Friday Feet 03-16-18

Who wears light-up shoes to a Visions Art Museum opening?

Why, Betty Busby, of course.  

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Quilt Winners 01-25-16

 

Betty's quilt, Mycology, (above) received the most votes from our members and visitors at Visions Art Museum in San Diego in the recent exhibition, Interpretations: Celebrating 30 Years.

The Viewer's Choice Award is acknowledged after the close of each exhibition. Betty will receive a one year membership at Visions Art Museum, and our thanks for contributing to a spectacular exhibition.
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$10,000, $7500 & $5000 Winning Quilts

 

They are amazing. Take a look at the Award Winning Quilts at Road To California 2016. This is Part 1- The Top $$ Winners.
http://tinyurl.com/jj2pwkw

 

"Interpretations" exhibit opening at Visions Art Museum 10-17-15

I am in San Diego at HIE again!   I drove down (2 1/2 hours)  for the opening reception for the "Interpretations" exhibit which opened  today.  This is an International juried exhibit with 32 quilts selected by an international jury - Noriko Endo of Japan, Dena Dale Crain of Africa and Alicia Merrett of UK.  They made wonderful selections and the Visions installation crew did a great job hanging the quilts to enhance our viewing pleasure.  The exhibit runs through January 3, 2016, and I hope you can all get to San Diego to see it "in the fabric".  There is a beautiful catalog available for $3 plus postage.  Check with the Visions staff.

 

This is the cover of the catalog showing Betty Busby's "Mycology".

The light spot in the upper left is a reflection from the lamp in my motel room. 

I tried a flash but it was even worse.  

The back of the catalog shows Marianne Burr's "Eleven 3 Thirteen".

Again there is the reflection from the lamp in the upper left corner.

 

After the reception I was fortunate to go out to Ikiru for a late dinner with Linda Colsh and Kathleen Probst.  We all had something different that has been pictured in this blog previously. Except Linda's selection of California Roll - it has never looked so good!  And  it was delicious.

 

Linda Colsh is giving a presentation tomorrow morning and I will attend that before heading home.  Perhaps lunch first ... at Ikiru?

 

The exhibits missing from Palm Springs were also missing at PIQF.  I understand the shipper was UPS!   Hope they locate the palette/shipping container soon.  Everyone would rather have their quilt than insurance money.

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At Studio Art Quilt Associates conference in Portland, OR 05-03-15

I haven't posted because I haven't been able to get online with my laptop late at night when I want to post.  Guess there were a lot of late night people (quilters?) staying at the hotel and they overloaded the system.  Others were having trouble also.  This is a long post with the pictures in the order I took them.

There is not a lot to take pictures of when at a conference. 

 

Mostly one sees the backs of heads - especially if one sits in the back of the room, which is what I prefer.  Lots of grey/white heads in view. 

 

Very few quilts were shown, mostly power point images.  This is Hsin-Chen Lin with one of the quilts she brought with her from her home in Taiwan.

 

 

Gabe Mackay is the son of one of the ladies in a small group I belong to.  Gabe lives in Portland and owns two restaurants; this is his Biwa, the newest one, located at NE 9th and Ankeny.  The food was quite delicious and beautifully presented.  

 

Asparagus with black sesame sauce (my favorite)

and in the background Beth's cocktail (she let me taste) made with grapefruit juice and vodka and some other unidentified flavors.

 

We also had pot stickers, chicken wings, sea trout on skewers and butterscotch + for dessert.

 

Oh, yes.  We each had a shooter.  Aren't the shells wonderful?

 

The restaurant is below street level and has all the fixtures and plumbing lines exposed.  Here are two noren made by Gabe's mom, covering some of the bareness.

We took a taxi from (and back to) the Double Tree Hotel.  (about $14 r/t) 

 

From the wall sized windows in the elevator lobby I can see many construction cranes.  They are lit up at night - this one is especially beautiful.

 

Here is today's dose of Mt. Hood.

 

On Saturday night there was a banquet at which a lively silent auction was held.  There were over 100 small quilts mounted in 8" x 10" matting frames - the exposed part of the quilt is 4.5" x 6.5" - slightly larger than a postcard.  I kept telling people that this was a FUND RAISER and to BID 'EM UP!  And I was as good as my word.  I went $270 over my preset spending limit and am taking an even dozen of these little jewels home.  I thought it was great fun and SAQA made more than $14,000!
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          Heather Dubreuil - Hudson QC, Canada
 

           Terry Grant - Beaverton, OR

 

On Friday evening there was an "activity" called "Maker's Space" where "make and take" tables were set up with an artist in attendance at each teaching and helping use different materials and techniques.  I did two of the designated tables:







 

Laura Jaszkowski (Eugene, OR) was showing how to make quick little fused landscapes.

Unfinished, mine is 8"W x 10"L

 

Betty Busby (Albuquerque, NM) had a large plastic box of paint sticks that one could experiment with.  I was struck by the thought that they would make gorgeous clouds.  I have been thinking about cloud quilts for a long time - I think I'll try this at home. These are only 8"W x 4"L, but think of them as huge.

 

 

With every lecture or panel there is more than adequate coffee set up.  Always including one of these three part trays: chocolate curls, whipped cream, and cinnamon sticks.  And, of course, tea makings, cream, sugar, etc.

The chocolate curls fascinate me - they are almost as big around as a Bic pen and less than a quarter inch long.  I tried some in my coffee, but the coffee was not hot enough to melt the chocolate, so it just ended up in the bottom of the cup when the coffee was gone.  I wonder if they have a job description of "chocolate curler" or if the curls are actually extruded in a manufacturing process.   Inquiring minds and all that.

Beth Smith, Director of Visions Art Museum in San Diego, which specializes in quilts and textiles only, and Charlotte Bird who chairs the biennial exhibit called "Visions", gave a joint talk about the museum and the process of the biennial.  The first image up was of the entrance to the museum.  The artists had questions at the end, they would all like to have a quilt in the biennial.

 

This is a view from the elevator lobby in the daytime - Portland's West Hills and construction cranes.  

The only program that showed quilts was the talk by four artists from the Oregon chapter of SAQA.  But the quilts where hung before the speakers and taken down immediately after they were through, so there wasn't much chance to look at them, much less photography.

These gorgeous elephants are by Sheila Finzer (Terrebonne, OR). 

She told a funny story about how she was taking a shower in the outdoor shower at safari camp in SAfrican when the elephants came around.  Not to miss her chance she ran out, grabbed her camera and started shooting pictures.  What we will do for a good picture.

 

Lunch today in the sort of "quick snack" bar in the lobby of the hotel.  We had a good look at the surroundings because it took forever to get our meals. My turkey Panini was excellent and my lunch partner enjoyed her grilled salmon. 

 

  I found these fabric lamps interesting.  And they are unstiffened fabric - my lunch partner was tall enough to reach up for a feel.  There is other lighting to supplement what light these give out.

 

This afternoon I took a four hour class in Katoma Shibori from Ana Lisa Hedstrom, an artist whose work I first saw in the 1970s at Obiko in San Francisco - a wonderful  shop full of original art clothing and accessories  - long gone, of course. 

 

Ana Lisa was so well organized and worked easily with limited facilities.  We dyed in buckets fill with hot water in the bathrooms of our sleeping rooms. 

 

 

This form of Shibori is done using sewing machines to fold and pleat the fabric.  These six pieces are what I did in class.  The sewing machines were provided by a local merchant.

By-the-way, the trick to removing the threads after dyeing is to use a light weight rayon thread in the bobbin, it breaks so easily the stitching comes out in seconds.  If you enlarge the images you can see the little ends of peach colored thread I haven't removed. 

 

This "wonky plaid" was fun to do and has lots of variations.

 

We were to stitch an object and I chose a flower, but the dye didn't penetrate very well. 

 

This is continuous squares or boxes.

 

The two browns are different fabrics - silk noil on the left and cotton on the right.  The silk didn't take the dye very well.  Or maybe it was the way I stitched it.  Anyway, it was an interesting class though I doubt I will do it again.  But it is in my brain filing system, just in case I decide to use it in the future.

 

And here is the daily Mt. Hood.  It will be too hazy to see her in the morning when I drive north, but maybe next weekend when I am heading home - on I-5, of course.  It is always a special trip when I see all of the mountains along the route.  Mt. Baker, Mt Rainer, Mt. St. Helens, Mt. Hood, Mt. Shasta.  There are a few others in the row, but I rarely ever see them.

 

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More on Quilt Festival - LBeach 08-08-13

I found an image of Betty Busby's quilt so you could see different aspects of her work. This quilt is part of the SAQA exhibit "A Sense of Scale".


 "Diatom 2"  Betty Busby   77" square

You can see more of Betty's work on her website:  http://bbusbyarts.com

I looked for pictures on blogs, usually there are quite a few, but the pickings are lean.  Maybe people haven't found the time to post.  You can Google "Quilt Festival Long Beach 2013" and maybe find some good images.  There are a few here:

http://www.historyquilter.com/2013/08/a-visit-to-international-quilt-festival.html

Luana Rubin of eQuilter hasn't posted anything, maybe she wasn't in LBeach.  But if you ever want to look at quilts from all over the world check out Luana's Flicker pages:
 http://www.flickr.com/photos/luanarubin/sets/

"The Quilt Show" with Alex Anderson presented this Smilebox of the "Maps" exhibit at LBeach:
http://secure.smilebox.com/ecom/openTheBox?sendevent=4d7a63314e446b774f44453d0d0a&blogview=true&campaign=blog_playback_link&partner=neverblue

Quilt Festival - LBeach '13 08-05-13

I'm still house bound - taking pills, using an inhaler, drinking plenty of fluids, sleeping a lot.   I plan to repeat this for the next few days to be sure that I am really over it before I resume my "normal" life.  Fortunately I have adequate groceries, books yet to read, and, as is to be expected, piles and piles of unfinished projects and paperwork.  I'd like to be able to go to VAM in San Diego to a special program they are offering on Saturday.
  http://visionsartmuseum.org/calendar-dtl.asp?calID=146

Below are all the pictures I took at Long Beach.  As usual, I look at quilts and then go back to photograph, but that didn't work for me this year.  I only looked at maybe half the quilts and developed this bronchial thing so couldn't go back to take pictures.  Bummer!


Betty Busby is so talented, she covers so many techniques and styles it is always a surprise and a delight to see her work.  For some years I thought there were two Betty Busby's.  The work that I saw was so varied that I was continually surprised - still am!
 
This quilt has such gentleness and grace, it made me stop, admire, and photograph, even though I was just walking through the exhibit area en route to somewhere else.

   

There is love there.

On the same walk through I came to this wall of quilts which I found appealing and stopped to look, read and photograph.  The two on the right are by two of my favorite artists and the one on the left is a pattern I have thought about making for many years. 

 

Just the name "Endless Chain" is intriguing.  As a child visiting the quilting ladies at the Grange I thought it was "Endless Change" because the Grange ladies made only scrap quilts and the scraps were endlessly changing.  The colors here appeal to me and make me smile.
 

 

Bodil's work is so distinctive - always colorful and filled with fun bits that one must search to discover - the little sheep roaming the hills, the tiny mug on the ground.  She is represented in Thomas Contemporary Quilt Collection and I always hope to add another of her works.  The words written in the border are:   "I arise from dreams of thee in the first sweet sleep of night when the winds are blowing low and the stars are shining bright."

Every edge is applied with zig-zag stitching.
 

http://www.ruthpowersartquilts.com/

 
This dear little guy was created by Ruth Powers who makes realistic images, but with the feeling of a painting rather than a photograph.  Look at the wonderful "cloudy" background made of soft flowers and the graceful leaves with their quilted veins.  She has a good eye for color and chooses her fabric prints carefully.  And notice the FMQ on the background - Ruth is a pro on a home machine.