Showing posts with label ralph graves. Show all posts
Showing posts with label ralph graves. Show all posts

Monday, March 4, 2013

A Tribute to Ralph Graves

A Tribute to Ralph Graves

Born in Cleveland, Ohio on July 23, 1900, Ralph Graves came from a wealthy family, but jumped a freight train to get away from his parents and soon found himself in Chicago. Here, he entered a contest organized by Universal to find a leading man for actress Violet Mersereau. Graves won the contest but instead of coming to Hollywood, he found a position with the Chicago-based Essanay Company by Louella Parsons, who was then a newspaper woman in the city. 



Graves first major screen role was as leading man to Mary MacLane in Men Who Have Made Love to Me (1918). In 1919, Graves was signed by D.W. Griffith and immediately signed Graves in two 1919 productions, “Scarlet Days” and “The Greatest Question,” and starred opposite Carol Dempster in the 1921 feature “Dream Street.”

After Dream Street (1919), Graves received a number of offers from other producers. Graves went to consult with Griffith as he had done with Blanche Sweet and Lillian Gish, and others, the director told him to go.



The features in which Graves appeared in the 1920’s were not memorable, but he had the opportunity to play opposite Colleen Moore, Miriam Cooper, Marguerite de la Motte, Bessie Love and Blanche Sweet. 



From 1923 through 1926, Graves was under contract to Mack Sennett playing opposite Mabel Normand in The Extra Girl (1923) and starring in a series of two-reel comedy shorts. 

Claiming that he was losing his hair and his sex appeal, Graves decided to become a director, initially for Harry Cohn at Columbia, although he did continue acting until as late as 1949.



At Columbia, Graves became associated with actor Jack Holt and with director Frank Capra, whom the actor had become familiar with at the Mack Sennett studios. 

Capra did star Graves in five features: That Certain Thing (1928), Submarine (1928), Flight (1929) Ladies of Leisure (1930) and Dirigible (1931). 

In the 1930’s, Graves became an assistant director at MGM to Irving Thalberg. 


In old age, Graves had a healthy contempt for a society that would relegate a great man such as D.W. Griffith to the gutter and that could denigrate a Rudolph Valentino because he was a foreigner. Graves also believed that black people and uneducated people were looked down. 

By the 1950’s, Graves was retired but living well in Balboa, Holmby Hills and eventually Santa Barbara, where he died on February 18, 1977. He was 76 years old. 

Ralph Graves had an extensive film career. He appeared in a total of 92 films between 1918 and 1949.
  

Wednesday, May 26, 2010

Frank Capra "That Certain Thing" (1928)



"That Certain Thing" (1928) is a silent romantic comedy starring Viola Dana, Ralph Graves, and Burr McIntosh. Directed by Frank Capra, this film is about a gold digger who is in search of a rich husband. Molly Kelly, played by Viola Dana, is a young woman from the tenements who works in a cigar stand to help support her widowed mother and two younger brothers. Even though she has the opportunity to marry a streetcar conductor, Molly wants to marry a millionaire. Molly's mother, Maggie Kelly, played by Aggie Herring, and the neighbors make fun of her fantasy. One day Molly literally bumps into Andy B. Charles, Jr., played by Ralph Graves, the son of the popular ABC restaurant chain. Totally smitten with Molly, Andy asks her out on a date that same night. Within a few hours, Molly and Andy get married. The following day, associates of Charles, Sr. arrive in the couple's honeymoon suite and confiscate all the wedding gifts Andy bought Molly on his father's credit account. Charles, Sr., played by Burr McIntosh, suspects that Molly married Andy for his money and promptly disinherits his son. At this point, Andy rolls up his sleeves and goes to work on a building site digging ditches to support himself and his wife. Molly, who is truly in love with Andy, packs her husband a box lunch daily and takes it to his worksite. When a minor problem on the job makes Andy lose his appetite, he offers his lunch to one of his co-workers, who is so impressed with Molly's box lunch that he swears he would be willing to pay good money for it. Pretty soon Molly starts making box lunches which Andy eagerly sells to his co-workers. When word gets out that Molly's box lunches are better than the ones from the Charles restaurant chain, Andy's millionaire father has to deal with some serious competition. What will happen when Charles, Sr. finds out his own son and daughter-in-law can drive him out of business?


Frank Capra's first Columbia feature, "That Certain Thing" is delightful and is worth watching just to see how clever a director he was in his silents. Even at this early stage of his career, this film has that Capra "feel good" touch. It showcases three of the four elements that later became customary in all Capra's films: comedy, romance, pathos, and drama. The pathos is missing, but this kind of film did not really need it. Columbia was a Poverty Row studio in 1928. Typical of Columbia films from this period, "That Certain Thing" suffers from the small budget, especially noticeable in the scenes shot in the office of millionaire Charles, Sr., which is rather cramped. However, the film has excellent lead performances from Ralph Graves and Viola Dana. Claiming that he was losing his hair and his sex appeal, Ralph Graves decided to become a director for Harry Cohn at Columbia in the late 1920's, although, in fact, he did continue acting until as late as 1949. At Columbia, Graves became associated with Frank Capra, whom the actor had become familiar with at the Mack Sennett studios. Aside from "That Certain Thing" (1928), Capra did star Graves in "Submarine" (1928), "Flight" (1929), "Ladies of Leisure" (1930), and "Dirigible" (1931). Viola Dana, who started her feature film work at seventeen with the Edison Company, worked in many silents for Edison, comedies with Mack Sennett, and starred in some fifty feature films for Metro where she was the highest paid female star. Viola Dana, who had a wicked sense of humor, always claimed that Frank Capra had chosen her for "That Certain Thing" (1928), because, when she walked, she had the "cutest little wiggle." Fast paced and filled with Capraesque humor, "That Certain Thing" is a forgotten gem of the silent screen that is worth discovering.