Ewald Spieker

Sigurdur Gudmundsson

SIGURDUR GUDMUNDSSON, Pavement, street, 1973

http://www.stedelijkmuseum.nl/kunstwerk/26172-pavement-street-sketch

Jorge Macchi

 

Quotation No.3 (2002)
70 x 100cm

Letra A

cadeira em forma de A, de um ótimo tumblr dedicado à letra A

John Armleder

Roter punkt, 1987

multiple, red paint on metal

/12, 30 numbered & signed copies

http://www.multiples.nl/john-armleder-multiple-roter-punkt/

Tauba Auerbach

www.taubaauerbach.com/

Arno Fabre

La chambre d'Etienne ou Du discours de la servitude volontaire, 2010

installation - fresque, vidéo et sondage

Aux murs d'une des pièces de la Maison La Boétie (arbitrairement décrétée être la chambre d’adolescent d’Etienne de La Boétie), j'ai recopié l'intégralité du Discours de la servitude volontaire (manuscrit de Mesme, en moyen français) : 58 351 caractères, 48 m2, 67 lignes, 1167 mètres, 12 marqueurs noirs, 16 jours d'écriture. Nous plaçant ainsi physiquement au cœur du texte et l’embrassant dans sa totalité, nous pouvons en faire une expérience singulière et troublante, dans un calme introspectif. 

http://arnofabre.free.fr/lachambredetienne/index.html

Sylvia Amélia

CARTA - RECORTE é um projeto de arte-correio criado para financiar por internet a exposição Inéditos e Guardados, de Sylvia Amélia,  que acontece entre 30 de maio a 24 de junho de 2012, no BDMG Cultural em Belo Horizonte, Brasil.

vimeo.com/42942969
http://www.cartarecorte.concatena.org/
http://catarse.me/pt/projects/723-ineditos-e-guardados-carta-recorte

Jean Michel Alberola

 Rien, 2001

[ post em homenagem ao amigo Paulo Rodrigues, que fez a passagem hoje. o amigo poeta gostava de São João da Cruz, uma vez ficamos em sua casa lendo poemas por horas, olhando pela janela o mar de São Vicente. Boas lembranças.]

Tania Mouraud

 I HAVEN'T SEEN A BUTTERFLY HERE, 2011

Wall painting, site-specific - Courtesy of Cueto Project, New York

 Tania Mouraud, HCYS?, 2007.

[how can you sleep?] 

wysiwyg

[what you see is what you get]

I have a Dream, 1990.

IHAD, 2005, Espace de l'art concret, Mouans Sartoux
exposition: Arts de l'Islam et abstractions: Le chant rythmique de l'esprit

 

Neste trabalho, fica evidente a geometrização das letras do alfabeto romano como uma forma de aproximação da escrita kufi, um estilo de escrita árabe.

 

 

Tania Mouraud was born in 1942 in Paris, France, where she continues to live with her family. Mouraud studied languages prior to her initial foray into the artworld as a painter in 1963. Since 1976, she has taught art at L'Ecole Regionale d'Expression Plastique, Tourcoing, France. During the past three decades, Mouraud has shown in numerous exhibitions throughout Europe and the United States. Her solo exhibitions have included: Tania Mouraud: Wall Painting (UCLA Hammer Museum, 1999), World Signs (Riverside Studios, London, 1998), Black Power (Galerie de Lege Ruimte, Bruges, 1989), Garden Shooting (Galerie Contretype, Bruxelles, 1987), City Performance No. 2 (60 posters, Lyon, 1980), and Art Space No. 5 (Special project, PSI, New York1977). Among the group exhibitions Mouraud has participated in are: Flash (Power Plant, Toronto, 1997), Femininmasculin (Centre Georges Pompidou, Paris and New York, 1995), Public and Private (Edinburgh, 1993), Diversité Photographique (Galerie 1900-2000, Paris, 1991), Minimal Art-Art Conceptual (Galerie Christian Cheneau, Paris, 1987), Typish Frau (Galerie Philoméne Magers, Bonn, 1981), and Artwords and Bookwords (LAICA, California, 1978). (via unapinceladadearte)

Robert Indiana

  Here’s the 1973 L.O.V.E. stamp.

This is a sculpture by Robert Indiana. Created in a time when the United States was consumed by the Vietnam War, LOVE became a symbol for Peace. This famous sculpture is one of the most celebrated works within the pop art movement.

 Marc Bijl, Porn, 2002

Aldo Chaparro, 2008

General Idea's famous AIDS logo, an appropriation of Robert Indiana's LOVE sign of the 1960s. The artists created the logo as a form of branding, and then applied it to media and advertising strategies, calling the infiltrations that followed Imagevirus.

AIDS - Amsterdam Tram Project, 1990

62,5 x 63,7 cm

poster / screenprint on sticker

edition 40, handwritten title 'Amsterdam Tram Project'

* In 1990 trams in Amsterdam were covered with large AIDS silkscreen stickers of General Idea. The 'Amsterdam Tram Project' became quite controversial, i.e. conductors refused to drive their trams covered with the colourful and marked stickers afraid of giving their support to or at least being compromised and associated with homosexuality.

In the mid-1980's, the Canadian art group General Idea - AA Bronson, Felix Partz, and Jorge Zontal - created a symbol using the acronym AIDS, using the letters in a manner that resembled Robert Indiana's LOVE logo. This became part of Imagevirus, a project of paintings, sculptures, videos, posters, wallpapers and exhibitions that investigated the term AIDS as both word and image, using the mechanism of viral transmission. Imagevirus spread like a visual virus, producing an image epidemic in urban spaces from Manhattan to Sydney. It was displayed as, among other things, a Spectacolor sign in Times Square, a sculpture on a street in Hamburg, and a poster in the New York subway system. General Idea felt compelled to make Imagevirus at a time when AIDS was emerging as a global epidemic affecting gay men disproportionately.

Museum Fodor Amsterdam issued the posters in a signed and numbered edition.

http://www.galerievangelder.com/editions%20prints%20A-Z.html

Oded Ezer

Exposição de 19/11 até 28/02
Terça a domingo, das 9 às 21h

Caixa Cultural São Paulo
Praça da Sé, 111 - São Paulo
Estação Sé do Metrô
(11) 3121-4400


http://www.tipocriaturas.com.br/

Piotr Uklanski

Untitled (Solidarno) (2008), by Piotr Uklanski

imagem do ótimo site http://language.cont3xt.net/?p=2196 

Martin Creed

Small Things

Bla Bla Bla

 Mel Bochner

blablabla (2008), by Fabian Seiz

Tauba Auerbach

Gordon Young

For the new library designed by architects Penoyre and Prasard, Gordon has created a ‘forest’ of oak columns which are sited throughout the library and installed from floor to ceiling like supporting pillars. Workshops with users of the library were held by artist Anna Sandberg to gather information on people’s favourite books, places and memories. Using this generated content, Gordon worked with typographers Why Not Associates to design the columns. Each of the 14 solid oak columns reflect different subjects from the gothic to the romantic and are sited in specific relevant locations within the library.

In collaboration with:
Typography – Why Not Associates.
Implementation – Russell Coleman.
Community engagement – Anna Sandberg.
Client: West Sussex County Council.

http://gordonyoung.net/crawley_typographictrees.html

Markus Raetz

Yes No - Visual Poem

Kay Rosen

"Silence License," wall painting (east and west views), Chicago Public Library Mabel Manning Branch, 1995

"Tidbit," 1991, 7-1/2" x 18"

"Go Miami/Amigo Miami," banner, Art Basel Miami Beach, 2002

Blurred," Klosterfelde, Berlin, 2005

trocadilhos visuais, palíndromos e anagramas do artista Kay Rosen

Fernando Gerheim

Eterno Retorno