Dick Tracy's G-Men (1939)

Released by Republic Pictures  Dick Tracy's G-Men is 15 chapters of thrills and excitement directed by William Witney and John English, and stars Ralph Byrd as the fearless square-jawed crime fighter, Irving Pichel, Ted Pearson, and Phylis Isley (aka Jennifer Jones).  The musical score is by William Lava, and the serial is based on the cartoon strip by Chester Gould.

Zarnoff (Pichel) the "International Master Spy" is captured by Dick Tracy and the FBI and is imprisoned and sentenced to death.  But when he is able to escape the gas chamber, Zarnoff vows revenge on Dick Tracy and the government.  Some of the dastardly acts committed by Zarnoff include attempts to sabotage an ammunition convoy and assassination attempts on foreign dignitaries, to smuggling and selling government secrets.  All the while Zarnoff manages to stay barely one step ahead of Tracy and his G-Men who are in hot pursuit.

The serial does have a few of those "you've got to be kidding me" moments.  Like when Tracy ends up in the water somehow and then manages to climb out with his hair still wet but his clothes pretty dry.  You would figure being in an international spy ring that when you were at your hideout you would at least lock the windows, but Tracy climbs right in and then uses their phone to call for backup.  Tracy cleverly escapes being bound and gagged with the aid of a cigarette lighter.  He also manages to survive a vault full of poison gas without even so much as a headache.  One of the last chapters of the serial is shown as a sort of re-cap of everything that's happened up to that point, in case the viewer has stretched their viewing over a period of time long enough to forget what's previously transpired.

But, I guess you have to take the bad with the good.  And with over four hours of viewing time, you're not expected to be on the edge of your seat for every single minute.  I find it's always better to watch these serials in small doses as they were intended, because for some viewers, watching them for long periods they become kind of repetitious.  The villains are always concocting some sort of devious plan for dispatching Dick Tracy, but they always act surprised when he shows up time after time.  Dick Tracy was also almost killed in the Hindenburg explosion when Zarnoff, not to be confused with Dr. Zorka from The Phantom Creeps, manages to blow up the dirigible again.  And as I always say, serials always seem have the best dressed thugs and gangsters - always dressed in suits, ties, and fedoras.

  The ending was a little unexpected, but as Tracy says "in one way or the other they always get it".

Ralph Byrd does another nice job as Tracy, and Pearson is solid as Tracy's partner Steve Lockwood.  Pichel puts in a strong performance as Zarnoff, a villain who's cunning and evil.  Isley/Jones has a small part as Gwen, Tracy's secretary, but does a good job making phone calls and getting the sandwiches etc.  I thought the name William Lava looked familiar in the credits.  He was very a prolific composer in his own right,  but also collaborated with other top names such as Henry Mancini, Franz Waxman, and Max Steiner.

Really nice transfer on the DVDs from VCI Entertainment, great image quality and sound.  Overall a pretty good serial with lots of excitement and only a few eye-rolling moments.

The Cheat (1931)

 
I haven't watched many of Tallulah Bankhead's films, and never really thought of her as a pre-code glamour gal, but after viewing The Cheat I see her in a very different light.  The is the third time the story was filmed, after the 1915 and 1923 versions.  This version was directed by George Abbott and stars Tallulah Bankhead, Irving Pichel, and Harvey Stephens.  When Elsa Carlyle (Bankhead) foolishly gambles away $10,000 on a hunch she uses a charity's money to replace her losses.   Her husband Jeffrey (Stephens) is constantly scolding her because of her extravagant spending, so when he refuses to invest in a supposed "sure thing" tip on the stock market Elsa takes cash from their safe at home and invests the money herself.  The "sure thing" turns out to be a flop, so now she is in deep trouble.

Elsa reluctantly accepts an expensive oriental gown from art collector Hardy Livingstone (Pichel), and figures that he'll only want one thing in return for the gift but tries to act naive.  When she loses her investment money and is embarrassed to tell her husband, she has no choice but to try to get the money from Livingstone because she knows he would do anything to have her.  He offers to replace the cash if she "would only be a little nicer" to him. 

When her husband secures a deal at work, he tells her that they're rich and offers to payoff her debts.  Elsa now thinks her troubles are over but they are really only beginning.  When the time comes to pay off the slime-ball, money won't satisfy him.  As a sort of fetish, Livingstone has small dolls made up to resemble his female conquests, as sort of trophies, and he won't be satisfied until he adds Elsa to his collection.

When he reveals his intentions to her she resists, they scuffle, a shot rings out, and the swine hits the ground (sorry I got a little carried away).  A brief courtroom drama ensues and results in a riot.  And that's about as close as I'll get to revealing the ending. 

Director George Abbott directed three other films in 1931, Secrets of a Secretary with Claudette Colbert, Stolen Heaven with Nancy Carroll, and My Sin with Bankhead and Fredric March.  Pichel starred as Fagin in the 1933 film version of Oliver Twist and appeared in many other films.  He also directed many films including The Most Dangerous Game (1932) and the science fiction classic Destination Moon (1950). 

Pichel does a nice job in the film.  Stephens is rock solid as the loving husband.  Bankhead is cute, but I can think of a few other pre-code cuties that I also enjoy watching.  Of course the the film has references to drug use, sex, infidelity, etc.  Everyone knows that in these pre-code films morals and political correctness go right out the window, so I'll refrain from giving my usual  "view in the context ..." speech.

With a running time of about 68 minutes it goes by pretty quickly, and a good thing too because I don't think I could have taken much more of that scumbag casanova.

Overall a pretty good film with a nice twist at the end.  So if you have an hour or so to kill, check it out ...  I think you'll enjoy it ...