A Star Is Born (1937), won a special Academy Award for its Technicolor cinematography for W. Howard Greene.

A Star Is Born(1937). A romantic/drama directed by William A. Wellman. Cast: Janet Gaynor, Fredric March, Adolphe Menjou, May Robson, Andy Devine, Lionel Stander and Carole Landis. The film was nominated for seven Academy Awards, winning the award for Best Story. It was also nominated for Best Picture, Best Director, Best Actor (March), Best Actress (Gaynor), Best Assistant Director, and Academy Award for Best Writing, Screenplay. It won a special Academy Award for its Technicolor cinematography for W. Howard Greene. (August 16, 1895 - February 28, 1956), was born in Connecticut and died in Los Angeles. Greene, sometimes billed as William H. Greene and W. Howard Greene, was a cinematographer on many early Technicolor films, including Legong: Dance of the Virgins (1935).A Star Is Born (1937), was the first color film to be nominated for best picture.

A screenplay entitled "A Star Is Born" has the words, "Final Shooting Script," written on the cover page then opened to start the following story:

Esther Blodgett, returns home with big dreams of becoming a movie star after seeing a movie with her favorite movie actress, Norman Maine. Her father and grandmother Lettie, are surprised learn their little farm girl Esther, has dreams of becoming a star. Esther, wanting better for her granddaughter, encourages Esther to follow her dreams and gives her money for the train to Hollywood.

In one of my favorite scenes.. After arriving in Hollywood, Esther passes by Grauman's Chinese Theatre, where she steps in the footprints of Norman Maine.

Esther, is worried that she wont find work as an actress, after she finds out that no extra has been signed by Central Casting in the past two years. Esther makes friends with Danny McGuire, an out-of-work assistant director who lives in her rooming-house.

After, he lands a job, they go to a performance at the Hollywood Bowl, where Norman arrives drunk with actress Anita Regis and then starts a fight with a photographer..

Danny gets Esther a job as a waitress at a party his director is giving. Norman, arrives at the party following another drunken outburst, which his press agent, Matt Libby, was able to keep out of the newspapers.

Anita finds Norman, in the kitchen flirting with Esther and breaks a plate over his head, Norman and Esther leave together. Although.. he invites her to his place, Esther refuses, he respects her wishes and gives her a goodnight kiss, before leaving for home. Norman, then phones studio head Oliver Niles, at three in the morning to arrange for a screen test for Esther. After her first test, Esther signs a contract and she is then transformed into "Vicki Lester."

Unable to find a female lead for his next picture, Norman talks Oliver, into using Esther and the audience, loves her. Norman and Esther celebrate at the Cafe Trocadero, where Norman tells Esther that she now can have anything in the world, but.. shares with her that stardom has not made him happy.

At a boxing match, Norman proposes marriage and the couple secretly marry at a small town courthouse. Soon after, their honeymoon on the road in a travel trailer, Norman's contract is cancelled, and he has nothing to do, while Esther becomes famous.

Norman starts drinking again and during the Academy Awards ceremonies, he drunkenly interrupts Esther's acceptance speech for the award for finest performance by an actress and accidentally slaps her in the face.

Sometime later, Oliver visits Norman, now in a sanitarium, to offer him a role in a movie, but.. when Norman learns that it is not the lead, he declines.

Norman, out of the sanitarium, decides to spend the day at the Santa Anita Racetrack, where he runs into Libby. Norman, tries unsuccessfully not to get upset as Libby, accuses him of sponging off his wife. Norman, orders a bottle of scotch and four days later, Esther learns that he has been arrested for crashing his car into a tree while intoxicated. Through Esther's pleading with the judge, Norman is released to her custody, the newspapers put the story on front-page.

At their beach house in Malibu, Norman overhears Esther tell Oliver that she is going to retire so that she can go away with Norman. After Oliver leaves, Norman finds Esther crying and feels he must do something to help her..

Janet Gaynor, is very believable in her role a young girl who leaves for Hollywood with dreams of becoming a Oscar-winning actress. I loved the scene when Esther passes by Grauman's Chinese Theatre and steps in the footprints of Norman Maine.

I don't think Fredric March, can give a bad performance. I particularly like the shower scene in the motor home Esther and Norman take on honeymoon.

Fun Facts(spoiler alert):

The character of Norman Maine was based on: John Barrymore, John Gilbert and John Bowers, who drowned off Malibu during the film's production.

The funeral scene was inspired by the funeral of Irving Thalberg, where fans swarmed around his widow Norma Shearer outside the church. A similar scene occurred at Jean Harlow's funeral two months after the film's release.

The Oscar that Janet Gaynor receives in the film is her own Oscar, which she won for her role in 7th Heaven.

When the drunken Norman Maine character raucously interrupts the Oscar presentation, it was deja vu for Janet Gaynor. She had brought her sister to the Academy Awards ceremony in 1929, when she won the first Best Actress Oscar ever awarded, for 7th Heaven. Her sister became very drunk and completely out of control, thoroughly embarrassing Gaynor.

The first all-color film nominated for an Academy Award for Best Picture.

Janet Gaynor (October 6, 1906 – September 14, 1984) was an actress and painter. One of the most popular actresses of the silent film era, in 1928 Gaynor became the first winner of the Academy Award for Best Actress for her performances in three films: Seventh Heaven (1927), Sunrise: A Song of Two Humans (1927) and Street Angel (1928).

This was the only occasion on which an actress has won one Oscar for multiple film roles. This rule would be changed three years later by AMPAS.

When she graduated from high school in 1923, Gaynor decided to become an actress. She moved to Los Angeles, where she supported herself working in a shoe store.

She landed unbilled small parts in several films and comedy shorts for two years. Finally, in 1926, at the age of 20, she was cast in the lead role in, The Johnstown Flood (1926).

Her performances in Seventh Heaven (the first of twelve movies she would make with actor Charles Farrell) and both Sunrise, directed by F. W. Murnau, and Street Angel (in 1927, also with Charles Farrell) earned her the first Academy Award for Best Actress in 1928. At the time, the award was awarded for multiple roles: it was given on the basis of the actor's total work over the year, and not just for one particular performance. 22 year old Gaynor, was not only the first but also, the youngest actress to win an Academy Award for Best Actress up until 1986.

Gaynor, was one of only a handful of leading ladies who made a successful transition to sound films.

For a number of years, Gaynor was the Fox studios top actress and was given leading roles in the films: Sunny Side Up (1929), Delicious (1931), Merely Mary Ann (also 1931), and Adorable (1933), State Fair (1933) and The Farmer Takes a Wife (1935).

When Darryl F. Zanuck merged his studio 20th Century Pictures, with Fox Film Corporation to form Twentieth Century Fox, she continued to receive top billing in every movie that she made during the 1930's including, Ladies in Love (1937).  In 1937, she was again nominated for an Academy Award, for the film, A Star Is Born.

After, performing in, The Young in Heart, she left the film industry for nearly twenty years at the age of 32 to travel with her husband Adrian, returning one last time in 1957 as Pat Boone's mother in Bernadine.

Gaynor's, first marriage was to Jesse Lydell Peck from September 11, 1929 to April 7, 1933. She was married to MGM costume designer Adrian from August 14, 1939 to his death on September 13, 1959. With him she had one son, Robin Gaynor Adrian, born in 1940. She was married to producer Paul Gregory from December 24, 1964 to her death on September 14, 1984.

In addition to acting, Gaynor was an accomplished artist and her oil paintings were featured at the Wally Findlay Galleries show in New York, March 25 to April 7, 1977.

Gaynor was close friends with actress Mary Martin, with whom she frequently traveled.

She died on September 14, 1984, at the age of 77, due to a traffic accident 2 years earlier in San Francisco, from complications following several operations.

Silent Film Star: Janet Gaynor.

Janet Gaynor (October 6, 1906 – September 14, 1984) was one of the most popular actresses of the silent film era. Gaynor became the first winner of the Academy Award for Best Actress for her performances in three films, the first: Seventh Heaven (1927). A Romance silent film and one of the first films to be nominated for the Academy Award for Best Picture. The film was written by H.H. Caldwell, Benjamin Glazer, Katherine Hilliker and Austin Strong and directed by Frank Borzage. Cast: Janet Gaynor and Charles Farrell.

First Video of 12.



Sunrise: A Song of Two Humans (1927). A silent film directed by German film director F. W. Murnau. The story was adapted by Carl Mayer from the short story Die Reise nach Tilsit by Hermann Sudermann.

Sunrise won an Academy Award for Unique and Artistic Production at the first ever Academy Awards ceremony in 1929. In 1937, Sunrise's original negative was destroyed in a fire. A new negative was created from a surviving print.

Much of the exterior shooting was done at Lake Arrowhead, California.

Please click here to view Silents movie review: Sunrise song of two Humans.

First Video of 9.



Street Angel (1928). A silent film about a young woman who finds herself on the streets before joining a traveling carnival, where she meets a vagabond painter. Directed by Frank Borzage. This was the only time which an actress has won for multiple roles.



Her career continued and she performed in the original version of, A Star Is Born (1937). A romantic/drama. Directed by William A. Wellman. Cast: Janet Gaynor Fredric March, Adolphe Menjou, May Robson, Andy Devine, Lionel Stander and Carole Landis.

“Sunrise: A Song of Two Humans” (1927)

“Sunrise: A Song of Two Humans” (1927) is a silent romantic drama starring George O’Brien, Janet Gaynor, and Margaret Livingston. Directed by F.W. Murnau, this film ranks among the best ever made. The story begins with a small town farmer, played by George O’Brien, neglecting his wife, played by Janet Gaynor, and having an affair with a vacationing woman, played by Margaret Livingston, from the big city across the water. When the woman suggests that the man kill his wife by drowning her on a boat ride to the big city, he is consumed with the thought of escaping his life in the village. Once he is on the boat and ready to commit his horrible act, he looks into his wife’s eyes and realizes the love that she has for him is more powerful than the fling he is having with the woman from the big city. After reaffirming their love for each other they embark upon a second honeymoon through the city. Unfortunately, a storm hits as they are crossing the water back to their home.

In terms of production design and photography, “Sunrise” represents the very best of Hollywood. Even though its commercial success was limited by the competition of the new talkies, “Sunrise” was an enormous critical success. The impact of “Sunrise” as a film, and of German director F.W. Murnau as a new artistic leader was enormous, especially at Fox where directors tried to emulate his style. The story is rather simple, but the innovative cinematography is mesmerizing and stands alone as a wonderful display full of beautiful scenes and images. Many of the camera techniques used in the film were avant- garde for the time and seta new foundation of filmmaking for future directors. I noticed that the camera was extremely mobile, especially in fairly small and limited areas. I liked the suspense and tension as well as humor and humanity that the film offered in some scenes, particularly the one where O’Brien breaks down in tears in front of Janet Gaynor when he remembers their wedding vows. What impressed me the most about the film was that it was almost told with just visuals and music. There are hardly a dozen subtitles for a 90 minute film. This is a testament to Murnau’s talent for storytelling. A beautiful, poignant film with superb performances by the two leads, “Sunrise” is a masterpiece of the silent era. It is interesting to note that Janet Gaynor won the Best Actress Academy Award for her body of work that also included “Seventh Heaven” (1927). Cinematographers Charles Rosher and Karl Krauss got an Oscar for their work in “Sunrise” (1927). “Sunrise” itself received an Academy Award for “Most unique and artistic production.”

With his good looks, outgoing personality, and athletic credentials, George O’Brien was a natural for Westerns, a genre in which almost all of his sound career was spent. He became a star in John Ford’s “The Iron Horse” (1924) and ended his career as a character actor in two Ford films, “Fort Apache” (1948) and “She Wore a Yellow Ribbon” (1949). O’Brien was able to immerse so totally in the character of the husband in Murnau’s “Sunrise” (1927) that one cannot wonder why an entirely different career did not open for him. O’Brien was very much the answer to the Latin-lover type, a well built, all-American who could ride and fight. He was a former boxer, who had initially wanted to be a cameraman, and he starred in two boxing features, “The Roughneck” (1924) and “Is Zat So?” (1927). O’Brien looked good stripped to the waist, as he usually was in most of his early films. “Sunrise” changed O’Brien’s image; it proved that he was also a very fine, sympathetic actor, but it went contrary to his studio-created personality. It did, however, obtain for the actor the starring role in “Noah’s Ark” (1928), which again brought out a strong performance from O’Brien, playing both a Biblical and modern hero. O’Brien’s sound films, virtually all action pictures, are fun to watch because of the actor’s cheery disposition, but they all hint at lost opportunities. George O’Brien died on September 4, 1985. He was 86 years old.