Pawsome Pet Pictures: Leslie Howard, Carole Lombard and Gary Cooper.

Great picture of Leslie Howard, Carole Lombard, Gary Cooper and what looks like an Afghan Hound. Picture taken in 1933.

Secrets (1933).

Secrets (1933). Directed by Frank Borzage. With Mary Pickford, Leslie Howard, C. Aubrey Smith, Blanche Friderici.

The story begins when well to do William Marlowe, wants his daughter Mary, to marry Lord Hurley, but she is in love with John Carlton, one of Marlowe's clerks. Marlowe, finds the couple's love letters and fires John, who later tells Mary, that he is moving West and will send for her, but she insists on going with him.

 

They are married and soon begin their journey to the place that will become their new home. As time passes, they have a son. One day, while John and the Carltons' handyman, go to town while Mary stays home alone. It is not long, before cattle rustler Jake Houser, his brother Davey and their gang take over the house and threaten to kill them, and leave with the cattle. As John and Sunshine are on their way home, they see the men with their cattle. When John learns that the gang threatened his family, he leaves to gather the other ranchers, to form a lynch mob.

After John and Sunshine return home, they find that the baby is ill, and that Jake and his gang are making plans to attack the cabin, during the attack.. the baby dies from his fever. It is Mary, who shoots and kills Jake.

Years later, the Carlton family has grown and John is running for the post of governor of California. On the eve of the election, the Carltons throw a huge ball, when John's mistress, Señora Lolita Martinez, tells Mary that John wants to marry her, John tells her that the affair is long over. Will John be elected governor and will Mary forgive him?

Mary Pickford was in her 40s when she made this film, and it does stretch your imagination a little to see her playing a debutante in the beginning of the film. If you are a Leslie Howard fan, you may enjoy his performance as her lover/husband.

Blanche Friderici (January 21, 1878 — December 23, 1933). Between 1920 and 1934, Friderici performed in almost sixty films. Friderici's film début was performing as Miss McMasters in the film, 39 East (1920) and In Night Nurse (1931), she played a housekeeper too frightened to try to stop the murder of two little children. She played a chaperon in the film, Flying Down to Rio (1933). Her last film role was the wife of the motel owner in, It Happened One Night (1934).

Mona Maris (November 7, 1903 – March 23, 1991) was an Argentine film actress who was born in Buenos Aires. Her Hollywood film career began with the movie, The Apache(1925) and continued with the film, Camila (1984). It was her inability to speak English which nearly ended Maris' film career.

IT'S LOVE I'M AFTER (1937)

Bette Davis and Leslie Howard made three films together. Their first movie together was the critically acclaimed Of Human Bondage in 1934. They were again paired in another drama, The Petrified Forest, in 1936. Both movies showcased their abilities to play tragic characters. However, people often forget the pair starred together in a romantic comedy in 1937 entitled It’s Love I’m After. It has recently been released as part of the “Warner Brothers Archive Collection.” I think it’s a great chick flick worth exploring, so here’s a little summary to get your interest piqued.

The movie opens with Joyce Arden (Davis) and Basil Underwood (Howard) performing the final scene of Romeo and Juliet. It is very apparent that each actor is trying to upstage the other. In fact, Underwood’s valet (Eric Blore) and Arden’s maid (Veda Ann Borg) comment about their bad behavior as they watch backstage. The camera then goes to a balcony at the play where Marcia West (Olivia DeHavilland) is watching Basil with great admiration. After the play ends, Marcia visits Basil backstage to tell him how much she admires him. Basil enjoys the young woman’s attentions and this leads to a fight with costar and “on again/off again” fiancée Joyce. It seems Basil enjoys the “admiration” of young female fans. As a result, he and Joyce still have not married although they’ve been engaged numerous times.

In between arguing with Joyce, Basil has another visitor, Henry Grant (Patric Knowles). He is Marcia’s fiancée and requests a favor from Basil. Henry wants Basil to come to Marcia’s home where there is a house party going on. Henry wants Basil to behave so badly that Marcia will get over her crush on Basil. Since Basil wants to redeem himself with Joyce, he agrees. This is where the real fun begins.

Basil arrives at the West home. He makes a rude entrance but Marcia doesn’t care – after all it IS Basil Underwood. As the visit proceeds, Basil continues to be arrogant and unpleasant. He even makes a move on Marcia in her bedroom. However, Marcia likes his aggressiveness and breaks her engagement to Henry. Meanwhile, Basil is torn because Marcia is a very attractive young lady. Basil’s valet, Digges, decides things have gone too far and calls who else? Joyce!

Joyce arrives and the sparks fly. She and Basil just can’t get their timing right. She had planned to get him out of the mess by telling Marcia that they are already married. But, the love struck Marcia could care less. She will wait for them to divorce. Then, being the two egotistical people they are, Basil and Joyce revert to their old behaviors and start blaming each other for the chaotic situation. So where does it all end? Will the two couples reunite with their original partners or will Marcia convince Basil that they belong together? Watch for yourself – you’ll be glad you did!

I should also mention that there are some great supporting players here. Eric Blore is great as the loyal valet to Underwood. His ability to convey his exasperation with his boss is priceless. Spring Byington appears as DeHavilland’s aunt who also appears to have a crush on Basil at times. Last, but not least, catch Bonita Granville at her best. In this film, Granville plays an annoying teenager who loves to eavesdrop and share what she’s discovered with anyone who will listen. It’s Love I’m After may not be the best film in the filmography of Davis, Howard, or DeHavilland. However, it shows the versatility of this very talented trio who are often best remembered for their strong dramatic portrayals.