing was very smooth. The story is told in First Person, which helps the reader understand exactly how confused and conflicted Ricki is. This is essential in a novel like this. Additionally, the ease of reading the novel can easily be attributed to how focused it was. There is no wasted space in CHASING THE SKIP. Everything is done with reason and direction--something I feel many YA novels lack.

Ultimately, CHASING THE SKIP is about the relationship between a teenage girl and her father. I think this is why I liked this novel. To me, as a reviewer and reader, the characters are what make any novel work. The setting can be a tad "meh", and the plot can be familiar...but if the characters and their relationships are interesting, then I am able to sit back and enjoy what I am reading. Over the short space of this novel, we get to see tremendous character growth both with Ricki and her father. THAT is what kept me reading. THAT is what made me glad I read this novel.

Now, I'm not going to ruin the ending for you, but I will say that it all felt natural and in-character. It was a tense moment, and paced extremely well. As a father myself, I found the resolution of the father's character arc to be satisfying in every way, and oddly found that I was picturing Ricki in much the same way her father was.

I am not the target audience of CHASING THE SKIP. Not even close. But it is easy for me to recognize and well-written, well-paced YA novel with realistic and relatable characters. What does this tell me? If a guy so far removed from the target audience and be thoroughly entertained by CHASING THE SKIP, then all those YA readers out there are really going to love it. Janci Patterson's debut is well worth your time.

Recommended Age: 12+.
Language: Hardly any.
Violence: Some tense situations, but nothing crazy.
Sex: Nope. Some crude references, but this is a clean novel.


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CHASING THE SKIP

Nikki Glass is a descendant of Artemis. Yes, that Artemis. But it isn't until she unwittingly becomes one of the Liberi that she becomes immortal and her powers of the hunt manifest.

The result of this sudden change in status is that the two warring groups of Liberi—who happen to be based in the Washington D.C. area—want her on their side. You see, Liberi are descendants of gods from many different pantheons (Greek, Hindu, Norse, etc.), and have inherited the abilities of their god ancestors. Unfortunately for most of them that doesn't include a sense of morality or responsibility for the human race and Nikki would be the perfect person to hunt down their enemies. She wants nothing to do with it, but they won't let her off that easily.

Jenna Black isn't new to the Urban Fantasy scene, considering her Morgan Kingsley Exorcist novels (there's a short story from CHICKS KICK BUTT). But here Nikki is less 'kick butt' than Black's previous series, and that seems to be on purpose. Sure she's a P.I., but not the take-risk type, and as a result this more about how this once normal woman must now cope with a supernatural world.

For the most part Black does pretty well. Nikki is likable (despite feeling a bit Mary Sue-ish), and her attempts to deal with the situation are believable and entertaining enough to read. The Liberi who work for Anderson Kane are the more interesting assortment of beauty, brains, and brawn, each with their unique set of abilities and personality. Black writes in black and white: the bad guys are truly evil and while the good guys aren't spotless angels, it's hard to see much grey area. Still, they are entertaining in their own way.

Black's first person narrative is straightforward and quick paced, despite hiccups in narration, the occasional suspension of belief, and the cliche prose. Black does her best to explain things (for example, why a virgin goddess has descendants in the first place), but it isn't exactly subtle. There are other oddities like how Nikki's relationship with her adoptive sister feels awkwardly written, as well as clunky references to Nikki's emotional baggage.

But by the end, Black hits her stride and delivers on all her promises in a tidy resolution, even if we're left with some questions in the end. Even better: no cliffhanger, and the book still suggests a continuing series.

This is your typical Urban Fantasy fare, but promises a new twist a la Rick Riordian. Dark Descendantis a fluffy palate cleanser with some fun ideas. But don't let yourself get caught up on the details.

Recommended Age: 16+
Language: A smattering of stronger profanity
Violence: Mostly peril, a few deaths, but the scenes are only moderately graphic
Sex: One of the main characters is a descendant of Eros, so there's plenty of strong innuendo and references, but no graphic scenes


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DARK DESCENDANT

Yeah, yeah, don't roll your eyes at me. The title CHICKS KICK BUTT sounds totally cliché and dumb and silly. But it's totally fun and entertaining. CHICKS is a short story compilation of several popular female Urban Fantasy authors—some you've heard of and some you haven't—and other than a couple of mediocre entries, is a solid group of stories. So let's get to it, shall we?

Shiny by Rachel Caine starts off the book with a story from this popular author's Weather Warden series. Joanne has weather magic, and her boyfriend David is a powerful Djinn. On an outing to the beach, they come across a photo shoot for a Bugatti Veyron—and the woman draped across it is none other than a new Djinn. David makes them stop to investigate her, as she's something of a troublemaker. And, of course, trouble ensues. One of the better stories in this compilation, the characters are interesting, the story moves quickly, and the situation and ending unfoldes unexpectedly.

In Vino Veritas by Karen Chance is about Dory—from Chance's Dorina Basarab series—a dhampir (child of vampire and human), and vampire hunter. A previous job with the Chinese mob has come back to bite her, and she must deal with the fallout. This selection is predictable, and in order to remember what it was about I had to go back and re-read it again, which is never a good sign, even if the first read through was enjoyable enough. In the end I wasn't really sure what it was about, it was a little convoluted, and as a result it was easy to dismiss.

Hunt by Rachel Vincent is about college student Abby, recently turned werecat. While on a campout with some friends, they're attacked, and Abby's secret is in danger of being revealed. Traumatized in her youth, Abby must deal with her fears in order to save her friends. Despite the steady writing and believable emotions, it was had to get the full effect in so short a story without feeling like I was being bludgeoned with Abby's emotional baggage. Still, it finishes well.

Monsters by Lilith Saintcrow is my favorite of the compilation. It's about Eleni, a vampire Preserver, with the special skills and abilities that involve protecting "what would otherwise be lost...[those] skilled in an art that would reach its highest expression when freed from the chains of mortality." When her charges are killed in an unexpected attack by humans, she must avenge their deaths. For such a short story, the worldbuilding was well written, and the characters interesting. While the ending leaves the larger story open for more, the conclusion is still satisfying. On her site, Saintcrow says she may write more about Eleni.

Vampires Prefer Blondes by P. N. Elrod is one of the few in this collection where the main character is completely human. Set from Elrod's Vampire Files series, this short takes place in the 1930s, and Bobbi is the headliner for a traveling act in the Chicago area. After one evening's show, a group of roughs come looking for one of her chorus girls, and it turns out a vampire is involved. The writing is slick—the main character's PoV is entertaining to read, gives a feel for the era, and makes me believe that even though Bobbi isn't trained to fight, she's still willing to help someone in trouble with the undead.

Nine-Tenths of the Law by Jenna Black is about exorcist Morgan Kingsley, who happens to be 'possessed' herself (not something she advertises on her business door). She's approached by worried parents who believe their wayward daughter is possessed illegally. Demons are allowed to possess humans who are of legal age and volunteer for it—there are some benefits, after all, to having a powerful spirit inhabit a mortal body. But there are fanatical groups who will do anything to rid the world of demons. An entertaining story, if a bit predictable. The characters are well drawn, and the world interesting without being overbearing. From the Morgan Kingsley Exorcist series, which is complete.

Double Dead by Cheyenne McCray starts off with a sort of glossary of terms, which I'm certain is hardly ever a good thing for a short story. It's about Nyx, part-human part-Dark Elf, whose Drow abilities make her day job as a PI much less dangerous than her night job as enforcer for the paranormal council. While main character Nyx is interesting, the story was a contrived confusion of motives and behavior that didn't make sense, and the ending action scene was gimmicky.

A Rose by Any Other Name Would Still be Red by Elizabeth A. Vaughan is the shortest of the stories, and the action scenes are exciting and fast-paced. Unfortunately, the result is that I never got a clear vision of the setting (is it medieval?), of the main character Red's abilities, and the point of the story.

Superman by Jeanne C. Stein is about a newly turned vampire. "Superman" has a prologue and even 'chapters', which results in a drawn-out story. I could handle an overlong short if it were tightly written, but it's not, and even worse it's cliché and overwrought. Skip it.

Monster Mash by Carole Nelson Douglas takes place in Las Vegas, where werewolves and vampires own and run casinos. Delilah, from Douglas' Delilah Street series, is called in to investigate the haunting of a local casino, and get rid of the problem if she can. She's human, but walks among the supernaturals with confidence. Douglas lays on the setting pretty thickly, so it's hard to keep up with all the lingo. But the fast-paced dialogue, clever mystery, and likable heroine make this story one of the top five in this compilation.

Wanted: Dead or Alive by L. A. Banks is about recently turned vampire Tanya, and the short opens with an overwrought woe-is-me monologue. Then we're launched into pre-story of Tanya's bounty hunter past, and her 'lucky' kill of master vampire Dimitri. As his killer she inherits Dimitri's wealth and the vamps he's turned; and today, a month later, we learn that other vampire masters want her dead. Her distaste of bloodsucking has turned her into an altruist who'll only kill the truly criminal. The story is contrived and feels unfinished.

Mist by Susan Krinard is probably the most ambitious of the stories, with so much worldbuilding taken from ancient Norse mythology that the learning curve is a little high for a short story. An Earth-bound Valkyrie believes that the final battle is past...but is it? The action moves along at a steady clip, and by the end you're invested in the story and how it ends. And even though "Mist" feels more like the beginning of a novel than the other more self-contained contributions, it's an entertaining read.

Beyond the Pale by Nancy Holder is about Meg, former U.S. border agent, and now Fae border agent, due to her recently manifested second sight. But the battle with the Fae is not so much about illegal immigration as it is about keeping the Erl King from stealing children and replacing them with changelings. A fast-paced and interesting story, "Beyond the Pale" has magic and a cool Black Forest setting. PoV character Meg is a complicated woman; the writing does lack subtlety with her feelings and motivations, but the characterization was pretty good for a short. The ending wasn't what I expected, and I still have some unanswered questions, so I'm not sure if I'm satisfied with it—but at least it was memorable. Holder's site says she plans to continue this story in novel form, and if she continues on as she has here, it's easy to see the potential for a great series.

Recommended Age: 16+
Language: Depending on the story, but most are relatively clean; a couple of them have a smattering of stronger profanity.
Violence: All of them have violence; some are stronger than others; almost all contain death, and some of them get very gory.
Sex: Mostly reference and innuendo; "Superman" and "Wanted: Dead or Alive" have graphic scenes.

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CHICKS KICK BUTT

With all the trouble Kitty has gotten into since she was turned into a werewolf, it's hard to imagine that it could get any worse. But there's a reason why book #9 is named KITTY'S BIG TROUBLE--by the end you'll understand.

But, instead, let's go back to the beginning. In the last book, KITTY GOES TO WAR, she learned about the U.S. government's use of werewolves in combat, and she asked herself: how long have they been doing it, and who else in U.S. history could have been hiding their own supernatural origins?

These questions lead her on a strange chase across state lines and eventually points clues to Roman, a very old vampire she's crossed paths with before. So is it coincidence that vampire ally Anastasia calls Kitty the very next day asking to help stop Roman from acquiring an ancient and powerful artifact?

Vaughn does stretch the connections here a little thinly, as Kitty, her husband Ben, and friend Cormac, traipse through Kansas and then San Fransisco. But once they get to California, and Anastasia explains why she asked for their help, then things really get moving. And from there on out the pace moves quickly, and in a direction you won't expect.

Set in San Fransisco's Chinatown, most of the action actually happens underground, in a series of mazes that shouldn't exist. In rooms that shouldn't exist. That houses people who Kitty once thought of as myths.

But it's less the setting than the people who will keep you reading. I enjoy Kitty and Ben's relationship more and more. We get to learn more about Cormac and the sorceress spirit he houses in his body, and their unusual partnership. Anastasia and Roman, as vampires, are old and mysterious and rather self-absorbed, so it's hard to really enjoy them as characters. There are other, new characters who are fun to read about, but I don't want to spoil your fun.

Sure the title alludes to the movie Big Trouble in Little China, since they are both set in the same city/neighborhood. But it's more than that. Something happens, and Kitty is given a new responsibility that's bigger than ever. Sure KITTY'S BIG TROUBLE is a good, consistent addition to the series, but in a lot of ways it's really a segue of what Vaughn promises will follow. And Kitty doesn't disappoint.

Recommended Age: 14+
Language: A handful of instances
Violence: The usual smattering, but not particularly gory
Sex: Vaguely referenced by a married couple, otherwise just some cuddling

Garet James is different, but she doesn't know it. She leads a pretty normal life for a mid-twenties New Yorker: runs her elderly father's gallery, has made a decent business for herself from making jewelry, hangs out with her friends.

Until she finds out that the debts on her father's gallery are suddenly due and she doesn't know how they'll ever repay them in the current economic crisis. On the way home from the lawyer's, she wanders into an antiques shop to ask for directions, and the mysterious owner asks her to help him open a sealed silver box using her talents. How could she refuse his generous monetary compensation?

But the box turns out to be important, a sort of gate to the supernatural, and when Garet opens it, demons are released to wreak havoc on New York.

Garet learns she's descended from a long line of women 'watchtowers'--those who stand as guardians on the border between humans and magic. And it will be up to her to stop John Dee from using the magic box and destroying New York and eventually the world.

As a result, Garet must learn the elemental magic from the Fae around the city: Ariel and wind, Melusine and water, Noam Eardmann and earth, Ddraik and fire. Her guide is Oberon. Do any of these names ring a bell? There's an assortment of supernatural creatures: fairies, gnomes, and of course a vampire love interest.

Garet has a lot to learn before she'll be ready to face John Dee. As a result Garet spends a lot of her time traipsing through New York and learning magic--so much time is spent on it, in fact, that there's little time for deeper characterization and explaining the magic. Garet spends half of the novel learning about the different elemental magics, so my logical conclusion was that this knowledge would be used in the climax. It wasn't. The over-saturation of magic throughout the book all dissipates during the last chapter, after the climax, as though it's not important anymore. Almost as though there weren't consequences to the demons unleashed, or her learning powerful magic, that it has no room in her mundane life. Which was rather a let-down.

Garet, as the main PoV character could have been better developed. I did like that she wasn't a kick butt brassy typical urban fantasy heroine, but having spent the whole novel building up for her confrontation with John Dee and have it fall so flat means that she doesn't really progress as a character. A problem I had with her was she would make random decisions, without really thinking about it, mostly for the sake of the plot's tension for her to have trouble to get out of. The other secondary characters, while interesting and important to Garet, were also shallowly drawn. The 'romance' between Garet and rich vampire Will Hughes, while starting out fine, progressed awkwardly and their interactions were disappointingly emotionless. By the end of the novel, there was left a big enough hole in their relationship to leave room for sequels.

The prose and plot are very straightforward; and while the pace is pretty consistent, the flow lurches in places making it hard to follow as Garet travels from place to place, mostly because she moves around a lot through New York. However, I did enjoy the glimpse at New York, without making me feel like an idiot for never having been there. I was able to follow Garet's movement through the city easily enough.

I read BLACK SWAN RISING pretty fast. It was fun, Lee Carroll obviously spent time researching in order to add the supernatural elements to the book, which made it fun to point out and look up later. But it's similar in depth to other urban fantasy books, and may even be a fresh departure from the other uber-powerful heroines out there.

Recommended Age: 16+, this will appeal to older YA readers, as well
Language: Infrequent, and not very strong at that
Violence: Some peril and blood, but nothing intense or graphic
Sex: A brief scene

Lee Carrol is the pseudonym for the collaboration between mystery novelist Carol Goodman and her poet husband Lee Slonimsky.

Mercy's life changed when she moved to tri-cities Washington. Since then she's had run-ins with vampires and demons, lived next door to the a werewolf pack's Alpha, collected a fae artifact or two along the way--and has risked her life several times to help her friends. But now, in RIVER MARKED, we get to see something a little more personal about Mercy: her Native American heritage.

Mercy is engaged to marry Adam Hauptman, Alpha of the Columbia Basin werewolf back. She may not be a werewolf, herself, but Mercy can hold her own. She's a 'walker', a shape-shifter who can become a coyote--an ability she inherited from her Native American father, and which has served her well in the past when she's had to fight the vampires and fae she inevitably comes in contact with.

Early in the novel Mercy and Adam get married, and hope for a nice, private honeymoon. Of course, that's not what they get. Instead they get a river monster, straight out of American Indian mythology.

But they can't fight the monster alone: the local Indian shaman and friends lend a hand, as well as Coyote. Yes, the god Coyote from Native American mythology--the one who long ago didn't kill the river monster when he had the chance. Remember that Mercy can turn into a coyote? It turns out that Coyote may have had something to do with that...

If you enjoyed the other books in Patricia Briggs' Mercy Thompson series, then RIVER MARKED (book 6) will not only continue with the characters you love so much, but you get to see Mercy and Adam grow and change, and learn a little bit about Mercy's heritage. I enjoy Adam and Mercy's relationship, how they work as a team and trust each other, how they respect their limitations and allow flaws without letting it ruin the relationship. Unfortunately we don't get to see much of the regular gang; but that's not necessarily a bad thing since we actually get to see a lot of time with Adam and Mercy together.

Coyote in particular is a fun character--you can tell that Briggs has done her homework. Seeing his interactions, behaviors, and willingness to sacrifice made him engaging; I hope I get to see him again in the series. The other characters aren't more than shallow surfaces, but since it's a short book there really wasn't time for much else. And as usual, Briggs' world is multi-faceted. While she uses extant mythologies and locations, she weaves them deftly into her stories.

You've likely grown familiar with Briggs' prose and straightforward storytelling, and here it continues as easy-to-read as ever. The plot moves along at a good clip, revealing things at key points, all leading up to the exciting conclusion. Usually Briggs has a convoluted scene or explanation in her books; but not this time, everything was clear and engaging.

This series is a great palate cleanser--delightful and entertaining. You could read RIVER MARKED without having read the previous ones. But if you're an urban fantasy lover, you should read all the books, starting with MOON CALLED.

Recommended Age: 14+
Language: A mere handful of uses.
Violence: A fair amount, since people die, but it's on par with similar books.
Sex: Nothing graphic, but Adam and Mercy are on their honeymoon, so it's talked about.

Carrie Vaughn's urban fantasy series about werewolf Kitty Norville who hosts a paranormal call-in radio show adds #8 to list with KITTY GOES TO WAR (there are two more slated to finish the series). Vaughn's series is the kind where you can read each book as a standalone, but they're that much more layered if you've read the others. The same applies to WAR, you can enjoy the story on its own.

In KITTY GOES TO WAR, Kitty is contacted by a doctor at the government's center for paranatural biology to help with a problem. Three Green Beret soldiers have been brought back from Afghanistan after their unit went haywire. Unfortunately, they're werewolves and incapable of reintegrating into a non-militarized setting, especially after the death of their alpha. Being cooped up in a government facility where the walls are coated in silver doesn't help their attitude, either.

Since this is Kitty, problems are never simple. At the same time she's trying to help three very violent werewolves, the CEO of the Speedy Mart franchise, Harold Franklin, is suing her for libel. You see, she spent one of her shows speculating with callers about mysterious events happening at Speedy Marts around the country. Franklin's overly quick reaction to mere speculation--and to a late-night spook show, even--makes Kitty reasonably suspicious that perhaps there is something unusual going on after all.

Kitty has changed a lot over the series, and in a good way. Here she continues to have doubts about whether she's doing the right thing, but she puts on a good front for the sake of those she's responsible for. She makes a great heroine, in that she's still completely female and soft-hearted, but she's got the courage to do what's difficult. She's been a werewolf long enough that she's accepted it, and feels compelled to help others cope, too. With her is her lawyer-werewolf-husband Ben, whose intelligence, voice of reason, and support makes them a great team. And finally there's Cormac, the third-wheel, former paranormal bounty hunter, who's finally out of prison, sporting secrets of his own.

Vaughn's prose is no-nonsense storytelling that's quick-paced, but flows easily. Kitty's first-person PoV is filled with humor and insight, making situations that should be ridiculous easier to swallow. Vaughn's a solid storyteller, consistent and polished, even if a little predictable; but, hey, that's what her readers like, and makes for great pool-side summer reading.

Complaints? Not a whole lot. It's hard to be sticky knowing what kind of genre it is going in. The secondary characters could have more depth. The climax could have been less contrived with Cormac's big reveal of what really went on in prison. These are, unfortunately, pitfalls of using first-person PoV. Compared to the early books in the series, there's more about how werewolf behavior stands out, how it's a culture within a culture that must be taken seriously. However, Vaughn could have done more with the werewolf culture, as WAR only shows its surface when there's a whole lot more to explore. There's also hints about what else is out there, such as wizards, faerie, and vampires, but while those will take the form of friends or enemies in the series, we don't get a lot of background detail. If Vaughn gave the setting more depth, this series could really have some meat on its bones.

Recommended Age: 16+
Language: Just a handful.
Violence: Mostly a lot of werewolf posturing, but the end does have fighting and blood that's moderately graphic.
Sex: With Kitty happily married it's toned down compared to previous novels.

Mercedes Thompson, car mechanic and shape-shifter, leads a complicated and exciting life. Considering the vampires, werewolves, and fae that surround her, whether friend or enemy, there's usually something dangerous involved. But the great thing about Mercy is that her friends can always count on her when there's trouble.

Only this time, in SILVER BORNE, it's Mercy who needs help.

She's the unwitting owner of a fae item that someone would kill to get. Unfortunately, while Mercy is trying to discover the identity of her would-be assassin, her long-time werewolf friend Sam is in another kind of trouble: after hundreds of years he no longer has the will to live, but Mercy refuses to let him give up. Yet there just doesn't seem to be enough time to solve these problems before lives are at stake.

There's many reasons why I like to read Patricia Briggs' stuff over and beyond any other urban fantasy. Foremost is that she's excellent with setting. While others gloss over the intricacies of living in a werewolf pack or having a vampire as a friend, Briggs doesn't stop at the obvious--she goes deeper and it enriches her stories and the relationships between her characters. After two different series (if you also include Alpha and Omega, Charles' and Anna's story) to build onto the setting, there's only that much more to grab you. So while the books in the Mercy Thompson series are fine to read as stand-alones, it would be hard to believe any urban fantasy lover wouldn't want to read the entire series and get the full brunt of what Briggs has created. It's also kind of fun that it's set in the atypical location of Tri-Cities Washington.

Mercy is an enjoyable mixture of bold and thoughtful, loyal and independent, courageous and vulnerable. Her shape-shifting is inherited from her Blackfoot Indian father: she's a 'walker' who can become a coyote (not to be confused with weres), and as a result she's also able to see ghosts and has some resistance to magic. Adam is her werewolf alpha boyfriend, whose overprotectiveness is sometimes creepy, but oddly endearing because it doesn't stop him from letting Mercy be who she is. Sam, the son of the the North American Alpha of all Alphas, and a dominant in his own right, is a friend from Mercy's childhood. His story is a fascinating one, and it's interesting to see how his age and experience affects his behavior. He's been around since early in the series and needed a resolution, so I was glad that his story finally wrapped up in a satisfying way (ok, I admit the resolution was probably too easy, but I just went with it). Side characters, such as members of Adam's pack and Mercy's friends and co-workers, are all a diverse group without being too many to keep track of--and they're easy to care about because Mercy sees them for who they are and loves them for it anyway. Briggs has been consistent across the series with her characters and setting, yet is still true to Mercy's development as her story has unfolded from book to book.

Briggs' prose is unencumbered, and Mercy's first-person PoV is intelligent without being melodramatic or too flippant. That's one thing that drives me crazy with the current urban fantasy chit lit: authors think that the females have to be brash and kick-butt, or at the very least sassy, but it always comes off as annoying and unbelievable. That, or else they're so powerful or know-it-all that they have too easy a time coming up with solutions to problems. Mercy approaches her dilemmas in a realistic way, accepts her limitations and will work around them in order to get the job done (she's not so ultra modern female as to not ask for help), no matter how scary the situation is.

SILVER BORNE's plot is straightforward, although with a touch of Briggs' usual convolution to complicate things. There's a big scene about a quarter of the way in where lots of crazy stuff starts happening, and there's all these names, so I got lost--Briggs could have been more careful with how she handled the entire chapter. But there seems to be a complicated event like that in all of her books; for example, the entire end of book 1, MOON CALLED, was a confusing explanation of motives and actions that still doesn't make sense to me. You'd think she'd know better by now, especially considering how many books she's written, but I guess even experienced authors will overreach.

Briggs plans on writing two more books before finishing up Mercy's series. Fortunately, she's just starting her Alpha and Omega series, so it looks like she's not leaving that world anytime soon. In the meantime, if you haven't read any of Mercy's story, go find MOON CALLED and get to know her and her friends.

Recommended Age: 16+
Language: A few scattered here and there.
Violence: Yes. There are werewolves after all, and they are temperamental creatures.
Sex: Innuendo throughout, and one detailed scene.

Carrie Vaughn writes books for the female demographic, no doubt about it. Her Kitty Norville series (review of her latest book in that series coming later) has scooped up quite a bit of popularity and recognition, so really it was only a matter of time before she started branching out more and more. DISCORD'S APPLE is her latest effort towards giving her readers something a little different from her normal releases.

Here is where we repeat the disclaimer: Carrie Vaughn writes for the female demographic. She doesn't write for guys. We are guys. Are you following our logical progression?

This doesn't mean we didn't like DISCORD'S APPLE. To be honest, we were surprised how much the ideas grabbed us. DISCORD'S APPLE is set in an alternate present day. The world is on the verge of an all-out Apocalypse, or perhaps even in the middle of one. Wars are all over the place. Nukes are being set off. Rationing is in full-effect. It's a fairly grim world. We really wish it had been even more detailed, and more described, because we seemingly only get a taste of how bad things are.

In the midst of this Apocalypse, the main character of the novel, Evie Walker, is going though a personal Apocalypse. Her father has cancer. Evie takes a break from her normal job in Los Angeles--she's a writer for a comic book--to go be with her father. The story has three different time periods. Evie's, which takes place in the small of Hope's Fort, Colorado; the end of the Trojan War (and the decades thereafter), following Sinon the Liar, the man who convinced Troy to bring the infamous Horse through the gates; we also get brief glimpses of Evie's ancestors, and the responsibility they have/were given.

The characters are all good, if a little too black-and-white for our taste (even the "Liar" character). The good guys are good. The bad guys are bad. The gods are fickle. No real surprises there. Really this novel is all about the the combination of these seemingly unrelated ideas. For the most part, Vaughn does a great job. There are times when the main PoV, Evie, gets a tad too whiny, but it's pretty easily forgivable due to what she is going through.

Being Urban Fantasy and all, of course there is a mystery, and the question of a passed along birthright. There is a basement room in the Walker home that Evie's father is the caretaker of. In this room are dozens of mysterious items that random people are showing up to ask for. What are the items? Who are the people? Read the book and find out. We aren't going to spoil it no matter how many times you ask.

If there is one thing in this book that bothered us, it was Evie's profession. There are numerous times in the novel where we get Evie writing for her comic. Now we get that she is putting her own fears and frustrations into her comic. It's a metaphor for her life. We just had a really hard time caring about her profession at all. We would rather have had more focus on the world, or on the things that are actually happening in Evie's life. What it felt like was Carrie Vaughn projecting herself into her Evie character, who was in turn projecting herself into her comic book character. It was just a bit much, and took away from the actual story that was being told. And really in the end, it didn't matter much at all, and felt like it was just there to take up space.

DISCORD'S APPLE is a short book. 300 quickly-read pages. The writing is on par with her other series, the characters good but simple, and the story decent. While it felt a little bare-bones, Vaughn's readers will find quite a bit they can enjoy here. If you are unfamiliar with Vaughn's work, but don't really want to jump into a full series at the moment, DISCORD'S APPLE will give you a good glimpse of her style and story-telling technique. Guys: This won't be your thing. Gals: You'll probably really dig this.

Recommended Age: 16 and up.
Language: There is none for about half the novel, then suddenly there is some pretty strong language.
Violence: Very little.
Sex: Yeah there is some.

Lois McMaster Bujold is easily one of my favorite authors, from her Hugo Award winning PALADIN OF SOULS to the immensely popular Miles Vorkosigan series. When she began The Sharing Knife series I was excited to see her writing new fantasy, and picked up BEGUILEMENT when it first came out in paperback in 2007. The fourth and final book, HORIZON, was released in paperback this past January.

If you liked PALADIN OF SOULS this new series may pique your interest: like PALADIN it has a love story, magic, fascinating characters, and a well-developed setting. However, if you're a fan of Miles and the excitement and high adventure he usually falls into, The Sharing Knife may be too leisurely to grab your attention.

That isn't to say the series isn't well written or interesting, because it is. Bujold's prose is among the best in speculative fiction today, and this series is no exception. She knows how to paint a picture that flows authentically from her PoV characters. The Earth-like world feels real, from the harsh climes of the north, to the expanses of farmland, to life along the river. And, as always, the magic is subtly woven into the story.

But since it's a story about two people who fall in love and get married, many male readers may never get past book one. Oh well, their loss.

Dag is a Lakewalker, a nomadic people with a purpose: to hunt down and rid the world of 'malices'. A malice is an immortal monster that appears at random to consume everything around it, and the only way to kill it is with a Lakewalker sharing knife, which is made using their magic 'groundsense'. Anyone not a Lakewalker is considered a farmer, and are treated as inferiors since they have no groundsense of their own. Dag has been patrolling for over thirty years and taken part in nearly as many malice kills, making him a legend among his own people. At the start of BEGUILEMENT, Dag is foundering, his tragic past weighing him down.

Fawn crosses paths with Dag during a routine patrol gone chaotic with the discovery of a new malice not far from her family's farm. She's almost killed by the malice, but Dag saves her, and for the first time in her life she's admired and taken seriously. So begins their unlikely romance, much to the dismay of their families--and not only because of the age difference, but because they come from two different worlds.

The story isn't all about the romance, equal time is spent on groundsense: the subtle magic that Lakewalkers rely on to tell them about the world and people around them. Groundsense is the natural manipulation of their environment, from healing to sensing surroundings to strengthening their handiwork. Dag takes an unconventional approach to his magic as he struggles to innovate in order to solve problems previously thought to be insurmountable. As a result of his magical discoveries, Dag realizes how he can begin to heal the rift of distrust between Lakewalker and farmer--recognizing that none of his progress is possible without his farmer bride Fawn at his side.

Each book builds on the previous ones, with new information about the setting and magic expanding our knowledge of the world and its inhabitants. BEGUILEMENT sets the tone for the series, as well as the foundation for the setting and its characters. LEGACY deals mostly with the problems associated with Dag and Fawn's Lakewalker-farmer relationship. PASSAGE is the weakest and slowest of the novels because it's even more character and setting driven as Dag tries to solve problems with his groundsense. The series momentum doesn't really get rolling until the last half of HORIZON, with its meaningful climax and tidy resolution.

Unfortunately, the series may disappoint Bujold fans, and her new fantasy readers would be better served to begin with the excellent THE CURSE OF CHALION. While I enjoyed the romance between the fascinating Dag and Fawn, as well as the details of how groundsense works, Bujold takes too long to tell the overarching story. The excitement potential with the malice troubles is spread too thin and the pacing may frustrate readers who want to see a quicker payoff. The four-part series breaks up awkwardly between the books (likely because it was originally planned as a duet) and would have been better if it had been written as a more streamlined trilogy.

If you like beautiful prose, world-building, complex characters, the nitty-gritty of what makes magic work, and you're patient enough for a satisfying conclusion, then this series is worth reading. If you prefer Miles-like action-packed craziness, then not so much.

Recommended Age: 16+
Language: Tame.
Violence: A few fights with monsters or bandits, but not particularly graphic.
Sex: In the first and second book there are a handful of detailed, but tasteful scenes. The later books mostly have innuendo.