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Looks like a western, doesn't it? Nope. It’s historical fiction. And the title is not really
Six-Gun Doctor, it’s
Doc Dillahay.
True, the story does take place in turn-of-the century-Arizona. There are ranchers and cattle, and guys in cowboy hats running around with six-guns, and the author had spent 15-odd years writing shoot-‘em-ups for
Wild West Weekly, but still - this is historical fiction. And damn good historical fiction, to boot.
Paul S. Powers, as you may know from previous posts here or on
Laurie’s Wild West, or from the memoir
Pulp Writer: Twenty Years in the American Grub Street, was one of
Wild West Weekly’s most popular fictioneers. I’ve read two collections of those stories,
Kid Wolf of Texas and
Desert Justice (featuring his character Sonny Tabor), and found them great fun. But they did nothing to prepare me for
Doc Dillahay.
Those
Wild West Weekly stories
, you see, were aimed at 15-year-old boys, which goes a long way toward explaining why I like them so much. But
Doc Dillahay is a whole ‘nother critter. This is real fiction, written for grown-ups, and Powers did a masterful job of it.
The blurb on the paperback cover is accurate:
A smashing, true-to-life novel of Old Arizona! There’s more of the true-to-life, day-to-day life of the Old West here than I recall finding in any other novel. Powers had been living in Arizona a long while before he wrote it, and obviously soaked up an amazing amount of factual lore.
Our protagonist, John Dillahay has been away at school, and just returned to his folks and family in Yucca, Arizona, where he takes on the job of schoolmaster. But he soon falls in with the town doctor and discovers his true calling. He wants to be a doctor himself. The first half of the book is about him growing into that role and preparing himself for medical school. After two years of schooling (mostly offstage), he returns home to practice, and finds he has still more growing to do.
Along the way, Powers displays an amazing knowledge of frontier medicine (as practiced by Dillahay’s mentor) and new-fangled techniques Dillahay is exposed to at medical school.
Since Powers was primarily a short story writer, there are many fine short stories woven into the plot. This makes the novel somewhat episodic, but it all ties together in telling us the big story, which is how Dillahay overcomes all challenges to achieve his goals.
Oh yeah, he’s good with a gun, hence
Six-Gun Doctor, but he rarely uses one, and it hardly matters. Despite the hype on the back of the paperback (which you are encouraged to click to enlarge), this book has a lot more going for it than HOT LEAD.
Powers’ memoir in
Pulp Writer ends before the publication of
Doc Dillahay, but Laurie Powers fills us in on the rest of the story. After
Wild West Weekly shut down in 1943, Powers was a man without a market and tried various types of magazines with sporadic success. And he started writing
Doc Dillahay. The book was published in 1949 to good reviews, and he began work on a sequel,
The Young Dillahays. Sadly, the publisher was not happy with the first few chapters, feeling that it “strayed too far from the accepted western pattern”, and Powers abandoned the project.
Even then, they just didn’t get it. Powers had grown as a writer. He was no longer writing shoot-’em-ups, but historical fiction. I wish he’d written more of it.
Though Powers' passed on in 1971, his career is still going. A never-before-published tale appeared recently on
Beat to a Pulp, and another has been accepted for the upcoming
Beat to a Pulp print anthology.
My earlier reviews of
Kid Wolf of Texas and
Pulp Writer are
HERE.
ADDED ATTRACTION: Laurie Powers has kindly agreed to post the dust jackets for both the U.S. and UK editions of
Doc Dillahay today over at
Laurie’s Wild West. Do not fail to bop over and take a look.
And for links to more Forgotten Books, visit Patti Abbott's
pattinase.