PINK FLOYD - Wish You Were Here
Mostrando postagens com marcador Filmes videos. Mostrar todas as postagens
Mostrando postagens com marcador Filmes videos. Mostrar todas as postagens
sexta-feira, 25 de outubro de 2019
quinta-feira, 17 de janeiro de 2019
MAX ROMEO - Reggae Festival Empire Roller Skating Center in Brooklyn, NY 1983
O cantor e compositor jamaicano Max Romeo na abertura do Festival de Reggae realizado no histórico Empire Roller Skating Center, localizado no Brooklyn, NY, em 1883. Na segunda parte do vídeo ele mistura o seu mais famoso sucesso musical, "War ina Babylon", com o refrão da música de John Lennon "All We Are Saying Is Give Peace a Chance".
O cantor e compositor jamaicano Max Romeo na abertura do Festival de Reggae realizado no histórico Empire Roller Skating Center, localizado no Brooklyn, NY, em 1883. Na segunda parte do vídeo ele mistura o seu mais famoso sucesso musical, "War ina Babylon", com o refrão da música de John Lennon "All We Are Saying Is Give Peace a Chance".
quinta-feira, 5 de abril de 2018
ZIGGY MARLEY - Drive
DRIVE GUIAR
Who's gonna tell you when / Quem irá te dizer quando
it's too late? / é tarde demais?
Who's gonna tell you things / Quem irá te dizer que as coisas
aren't so great? / não estão tão bem?
You cant go on, thinkin' / Você não pode seguir, pensando
nothings' wrong, but bye / Nada está errado, mas adeus
Who's gonna drive you home / Quem irá te levar pra casa
tonight? / esta noite?
Who's gonna pick you up / Quem irá te levantar
when you fall? / quando tu caíres?
Who's gonna hang it up / Quem irá atender
when you call? / quando tu ligares?
Who's gonna pay attention / Quem prestará atenção
to your dreams? / nos teus sonhos?
And who's gonna plug their ears / E quem irá tampar o ouvido dele
when you scream? / quando tu gritares?
You can't go on, thinkin' / Você não pode seguir, pensando
nothings wrong, but bye / nada está errado, mas adeus
(Who's gonna drive you) / (Quem irá te levar?)
(Who's gonna drive you) / (Quem irá te levar?)
Who's gonna drive you home, tonight? / Quem irá te levar pra casa, está noite?
(Who's gonna drive you home) / (Quem irá te levar pra casa?)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
Who's gonna hold you down / Quem irá te segurar
when you shake? / quando tu tremeres?
Who's gonna come around / Quem irá aparecer
when you break? / quando tu quebrares?
You can't go on, thinkin' / Você não pode seguir, pensando
nothings wrong, but bye / nada está errado, mas adeus
(Who's gonna drive you) / (Quem irá te levar?)
(Who's gonna drive you) / (Quem irá te levar?)
Who's gonna drive you home, tonight? / Quem irá te levar pra casa, está noite?
(Who's gonna drive you home) / (Quem irá te levar pra casa?)
Oh, you know you can't go on, thinkin' / Você não pode seguir, pensando
nothin's wrong / nada está errado
(Who's gonna drive you) / (Quem irá te levar?)
(Who's gonna drive you home) / (Quem irá te levar pra casa?)
Who's gonna drive you home, tonight? / Quem irá te levar pra casa, está noite?
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
THE CARS - Drive
DRIVE GUIAR
Who's gonna tell you when / Quem irá te dizer quando
it's too late? / é tarde demais?
Who's gonna tell you things / Quem irá te dizer que as coisas
aren't so great? / não estão tão bem?
You cant go on, thinkin' / Você não pode seguir, pensando
nothings' wrong, but bye / Nada está errado, mas adeus
Who's gonna drive you home / Quem irá te levar pra casa
tonight? / esta noite?
Who's gonna pick you up / Quem irá te levantar
when you fall? / quando tu caíres?
Who's gonna hang it up / Quem irá atender
when you call? / quando tu ligares?
Who's gonna pay attention / Quem prestará atenção
to your dreams? / nos teus sonhos?
And who's gonna plug their ears / E quem irá tampar o ouvido dele
when you scream? / quando tu gritares?
You can't go on, thinkin' / Você não pode seguir, pensando
nothings wrong, but bye / nada está errado, mas adeus
(Who's gonna drive you) / (Quem irá te levar?)
(Who's gonna drive you) / (Quem irá te levar?)
Who's gonna drive you home, tonight? / Quem irá te levar pra casa, está noite?
(Who's gonna drive you home) / (Quem irá te levar pra casa?)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
Who's gonna hold you down / Quem irá te segurar
when you shake? / quando tu tremeres?
Who's gonna come around / Quem irá aparecer
when you break? / quando tu quebrares?
You can't go on, thinkin' / Você não pode seguir, pensando
nothings wrong, but bye / nada está errado, mas adeus
(Who's gonna drive you) / (Quem irá te levar?)
(Who's gonna drive you) / (Quem irá te levar?)
Who's gonna drive you home, tonight? / Quem irá te levar pra casa, está noite?
(Who's gonna drive you home) / (Quem irá te levar pra casa?)
Oh, you know you can't go on, thinkin' / Você não pode seguir, pensando
nothin's wrong / nada está errado
(Who's gonna drive you) / (Quem irá te levar?)
(Who's gonna drive you home) / (Quem irá te levar pra casa?)
Who's gonna drive you home, tonight? / Quem irá te levar pra casa, está noite?
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
(Bye, baby) / (Adeus, baby)
THE CARS - Drive
terça-feira, 6 de fevereiro de 2018
BOB MARLEY & THE WAILERS – Live At The Rainbow (DVD)
Gravado ao vivo no Rainbow Theatre, Londres, no verão de 1977.
CD 1
01 - Trenchtown Rock
02 - Them Belly Full (But We Hungry)
03 - I Shot The Sheriff
04 - Rebel Music (3 O'Clock Road Block)
05 - Lively Up Yourself
06 - Crazy Baldhead
Link para download:
http://www.mediafire.com/file/6y1l94vsnx2c321/B.M.The.Best.Of.2008.CD1.DVDRip.XviD.avi.zip
CD 2
01 - War
02 - No More Trouble
03 - The Heathen
04 - No Woman No Cry
05 - Jamming
06 - Get Up Stend Up
07 - Exodus
Link para download:
http://www.mediafire.com/file/s314nxsecf81yu4/B.M.The.Best.Of.2008.CD2.DVDRip.XviD.avi.zip
quarta-feira, 29 de novembro de 2017
REGGAE IN A BABYLON (1978) DVD
The late 1970's and the early 1980's were times of civil unrest in England that was marked by running battles between the police and minority groups. Young south-east Asians and blacks in particular came under fire from the police for refusing to take abuse from either them or neo-nazi groups like the National Front. It was one of the peculiarities of British policing at the time that when Asian or black youth fought back against skin-heads the police always managed to show up to quell the "rioting" but were never to be found when the skin heads were on the assault.
In 1980 tensions between police and the black community boiled over amidst accusations of police brutality and racism and the resulting riots left behind damage that was still visible a month after. I was in London just after the riots and there were still store fronts boarded over with plywood and the underground press was full of stories of young black men being picked up and worked over for no reason. It seemed that the police were especially targeting the most visible among the black minority - Rastafarians - who were easily distinguished by either their dreadlocks or the colourful knitted caps they wore to contain their "dreads"
The Rastafarian religion had come over to England with Jamaican immigrates after WWll. It was started as a black liberation movement in the slums of Jamaica based on the writings of black nationalist Marcus Garvey. The name Rastafari comes from the name Emperor Haile Selassie I was known by before ascending the throne of Ethiopia, Ras Tafari Makonnen. In his writings Garvey had predicted the coming of a black king in Africa who would lead black people to freedom, and when Selassie was crowned in 1930 he was believed to be that man. The self styled Lion of Judah not only gave his name to the religion, he was taken as a god on earth by the more devout amongst his followers.
For the Rastafarian, the white man's world, Babylon, is a prison and he will only be truly free when he is living in the promised land of Africa - specifically Ethiopia, In his documentary movie made in 1978, Reggae In Babylon, German film maker Wolfgang Buld's interviews with young British reggae musicians shows that while not all of them were strict adherents to the tenets of the religion, they did look upon it as significant for the role it played in establishing a black identity for young British of African descent. One of the members of the band Steel Pulse in their interview describes himself as not necessarily being an adherent of the religion, but he could appreciate it for the sense of history and identity it gave him.
Reggae In Babylon has just been reissued by MVD Entertainment and is an amazing historical document. In it the director went around and interviewed various key figures in the British reggae scene in 1978 when it was just beginning to take off. He not only talks to bands like Steel Pulse, he took footage of them playing both live and in the studio. The majority of what he talks to the various individuals about is the history of reggae, both in and outside of England, and its inter-relation with Rastafarianism. While there are no direct references to any of the troubles that are being experienced by the black community at the time, one of the interviews takes place in front of a bulletin board on which is hung a sign denouncing the National Front.
STEEL PULSE
While Steel Pulse are probably the name most of us are going to be familiar with of those interviewed for the film, the members of Aswad, are more of a Rastafarian band in terms of their religious convictions, and look more like what we have come to expect a reggae band to look like. For in these young days of British reggae, folks like the members of Steel Pulse have yet to grow their hair in dreads and are dressed in their street clothes when performing. The music however is pure reggae with all of the characteristics of the sound firmly established.
Lyrically Steel Pulse music reflected the tenor of the times more than any of the other musicians interviewed. In fact there were a couple of songs sung by Jimmy Lindsay, "Ain't No Sunshine" for instance, that weren't much different from most R&B or soul song in terms of content. The only real difference being the lyrics were sung with a slight Jamaican accent. Interestingly enough, as most of the musicians were born in England, and some are even second generation English, very few of them speak with the thick accent we've come to associate with reggae musicians. The guys in Steel Pulse all sound pretty much like anybody their age born in urban England.
ASWAD
As for the other major characteristic of Rastafarianism, the use of marijuana as a sacrament, while there were some shots of people smoking while listening to Aswad playing, there wasn't much made or said about it by. In fact it receives only the briefest of mentions by one person when asked to define Rastafrianism. It doesn't appear to have been as important to these people as a whole as it might have been for reggae players elsewhere.
One of the nice surprises about Reggae In Babylon is the high quality of both the picture and the sound, especially considering it was filmed thirty years ago and the sound was originally mono. The images are sharp and clear, and the sound was a lot cleaner than many a disc shot these days. Whoever was responsible for re-mastering the tapes has done a magnificent job.
1978 in England was a turbulent time especially in the inner cities where punk and reggae were taking root among the young people and providing them a focal point for their frustration with the system. Reggae In Babylon not only gives us insights into some of the social conditions affecting the black community of the time, it shows the role reggae and Rastafarian religion played in giving it a sense of purpose and identity. While there was no Rastafarian church or leadership the people could rally around or follow, it still acted as a unifying element. Unlike previous generations they weren't going to be content with the role of docile servant and were prepared to stand up for their rights and reggae was the soundtrack for that fight. (Fonte: http://richardrbmarcus.com/)
Faixas:
Jimmy Lindsay - Ain't No Sunshine
Aswad - It's Not Our Wish
Matumbi - Rock
Aswad Feat Alton Ellis - Diverse Doctrine
Steel Pulse - Ku Klux Klan
Steel Pulse - Prodigal Son
Jimmy Lindsay - Easy
Link para download:
http://www.mediafire.com/file/6a947ocr664pp11/Reggae_In_A_Babylon_%281978%29_DVD.zip
DVD Review: Reggae In Babylon - Reggae In London 1978
The late 1970's and the early 1980's were times of civil unrest in England that was marked by running battles between the police and minority groups. Young south-east Asians and blacks in particular came under fire from the police for refusing to take abuse from either them or neo-nazi groups like the National Front. It was one of the peculiarities of British policing at the time that when Asian or black youth fought back against skin-heads the police always managed to show up to quell the "rioting" but were never to be found when the skin heads were on the assault.
In 1980 tensions between police and the black community boiled over amidst accusations of police brutality and racism and the resulting riots left behind damage that was still visible a month after. I was in London just after the riots and there were still store fronts boarded over with plywood and the underground press was full of stories of young black men being picked up and worked over for no reason. It seemed that the police were especially targeting the most visible among the black minority - Rastafarians - who were easily distinguished by either their dreadlocks or the colourful knitted caps they wore to contain their "dreads"
The Rastafarian religion had come over to England with Jamaican immigrates after WWll. It was started as a black liberation movement in the slums of Jamaica based on the writings of black nationalist Marcus Garvey. The name Rastafari comes from the name Emperor Haile Selassie I was known by before ascending the throne of Ethiopia, Ras Tafari Makonnen. In his writings Garvey had predicted the coming of a black king in Africa who would lead black people to freedom, and when Selassie was crowned in 1930 he was believed to be that man. The self styled Lion of Judah not only gave his name to the religion, he was taken as a god on earth by the more devout amongst his followers.
For the Rastafarian, the white man's world, Babylon, is a prison and he will only be truly free when he is living in the promised land of Africa - specifically Ethiopia, In his documentary movie made in 1978, Reggae In Babylon, German film maker Wolfgang Buld's interviews with young British reggae musicians shows that while not all of them were strict adherents to the tenets of the religion, they did look upon it as significant for the role it played in establishing a black identity for young British of African descent. One of the members of the band Steel Pulse in their interview describes himself as not necessarily being an adherent of the religion, but he could appreciate it for the sense of history and identity it gave him.
Reggae In Babylon has just been reissued by MVD Entertainment and is an amazing historical document. In it the director went around and interviewed various key figures in the British reggae scene in 1978 when it was just beginning to take off. He not only talks to bands like Steel Pulse, he took footage of them playing both live and in the studio. The majority of what he talks to the various individuals about is the history of reggae, both in and outside of England, and its inter-relation with Rastafarianism. While there are no direct references to any of the troubles that are being experienced by the black community at the time, one of the interviews takes place in front of a bulletin board on which is hung a sign denouncing the National Front.
STEEL PULSE
While Steel Pulse are probably the name most of us are going to be familiar with of those interviewed for the film, the members of Aswad, are more of a Rastafarian band in terms of their religious convictions, and look more like what we have come to expect a reggae band to look like. For in these young days of British reggae, folks like the members of Steel Pulse have yet to grow their hair in dreads and are dressed in their street clothes when performing. The music however is pure reggae with all of the characteristics of the sound firmly established.
Lyrically Steel Pulse music reflected the tenor of the times more than any of the other musicians interviewed. In fact there were a couple of songs sung by Jimmy Lindsay, "Ain't No Sunshine" for instance, that weren't much different from most R&B or soul song in terms of content. The only real difference being the lyrics were sung with a slight Jamaican accent. Interestingly enough, as most of the musicians were born in England, and some are even second generation English, very few of them speak with the thick accent we've come to associate with reggae musicians. The guys in Steel Pulse all sound pretty much like anybody their age born in urban England.
ASWAD
As for the other major characteristic of Rastafarianism, the use of marijuana as a sacrament, while there were some shots of people smoking while listening to Aswad playing, there wasn't much made or said about it by. In fact it receives only the briefest of mentions by one person when asked to define Rastafrianism. It doesn't appear to have been as important to these people as a whole as it might have been for reggae players elsewhere.
One of the nice surprises about Reggae In Babylon is the high quality of both the picture and the sound, especially considering it was filmed thirty years ago and the sound was originally mono. The images are sharp and clear, and the sound was a lot cleaner than many a disc shot these days. Whoever was responsible for re-mastering the tapes has done a magnificent job.
1978 in England was a turbulent time especially in the inner cities where punk and reggae were taking root among the young people and providing them a focal point for their frustration with the system. Reggae In Babylon not only gives us insights into some of the social conditions affecting the black community of the time, it shows the role reggae and Rastafarian religion played in giving it a sense of purpose and identity. While there was no Rastafarian church or leadership the people could rally around or follow, it still acted as a unifying element. Unlike previous generations they weren't going to be content with the role of docile servant and were prepared to stand up for their rights and reggae was the soundtrack for that fight. (Fonte: http://richardrbmarcus.com/)
Faixas:
Jimmy Lindsay - Ain't No Sunshine
Aswad - It's Not Our Wish
Matumbi - Rock
Aswad Feat Alton Ellis - Diverse Doctrine
Steel Pulse - Ku Klux Klan
Steel Pulse - Prodigal Son
Jimmy Lindsay - Easy
Link para download:
http://www.mediafire.com/file/6a947ocr664pp11/Reggae_In_A_Babylon_%281978%29_DVD.zip
segunda-feira, 27 de junho de 2016
TRACY CHAPMAN
-
-
Tracy Chapman - Fast Car
Tracy Chapman - Fast Car
You got a fast car / Você tem um carro veloz
I want a ticket to anywhere / E eu quero uma passagem para qualquer lugar
Maybe we make a deal / Qualquer lugar é melhor
Maybe together we can get somewhere / Talvez juntos possamos ir para algum lugar
Anyplace is better / Talvez façamos algo
Starting from zero got nothing to lose / Começando do zero não teremos nada a perder
Maybe we'll make something / Talvez possamos fazer um trato
But me myself I got nothing to prove / Eu mesma não tenho nada para provar
-
You got a fast car / Você tem um carro veloz
And I got a plan to get us out of here / E eu tenho um plano para nos tirar daqui
I been working at the convenience store / Trabalhando embaixo da loja de conveniência
Managed to save just a little bit of money / Dando um jeito para economizar algum dinheiro
We won't have to drive too far / Não teremos que ir tão longe,
Just 'cross the border and into the city / Cruze a fronteira e entre na cidade
You and I can both get jobs / Você e eu podemos conseguir um emprego
And finally see what it means to be living / E finalmente saber o significado de viver.
-
You see my old man's got a problem / Veja bem, meu velho tem um problema
He live with the bottle that's the way it is / Ele vive com uma garrafa, é a vida
He says his body's too old for working / Ele diz que seu corpo está velho demais para trabalhar
I say his body's too young to look like his / Eu digo que seu corpo é jovem demais para ficar desse jeito
Maybe together we can get somewhere / Talvez juntos possamos ir para algum lugar
Anyplace is better / Talvez façamos algo
Starting from zero got nothing to lose / Começando do zero não teremos nada a perder
Maybe we'll make something / Talvez possamos fazer um trato
But me myself I got nothing to prove / Eu mesma não tenho nada para provar
-
You got a fast car / Você tem um carro veloz
And I got a plan to get us out of here / E eu tenho um plano para nos tirar daqui
I been working at the convenience store / Trabalhando embaixo da loja de conveniência
Managed to save just a little bit of money / Dando um jeito para economizar algum dinheiro
We won't have to drive too far / Não teremos que ir tão longe,
Just 'cross the border and into the city / Cruze a fronteira e entre na cidade
You and I can both get jobs / Você e eu podemos conseguir um emprego
And finally see what it means to be living / E finalmente saber o significado de viver.
-
You see my old man's got a problem / Veja bem, meu velho tem um problema
He live with the bottle that's the way it is / Ele vive com uma garrafa, é a vida
He says his body's too old for working / Ele diz que seu corpo está velho demais para trabalhar
I say his body's too young to look like his / Eu digo que seu corpo é jovem demais para ficar desse jeito
My mama went off and left him / Minha mãe foi embora e o deixou
She wanted more from life than he could give / Ela queria da vida mais do que ele podia dar
I said somebody's got to take care of him / Eu disse que alguém precisava cuidar dele
So I quit school and that's what I did / Daí eu parei de estudar, é, foi isso que fiz.
-
You got a fast car / Você tem um carro veloz
But is it fast enough so we can fly away / Mas é rápido o suficiente para que possamos voar para longe
We gotta make a decision / Temos que tomar uma decisão
We leave tonight or live and die this way / Partimos essa noite ou morremos desse jeito?
-
I remember we were driving driving in your car / Eu me lembro de quando estávamos dirigindo, dirigindo seu carro
The speed so fast I felt like I was drunk / Velocidade alta, pensei que estivesse bêbada
City lights lay out before us / As luzes da cidade se acendem antes de nós
And your arm felt nice wrapped 'round my shoulder / E seus braços ficam legais em volta dos meus ombros
And I had a feeling that I belonged / E eu tive a sensação que pertencia
And I had a feeling I could be someone, be someone, be someone / E tive a sensação que poderia ser alguém, ser alguém, ser alguém
-
You got a fast car / Você tem um carro veloz
And we go cruising to entertain ourselves / E continuamos viajando numa velocidade cada vez maior, nos divertindo,
You still ain't got a job / Você ainda não conseguiu um emprego
And I work in a market as a checkout girl / Agora eu trabalho em um mercado como caixa
I know things will get better / Sei que as coisas irão melhorar
You'll find work and I'll get promoted / Você conseguirá um emprego e eu serei promovida
We'll move out of the shelter / Nós mudaremos do barraco
Buy a big house and live in the suburbs / Compraremos uma casa maior e moraremos fora do centro da cidade
-
I remember we were driving driving in your car / Eu me lembro de quando estávamos dirigindo, dirigindo seu carro
The speed so fast I felt like I was drunk / Velocidade alta, pensei que estivesse bêbada
City lights lay out before us / As luzes da cidade se acendem antes de nós
And your arm felt nice wrapped 'round my shoulder / E seus braços ficam legais em volta dos meus ombros
And I had a feeling that I belonged / E eu tive a sensação que pertencia
And I had a feeling I could be someone, be someone, be someone / E tive a sensação que poderia ser alguém, ser alguém, ser alguém.
-
You got a fast car / Você tem um carro veloz
And I got a job that pays all our bills / E eu tenho um emprego que paga nossas contas
You stay out drinking late at the bar / Você fica até tarde bebendo no bar,
See more of your friends than you do of your kids / faz mais pelos seus amigos do que pelos seus filhos
I'd always hoped for better / Sempre esperei por coisa melhor
Thought maybe together you and me would find it / Embora talvez juntos nós encontrássemos isso
I got no plans I ain't going nowhere / Não tenho planos e não quero ir a lugar nenhum
So take your fast car and keep on driving / Por isso pegue seu carro e continue dirigindo
The speed so fast I felt like I was drunk / Velocidade alta, pensei que estivesse bêbada
City lights lay out before us / As luzes da cidade se acendem antes de nós
And your arm felt nice wrapped 'round my shoulder / E seus braços ficam legais em volta dos meus ombros
And I had a feeling that I belonged / E eu tive a sensação que pertencia
And I had a feeling I could be someone, be someone, be someone / E tive a sensação que poderia ser alguém, ser alguém, ser alguém.
-
You got a fast car / Você tem um carro veloz
But is it fast enough so you can fly away / Mas é rápido o suficiente para que possamos voar para longe?
You gotta make a decision / Temos que tomar uma decisão
You leave tonight or live and die this way / Partimos essa noite ou morremos desse jeito? (Fonte: http://letras.terra.com.br)
She wanted more from life than he could give / Ela queria da vida mais do que ele podia dar
I said somebody's got to take care of him / Eu disse que alguém precisava cuidar dele
So I quit school and that's what I did / Daí eu parei de estudar, é, foi isso que fiz.
-
You got a fast car / Você tem um carro veloz
But is it fast enough so we can fly away / Mas é rápido o suficiente para que possamos voar para longe
We gotta make a decision / Temos que tomar uma decisão
We leave tonight or live and die this way / Partimos essa noite ou morremos desse jeito?
-
I remember we were driving driving in your car / Eu me lembro de quando estávamos dirigindo, dirigindo seu carro
The speed so fast I felt like I was drunk / Velocidade alta, pensei que estivesse bêbada
City lights lay out before us / As luzes da cidade se acendem antes de nós
And your arm felt nice wrapped 'round my shoulder / E seus braços ficam legais em volta dos meus ombros
And I had a feeling that I belonged / E eu tive a sensação que pertencia
And I had a feeling I could be someone, be someone, be someone / E tive a sensação que poderia ser alguém, ser alguém, ser alguém
-
You got a fast car / Você tem um carro veloz
And we go cruising to entertain ourselves / E continuamos viajando numa velocidade cada vez maior, nos divertindo,
You still ain't got a job / Você ainda não conseguiu um emprego
And I work in a market as a checkout girl / Agora eu trabalho em um mercado como caixa
I know things will get better / Sei que as coisas irão melhorar
You'll find work and I'll get promoted / Você conseguirá um emprego e eu serei promovida
We'll move out of the shelter / Nós mudaremos do barraco
Buy a big house and live in the suburbs / Compraremos uma casa maior e moraremos fora do centro da cidade
-
I remember we were driving driving in your car / Eu me lembro de quando estávamos dirigindo, dirigindo seu carro
The speed so fast I felt like I was drunk / Velocidade alta, pensei que estivesse bêbada
City lights lay out before us / As luzes da cidade se acendem antes de nós
And your arm felt nice wrapped 'round my shoulder / E seus braços ficam legais em volta dos meus ombros
And I had a feeling that I belonged / E eu tive a sensação que pertencia
And I had a feeling I could be someone, be someone, be someone / E tive a sensação que poderia ser alguém, ser alguém, ser alguém.
-
You got a fast car / Você tem um carro veloz
And I got a job that pays all our bills / E eu tenho um emprego que paga nossas contas
You stay out drinking late at the bar / Você fica até tarde bebendo no bar,
See more of your friends than you do of your kids / faz mais pelos seus amigos do que pelos seus filhos
I'd always hoped for better / Sempre esperei por coisa melhor
Thought maybe together you and me would find it / Embora talvez juntos nós encontrássemos isso
I got no plans I ain't going nowhere / Não tenho planos e não quero ir a lugar nenhum
So take your fast car and keep on driving / Por isso pegue seu carro e continue dirigindo
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I remember we were driving driving in your car / Eu me lembro de quando estávamos dirigindo, dirigindo seu carroThe speed so fast I felt like I was drunk / Velocidade alta, pensei que estivesse bêbada
City lights lay out before us / As luzes da cidade se acendem antes de nós
And your arm felt nice wrapped 'round my shoulder / E seus braços ficam legais em volta dos meus ombros
And I had a feeling that I belonged / E eu tive a sensação que pertencia
And I had a feeling I could be someone, be someone, be someone / E tive a sensação que poderia ser alguém, ser alguém, ser alguém.
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You got a fast car / Você tem um carro veloz
But is it fast enough so you can fly away / Mas é rápido o suficiente para que possamos voar para longe?
You gotta make a decision / Temos que tomar uma decisão
You leave tonight or live and die this way / Partimos essa noite ou morremos desse jeito? (Fonte: http://letras.terra.com.br)
quinta-feira, 18 de junho de 2015
segunda-feira, 18 de maio de 2015
quinta-feira, 25 de setembro de 2014
terça-feira, 18 de março de 2014
PETER TOSH - Live At The One Love Peace Concert (1978)
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Este show, um dos mais memoráveis da carreira de Peter Tosh, foi realizado em 22 de Abril de 1978, em Kingston, Jamaica.
Ele discordou do tema proposto para o concerto ao declarar, como na letra da canção “Equal Rights”: “Eu não quero paz, quero justiça”.
Entre uma música e outra, o cantor falou de forma eloquente para a multidão, condenando veementemente tanto o governo como a oposição, pedindo o fim da brutalidade policial e a opressão, e que se iniciasse a construção do país devastado pela pobreza. Ele também insistiu que os agricultores pudessem cultivar maconha e que as pessoas pudessem fumar em paz.
Em uma noite Tosh proclamou: "A paz é própria dos cemitérios". Suas palavras foram recebidas pela multidão com gritos de aprovação e causaram um incêndio, pelo menos na imprensa.
Cinco meses após o concerto, Tosh foi preso por posse de drogas e espancado com tanta violência que exigiu 30 pontos para fechar ferimentos na cabeça.
Nessa altura, nada poderia sufocar o fogo da sua mensagem incendiária.
-Ele discordou do tema proposto para o concerto ao declarar, como na letra da canção “Equal Rights”: “Eu não quero paz, quero justiça”.
Entre uma música e outra, o cantor falou de forma eloquente para a multidão, condenando veementemente tanto o governo como a oposição, pedindo o fim da brutalidade policial e a opressão, e que se iniciasse a construção do país devastado pela pobreza. Ele também insistiu que os agricultores pudessem cultivar maconha e que as pessoas pudessem fumar em paz.
Em uma noite Tosh proclamou: "A paz é própria dos cemitérios". Suas palavras foram recebidas pela multidão com gritos de aprovação e causaram um incêndio, pelo menos na imprensa.
Cinco meses após o concerto, Tosh foi preso por posse de drogas e espancado com tanta violência que exigiu 30 pontos para fechar ferimentos na cabeça.
Nessa altura, nada poderia sufocar o fogo da sua mensagem incendiária.
Faixas:
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01 - Igziabeher
02 - 400 Years
03 - Stepping Razor
04 - Intro Rap
05 - Burial - Speech
06 - Equal Rights
07 - Speech
08 - Legalize It - Get Up Stand Up
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Link para download:
http://www.mediafire.com/download/chvsh272izkcjhw/Peter_Tosh_-_Live_At_The_One_Love_Peace_Concert_1978.rar
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domingo, 24 de março de 2013
terça-feira, 18 de dezembro de 2012
sábado, 8 de dezembro de 2012
quinta-feira, 2 de fevereiro de 2012
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