To define adequately the nature of the Absolute is impossible, for it
is everything in its eternal, undivided, and unconditioned state. In
ancient writings it is referred to as the NO-THING and The ALL. No mind
is capable of visualizing an appropriate symbolic figure of the
Absolute. Of all the symbols devised to represent its eternal and
unknowable state, a clean, blank sheet of paper is the least erroneous.
The paper, being blank, represents all that cannot be thought of, all
that cannot be seen, all that cannot be felt, and all that cannot be
limited by any tangible function of consciousness. The blank paper
represents measureless, eternal, unlimited SPACE. No created
intelligence has ever plumbed its depths; no God has ever scaled its
heights, nor shall mortal or immortal being ever discover the true
nature of its substance. From it all things come, to it all things
return, but it neither comes nor goes.
Figures and symbols are
pollutions drawn upon the unblemished surface of the paper. The symbols,
therefore, signify the conditions that exist upon the face of SPACE or,
more correctly, which are produced out of the substance of SPACE. The
blank sheet, being emblematic of the ALL, each of the diagrams drawn
upon it signifies some fractional phase of the ALL. The moment the
symbol is drawn upon the paper, the paper loses its perfect and
unlimited blankness. As the symbols represent the creative agencies and
substances, the philosophers have declared that when the parts of
existence come into manifestation the perfect wholeness of Absolute
Being is destroyed. In other words, the forms destroy the perfection of
the formlessness that preceded them. Symbolism deals with universal
forces and agencies. Each of these forces and agencies is an expression
of SPACE, because SPACE is the ultimate of substance, the ultimate of
force, and the sum of them both. Nothing exists except it exists in
SPACE; nothing is made except it is made of SPACE. In Egypt Space is
called TAT.
SPACE is the perfect origin of everything. It is not
God; it is not Nature; it is not man; it is not the universe. All these
exist in SPACE and are fashioned out of it, but SPACE is supreme. SPACE
and Absolute Spirit are one; SPACE and Absolute Matter are one.
Therefore SPACE, Spirit and Matter are one. Spirit is the positive
manifestation of SPACE; Matter is the negative manifestation of SPACE.
Spirit and Matter exist together in SPACE. SPACE, Spirit and Matter are
the first Trinity, with SPACE the Father, Spirit the Son, and Matter the
Holy Ghost. SPACE, though actually undivided, becomes through
hypothetical division Absolute (or Ultimate) Spirit, Absolute (or
Ultimate) Intelligence, and Absolute (or Ultimate) Matter.
The
most primitive and fundamental of all symbols is the dot. Place a dot in
the center of the sheet and what does it signify? Simply the ALL
considered as the ONE, or first point. Unable to understand the
Absolute, man gathers its incomprehensibility mentally to a focal point –
the dot. The dot is the first illusion because it is the first
departure from things as they eternally are – the blank sheet of paper.
There is nothing immortal but SPACE, nothing eternal but SPACE, nothing
without beginning or end but SPACE, nothing unchangeable but SPACE.
Everything but SPACE either grows or decays, because everything that
grows grows out of SPACE and everything that decays decays into SPACE.
SPACE alone remains. Philosophically, SPACE is synonymous with Self
(spelled with a capital S), because it is not the inferior, or more
familiar, self. It is the Self which man through all eternity struggles
to attain. Therefore the true Self is as abstract as the blank sheet of
paper, and only he who can fathom the nature of the blank paper can
discover Self.
The dot may be likened to Spirit. The Spirit is
Self with the loss of limitlessness, because the dot is bound by certain
limitations.
The dot is the first illusion of the Self, the first limitation of SPACE, even as Spirit is the first limitation of Self.
The dot is life localized as a center of power; the blank paper is life
unlimited. According to philosophy, the dot must sometime be erased,
because nothing but the blank paper is eternal. The dot represents a
limitation, for the life that is everywhere becomes the life that is
somewhere; universal life becomes individualized life, and ceases to
recognize its kinship with all Being.
After the dot is placed on
the paper it can be rubbed out and the white paper restored to its
virgin state. Thus the white paper represents eternity, and the dot,
time; and when the dot is erased time is dissolved back into eternity,
for time is dependent upon eternity. Therefore in ancient philosophy
there are two symbols: the NO-THING and the ONE – the white paper and
the dot. Creation traces its origin from the dot – the
Primitive Sea, the Egg laid by the White Swan in the field of SPACE.
If
existence be viewed from the Self downward into the illusion of
creation, the dot is the first or least degree of illusion. On the other
hand, if existence be viewed from the lower, or illusionary universe,
upward toward Reality, the dot is the greatest conceivable Reality.
The least degree of physical impermanence is the greatest degree of spiritual permanence.
That which is most divine is least mortal. Thus, in the moral sense,
the greatest degree of good is the least degree of evil. The dot, being
most proximate to perfection, is the simplest, and therefore the least
imperfect of all symbols.
From the dot issues forth a multitude of
other illusions ever less permanent. The dot, or Sacred Island, is the
beginning of existence, whether that of a universe or a man. The dot is
the germ raised upon the surface of infinite duration. The
potentialities signified by the blank paper are manifested as active
potencies through the dot. Thus the limitless Absolute is manifested in a
limited way.
When considering his own divine nature, man always
thinks of his spirit as the first and greatest part of himself. He feels
that his spirit is his real and permanent part. To the ancients,
however, the individualized spirit (to which is applied the term
I)
was itself a little germ floating upon the surface of Absolute Life.
This idea is beautifully brought out in the teachings of the Brahmans,
Buddhists, and Vedantists. The Nirvana of atheistic Buddhism is achieved
through the reabsorption of the individualized self into the Universal
Self. In Sire Edwin Arnold’s
Light of Asia the thought is summed
up thus: “Om, mani padme, hum! The daybreak comes and the dewdrop slips
back into the shining sea.” The “dewdrop” is the dot; the “sea” the
blank paper. The “dewdrop” is the individualized spirit, or
I,
the blank paper that Self which is ALL, and at the achievement of
Nirvana the lesser mingles with the greater. Immortality is achieved,
for that which is impermanent returns to the condition of absolute
permanence.
The dot, the line, and the circle are the supreme and
primary symbols. The dot is spirit and its symbol in the Chaldaic Hebrew
– the
Yod – is actually a seed or spermatozoon, a little comma
with a twisting tail representing the germ of the not-self. In its first
manifestation the dot elongates to form the line. The line is a string
of dots made up of germ lives – the monadic lives of Leibnitz. From the
seed growing in the earth comes the sprig – the line. The line,
therefore, is the symbol of the dot in growth or motion. The sun is a
great dot, a monad of life, and each of its rays a line – its own active
principle in manifestation. The key thought is:
The line is the motion of the dot.
In
the process of creation all motion is away from self. Therefore there
is only one direction in which the dot can move. In the process of
return to the perfect state all motion is toward self, and through self
to the Universal Self. Involution is activity outward from self;
evolution is activity inward toward self. Motion away from self brings a
decrease in consciousness and power; motion toward self brings a
corresponding increase in consciousness and power. The farther the light
ray travels from its source the weaker the ray. The line is the
outpouring or natural impulse of life to expand. It may seem difficult
at first to imagine the line as a symbol of general expansion, but it is
simply emblematic of motion away from self – the dot. The dot, moving
away from self, projects the line; the line becomes the radius of an
imaginary circle, and this circle is the circumference of the powers of
the central dot. Hypothetically, every sun has a periphery where its
rays end, every human life a periphery where its influence ceases, every
human mind a periphery beyond which it cannot function, and every human
heart a periphery beyond which it cannot feel. Somewhere there is a
limit to the scope of awareness. The circle is the symbol of this limit.
It is the symbol of the vanishing point of central energy. The dot
symbolizes the
cause; the line, the
means; and the circle, the
end.
The AIN SOPH of the Hebrew Cabalists is equivalent to the Absolute. The Jewish mystics employed the
closed eye to
suggest the same symbolism as that of the blank sheet of paper. The
inscrutable NO-THING conveyed to the mind by the closing of the eyes
suggests the eternal, unknowable, and indefinable nature of Perfect
Being. These same Cabalists called spirit the dot, the
opened eye, because looking away from itself the Ego (or I AM) beholds the vast panorama of
things
which together compose the illusionary sphere. However, when this same
objective eye is turned inward to the contemplation of its own cause, it
is confronted by a blankness which defies penetration.
Only that
things which is permanent is absolutely real; hence that unmoved,
eternal condition so inadequately symbolized by the blank sheet of paper
is the only absolute Reality. In comparison to this eternal state,
forms are an ever-changing phantasmagoria, not in the sense that forms
do not exist but rather that they are of minor significance when
compared to their ever-enduring source.
While through lack of
adequate terminology it is necessary to approach a definition of the
Absolute from a negative point of view, the blank sheet of paper
signifies not emptiness but an utter and incomprehensible fullness when
an attempt is made to define the indefinable. Therefore the blank paper
represents that SPACE which contains all existence in a potential state.
When the material universe – whether the zodiac, the stars, or the
multitude of suns dotting the firmament – comes into manifestation, all
of its parts are subject to the law of change. Sometime every sun will
grow cold; sometime every grain of cosmic dust will blossom forth as a
universe, and sometime vanish again. With the phenomenal creation comes
birth, growth, decay, and the multifarious laws which have dominion over
and measure the span of ephemerality. Omar Khayyam, with characteristic
Oriental fatalism, writes:
“One thing is certain and the rest is Lies;
The flower that once has blown forever dies.”
The illusions of diversity – form, place, and time – are classed by the Orientals under the general term
Maya. The word
Maya
signifies the great sea of shadows – the sphere of things as they seem
to be as distinguished from the blank piece of paper which represents
the one and only THING as it eternally is. The mothers of the various
World Saviors generally bear names derived from the word
Maya, as for example,
Mary,
for the reason that the various redeeming deities signify realization
born out of illusion, or wisdom rising triumphant from the tomb of
ignorance. Philosophic realization must be born out of the realization
of illusion. Consequently the Savior-Gods are born out of
Maya and rise through many tribulations into the light of eternity.
The
keys to all knowledge are contained in the dot, the line, and the
circle. The dot is universal consciousness, the line is universal
intelligence, and the circle is universal force – the threefold,
unknowable Cause of all knowable existence (the three hypostases of
Atma). In man the spirit is represented by the dot and conscious
activity or intelligence by the line. Conscious activity is the key to
intelligence, because consciousness belongs to the sphere of the dot and
activity to the sphere of the circle. The center and the circumference
are thus blended in the connecting line – conscious activity or
intelligence. The circle is the symbol of body and
body is the limit of the radius of the activity of mind power pouring out of the substance of consciousness.
In
ancient philosophy the dot signifies Truth, Reality, in whatever form
it may take. The line is the motion of the fact and the circle is the
symbol of the form or figure established in the inferior or material
sphere by these super-physical activities. Take, for example, a blade of
grass. Its form is simply the
effect of certain active agents
upon certain passive substances. The physical blade of grass is really a
symbol of a degree of consciousness or a combination of cosmic
activities. All forms are but geometric patterns, being the reactions
set up in matter by mysterious forces working in the causal spheres.
Conscious activity, working upon or brooding over matter, creates form.
Matter is not form, because matter (like SPACE, of which it is the
negative expression) is universally disseminated but, as stated in the
ancient doctrine, the activity of life upon and through its substances
curdles (organizes) matter so that it assumes certain definite forms or
bodies. These organisms thus caused by bringing the elements of matter
into intelligent and definite relationships are held together by the
conscious agent manipulating them. The moment this agent is withdrawn
the process of disintegration sets in. Disintegration is the inevitable
process of returning artificial compounds to their first simple state.
Disintegration may be further defined as the urge of heterogeneous parts to return to their primitive homogeneity.;
in other words, the desire of creation to return to SPACE. When the
forms have been reabsorbed into the vast sea of matter, they are then
ready to be picked up by some other phase of the Creative Agencies and
molded afresh into vehicles for the material expression of divine
potentialities.
In its application to the divisions of human
learning, the dot is the proper symbol of philosophy in that philosophy
is the least degree of intellectual illusion. It is not to be inferred
that philosophy is absolute truth but rather that it is the least degree
of mental error, since all other forms of learning contain a greater
percentage of fallacy. Nothing that is sufficiently tangible to be
susceptible of accurate definition is true in the absolute sense, but
philosophy, transcending the limitations of the form world, achieves
more in its investigation of the nature of Being than does any other
man-conceived discipline. As more marks are placed upon the white sheet
of paper a picture is gradually created which may become so complicated
that the white paper itself is entirely obscured. Thus the more
diversified the creations, the less the Creator is discernible. Taking
up the least possible space upon the paper, the dot detracts the least
from the perfect expanse of the white sheet.
Philosophy
per se
is the least confusing method of approaching Reality. When less
accurate systems are employed, a cobweb of contending and confusing
complexities is spread over the entire surface of the blank paper,
hopelessly entangling the thinker in the maze of illusion. As the dot
cannot retire behind itself to explore the nature of the paper upon
which it is placed, so no philosophy can entirely free itself from the
involvements of mind. As man, however, must have some code by which to
live, some system of thought which will give him at least an
intellectual concept of ultimates, the wisest of all ages have
contributed the fruitage of their transcendent genius to this great
human need. Thus philosophy came into being.
Like the dot,
philosophy is an immovable body. Its essential nature never changes.
When the element of change is introduced into philosophy it descends to
the level of theology, or rather, it is involved and distorted by the
disciplines of theology. Theology is a motion, a mystical gesture as it
were; it is not a fixed element like philosophy; it is a mutable element
subject to numberless vicissitudes. Theology is emotional, changeable,
violent, and at periodic intervals bursts forth in many forms of
irrational excess. Theology occupies a middle ground between materiality
and true illumined spirituality which, transcending theology, becomes a
comprehension, in part at least, of divine concerns.
As has
already been suggested, the line is the radius of an imaginary circle,
and when this circle is traced upon the paper we have the proper symbol
of science. Science occupies the circumference of the sphere of self.
The savant gropes in that twilight where life is lost in form. He is
therefore unfitted to cope with any phase of life or knowledge which
transcends the plane of material things. The scientist has no
comprehension of an activity independent of and dissociated from matter;
hence his sphere of usefulness is limited to the lower world and its
phenomena. The physical body of what man calls knowledge is science; the
emotional body, theology; and the mental and supermental bodies,
natural and mystical philosophy respectively. The human mind ascends
sequentially from science through theology to philosophy, as in ancient
days it descended from divine philosophy through spiritual theology to
the condition of material science which it now occupies.
Consider
the great number of people who are now leaving the church at the behest
of science. Most of these individuals declare their reason for
dissenting to the dictates of theology is that the dogma of the church
has proved to be philosophically and scientifically unsound. The belief
is quite prevalent that nearly all scientists are agnostics, if not
atheists, because they refuse to subscribe to the findings of early
theologians. Thus the mind must descend from credulity to absolute
incredulity before it is prepared to assume the onus of individual
thinking. On the other hand, the scientist who has really entered into
the spirit of his labors has found God. Science has revealed to him a
super-theology. It has discovered the God of the swirling atoms; not a
personal Deity but an all-permeating, all-powerful, impersonal Creative
Agent akin to the Absolute Being of occult philosophy. Thus the little
tin god on his golden throne falls to make way for an infinite Creative
Principle which science vaguely senses and which philosophy can reveal
in fuller splendor.
The primitive symbols now under discussion bring to mind the subject of alphabets. The ancient
Alphabet of Wisdom
is symbolism, and all the figures used in this supreme alphabet are
taken out of the dot, the line, and the circle; in other words, they are
made up of various combinations of these elementary forms. Even the
Arabic numerical systems and the letters of the English alphabet are
compounded from these first three figures. In Oriental mysticism there
are certain objects considered peculiarly appropriate for subjects of
meditation. One of the most important of the native drawings is that of a
lotus bud carrying in its heart the first letter of the Sanskrit
alphabet, the letter usually made resplendent by gold leaf. This letter,
as the first of the alphabet, is employed to direct the mind of the
devotee toward all things which are first, especially Universal Self
which is the first of all Being and from which all Nature emerged, as
all the letters are presumed to have come forth from the first letter of
the alphabet. Thus from one letter issue all letters, and from a
comparatively small number of letters an infinite diversity of words,
these words being the sound symbols which man has employed to designate
the diversified genera of the mundane creation. The words were
originally designed as sound-names, and were so closely related to the
objects upon which they were conferred that by an analysis of the word
the mystical nature of the object could be determined.
St.
Irenaeus describes the Greek cosmological man as bearing upon his body
the letters of the Greek alphabet. The sacredness of the letters is also
emphasized in the New Testament where Christ is referred to as the
Alpha and the Omega, the first and the last, the beginning and the end.
The letters of the alphabet are those sacred symbols through the
combinations of which is created an emblem for every thought, every
form, every element, and every condition of material existence. Like the
very illusional world whose phenomena they catalog, words are slayers
of the Real, and the more words used the less of the nature of Reality
remains. In the introduction to
The Secret Doctrine, H.P.
Blavatsky gives several examples of the ancient symbolic alphabets in
which the Mystery teachings are preserved. Writing was originally
reserved for the perpetuation of the Ancient Wisdom. Today the Mysteries
still have their own language undefiled by involvement in the
commercial and prosaic life of the unillumined. The language of the
initiates is called the Senzar, and consists of certain magical
hieroglyphical figures by which the wise men of all lands communicated
with each other.
In the primordial symbols of the dot, the line,
and the circle, are also set forth the mysteries of the three worlds.
The dot is symbolic of heaven, the line of earth, and the circle of hell
– the three spheres of Christian theology. Heaven is represented by the
dot because it is the first world or foundation of the universe. In its
mystical interpretation the world
heaven signifies a “heaved up”
or convoluted area, and may be interpreted to mean that which is raised
above or elevated to a state of first dignity. In a similar manner the
origin of the word
salvation may be traced to saliva, though the
kinship of the two words has long been ignored. Thus salvation signifies
the process of mixing gross substance with a spiritual fluidic essence
which renders it cosmically digestible and assimilable. Heaven is a
figure of the superior state or condition of power, and consequently is
the proper symbol of the supreme part of the Deity out of whose
substances (or, more correctly, essences) the lesser universe is
composed. Heaven is the plane of the spiritual nature of God, earth the
plane of the material nature of God, and hell that part of existence in
which the nature of God (or good) is least powerful; the outer
circumference of Deity. The Scandinavian
hel-heim – the land of
the dead – is a dark and cold sphere where the fires of life burned so
low that it seemed as though they might at any moment flicker out. Thus
hell may be defined as the place where the light fails, or in which
divine intelligence is so diluted by matter as to be incapable of
controlling the manifestations of force. In the ancient Greek system of
thought, Hades, or the underworld, simply signifies the physical
universe in contradistinction to the spiritualized and illumined
superior worlds. The Greeks conceived the physical universe to be that
part of creation in which the light of God is most obscured, and
darkness not as primordial Reality but rather the absence of divine
light. Darkness in this sense represents the
privative darkness as distinguished from the darkness of the Absolute which includes the nature of light within its won being.
So-called
physical life begins at the point where matter dominates and inhibits
the manifestations of energy and intelligence. Spirit, so-called, is
only one-fifth as active in the physical world as it is in its own plane
of unobstructed expression. Therefore the physical plane is simply a
sphere in Nature wherein are blended four-fifths of inertia and
one-fifth of activity. This does not mean that the inhabitants of this
sphere are composed four-fifths of material substances but rather that
the greater part of their spiritual natures can find no medium of
expression, and consequently are latent. Thus the spiritual nature
signified by the dot is enclosed or imprisoned within matter signified
by the circle, the result being the various ensouled forms evolving
through the material sphere.
It may be well to summarize in the
simple terminology of the Alexandrian Neoplatonists, to whom the modern
world is indebted for nearly all the great fundamentals of philosophy.
If you will turn to the diagram at the beginning of this chapter you
will note three circles in a vertical column and each horizontally
trisected and overlapped. The upper circle signifies the power of the
dot, the central circle the power of the line, and the lower circle the
power of the circumference. Each of these circles contains its own
trinity of potencies, which were called by the Chaldeans the Father, the
Power, and the Mind. The three circles each trisected give none
hypothetical panels or levels which signify the months of the prenatal
epoch and also the philosophical epoch as given in the nine degrees of
the Elusinian Mysteries. By this symbolism is revealed much of the
sacredness attached to the number 0. By the method of overlapping,
however, the 9 is reduced to 7, the latter number constituting the rungs
of the Mithraic of philosophic ladder of the gods – the links of the
golden chain connecting Absolute Unity above (or within) with Absolute
Diversity below (or without).
The first trinity (the upper circle)
consists of God the Father and the nature of his triple profundity; the
second trinity (the middle circle), God the Son in his triple sphere of
intellection; the third trinity (the lower circle), God the Holy
Spirit, the Formator with his formative triad which is the foundation of
the world. God the Holy Spirit, the third person of the Christian
triad, is synonymous with Jehovah, the racial god of the Jews; Shiva,
the destroyer-creator of the Hindus; and Osiris, the Egyptian god of the
underworld. A study of the form and symbols of Osiris reveals that the
lower portion of his body is swathed in mummy wrappings, leaving only
his head and shoulders free. In his helmet Osiris wears the plumes of
the law and in one hand clasps the three scepters of the underworld –
the Anubis-headed staff, the shepherd’s crook, and the flail. As the god
of the underworld, Osiris has a body composed of death (the material
sphere) and a living head rising out of it into a more permanent sphere.
This is Jehovah, the Lord of Form, whose body is a material sphere
ruled over by death but who himself, as a living being, rises out of the
dead not-self which surrounds him. In India, Shiva is often shown with
his body a peculiar bluish white color. This is the result of smearing
his person with ashes and soot, ashes being the symbol of death. Shiva
is not only a destroyer in that he breaks up old forms and orders, but
he is a creator in that, having dissolved an organism, he rearranges its
parts and thus forms a new creature. As the bull was sacred to Osiris,
was offered in sacrifice to Jehovah, and was also a favorite form
assumed by the god Jupiter (consider the legend of Europa), so
Nandi is the chosen
vahan
of Shiva. Shiva riding the bull signifies the death enthroned upon,
supported by, and moving in harmony with law; for the bull is the proper
symbol of the immutability of divine procedure.
It is now in
order to consider the subject of recapitulation. The vision of Ezekiel
intimates that creation consists of wheels within wheels, the lesser
recapitulating in miniature the activities of the greater. In the
diagram under consideration it is evident that by trisecting each of the
smaller worlds or circles they are capable of division according to the
same principle that holds good in connection with the three major
circles. Thus as the first large circle itself is synonymous with the
dot, so the upper panel of each of the trisected circles is also
symbolic of the dot. Hence the upper panel of each circle is its
spiritual part, the center panel its intellective or mediatory part, and
the lower panel its material or inferior part. The entire lower circle
ruled over by Zeus was designated by the Greeks as the world, because it
was wholly concerned with the establishment and generation of
substances. The upper panel of the inferior world, partaking of the same
analogy as the first world or upper circle (which it recapitulates in
part) is termed the spirit of the world. The central panel, likewise
recapitulating the central circle, becomes the mind or soul of the
world, and the lower panel, recapitulating the lower circle, the body or
form of the world. Thus spirit consists of a trinity of spirit, mind,
and body in a spiritual state; mind of a spirit, mind, and body in a
mental state; and form or body of a spirit, mind, and body in a material
state. While Zeus is the God of Form, he manifests as a trinity, his
spiritual nature bearing the name Zeus. The intellective nature, soul or
mediatory nature of Zeus is termed Poseidon, and his lowest or
objective material manifestation, Hades. As each of the Hindu gods
possessed a
Shakti (or a feminine counterpart signifying their
energies), so Zeus manifests his potentialities through certain
attributes. To these attributes were assigned personalities, and they
became companion gods with him over his world.
The Zeus, Poseidon,
and Hades triad of the Greeks is the Jupiter, Neptune, and Pluto triad
of the Romans. Jupiter may be considered synonymous with the spiritual
nature of the sun which, according to the ancients, had a threefold
nature symbolic of the threefold Creator of the world. The vital energy
pouring from the sun and one of its manifestations becomes Neptune, the
lord of the hypothetical sea of subsolar space. In Neptune we have a
parallel with the hypothetical ether of science, the super-atmospheric
air which is the vehicle of solar energy. Pluto becomes the actual gross
chemical earth, and his abode is presumed to be in dark, subterranean
caverns where he sits upon his ancient throne in impenetrable and
interminable gloom. The analogy to the dot, the line, and the circle
again appears. Jupiter is the dot, Neptune the line, and Pluto the
circle. Thus the life body of the sun is Jupiter; the light body of the
sun, Neptune; and the fire body of the sun, Pluto ruling his inferno. It
should be continually borne in mind that we are not referring to great
universal realities, but simply to those phases of cosmogony directly
concerned with matter, which is the lowest and most impermanent part of
creation. Over this inferior world with its form and its formative
agents sits Jupiter, lord of death, generator of evil, the Demiurgus and
world Formator, who with his twelve Titanic Monads (the Olympic
pantheon) builds, preserves, and ultimately annihilates those things
which he fashions in the outer sea of divine privation.
It is
noteworthy that the astronomical symbol of the sun should be the dot in a
circle, for as can be deduced from the subject matter of this lecture
the dot, the circle, and the hypothetical connecting line give a
complete key to the actual nature of the solar orb. When Jupiter, or
Jehovah, is called the lord of the sun, it does not necessarily mean the
sun which is the ruler of this solar system; it means any one of the
millions of universal suns which are functioning upon the plane or level
of a solar orb. Jupiter manifests himself as a mystical energy which
gives crops, perpetuates life, and bestows all the blessings of physical
existence, only to ultimately deprive mankind and his world of all
these bounties. Jupiter is the sun of illusion, the light which lights
the inferior creation but has nothing in common with that great
spiritual light which is the life of man and the light of the world.
According
to the Gnostics, the Demiurgus and his angels represented the false
light which lured souls to their destruction by causing them to believe
in the permanence of matter and that life within the veil of tears was
the true existence. According to philosophy, only those who rise above
the light of the inferior universe to that great and glorious spiritual
luminescence belonging to the superphysical spheres, can hope to
discover everlasting life. The physical universe is therefore the body
of Jupiter, Jehova, Osiris, or Shiva. The sun is the pulsating heart of
each of these deities, and sun spots are caused (as H.P. Blavatsky
notes) by the expansion and contraction of the solar heart at intervals
of eleven years. In the Greek and Roman mythologies, Zeus, or Jupiter,
is the chief of the twelve gods of Olympus. Olympus was a mythical
mountain rising in the midst of the world. It is the dot or sun itself,
for it is written that the tabernacle of the gods is in the skies. From
the face of this sun shines a golden corona whose numberless fiery
points are the countless gods who transmit the life of their sovereign
lord and who are his ministers to the farthest corners of his empire. In
the Hebrew philosophy the rays of the sun are the hairs of the head and
beard of the Great Face. Each hair is the radius of a mystical circle,
with the sun as the center, and outer darkness as the circumference. It
is curious that in Egypt the name of the second person of the triad –
the manifester – should be
Ray or
Ra, and his title, “the
lord of light.” Ra bears witness, however, to his invisible and eternal
Father, for the light of the sun is not the true sun but bears witness
to the invisible source of the effulgence. Thus, as the beams of the
physical sun become the light of the physical body of existence, so the
rays of the intellectual sun are the light of the mind, and all power,
all vitality, and all increase come as the result of attunement to the
fiery streamers of those divine beings to whom has been given the
appellation of “the gods”.
A few words at this time concerning the
symbolism of Neptune. While Neptune is popularly associated with the
sea, occultly he signifies the albuminous part of the great egg of
Jupiter. In certain schools of Orphic mysticism, the inferior universe
(like the supreme, all-inclosing sphere) is symbolized by an egg. This
lesser egg has Jupiter for a yolk, Neptune for the albumen, and Pluto
for the shell. It is therefore evident that Neptune is not associated
with the physical element of water, but rather with the electrical
fluids permeating the entire solar system. He is also associated with
the astral world, a sphere of fluidic essences and part of the mirror of
Maya, the illusion. As the connective between Jupiter and Pluto,
Neptune represents a certain phase of material intellect which, like the
element of water, is very changeable and inconstant. Like water,
Neptune is recognized as a vitalizer and life-giver, and in the ancient
Mysteries was associated with the germinal agents. The fish, or
spermatozoon, previous to its period of germination, was under his
dominion.
Descending from the sphere of cosmology to the life of
the individual, it is important that certain analogies be made between
Jupiter as the lord of the world and the microcosmic Jupiter who is the
lord of each individual life. That which in our own nature we call
I
is, according to mysticism, not the real I or Self but the Jupiterian
or inferior I – the demiurgic self; it may even be said to be the false
self which, by accepting as real, we elevate to a position greater than
it is capable of occupying. A very good name for Jupiter is the
human spirit as differentiated from the
divine
spirit which belongs to the supermaterial spheres. In man Jupiter has
his abiding place in the human heart, while Neptune dwells in the brain,
and Pluto in the generative system. Thus is established the formative
triad in the physical nature of man. As the physical universe is the
lowest and least permanent part of existence, so the physical body is
the lowest and least permanent part of man. Above the lord of the body
with his Aeons or angels is the divine mind and all-pervading
consciousness. The body of man is mortal, though his divine parts
partake, to a certain degree, of immortality. Over the mortal nature of
man rules an incarnating ego which organizes matter into bodies, and by
this organization foredooms them to be redistributed to the primordial
elements. As Jupiter had his palace on the summit of Mount Olympus, so
from his glorious cardiac throne on the top of the diaphragm muscle he
rules the body as lord of the human world. Jupiter in us is the thing we
have accepted as our true Self, but meditation upon the subject matter
of this lecture will disclose the true relationship between the human
self and the Universal ALL of which it is a fragmentary yet
all-potential part.
Recognizing Jupiter to be the lord of the
world, or the incarnating ego which invests itself in universal matter,
it then becomes evident that the two higher spheres of trinities of
divine powers constitute the Hermetic
anthropos, or
nonincarnating overman. This majestic and superior part, consisting of
the threefold darkness of Absolute Cause and the threefold light or
celestial splendor, hovers above the third triad consisting of the
threefold world form, or triune cosmic activity. The highest expression
of matter is mind, which occupies the middle distance between activity
on the one hand and inertia on the other. The mind of man is
hypothetically considered to consist of two parts: the lower mind, which
is linked to the demiurgic sphere of Jupiter, and the higher mind,
which ascends toward and is akin to the substance of the divine power of
Kronos. These two phases of mind are the mortal and immortal minds of
Eastern philosophy. Mortal mind is hopelessly involved in the illusions
of sense and substance, but immortal or divine mind transcending these
unrealities is one with truth and light. Here we have a definite key to
several misunderstood concepts as now promulgated through the doctrines
of Christian Science.
Since intelligence is the highest
manifestation of matter, it is logically the lowest manifestation of
consciousness, or spirit, and Jupiter (or the personal
I) is enshrined in the substances of mortal mind where he controls his world through what man is pleased to term
intellect.
The Jupiterian intellect, however, is that which sees outward or toward
the illusions of manifested existence, whereas the higher or spiritual
mind (which is latent in most individuals) is that superior faculty
which is capable of thinking inward or toward the profundities of Self;
in other words, is capable of facing toward and gazing upon the
substance of Reality. Thus the mind may be likened to the two-faced
Roman god Janus. With one face this god gazes outward upon the world and
with the other inward toward the sanctuary in which it is enshrined.
The two-faced mind is an excellent subject for meditation. The objective
or mortal mind continually emphasizes to the individual the paramount
importance of physical phenomena; the subjective, or immortal mind, if
given opportunity for expression, combats this material instinct by
intensifying the regard for that which transcends the limitations of the
physical perceptions.
Subservient to Jupiter who, bearing his
thunderbolt and accompanied by his royal eagle is indeed the king of
this world, are Neptune and Pluto. The god Neptune, of course, is not to
be regarded as either the planet or as an influence derived from the
planet, but as the lord of the middle sphere of the inferior world. In
man the middle sphere between mind and matter is occupied by emotion or
feeling. The instability of human emotion is well symbolized by the
element of water which is continually in motion, the peaceful surface of
which can be transformed into a destroying fury by forces moving above
its broad expanse. The emotional nature of man is closely associated
with the astral light or magical sphere of the ancient and medieval
magicians. In this plane illusion is particularly powerful. As one
writer has wisely observed, “It is a land of beauty, a garden of
flowers, but a serpent is entwined about the stem of each.” Among the
Oriental mystics this sphere of the astral light is considered
particularly dangerous, for those who are aspiring to an understanding
of spiritual mysteries are often enmeshed in this garden of Kundry, and
believing they have found the truth are carried to their destruction by
the flow of this astral fluid.
Riding in his chariot drawn by
sea-horses and surrounded by Nereids riding upon sporting dolphins,
Neptune carries in his hand the trident, a symbol common to both the
lord of the illusion and the red-robed tempter. Neptune is the lord of
dreams, and all mortal creatures are dreamers; all that mankind has
accomplished in the countless ages of its struggle upward toward the
light is the result of dreaming. Yet if dreams are not backed up by
action and controlled by reason they become a snare and a delusion, and
the dreamer drifts onward into oblivion in a mystic ecstasy. You will
remember that according to Greek mythology there was a river called the
Styx which divided the sphere of the living from that of the dead. This
river is the mysterious sea of Neptune which all men must cross if they
would rise from material ignorance into philosophic illumination. This
Neptunian sea may be likened to the ethers which permeate and bind
together the material elements of Nature. The sphere of Neptune is a
world of ever-moving fantasy without beginning and without end, a
mystical maze through which souls wander for uncounted ages if once
caught in the substances of this shadowy dreamland.
The lowest
division of the Jupiterian sphere is under the dominion of Pluto, the
regent of death. Pluto is the personification of the mass physical
attitude of all things toward objective life. Pluto may be termed the
principle of the mortal code, in accordance with which Nature lives and
moves and has her being. Pluto may also be likened to an intangible
atmosphere permeated with definite terrestrial instincts. Unconsciously
inhaling this atmosphere, man is enthused by it and accepts it as the
basis of living. The individual who is controlled by the Plutonic miasma
contracts a peculiar mental and spiritual malaria which destroys all
transcendental instinct and spiritual initiative, leaving him a
psychical invalid already two-thirds a victim of the Plutonic plague. As
Plato so admirably says, “The body is the sepulcher of the soul,” and
whereas Neptune is symbolic of the astral or elemental soul (which is a
mysterious emanation from elementary Nature) Pluto is the god of the
underworld, the deity ruling the spheres of the mysterious circle of
being and therefore represents the lowest degree of Jupiterian light,
which is physical matter. Hades, or the land of the dead, is simply an
environment resulting from crystallization. Everything that exists in a
crystallized state furnishes the environment of Hades for whatever life
is evolving through it. Thus the lower universe is ruled over by three
apparently heartless gods – birth, growth, and decay. From their palaces
in space these deities hurl the instruments of their wrath upon hapless
humanity and elementary Nature. But he who is fortunate enough to
escape the thunderbolts of Jove will yet fall beneath the trident of
Neptune or be torn to pieces by the dogs of Father Dis (Pluto). The
ancient Greeks occasionally employed a centaur to represent man, thus
indicating that out of the body of the beast which feels upon its back
the lash of outrageous destiny rises a nobler creature possessed of
God-given reason, who through sheer force of innate divinity shall
become master of those who seek to bind him to a mediocre end.
While
on the subject of the dot, the line, and the circle, there is one very
simple application of the principle which we insert in order to
emphasize the analogies existing through the entire structure of human
thought. Take a simple problem in grammar. The noun, which is the
subject of the sentence, is analogous to the dot; the verb, which is the
action of the subject, is analogous to the line; and the object, which
is the thing acted upon, is analogous to the circle. These analogies may
also be traced through music and color and through the progression of
chemical elements. Always the trinity of the dot, the line, and the
circle has some correspondent, for it is the basis upon which the entire
structure of existence and function – both universal and individual –
has been raised. Consider this fundamental symbolism, philosophize upon
it, dream about it, for an understanding of these symbols is the
beginning of wisdom. There is no problem, whether involved with the
simple mechanism of an earthworm or the inconceivable complex mechanism
of a universe, that has not been constructed upon the triangular
foundation of the dot, the line, and the circle. These are the proper
symbols of the creative, preservative, and disintegrative agencies which
manifest the incomprehensible Absolute before temporary creation.
The
three worlds we have outlined are the supreme, the superior and the
inferior worlds of the Orphic theology as revealed by Pythagoras and
Plato. The supreme world is the sphere of the one indivisible and
ever-enduring Father; the superior world is the sphere of the gods, the
progeny of the Father; and the inferior world is the sphere of mortal
creatures who are the progeny of the gods. “Therefore,” says Pythagoras,
“men live in the inferior world, God in the supreme world, and the men
who are gods and the gods who are men in the intermediate plane.” You
will recall that it was said of Pythagoras by his disciples that there
were of two-footed creatures three kinds: gods, men, and Pythagoras. It
should be inferred that the dot represents the gods, the circle men, and
the line connecting them Pythagoras, or the personification of that
superhuman wisdom which binds cause and effect inextricably together,
and which is the hope of salvation for the lesser. The Deity dwelling in
the supreme world and which the Platonists termed the One, was,
according to the Scandinavians, All-Father, the sure foundation of
being. In India it was Brahma and in Egypt, Ammon. The line always
represented the Savior-Gods, they being the eldest sons or first-born of
intangible Deity. The line bears witness of the dot as the light bears
witness of the life. All this gives a clue to the statement in the New
Testament, “Whoso hath seen the Son, hath seen the Father, for the Son
is in the Father and the Father in the Son.” In other words, whoso hath
seen the line, hath seen the dot, for the dot is in the line and the
line is in the dot. In the ancient Jewish rites the line was Michael,
the archangel of the sun; in Scandinavia, Baler the Beautiful.
It
is to the lower world of men that the light (the dot pouring into the
line), personified as the Universal Savior, descends to redeem
consciousness from the darkness of a living grave (the circumference of
the circle). The Mystery God who lifted souls to salvation through his
own nature thus represents the line, the divine symbol of the way of
achievement, for it is written that none shall come unto the Father save
by the Son and none of those creatures dwelling in the circumference
can reach the center or dot save by ascending the hypothetical line of
the radius. The line is the bridge connecting the cause with effect. In
Immanuel Kant’s philosophy we find the dot designated the
nouemon and the circumference the
phenomenon;
the former the Reality, the latter the unreality. The line (the human
mind) must ever be the agency that bridges the void between them.
In
the Platonic philosophy there are three manners of being: (1) gods, or
those most proximate to the Absolute, who dwell within the nature of the
dot; (2) men, or those who are most distant from the Absolute, who
dwell in the circumference of the circle; (3) the heroes and the
demigods, who are suspended between Divinity and humanity and who dwell
in the sphere of the line. So, according to philosophy, the line is a
ladder up which man ascends to light from his infernal state and down
which he descends in his involution. The
fall of man is the descent down the ladder from the dot to the circumference; the
resurrection or
redemption
of man is his return from the circumference to the dot. Of such
importance are these primary symbols that we have felt it absolutely
necessary to devote the introductory lectures of this series to the
subject of the dot, the line, and the circle. It should ever be borne in
mind that the veneration for symbols is not idolatry, for symbols are
formulated to clarify truths which in their abstract form are
incomprehensible. Idolatry consists in the inability of the mind to
differentiate between the symbol and the abstract principle for which it
stands. If this definition be accepted, it can be proved that there are
very few truly idolatrous peoples. Philosophically, the literalist is
always an idolator. He who worships the letter of the law bows down to
wood and stone, but he who comprehends the spirit of the law is a true
worshiper before the measureless altar of eternal Nature upon which
continually burns the Spirit fire of the world.
Lectures on Ancient Philosophy - Manly P. Hall (pp. 1-23)