Green Light(1937).

Green Light (1937). Directed by Frank Borzage. Cast: Errol Flynn, Anita Louise and Margaret Lindsay. The film is adapted from a novel written by Lloyd C. Douglas. The novel is related to Douglas' previous book, Magnificent Obsession, which was also turned into a movie.

Newell Paige, life is ruined when he takes the blame for a patient's death caused by his mentor, Dr. Endicott, and is asked to resign.

He packs up and travels to Montana to work on a cure for Rocky Mountain spotted fever with his friend, bacteriologist John Stafford. As luck wold have it, Paige.. is in love with Phyllis Dexter, the dead patient's daughter.

Things become very complicated when she finds out that he also, maybe responsible for her mother's death.

In Montana, Paige begins working to discover a serum to combat the fever, using himself as a guinea pig for his experiments. After learning the truth Phyllis, travels to Montana to beg for his forgiveness just as Paige falls ill. Will she get there in time?

 

Errol Flynn, looks as handsome as ever. Walter Abel, gives a good performance as a dedicated physician and Henry O'Neill, is also gives a very believable performance as the doctor who makes a serious mistake during the operation. This film, maybe interesting only in the fact that Flynn plays an offbeat role as a physician.

Margaret Lindsay (September 19, 1910 - May 9, 1981), was best known for her supporting work in successful films of the 1930's and 194'0s such as: Jezebel (1938) and Scarlet Street (1945) and her leading roles in lower-budgeted B movie films such as the Ellery Queen series at Columbia in the early 1940's.

Her performance as Hepzibah Pyncheon, in the 1940 film adaptation of The House of the Seven Gables as Lindsay's standout career role.

That Certain Woman(1937).

That Certain Woman(1937). Drama film written and directed by Edmund Goulding. It is a remake of Goulding's 1929 film The Tresspasser, Gloria Swanson's first sound film. Cast: Bette Davis, Henry Fonda and Anita Louise.

Young widow of gangster Al Haines, Mary Donnell.. is now working under an assumed name as a secretary for a well known wealthy attorney Lloyd Rogers. When a journalist Virgil Whitaker, threatens to expose her past. Rogers and Mary, ask Whitaker not to print the story. Although, she is still worried that the story will still be printed. Mary, thinks it would be best, to turn down wealthy Jack Merrick's marriage proposal.

He eventually, changes her mind and on their wedding night, Jack's father wants the marriage annulled. Mary leaves, hoping that Jack will come after her. She moves in with her friend Amy and hides her son Jackie, from the Merrick family.

Jack, then marries society girl Florence "Flip" Carson, but on their honeymoon, Flip is crippled in an car accident.

Needing help, Mary accepts Rogers financial support, hoping that Mrs. Rogers will not be hurt. Hunter doesn't really care because he's in a loveless marriage. One day, Rogers dies in Mary's apartment and it gets out that Jackie is Jack's child.

Jack visits Mary, to see if the rumors are true and learns that he is Jackie's father. Merrick, Sr. takes legal action to adopt Jackie, but it is Flip, who talks Mary into giving Jackie up.

Years later, Virgil, who has befriended Mary during her troubles, finds her in Monte Carlo and tells her that Flip is dead, leaving Jack free to return to Mary.

What I loved most about the film, was how the women all seemed to care about doing the right thing.

Anita Louise (January 9, 1915 – April 25, 1970), made her acting debut on Broadway at the age of six, and within a year was performing regularly in Hollywood films. By her late teens she was being cast in leading and supporting roles in important film, and was best known for her delicate features and blonde hair.

As her stature in Hollywood grew, she was described as one of cinema's most fashionable and stylish women. Her reputation was further enhanced by her role as Hollywood society hostess, with her parties attended by the elite of Hollywood, and widely and regularly reported in the news media.

Among her film successes were Madame Du Barry (1934), A Midsummer Night's Dream (1935), The Story of Louis Pasteur (1935), Anthony Adverse (1936), Marie Antoinette (1938), The Sisters (1938), and The Little Princess (1939).

By the 1940s, she was reduced to minor roles until television gave her more opportunities. In middle age she played one of her most widely seen roles as the gentle mother, Nell McLaughlin, in the CBS television series My Friend Flicka from 1956–1957, with co-stars Johnny Washbrook, Gene Evans, and Frank Ferguson.