Elitist Book Reviews

After the exciting events of KITTY STEALS THE SHOW (EBR review), Kitty returns home to Denver to get down to the serious business of building a strong base of allies in the war against the vampire Roman and his plan to change the status of vampires among humans.

But even the best-laid plans seem to go awry. The local vampire master Rick--her #1 ally--is approached by a secret sect of Catholic vampire crusaders and contemplates leaving Denver. A new pack member is causing trouble in the ranks. Cormac/Amelia seem determined to be a thorn in Kitty's side in the name of "helping." And even Kitty's own dysfunctional family demand her time and attention. How is she supposed to defeat Roman if she can't even keep her own life under control?

The eleventh book in Carrie Vaughn's Kitty Norville series, KITTY ROCKS THE HOUSE is a continuation of the buildup from the revelation of Kitty's plan to bring down Roman in KITTY'S BIG TROUBLE (EBR review). As a result of it being buildup this particular episode feels like filler, and even though its multiple plot threads resolve, the book felt too short. I want to get to the meat of the overarching conflict with Roman and didn't see the point of these seeming side-stories. I guess we'll have to see if they're relevant in book twelve.

At this point in the series I'd also have liked to see Kitty be more assertive in her role as pack alpha. In some ways she does show this, but it's inconsistent and she seems whiny. There also isn't enough fallout from Cormac's brash and destructive actions, and Rick seemed more wishy-washy than usual. All these issues made the plot feel forced, which was too bad because the pacing was great. Fortunately Kitty and Ben's relationship is as good as usual and we got to see more of pack dynamics.

A mediocre addition to the series, KITTY ROCKS THE HOUSE really just paves the way for what's coming. It doesn't ruin my enjoyment of the series, but I'm getting impatient for what's coming.

Recommended Age: 14+
Language: Less than five instances
Violence: Some blood and fighting, but minor
Sex: Implied

Find this book here:

KITTY ROCKS THE HOUSE

In Carrie Vaughn's last Kitty Norville book, KITTY'S BIG TROUBLE, she raises the stakes (ahem, no pun intended) regarding Kitty's dealings with the vampire Roman. In the next installment KITTY STEALS THE SHOW, we come to understand that his plans are big and his reach is even bigger.

Kitty has been invited to be a keynote speaker at the first ever Paranormal Conference in London. Scientists, lawyers, doctors, and paranormals themselves are not only presenters but attending the historic conference. Well, and a group of protesters, too. Of course.

Her vampire ally Alette sends her to stay with a friend, Ned. Despite the unassuming name, he is the master vamp in London, and he's got his fingers in everything from the cops to Parliament. Fortunately he's the good guy. While there, Kitty meets Caleb, the Alpha for the entire British Isles, a concept she'd never before conceived: a werewolf pack that extends beyond city borders, working with each other in solidarity.

But in true Kitty fashion, her mouth gets her into all sorts of trouble, and it's just so much fun to see the fireworks. Unfortunately, the fireworks are flammable and dangerous and when she confronts the master vampires in town for the conference, she stirs things up a little too much.

Vaughn has done great with the progression of our three main characters: Kitty, Ben, and Cormac. Their evolution is engaging, and I particularly enjoy their interactions with each other. There is trust, love, and camaraderie that only comes from true friendship. Kitty still struggles with the limitations her life as a werewolf has dealt her, but she's determined to make the lives of other werewolves more livable, even at a danger to herself. It's easy to admire her and see how far she's come in the series. After Cormac's strange reveal of what went on in prison in KITTY GOES TO WAR, we got to read Vaughn's explanation in KITTY'S GREATEST HITS, so the extra from that storyline which we get in STEALS is only more cool. And Ben only gets better (who knew he'd be such great husband material?).

She's also done well building Kitty's world of magic and the paranormal. It's not as detailed as the heavier fare out there, but despite that every book adds a little more interest and we get to see some clever stuff added to the story as a result.

Some of Vaugn's previous novels have been disjointed, but STEALS flows well and quickly, with each event building on the other, leading to an exciting conclusion--with a promise for an even more exciting next installment. Even if you haven't read the previous novels, KITTY STEALS THE SHOW is still worth reading. Sure it's a fluffy good-fun series, but it's one of the best fluffy good-fun series out there.

Recommended Age: 15+
Language: Less than a handful
Violence: Some deaths and blood, but not much gore or detail
Sex: Referenced only

Find the latest installment of this fun series here:
KITTY STEALS THE SHOW

Carrie Vaughn's first love was the short story, having published more than 50 in various Science Fiction and Fantasy publications over the years. Today she's best known for her Kitty Norville series, but KITTY'S GREATEST HITS represents Vaughn's considerable talents with shorter fiction. This is a compilation of mostly previously published works, and a few new pieces.

The majority of the stories are Urban Fantasy, but three, "A Princess of Spain," "The Book of Daniel," and  "Conquistador de la Noche" all feel like historical fiction. "Princess" asks the question about Catharine of Aragon's marriage to the crown prince of England--the one who was sickly and died to pass the throne to his brother Henry--and his real cause of death. "Daniel" is an entertaining retelling of the traditional biblical story. If you're familiar with Rick from the Kitty Norville series, then "Conquistador" gives us a history of this mysterious vampire.

The rest of the shorts all take place in the Kitty Norville universe, but only four of them with Kitty as the PoV. "Il est Né" takes place on a lonely Christmas Eve while Kitty is at a diner and comes across a lone wolf who's been recently turned. As usual Kitty takes it upon herself to help out those in need, at no little danger to herself. "Kitty and the Mosh Pit of the Damned" is a fluffy piece, almost feeling like it was written just for the flair of using the title. Still, it's entertaining in its own Kitty way. "Kitty's Zombie New Year" has much the same flavor, with Vaughn adding her own narrative to the current zombie fervor. "Winnowing the Herd" is a brief and amusing viewpoint of Kitty, taking place before KITTY AND THE MIDNIGHT HOUR.

Non-Kitty stories include "Wild Ride," T.J.'s origin story, where Vaughn addresses metaphors regarding lycanthropy as disease and HIV and lycanthropy as identity. Then there are the erotic "The Temptation of Robin Green" and "Life is the Teacher" where human-paranormal romance burns pretty hot...but don't necessarily end well. "You're on the Air" feels like an amusing anecdote that being a vampire doesn't mean you completely escape the vagaries of the human existence.

The stories here that interested me most, however, are the ones about the fascinating Cormac, Kitty's hunter friend from the series. Since the series is from Kitty's PoV it is a rare treat to see things from another character's viewpoint. It includes the origin story "Looking After Family" where Cormac comes to live with his aunt and uncle, and cousin Ben (yes, that Ben). "God's Creatures" where we follow Cormac on a job with a twisty ending. But the pièce de résistance is "Long Time Waiting" where we finally learn about what happened to Cormac while he was in jail and where Amelia comes from.

All the shorts are told with Vaughn's straightforward storytelling, and despite their brevity she draws her characters with charm and individuality. This compilation will particularly interest Kitty Norville fans, but newcomers will still enjoy the stories and characters.

Recommended Age: 14+ (except for the two stories with sexual content, which would be 17+)
Language: A couple handfuls of the harsher stuff
Violence: Werewolves, vampires, and hunters means death and blood and gore, but it isn't gruesome
Sex: "The Temptation of Robin Green" and "Life is the Teacher" both have detailed scenes; the others have a mild reference or two

Get it here:
KITTY'S GREATEST HITS

Celia West had it good growing up. At least that's what everyone thinks. She's the daughter of the wealthiest man in Commerce City, and heir to the West fortune. Dad and mom are also superheros. Everyone asks what it was like growing up with Captain Olympus for a dad and Spark for a mother. Celia avoids the question, but if she answered it straight up she'd say, "Not as awesome as you would think."

But Celia has since graduated from college, moved out of the luxury penthouse she grew up in and into her own place, and works as a forensic accountant at one of the city's biggest accounting firms. She only wants to be normal. And pretty much avoid her estranged father.

Then her boss assigns her to the city's district attorney as a consultant on the Case of the Century: prosecuting the notorious villain Destructor for tax evasion. Mom and Dad and the rest of their superhero team spent decades dealing with the Destructor's...well, destruction in his attempts to annihilate Commerce City and the people in it. Dad votes to 'visit' him in prison and end the trial hoopla before it even begins. Too bad he doesn't.

Carrie Vaughn could have made AFTER THE GOLDEN AGE into a comic book farce, poking fun at the genre as it seems others have done lately. Instead, even with the book's satire, on the whole it's a nod to superhero comics, with a feel-good story. But even if AFTER THE GOLDEN AGE can be a little sappy, it doesn't mean it's all squeaky clean. Celia overcomes a conflicted past, even the good guys have grey along the edges, and the villains are villains for a reason.

Told from Celia's straightforward PoV narration, the story moves forward at a steady clip, revealing along the way what life was really like being the child of supers—including her short stint as the villain's henchwoman just to tick off her father. As we learn more about Celia, it's easy to like her and appreciate her struggles, even if they weren't exactly the everyday variety. Well, except that she keeps getting kidnapped. You'd think she'd get smarter about that after a while.

It takes place in Commerce City, your typical Metropolis-type city. The superpowers of strength, fire, speed, water are typical. But then, they aren't the main characters of the story, so not a lot of time is spent explaining their powers or the how or why.

While the story is entertaining, and the characters interesting, there are relationships, characters, and plotlines that go nowhere, or end up meaning little by the end of the story. These are the things that kept this book from the 'like' category. While I enjoyed the main storyline, Celia's relationship with her parents, and the sweet love story involved, I couldn't get past the contrived climax and certain pointless plot elements.

In the end, even though AFTER THE GOLDEN AGE isn't perfect, I still I enjoyed it, and the novel's issues won't keep me from reading it again.

Recommended Age: 16+
Language: Fewer than five instances
Violence: A few characters die, but it's not overly graphic; most violence is off-screen
Sex: A couple of referenced scenes, but without detail

With all the trouble Kitty has gotten into since she was turned into a werewolf, it's hard to imagine that it could get any worse. But there's a reason why book #9 is named KITTY'S BIG TROUBLE--by the end you'll understand.

But, instead, let's go back to the beginning. In the last book, KITTY GOES TO WAR, she learned about the U.S. government's use of werewolves in combat, and she asked herself: how long have they been doing it, and who else in U.S. history could have been hiding their own supernatural origins?

These questions lead her on a strange chase across state lines and eventually points clues to Roman, a very old vampire she's crossed paths with before. So is it coincidence that vampire ally Anastasia calls Kitty the very next day asking to help stop Roman from acquiring an ancient and powerful artifact?

Vaughn does stretch the connections here a little thinly, as Kitty, her husband Ben, and friend Cormac, traipse through Kansas and then San Fransisco. But once they get to California, and Anastasia explains why she asked for their help, then things really get moving. And from there on out the pace moves quickly, and in a direction you won't expect.

Set in San Fransisco's Chinatown, most of the action actually happens underground, in a series of mazes that shouldn't exist. In rooms that shouldn't exist. That houses people who Kitty once thought of as myths.

But it's less the setting than the people who will keep you reading. I enjoy Kitty and Ben's relationship more and more. We get to learn more about Cormac and the sorceress spirit he houses in his body, and their unusual partnership. Anastasia and Roman, as vampires, are old and mysterious and rather self-absorbed, so it's hard to really enjoy them as characters. There are other, new characters who are fun to read about, but I don't want to spoil your fun.

Sure the title alludes to the movie Big Trouble in Little China, since they are both set in the same city/neighborhood. But it's more than that. Something happens, and Kitty is given a new responsibility that's bigger than ever. Sure KITTY'S BIG TROUBLE is a good, consistent addition to the series, but in a lot of ways it's really a segue of what Vaughn promises will follow. And Kitty doesn't disappoint.

Recommended Age: 14+
Language: A handful of instances
Violence: The usual smattering, but not particularly gory
Sex: Vaguely referenced by a married couple, otherwise just some cuddling

Carrie Vaughn's urban fantasy series about werewolf Kitty Norville who hosts a paranormal call-in radio show adds #8 to list with KITTY GOES TO WAR (there are two more slated to finish the series). Vaughn's series is the kind where you can read each book as a standalone, but they're that much more layered if you've read the others. The same applies to WAR, you can enjoy the story on its own.

In KITTY GOES TO WAR, Kitty is contacted by a doctor at the government's center for paranatural biology to help with a problem. Three Green Beret soldiers have been brought back from Afghanistan after their unit went haywire. Unfortunately, they're werewolves and incapable of reintegrating into a non-militarized setting, especially after the death of their alpha. Being cooped up in a government facility where the walls are coated in silver doesn't help their attitude, either.

Since this is Kitty, problems are never simple. At the same time she's trying to help three very violent werewolves, the CEO of the Speedy Mart franchise, Harold Franklin, is suing her for libel. You see, she spent one of her shows speculating with callers about mysterious events happening at Speedy Marts around the country. Franklin's overly quick reaction to mere speculation--and to a late-night spook show, even--makes Kitty reasonably suspicious that perhaps there is something unusual going on after all.

Kitty has changed a lot over the series, and in a good way. Here she continues to have doubts about whether she's doing the right thing, but she puts on a good front for the sake of those she's responsible for. She makes a great heroine, in that she's still completely female and soft-hearted, but she's got the courage to do what's difficult. She's been a werewolf long enough that she's accepted it, and feels compelled to help others cope, too. With her is her lawyer-werewolf-husband Ben, whose intelligence, voice of reason, and support makes them a great team. And finally there's Cormac, the third-wheel, former paranormal bounty hunter, who's finally out of prison, sporting secrets of his own.

Vaughn's prose is no-nonsense storytelling that's quick-paced, but flows easily. Kitty's first-person PoV is filled with humor and insight, making situations that should be ridiculous easier to swallow. Vaughn's a solid storyteller, consistent and polished, even if a little predictable; but, hey, that's what her readers like, and makes for great pool-side summer reading.

Complaints? Not a whole lot. It's hard to be sticky knowing what kind of genre it is going in. The secondary characters could have more depth. The climax could have been less contrived with Cormac's big reveal of what really went on in prison. These are, unfortunately, pitfalls of using first-person PoV. Compared to the early books in the series, there's more about how werewolf behavior stands out, how it's a culture within a culture that must be taken seriously. However, Vaughn could have done more with the werewolf culture, as WAR only shows its surface when there's a whole lot more to explore. There's also hints about what else is out there, such as wizards, faerie, and vampires, but while those will take the form of friends or enemies in the series, we don't get a lot of background detail. If Vaughn gave the setting more depth, this series could really have some meat on its bones.

Recommended Age: 16+
Language: Just a handful.
Violence: Mostly a lot of werewolf posturing, but the end does have fighting and blood that's moderately graphic.
Sex: With Kitty happily married it's toned down compared to previous novels.

Carrie Vaughn writes books for the female demographic, no doubt about it. Her Kitty Norville series (review of her latest book in that series coming later) has scooped up quite a bit of popularity and recognition, so really it was only a matter of time before she started branching out more and more. DISCORD'S APPLE is her latest effort towards giving her readers something a little different from her normal releases.

Here is where we repeat the disclaimer: Carrie Vaughn writes for the female demographic. She doesn't write for guys. We are guys. Are you following our logical progression?

This doesn't mean we didn't like DISCORD'S APPLE. To be honest, we were surprised how much the ideas grabbed us. DISCORD'S APPLE is set in an alternate present day. The world is on the verge of an all-out Apocalypse, or perhaps even in the middle of one. Wars are all over the place. Nukes are being set off. Rationing is in full-effect. It's a fairly grim world. We really wish it had been even more detailed, and more described, because we seemingly only get a taste of how bad things are.

In the midst of this Apocalypse, the main character of the novel, Evie Walker, is going though a personal Apocalypse. Her father has cancer. Evie takes a break from her normal job in Los Angeles--she's a writer for a comic book--to go be with her father. The story has three different time periods. Evie's, which takes place in the small of Hope's Fort, Colorado; the end of the Trojan War (and the decades thereafter), following Sinon the Liar, the man who convinced Troy to bring the infamous Horse through the gates; we also get brief glimpses of Evie's ancestors, and the responsibility they have/were given.

The characters are all good, if a little too black-and-white for our taste (even the "Liar" character). The good guys are good. The bad guys are bad. The gods are fickle. No real surprises there. Really this novel is all about the the combination of these seemingly unrelated ideas. For the most part, Vaughn does a great job. There are times when the main PoV, Evie, gets a tad too whiny, but it's pretty easily forgivable due to what she is going through.

Being Urban Fantasy and all, of course there is a mystery, and the question of a passed along birthright. There is a basement room in the Walker home that Evie's father is the caretaker of. In this room are dozens of mysterious items that random people are showing up to ask for. What are the items? Who are the people? Read the book and find out. We aren't going to spoil it no matter how many times you ask.

If there is one thing in this book that bothered us, it was Evie's profession. There are numerous times in the novel where we get Evie writing for her comic. Now we get that she is putting her own fears and frustrations into her comic. It's a metaphor for her life. We just had a really hard time caring about her profession at all. We would rather have had more focus on the world, or on the things that are actually happening in Evie's life. What it felt like was Carrie Vaughn projecting herself into her Evie character, who was in turn projecting herself into her comic book character. It was just a bit much, and took away from the actual story that was being told. And really in the end, it didn't matter much at all, and felt like it was just there to take up space.

DISCORD'S APPLE is a short book. 300 quickly-read pages. The writing is on par with her other series, the characters good but simple, and the story decent. While it felt a little bare-bones, Vaughn's readers will find quite a bit they can enjoy here. If you are unfamiliar with Vaughn's work, but don't really want to jump into a full series at the moment, DISCORD'S APPLE will give you a good glimpse of her style and story-telling technique. Guys: This won't be your thing. Gals: You'll probably really dig this.

Recommended Age: 16 and up.
Language: There is none for about half the novel, then suddenly there is some pretty strong language.
Violence: Very little.
Sex: Yeah there is some.