Sunday, July 31, 2016

Death In June ::: The Corn Years


Label: New European Recordings ‎– BAD VC CD 7
Format: CD, Compilation
Country: UK
Released: 1989
Genre: Electronic, Rock
Style: Experimental, Neofolk

Tracklist:
1 Heilige!
2 Torture By Roses
3 Love Murder
4 Zimmerit
5 We Are The Lust
6 To Drown A Rose
7 Break The Black Ice
8 Behind The Rose (Fields Of Rape)
9 Punishment Initiation
10 Rocking Horse Night
11 Break The Black Ice (Instrumental)
12 Runes And Men
13 Rule Again
14 Hail! The White Grain
15 Blood Of Winter
16 The Fog Of The World
17 Europa: The Gates Of Heaven
18 Come Before Christ And Murder Love

Download:
https://yadi.sk/d/n8KHVCdutmkQc

Liber VIII - The Ritual Proper For The Invocation Of Augoeides


                                                    Liber VIII
                              A∴ A∴ Publication in Class D


And thus shall he do who will attain unto the mystery of the knowledge and conversation of his Holy Guardian Angel:

First, let him prepare a chamber, of which the walls and the roof shall be white, and the floor shall be covered with a carpet of black squares and white, and the border thereof shall be blue and gold.

And if it be in a town, the room shall have no window, and if it be in the country, then it is better if the window be in the roof. Or, if it be possible, let this invocation be performed in a temple prepared for the ritual of passing through the Tuat.

From the roof he shall hang a lamp, wherein is a red glass, to burn olive oil. And this lamp shall he cleanse and make ready after the prayer of sunset, and beneath the lamp shall be an altar, foursquare, & the height shall be thrice half of the breadth or double the breadth.

And upon the altar shall be a censor, hemispherical, supported upon three legs, of silver, and within it an hemisphere of copper, and upon the top a grating of gilded silver, and thereupon shall he burn incense made of four parts of olibanum and two parts of stacte, and one part of lignum aloes, or of cedar, or of sandal. And this is enough.

And he shall also keep ready in a flask of crystal within the altar, holy anointing oil made of myrrh and cinnamon and galangal.

And even if he be of higher rank than a Probationer, he shall yet wear the robe of the Probationer, for the star of flame showeth forth Ra Hoor Khuit openly upon the breast, and secretly the blue triangle that descendeth is Nuit, and the red triangle that ascendeth is Hadit. And I am the golden Tau in the midst of their marriage. Also, if he choose, he may instead wear a close-fitting robe of shot silk, purple and green, and upon it a cloak without sleeves, of bright blue, covered with golden sequins, and scarlet within.

And he shall make himself a wand of almond wood or of hazel cut by his own hands at dawn at the Equinox, or at the Solstice, or on the day of Corpus Christi, or on one of the feast-days that are appointed in "The Book of the Law".

And he shall engrave with his own hand upon the plate of gold the Holy Sevenfold Table, or the Holy Twelvefold Table, or some particular device. And it shall be foursquare within a circle, and the circle shall be winged, and he shall attach it about his forehead by a ribbon of blue silk.

Moreover, he shall wear a fillet of laurel or rose or ivy or rue, and every day, after the prayer of sunrise, he shall burn it in the fire of the censor.

Now he shall pray thrice daily, about sunset, and at midnight, and at sunrise. And if he be able, he shall pray also four times between sunrise and sunset.

The prayer shall last for the space of an hour, at the least, and he shall seek ever to extend it, and to inflame himself in praying. Thus shall he invoke his Holy Guardian Angel for eleven weeks, and in any case he shall pray seven times daily during the last week of the eleven weeks.

And during all this time he shall have composed an invocation suitable, with such wisdom and understanding as may be given him from the Crown, and this shall he write in letters of gold upon the top of the altar.

For the top of the altar shall be of white wood, well polished, and in the centre thereof he shall have placed a triangle of oak-wood, painted with scarlet, and upon this triangle the three legs of the censor shall stand.

Moreover, he shall copy his invocation upon a sheet of pure white vellum, with Indian ink, and he shall illuminate it according to his fancy and imagination, that shall be informed by beauty.

And on the first day of the twelfth week he shall enter the chamber at sunrise, and he shall make his prayer, having first burnt the conjuration that he had made upon the vellum in the fire of the lamp.

Then, at his prayer, shall the chamber be filled with light insufferable for splendour, and a perfume intolerable for sweetness. And his Holy Guardian Angel shall appear unto him, yea, his Holy Guardian Angel shall appear unto him, so that he shall be wrapt away into the Mystery of Holiness.

All that day shall he remain in the enjoyment of the knowledge and conversation of the Holy Guardian Angel.

And for three days after he shall remain from sunrise unto sunset in the temple, and he shall obey the counsel that his Angel shall have given unto him, and he shall suffer those things that are appointed.

And for ten days thereafter shall he withdraw himself as shall have been taught unto him from the fullness of that communion, for he must harmonize the world that is within with the world that is without.

And at the end of the ninety-one days he shall return into the world, and there shall he perform that work to which the Angel shall have appointed him.

And more than this it is not necessary to say, for his Angel shall have entreated him kindly, and showed him in what manner he may be most perfectly involved. And unto him that hath this Master there is nothing else that he needeth, so long as he continue in the knowledge and conversation of the Angel, so that he shall come at last into the City of the Pyramids.

Nurse With Wound / Current 93 ‎::: Nylon Coverin' Body Smotherin'


Label: Mi Mort ‎– mi-mort 4
Format: Cassette, C46
Country: UK
Released: 1984
Genre: Electronic
Style: Abstract, Experimental

Tracklist:
A1 –Nurse With Wound - Nylon Coverin', Body Smotherin'
A2 –Current 93 - The Great In The Small    
A3 –Nurse With Wound - A Token Sylvie And Babs Ditty Chicken In Drag    
B1 –Nurse With Wound - Glory Hole    
B2 –Nurse With Wound - Automating (Again)
B3 –Nurse With Wound - Well, What D'ya Know, Henry?

Download:
https://yadi.sk/d/hvGLeZ-PtmjXp

Saturday, July 30, 2016

Current 93 ::: Imperium

 

Label: Durtro – DURTRO 008 CD
Format: CD, Album
Country: UK
Released: 1992
Genre: Electronic, Rock
Style: Industrial, Neofolk

Tracklist:
1 Imperium I 6:08
2 Imperium II 5:48
3 Imperium III 7:03
4 Imperium IV 3:17
5 Be 0:53
6 Locust 9:49
7 Or 9:23
8 Alone 7:39
9 Time Stands Still 3:25
10 Untitled 0:18

Preview:

Current 93 ::: Swastikas For Noddy


Label: L.A.Y.L.A.H. Antirecords – LAY CD 20
Format: CD, Album
Country: Belgium
Released: 1988
Genre: Electronic, Rock
Style: Industrial, Experimental, Neofolk

Tracklist:
1 Benediction
2 Blessing
3 North
4 Black Sun Bloody Moon
5 Oh Coal Black Smith -
6 Panzer Rune
7 Black Flowers Please
8 The Final Church
9 The Summer Of Love
10 (Hey Ho) The Goddy (Oh)
11 Beausoleil
12 Scarlet Woman
13 The Stair Song
14 Angel
15 Since Yesterday
16 Valediction
17 Malediction

Download:
https://yadi.sk/d/6eHanxZztmAqM

Arecibo ‎::: Trans Plutonian Transmissions


Label: Atmosphere ‎– AT 002
Format: CD, Album
Country: Germany
Released: 17 Oct 1994
Genre: Electronic
Style: Dark Ambient, Experimental, Minimal

Tracklist:
1 NGC 5128 Receiving Station Alignment    
2 3C147 Beyond The Heart Of Space    
3 M87 The Four Second Timing Discrepancy    
4 NGC 5426 Unified Field Modulation    
5 NGC 5427 Anomalous Intermittent Radio Source    
6 3C295 Pulse Burst Decryption

Download:
https://yadi.sk/d/7J2ysDe1tkiZg

Naoki Ishida ‎::: Tone Redust



Label: Quasi Pop Records ‎– QPOP CD044
Format: CD, Album, Limited Edition
Country: Ukraine
Released: 2006
Genre: Electronic
Style: Illbient, Abstract, Field Recording

Tracklist:
1 Lunar Sinus    
2 Structure Of Iki 1    
3 Sleeping Flow    
4 07/07/2005    
5 Structure Of Iki 2    
6 Tone Redust

Download:
https://yadi.sk/d/StiaD4AdtkiZz

Friday, July 29, 2016

Various ‎::: Cénotaphe


Label: Les Nouvelles Propagandes ‎– NP.009
Format: Cassette, Compilation, C60
Country: France
Released: 1991
Genre: Electronic
Style: Industrial, Experimental, Ambient

Tracklist:
A1 –De Fabriek - Libaria    
B1 –Laurent Pernice - Une Petite Fille    
B2 –La Sonorité Jaune - Osia    
B3 –Muslimgauze - Sounds Effect    
B4 –Pacific 231 - Fem-Dom    
B5 –Das Synthetische Mischgewebe - Etude Pour : One Motor Played Guitar And Three Low Frequenz Oscillators Stearing Three Voltage Controlled Filtrers    
B6 –Esruk - Diminish    
B7 –Brume - Permafrost (Version Rapide)

Download:
https://yadi.sk/d/bHcZmXBTtiv5G

raison d'être ‎::: Prospectus I


Label: Cold Meat Industry ‎– CMI.18
Format: Cassette, Promo
Country: Sweden
Released: 1993
Genre: Electronic
Style: Dark Ambient, Industrial

Tracklist:
A1 Katharsis    
A2 Ordeal In Chapel    
A3 Acension De Profundis    
A4 Mourning    
A5 Mesmerized In Sorrow    
B1 Cenotaphium    
B2 Synopsis    
B3 Anathema/Apotheosis    
B4 Penumbra

Download:
https://yadi.sk/d/9_cS5IYztiv4h

S·Core ‎::: Morbid Moppets


Label: Afflict Records ‎– Aff 005, Trinity Production (2) ‎– none
Format: Cassette, C46
Country: Japan
Released: 1986
Genre: Electronic
Style: Noise, Industrial, Experimental, Ambient

Tracklist:
A The Afterimage    
B1 Criticism    
B2 Reddish-Black    
B3 Sutra    
B4 The Far East

Download:
https://yadi.sk/d/YqBpjJ26tiv4F

Sunday, July 24, 2016

The Wise Men ‎::: Knowledge



Label: Glass Records ‎– Glass025
Format: Vinyl, 7", Single
Country: UK
Released: 1983
Genre: Rock
Style: New Wave, Art Rock, Post-Punk

Tracklist:
A Knowledge    
B Lost In Action

Download:
https://yadi.sk/d/Tx-lVTqUta2uL

Sewer Election / Werewolf Jerusalem ‎::: Collaboration


Label: Trash Ritual ‎– trash041
Format: Cassette, Limited Edition, Album, C32
Country: US
Released: 2008
Genre: Electronic
Style: Noise, Drone

Tracklist:
A Singular    
B Linear
   
Notes
Edition of 75 copies.

Download:
https://yadi.sk/d/4gW5GFC3tZoML

Suicide Forest #1 by El Torres and Gabriel Hernandez (CBR)


Just outside Tokyo lies Aokigahara, a vast forest and one of the most beautiful wildernesses in Japan… which is also the most famous suicide spot in the entire world. Legend has it that the spirits of the suicide victims are still roaming—haunting those ancient woods. This series, from the creators of the acclaimed “The Veil,” examines the lives of Alan, an average-joe from Tokyo, his girlfriend Masami, and Ryoko, a forest ranger who recovers the suicide victims’ bodies from the woods, hoping to find his father. After their experiences with the Suicide Forest, their lives will never be the same again.

Download:
https://yadi.sk/d/_x03W9GYtZoLm

Nankin 1937 by Nicolas Meylaender & Zhou Zongkai (CBR)


Nanking 1937, the first ever cartoon book on the Nanking Massacre, saw its copyright introduction meeting held in the Belgrade Book Fair. The book was written by a famous French playwright Nick Meland and drawn by Professor Zhou Zongkai of Sichuan Fine Arts Institute (SFAI) along with his son Zhou Weizong.

Nanking 1937, planned by the French FEI Publishing House to be presented in a style of woodcut, tells the true story of Xia Shuqin, a survivor from the Nanking Massacre, revealing the anti-human crimes committed by Japanese troops from the angle of a survivor.

On 13th December, 1937, Xia's grandparents, parents, 2 elder sisters and 1 younger sister were killed by Japanese troops, leaving behind only Xia and a 4-year-old sister. At that time, Chairman of the Nanking International Safety Zone, Rabe, kept Xia's story in his diary. An American missionary videoed the miserable conditions of her home located at No. 5, Xinlukou in Zhonghuamen, Nanking.

Zhou Zongkai got in contact with Nanking 1937 in 2010, when the Chinese reprisentative in charge of FEI Publishing House, Xu Gefei, came to SFAI for a visit and had a talk with Zhou in his studio in Huxi Commune (Huxi Gongshe), known as the largest domestic Village of Artists in China.

Xu told Zhou about her intention of adding more Chinese material to the publishing industry, and due to the lack of knowledge of Chinese history around 1937 among European society, it would be informative to put forward her idea.

After viewing the pictures drawn by Zhou for the book of The Diaoyu Fortress, Xu decided to have Nanking 1937 drawn by Zhou.

Nanking 1937 was written by Nick Meland, a famous French playwright. When asked why a foreigner was chosen to write a Chinese story, Xu stated that a foreigner could tell the story in a more objective manner, enabling readers to gain a more balanced impression.

In August 2010, Zhou received the manuscripts of Nanking 1937.

For an entire month, Zhou and his 25-year-old son Zhou Weizong, a young cartoonist, worked on the drawings in his studio for over 10 hours every day.

In 2011, the French Edition of Nanking 1937 was put into the markets in France, Belgium, Luxemburg and Switzerland. On the memorial day of the 7th July Incident of 1937 in 2014, the book’s Chinese Edition was published by the Sichuan Children's Publishing House.

In 2012, the book's French Edition was awarded the Best Painting prize in the Amiens Animation Festival.

Download:
https://yadi.sk/d/m8d_dzEntZoHA

Aleister Crowley – Wandering The Waste by Martin Hayes & RH Stewart (CBR)


England’s finest Magician? Scoundrel? Occultist? Mischief-maker? Explorer of realms? Or simply, as he’s often remembered ‘the wickedest man in the world’? Hayes and Stewart tell a very human story of an extraordinary man, and leave the final decision to the reader. Master magician or deluded manipulator? Read on….

Do you believe in magic? Do you reckon Crowley was the real deal? or just a deluded fool? Whatever you think, there’s no denying that there was little that was simple about the man, or his life, and this fool may well have been a genius. Believe in magic or not, the life of Crowley the man is far too interesting to be cast to history a simple cartoon character, the evil magician. Crowley’s ambition seems to have been to transcend his life, to have his mortality wiped away by journeying to other realms and live on after other men have long gone… in so many ways he has.

One thing this graphic novel does leave you with, no matter what you believe, no matter what you think of Crowley the legend… he lived a life that can only be described as rich and full, epic even. Healthy, sensible, good… perhaps not, but certainly epic. He travelled, he shocked, mastered chess, an accomplished mountaineeer, travelled the globe, influenced so many, rubbing shoulders with the greats of his time. Epic indeed.

And it’s dutifully and entertainingly detailed by writer Martin Hayes and artist RH Stewart in this graphic novel that concerns itself primarily with Crowley the man, at the end of his days, 72 years old, terminally infirm, living in a guest house, the man in room 13, more concerned with consulting his tortoiseshell sticks than consulting a doctor.

Immediately Hayes and Stewart strip away some of the mystique, after all it’s hard to truly hate the dying, and we begin to look at Crowley the idea, the legend through the story of Crowley the man, as we venture right back to the beginning, Crowley detailing his life to a visiting writer, intent on chronicling the life of the famous occultist.

Looking back over his life, we see the boy born into the Plymouth Brethren, religious zealots more concerned with preparing for the imminent reappearance of Jesus than looking after a child. His nickname of Beast came not from newspapers or enemies, but from his own mother, faced with evidence of the boy finding pleasures of the flesh too inviting as adulthood approached.

With such an upbringing, it’s small wonder that the boy grew to become a man with unusual ideas, indoctrination failed, religious ideals overthrown, a conviction to embrace his name as Beast, after all … if Mother believed him truly to be the Anti-Christ incarnate, is it any wonder he played up to it?

That’s one way to look at it certainly, but alternatively, he was just bad. Very bad. Evil? We may never know. But at least Hayes and Stewart’s tale is always clever enough to leave both options open. As we read of mother’s obvious religious madness in casting her son as the devil for having sex a few times, the final lines on the page immediately reveal an alternative viewpoint….

    “Oh, and then there was the incident with the cat.”
    “The cat?”
    “Well, I had been told that a cat has 9 lives…”

So as we travel through Crowley’s life there’s a sense of getting a measured view, granted it’s from the viewpoint of Crowley himself, but there’s opportunity aplenty for Hayes to have Crowley present all manner of ideas, to present the man as a flawed thing, capable of great acts, and just as capable of the worst human traits. Proud, strong, intense, passionate, driven, ambitious, selfish, spiteful, jealous, kind, generous…. all aspects of Crowley come through across the years. And above all, the idea that Crowley, no matter what, genuinely believed in his magic, as he ascended the ranks of the magical elite, even as he acknowledged that many of their number, indeed most of their number, could be classed as mere “charlatans and non-entities“.

The problem here is that Hayes’ words work a lot better than Stewart’s artwork, which feels out of time, something akin to early McKean, feeling just that little dated and a case of seen it done better many years back, this mix of scratchy figurative work, cut and paste collage and digital effects here and there. It’s by no means terrible, and at its best it succeeds in creating the required atmosphere of the magician’s life.

Where the early parts of the book are all concerned with a strict biographical narrative, this structure breaks down as the adult Crowley immerses himself in his own magical world, events come thick and fast, and there’s an unfortunate (although somewhat necessary) reliance on simply throwing a list of events at one of Stewart’s collage like pages at times. It means we’re jettisoned from the narrative at this point, and that’s a real shame, as the wotrk done early on to immerse us in Crowley’s life was really well done.

However, just as this approach is getting too tiresome, the finale, detailing the final hours of the great magician’s life, break free from this structure and veer into the realms of speculative fiction once more, with Hayes composing a possible end involving something as magical as the practices Crowley convinced himself were oh so real.

The ending really is something quite interesting and special, Hayes and Stewart finding a really involving, and yes, a magical way to end their tale, to end Crowley’s life. But the thing the graphic novel leaves us with, as it should, is that Crowley’s desire to transcend death, and to live in the imagination and the memory of the world, was accomplished. Death took the man, but his legacy lives on.

Wandering The Waste succeeds in putting this legacy into context, and although there’s a fair few faults here, there’s nothing that really spoils the story, nothing that stops the message from coming through, and does it damn enjoyably to boot.

Download:
https://yadi.sk/d/PoPhb5eYtZoF8

Saturday, July 23, 2016

Under For ‎::: Free-Force Structure


Label: SAM Records (2) ‎– SAM 05
Format: Vinyl, 12"
Country: Denmark
Released: Oct 1984
Genre: Electronic
Style: Noise, Synth-pop, Experimental

Tracklist
A Free-Force Structure    
B An Ending (Live)

Preview:


Download:
https://yadi.sk/d/2AvoMvGTtZNJN

King Dude & Chelsea Wolfe ::: Sing More Songs Together​.​.​.


Label: Not Just Religious Music – NJRM​-​002
Format: 2 × File, ALAC, Single
Country:
Released: 19 Feb 2014
Genre: Rock
Style: Alternative Rock

Tracklist:
1 Be Free 2:58
2 Bed On Fire 4:22

Download:
https://yadi.sk/d/nd9L2IL_tYqjD

Chelsea Wolfe & King Dude – Sing Songs Together...


Label: Sargent House – SH093
Format: Vinyl, 7", 33 ⅓ RPM
Country: US
Released: 20 Apr 2013
Genre: Rock, Folk, World, & Country
Style: Folk, Neofolk

Tracklist:
A Chelsea Wolfe - Fight Like Gods
B King Dude - Satan's Ghost

Download:
https://yadi.sk/d/ixuoXCkntYqkC

The Shortwave Mystery ::: Signals From Afar


Label: (W|S) World Service Collective ‎– WS201101
Format: CDr, Limited Edition
Country: US
Released: 15 May 2011
Genre: Electronic
Style: Synth-pop, Minimal, Darkwave

Tracklist:
1 Signals From Afar (Vocalize)    
2 Pilots (Version)    
3 Turn Time Away    
4 Whoever Knew (Short Autumn Mix)    
5 Laugh Tomorrow
6 Special Girl    
7 Segue    
8 Dantes' Interlude    
9 Synth-Tape-Test!    
10 Bump 'N' Grind (Rick & Kevin Mix)    
11 Takin' Chances (Castro Street Mix)    
12 Scuby-Ruby
13 A Nicer Girl    
14 Ekaterina Szabo ('84 Olympic Mix)    
15 Pilots (Original 12" Mix)

Download:
https://yadi.sk/d/utghJ6qmtYmnY

JPS Experience ::: Bleeding Star


Label: Flying Nun Records ‎– FNCD246
Format: CD, Album
Country: New Zealand
Released: 1993
Genre: Rock
Style: Shoegazer, Indie Rock

Tracklist
1 Intro    
2 Into You    
3 Ray Of Shine    
4 I Believe In You    
5 Spaceman    
6 Still Can't Be Seen    
7 Bleeding Star    
8 Breathe    
9 Modus Vivendi    
10 Block    
11 Angel

Download:
https://yadi.sk/d/gJ14JhXwtYmng

Thursday, July 21, 2016

Monastery of the Seven Rays Year 1 to 4 Study Course


This is a private study course to be read before the Voudon Gnostic Workbook practicum. It was originally published as a mail order study course and is yet to be reprinted in book form.

    Monastery of the Seven Rays, Year 1, Student Degrees (1967).
    Monastery of the Seven Rays, Year 2, Sexual Magic (1969).
    Monastery of the Seven Rays, Year 3, Esoteric Engineering
    Monastery of the Seven Rays, Year 4, Esoteric Magic

For students of the Monastery of the Seven Rays

Download:
https://yadi.sk/d/hFM1Y3u6tVWNg

Various ::: Hate's Our Belief


Label: Aquilifer Sodality – 1AE 03003
Format: Cassette, Compilation, C90
Country: Italy
Released: 1987
Genre: Electronic
Style: Noise, Power Electronics, Industrial

Tracklist:
A1 Sutcliffe Jugend – Cunt Rape 11:51
A2 Consumer Electronics – Vibro 02:59
A3 The Dadarotator – The Dadarotator 06:39
A4 Mauthausen Orchestra – Return To The Glory 05:23
A5 Ramleh – McCarthy 03:46
A6 Sutcliffe Jugend – Male Supremacy 04:28
B1 Krang – Neurasthenia 00:55
B2 Bruno Cossano – Debacle 29:31
B3 M.B. – Giudizio Finale 12:59

Download:
https://yadi.sk/d/ZjDeo32StVDVU

Netlabel Day 2016


Suicide ‎::: Suicide


Label: Bronze ‎– TC BRON 508, Red Star Records ‎– TC BRON 508
Format: Cassette, Album
Country: UK
Released: 28 Dec, 1977
Genre: Electronic
Style: Electro, Synth-pop, Experimental

Tracklist:
A1 Ghost Rider    
A2 Rocket U.S.A.    
A3 Cheree    
A4 Johnny    
A5 Girl    
B1 Frankie Teardrop    
B2 Che

Download:
https://yadi.sk/d/fM4VroHutV7sQ

Monday, July 18, 2016

The Penguin U.G. Krishnamurti Reader Edited by Mukunda Rao (ePUB & mobi)


My teaching, if that is the word you want to use, has no copyright. You are free to reproduce, distribute, interpret, misinterpret, distort, garble, do what you like, even claim authorship, without my consent or the permission of anybody.' Thus spoke U.G. Krishnamurti in his uniquely iconoclastic and subversive way, distancing himself from gurus, spiritual 'advisers', mystics, sages, 'enlightened' philosophers et al. UG's only advice was that people should throw away their crutches and free themselves from the 'stranglehold' of cultural conditioning. Uppaluri Gopala Krishnamurti was born on 9 July 1918 in Masulipatnam, a coastal town in Andhra Pradesh. He died on 22 March 2007 at the age of eighty-nine in Vallecrosia, Italy, at the villa of a friend. The effect that he had, and will continue to have, on legions of his admirers is difficult to put into words. With his flowing silvery hair, deep-set eyes and elongated Buddha-like ears, he was an explosive yet cleansing presence and has been variously described as 'a wild flower of the earth', 'a bird in constant flight', an 'anti-guru' and a 'cosmic Naxalite'. UG gave no lectures or discourses and had no organization or fixed address, but he travelled all over the world to meet people who flocked to listen to his 'anti-teaching'.

Download:
https://yadi.sk/d/yweNiYRjtQ3ec

Metaphysics of War by Julius Evola (ePUB & AZW3)


This is the thoroughly revised edition of a collection of essays that Julius Evola originally wrote for Italian periodicals during the 1930s and '40s, having to do with the transcendental aspects of combat. It represents the development of Evola's thinking on war during the period of the Second World War and its aftermath.

These essays constitute what is certainly the most radical attempt ever made to justify war. This justification takes place essentially on two levels: one profane, the other sacred. At the profane (meaning simply “non-sacred”) level, Evola argues that war is one of the primary means by which heroism expresses itself, and he regards heroism as the noblest expression of the human spirit. Evola reminds us that war is a time in which both combatants and non-combatants realize that they may lose their lives and everything and everyone they value at any moment. This creates a unique moral opportunity for individuals to learn to detach themselves from material possessions, relationships, and concern for their own safety. War puts everything into perspective, and Evola states that it is in such times that “a greater number of persons are led towards an awakening, towards liberation” (p. 135).

According to Evola, the ancient Vedas held that there are two paths to enlightenment: contemplation and action. In traditional Indian terms, the former is the path of the brahmin and the latter of the kshatriya (the warrior caste). Both are forms of yoga, which literally means any practice that has as its aim connecting the individual to his true self, and to the source of all being (which are, in fact, the same thing). The yoga of action is referred to as karma yoga (where karma simply means “action”), and the primary text which teaches it is the Bhagavad-Gita. Evola returns again and again to the Bhagavad-Gita throughout The Metaphysics of War, and it really is the primary text to which Evola’s philosophy of “war as spiritual path” is indebted. The work forms part (a very small part, actually) of the epic poem Mahabharata, the story of which culminates in an apocalyptic war called Kurukshetra. On the eve of battle, the consummate warrior Arjuna (the Siegfried of the piece) surveys the two camps from afar and realizes that on his enemy’s side are many men who are his friends and relations. When Arjuna reflects on the fact that he will have to kill these men the following day, he falters. Fortunately, his charioteer–who is actually the god Krishna–is there to teach him the error of his ways. Krishna tells Arjuna that these men are already dead, for their deaths have been ordained by the gods. In killing them, Arjuna is simply doing his duty and playing his role as a warrior. He must set aside his personal feelings and concentrate on his duty; he must literally become a vehicle for the execution of the divine plan.

One might well ask, what’s in it for Arjuna? The answer is that this following of duty becomes a path by which he may triumph over his fears, his passions, his weaknesses–all those things that tie him to what is ephemeral. Following his duty becomes a way for Arjuna to rise above his lesser self and to connect with the divine. This is not mere piety or “love of God.” It is a way to tap into a superhuman source of power and wisdom. The result is that Arjuna becomes more than merely human.

In fact, Krishna puts Arjuna in a situation in which he must fight two wars. One, the “lesser” war is external–it is the one fought on the battlefield with swords and spears. The other, “greater” war is internal and is fought against the internal enemy: “passion, the animal thirst for life” (p. 52). Evola places a great deal of emphasis on this distinction. What Krishna really teaches Arjuna is that in order to fight the lesser war, he must fight the greater one. Really, unless one is able to conquer one’s weaknesses, nothing else may be accomplished. This opens up the possibility that there may be “warriors” who never fight in any conventional, “external” wars. These would be warriors of the spirit. Evola believes that one can be a true warrior without ever lifting a sword or a gun, by conquering the enemy within oneself. And he mentions initiatic cults, like Mithraism, which conceived of their members on the model of soldiers.

In combat one is lifted out of one’s ordinary self and, more specifically, out of one’s concern with the mundane cares of life. One enters into a state where one ceases even to care about personal survival. It is at this point that one has ceased to identify with the “animal” elements in the human personality and has tapped into that part of us that seems to be a divine spark. This is not, however, an intellectual state or “realization.” Instead, it is a new state of being, which pervades the entire person. The ancient Germans called it wut and odhr. And from these two words derive two of the names of the chief Germanic god: Wuotan and Odin. Odin is not, however, conceived simply as the god of war; he is also the god of wisdom and spiritual transformation.

Evola never was particularly interested in biological conceptions of race, because he believed that human nature as such was irreducible to biology. He opposed reductionism, in short, and believed in a spiritual (i.e., non-material) component to our identity. What Evola was most concerned to combat was a racialism that reduced heroism or mastery to simple membership in a race defined by certain biological characteristics. For Evola, heroism is really achieved in a step beyond the biological, and in mastery over it.

Download:
http://www32.zippyshare.com/v/BRu90pid/file.html

A Traditionalist Confronts Fascism by Julius Evola (.ePUB & AZW3)


This volume, a companion to Evola’s Fascism Viewed from the Right and Notes on the Third Reich, contains many of his occasional essays on the topic of fascism as understood from a traditionalist perspective which were written between 1930 and 1971, thus comprising both his contemporary and post-war assessments of the fascist phenomenon. Here we find Evola’s views not only on Italian Fascism and German Nazism, but also his discussions of other movements such as the Spanish Falange and the Japanese Imperial ideal, as well as his commentary on such diverse subjects as Nazi esotericism, the idea of a new spiritual Order to lead Europe, and the reasons for his rejection of Nazi biological racism. Also included are interviews Evola personally conducted with Corneliu Codreanu, the leader of the Iron Guard, and Count Coudenhove-Kalergi, the founder of the Pan-European Movement (the forerunner of the European Union), and the full text of ‘Orientations’, the famous essay Evola wrote in 1950 concerning the proper approach of the European Right in the post-war era which he further developed in Men Among the Ruins. These essays show Evola to have been an unsparing critic of fascism, always urging traditionalists to aspire for something higher than the merely political.

Download:
http://www91.zippyshare.com/v/H8WRVKgN/file.html

Tanz Ohne Musik ‎::: Belong


Label: Red Cavity Records ‎– RDCVT-014
Format: Cassette, Album, Limited Edition, C40
Country: Romania
Released: 22 Dec 2014
Genre: Electronic
Style: Industrial, Darkwave, Minimal

Tracklist:
A1 Attraction    
A2 Belong    
A3 Away    
A4 We Alone    
B1 Stare    
B2 Souls    
B3 Heart Eruption    
B4 We Sleep    

Notes
Limited to 50 copies.

Download:
https://yadi.sk/d/FXhrUqpFtPCLr

Sunday, July 17, 2016

Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic by Tobias Churton (ePub & mobi)


A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power

• Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders

• Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley

• Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition

Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city.

Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II.

Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.

“As soon as I opened this book I knew I was in for an exceptional treat, and I was right. This is Churton at his best. His book focuses, with some broader contextualization, on Crowley’s intermittent sojourns in Berlin between 1930 and 1932, which climaxed in a sensational exhibition of his paintings in October 1931. We follow Crowley as he strolls through the city, dressed in a knickerbocker suit, proclaiming his gospel of Thelema, exploring Berlin’s extensive demi-monde, playing chess, painting, writing, fornicating, spying for British intelligence, and mingling with a remarkable constellation of artists, writers, philosophers, and occultists. One of his friends at the time was Christopher Isherwood, who fictionalized his own Berlin experience in the novel that later became the musical Cabaret. Churton, in his vivid, witty style, superbly captures the atmosphere of the city during that feverish, decadent, but immensely vibrant and creative era, which ended abruptly with the catastrophe of 1933. Move over, Isherwood. From now on we should be talking about ‘Crowley’s Berlin.’” (Christopher McIntosh, Ph.D., author and Honorary University Fellow and Western Esotericism lecturer)

“Yet again, Tobias Churton shows a unique ability to combine an approachable writing style with scholarly research and the result is an authoritative book on Crowley, the artist, a person who deserves to be re-assessed rather than be relegated to the dustbin of history.” (Sanda Miller, Ph.D., research fellow, History of Art, Southampton Solent University)

“A remarkable account of Baphomet in Berlin, full of fascinating new information on Crowley’s decadence and discipline as a Berlin Boy as Germany spiraled down into its apocalyptic picnic. Tobias Churton has uncovered much that is new and marvelously expands on and clarifies that which was already known. A wonderful evocation of the darkness becoming visible--a truly Manichæan history.” (David Tibet, founder of Current 93)

“Aleister Crowley: The Beast in Berlin is magic! Churton opens box after box of secrets in a dazzling display of research, erudition, and insight. Aleister Crowley is revealed in all his jaw-dropping splendor, plus warts. A genius forced to suffer fools, able to transcend misfortune, an adventurer in the worlds of art and war. His wisdom is both light and deep; the book is thrilling.” (Vanilla Beer, artist)

“It’s hard not to empathize with Crowley as portrayed in the book—a man possessed of more radical intelligence than most before or after, who probably came off a bit autistic in his time, dealing with constant trouble, power games and consistently overestimating both people’s intelligence and integrity. Though he stands so far above both the Theosophical movement and its heirs in the New Age and Neopagan Revival, much of Crowley’s life was overshadowed by his troubles with money, students, the press and local governments—all of which consistently seem to thwart him in his latter years. Despite all that, he left a body of work, and philosophy, of unparalleled clarity and value. But in Aleister Crowley: The Beast in Berlin—Art, Sex and Magick in the Weimer Republic, we get a better look at Crowley not as a symbol, but as a man of his time. Highly recommended.” (Ultraculture, Jason Jouv, August, 2014)

“The Beast in Berlin is an inspiring and engaging narrative of Aleister Crowley in the turbulent and cathartic years of Berlin in the early 1930s. Meticulously researched and filled with just enough biographical fact, informed speculation, dirty gossip and esoteric philosophy to keep you riveted from first word to last, Crowleyan scholar Tobias Churton has spun an entertaining and eye-opening tale documenting the reckless life of outsider artists living on the edge in a city on the brink of Apocalypse. Along the way we see the Beast play chess with Fernando Pessoa, correspond with Aldous Huxley, night crawl with Christopher Isherwood, spy, paint, incant, exorcise and interact artistically and sexually with a wide range of colorful, bizarre and nondescript characters—the absolute dregs of Berlin society. Perhaps the most readable and interesting book to catch the true spirit of Frater Perdurabo.” (John Zorn, Musician, July 2014)

Download:
https://yadi.sk/d/Cc8MPl0PtN2PS

Arvo Pärt - Estonian Philharmonic Chamber Choir, Paul Hillier With Christopher Bowers-Broadbent ::: Da Pacem


Label: Harmonia Mundi ‎– HMU 907401
Format: CD, Album
Country: US
Released: 2006
Genre: Classical
Style: Contemporary

Tracklist

1 Da Pacem Domine 5:45
2 Salve Regina 12:51
3 Psalm 117 3:47
4 Psalm 131 4:06
5 Magnificat 7:13
6 An Den Wassern Zu Babel 7:14
7 Dopo La Vittoria 11:11
8 Nunc Dimittis 6:56
9 Littlemore Tractus 5:27

Download:
https://yadi.sk/d/Lb0fN18ptMw6f

Saturday, July 16, 2016

Season of the Witch: How the Occult Saved Rock and Roll by Peter Bebergal (ePUB)


This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll -- from the Beatles to Black Sabbath -- and shows how the marriage between mysticism and music changed our world.

From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today’s hip-hop scene, the occult has long breathed life into rock and hip-hop—and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll.

With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped -- and saved -- popular music.

As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.

Download:
https://yadi.sk/i/OBIObrd9tMNnS

Lords of Chaos: The Bloody Rise of the Satanic Metal Underground by Michael Moynihan and Didrik Søderlind (ePUB)


“An unusual combination of true crime journalism, rock and roll reporting and underground obsessiveness, Lords of Chaos turns into one of the more fascinating reads in a long time.”—Denver Post

Chronicling the rise of the Black Metal subculture and the terrifying violence by its fans, "Lords of Chaos" takes readers on a tour of this antisocial, occult-influenced ideology that encourages violence and murder.

The 2003 edition of LORDS OF CHAOS is revised and expanded, adding fifty new pages, detailing outbreaks of Black Metal crime in Finland, Germany and the United States; and includes the secret history of occult Rock, a new section on Varg Vikernes’ promulgation of bizarre Aryan UFO theories, and material on the career of Hendrik Mobus, an international neo-Nazi fugitive. This award-winning exposé features hundreds of rare photos and exclusive interrogations with priests, police officers, Satanists, and leaders of demonic bands who believe the greater evil spawns the greatest glory.

Download:
https://yadi.sk/i/A6vL6pj5tMNjh

Devil Machine ‎::: Back To The Origin


Label: Not On Label ‎– none
Format: Cassette, Album
Country: Germany
Released: 1994
Genre: Electronic
Style: EBM

Tracklist:
A1 Corruption
A2 The Same Old Story
A3 Darlings Dance
A4 On Saturday
A5 A.I.D.S.
A6 Heal The Disease
A7 Queen Of My Dreams
B1 On Sunday
B2 Ray Of Hope
B3 Nothing Is So Trival
B4 Nothing Is So Real
B5 Moody Nature
B6 That's Fate
B7 Behind My Deep Fear
B8 Requiem For Sarajevo
B9 Loveland

Download:
https://yadi.sk/d/63HI_VvstLwti

Various ‎::: Coma


Label: Kaos Sete ‎– none
Format: Cassette, Compilation, C60
Country: Portugal
Released: 1990
Genre: Electronic
Style: EBM, Abstract, Electro, Darkwave

Tracklist:
A1 –Batz Without Flesh - Dirt    
A2 –Juniper Hill - Animal Lab (Analogue)    
A3 –Sirius B - This Is Not An Exit (Breakdown Mix)    
A4 –Ik Mux - Toda A Atracçao Pelo Choque Me Trai    
A5 –Margaret Freeman - Untitled    
A6 –Danzartaud - A Adultera E O Chulo    
A7 –Second Voice - Brain    
A8 –Infam - A Task    
B1 –Sektor - Kassel 1    
B2 –Suicide Commando - You Fucking Dog    
B3 –No Name - No Media    
B4 –Dino Oon & Konrad Kraft - Orientation    
B5 –Paranoia - Experiment 59    
B6 –Serpents - Das Schiff    
B7 –Coalmine 5 - Polaroid (Edited Version)

Download:
https://yadi.sk/d/eMmAKO-5tLvGK

Friday, July 15, 2016

Crispy Ambulance ‎::: The Plateau Phase


Label: Factory Benelux ‎– FBN 12
Format: Vinyl, LP, Album
Country: Belgium
Released: Mar 1982
Genre: Rock
Style: Post-Punk

Tracklist
1 Are You Ready?    
2 Travel Time    
3 The Force And The Wisdom    
4 The Wind Season    
5 Death From Above    
6 We Move Through The Plateau Phase    
7 Bardo Plane    
8 Chill    
9 Federation    
10 Simon's Ghost    
11 The Presence    
12 Concorde Square    
13 Sexus

Download:
https://yadi.sk/d/5mBQOGtZtK9Fi

Thursday, July 14, 2016

Nightside of Eden by Kenneth Grant


The often obtuse and much maligned Kenneth Grant is probably one of the least understood occultist and writers of the 20th century. Within the shadowy world of the arcane and esoteric the reactions and opinions concerning Grant and his writings are passionate and varied. Some consider him the rightful successor of the legendary Aleister Crowley and the "Left Hand Path" while others consider him no more that a madman.

'Nightside of Eden' first published in '77 has taken almost as much negative criticism as the man himself. This is a book shunned by many, even feared by some. Words such as delusional and incoherent are among those used to describe this evocative text. I stand on the other side of the ongoing debate and consider it to be the most insightful and influential work on the qlipothic energies and their function and activity on the Tree of Life ever published. The major fault almost always pointed out by the detractors of this abstract work is the fact that almost no previous body of esoteric teaching concerning these qlipothic energies exist to support Grant's claims. It's this lack of quasi-historical validation that turns many away from the contents of this book.

Kenneth Grant's books are never an easy read and this one maybe one of the most difficult of all. Highly original and imaginative in content, Grant displays his impressive knowledge of arcane signs and symbols and an innate ability to blend the very personal aspects of thought and imagination with the more impersonal aspects of theory and practice.

One thing seems certain, there will never be a true consensus of opinion on the value, or lack of value of the 'Nightside of Eden.' Thus the debate rages on. Is it a masterpiece or the ranting and raving of an egomanical manic? Maybe the more important question would be, is it Atavastic Breakthrough or Psychotic Breakdown?

Download:
https://mega.nz/#!lBAHHDiA!M52GeS6kBGmIBJkAZY0r2V1QcNlBpNeyzrYVUke-WFs

Amrita: Essays in Magical Rejuvenation by Aleister Crowley


A collection of Aleister Crowley's writings on occult medicine, particularly on Amrita: an ambrosia or "elixir of life" said to ensure longevity, restore youth and energy, and bestow various occult boons. It was referred to by Crowley as "the principal Secret of the Ordo Templi Orientis (O.T.O. )." Edited with an introduction by Martin P. Starr. Contents are: Foreword by Soror Grimaud (Helen Parsons Smith); Introduction by Martin P. Starr; A. M. R. I. T. A. ; The Elixir of Life: Our Magical Medicine; The Elixir of Life (I); The Elixir of Life (II); The Order of the Purifications on Waking; Remarkable Experiment with the Elixirof Life; AMRITA; Additional Cases; IT; On Food.

Download:
https://mega.nz/#!BAhGWCxD!DpDqkRC1CUeJmf3piI1bgSvSLVtoklA8xHSsPZvQwKA

:wumpscut: ‎::: Embryodead



Label: Metropolis ‎– MET 053
Format: CD, Album
Country: US
Released: 05 Aug 1997
Genre: Electronic
Style: Industrial, Electro

Tracklist
1 Golgotha    
2 Embryodead    
3 Down Where We Belong    
4 Slave To Evil    
5 War    
6 Is It You    
7 Pest    
8 Womb    
9 Angel    
10 Stillbirth

Preview:


Download:
https://yadi.sk/d/-QUXTjOetHYGx

Needle: A Treatise on Obsessive Magick ::: Chapter Three


Chapter Three ::: Innocence

“It takes a very long time to become young.” - Pablo Picasso


I have always had a strange faith in the ‘Gods’.

My faith has never really wavered in what I feel is a populated universe inside me.  I see the universe outside of me just as surely as anyone else but I feel there is also an equal universe within me.  A vast space filled with creation and destruction, victory and loss, gods and demons, peace and war, and hope; a strange hope that is not really based on any experience, no proof that warrants its existence and yet it’s there.  Many a time have I woken and found it merely a disturbing corpse and yet the faith remains; unchanged and mysterious.

Looking at it through the eye of the skeptic I understand this ‘faith’ may well be a kind of innocence.  The weight of the universe is perhaps so overwhelming that we mere humans invent hope and clench at it as a drowning man would clench at straws.

I saw hope die that day. In fact, looking back at it now, I believe I saw the universe die.  I saw her universe die.

Of course I understood there and then that existence is but a mere farce; a tragic play containing no particular direction and certainly no inkling of moral meaning.  To this very day, if I could, I would dearly love to spit in the face of moral meaning.

For me religion died that day.  And God died with it.

Yet strangely my faith in the Gods did not die, even though I knew they did not care.  Like people everywhere they too were busy with their own lives to bother too much with the triflings of beings scratching out an existence on this side of the curtain.  The Yoruba of southwestern Nigeria and southern Benin have an intimate understanding of this when they say that their creation God (Oludumare) is distant and cold.  For me all of the Gods are distant and cold.  Only the pretenders seek out a personal relationship with their creation.

In the traditional Yoruba creation myth, the Orishas (spirits) became so tired of serving Oludumare that they plan a revolt; the destruction of heaven and the seizing of power.  Certain Judaic Christian myths (Adam and Eve, Lucifer, etc) also play on this theme of disobedience and rebellion against a creative force too distant to give a damn and too restrictive to allow pleasure.  Alas, too inhuman to understand loss.

None of this of course concerned me when I was twelve.  Something much bigger and much more pressing enveloped my thoughts; the dreaded fact that I had to walk to school. 

Plagued with the paralyzing fear that I had to cross that road every day, that I had to re-live that destruction every moment I walked to school and every moment I walked back out.  Yet strangely, it was not only that particular road that disturbed me, every road hurt me.  Walking anywhere on any road with cars whizzing past made me anxious.  A car appearing suddenly or screeching its tires made my hands shake uncontrollably (sometimes they shook so much that I hid them in my pockets so nobody would see them).

The road became my nemesis.

At any moment I knew those cars were going to jump the footpath and they were going to destroy me.  I knew it.  Every bit of me was certain it would happen, if not that day then certainly another day or later.  This of course affected my travel and restricted my activities.  I avoided going out, or if I did go out, I avoided the main roads and took only the back streets where the cars were forced to move slower.  Where I felt I had a better chance of surviving their sudden lunge should they suddenly be inclined to destroy me.

A typical journey that may have previously taken twenty minutes now took as much as an hour.  A trip around the quieter side streets involved complicated detours and even cutting through neighbor’s yards. People became suspicious of course.  One time I was stopped by the police, they wanted to see my backpack to check if I had stolen goods from any of the houses whose yards I had walked through.  They asked a lot of questions and I tried to answer them the best I could.

But how could I tell them I was afraid of cars?

Arrival was always bliss.  To arrive at school, the shops, anywhere without being eaten by cars always filled me with almost ecstatic relief, and yet, in the back of my mind there was always the tightening fear of the return trip home.  I knew they were waiting, sometimes parked, sometimes moving, but always waiting for that perfect moment when they would feed. 

And they would feed. 

All machinery needs feeding.  All development requires sacrifice.  Just like the old Gods demanded bloody sacrifices on their altars to ensure the crops would remain fertile, so too technology demands blood and rewards with progress.

Just look at the numbers. Statistically the roads demand 1.2 million sacrifices worldwide every year, and we pay it willingly, sadly and quietly.  The Gods reward nicely even if the fruits often taste bitter.

It was also at this age, when the cars were trying to eat me and the roads appeared like fiery streams leading to hell, that I met my guide. 

Wednesday, July 13, 2016

Answer Me! (The First Three) Edited by Jim Goad and Debbie Goad


Published between 1991 and 1994 Answer Me! became, after only 2 issues, one of the most controversial 'zines ever published. After 4 issues, most 'zine distributors wished it would go away.

The Goads are writers, fed up with the cutting and censoring that goes with freelance article writing. Instead of turning to another line of work, they turned to self-publishing, and created Answer Me!

The Goads don't follow journalistic objectivity- they defy it. If they're interested enough to write about something, they're interested enough to have an opinion about it- and they want to cram it down the throat of everyone on the planet.

From hardcore rappers to suicide to serial and mass murderers, the Goads get into the topics that make most of us squeamish. What makes most people squeamish, though, becomes morbidly fascinating under the Goads' hands.

When it comes time for pure vitriol and hatred, they attack with a sharpened wit and pen. They will make you ashamed to be a man or woman- their hatred covers everything. Misanthropy with guns. They state the facts, state their opinions, and ask no apologies.

This book collects only the first three of the four published issues of Answer Me!, and for most people, just the first issue was offensive. If you've ever wondered what goes through the minds of the shy, quiet people you see daily, this may answer your questions. And if you're one of those shy, quiet people, this collection may answer your dreams.

Issue No. 1

Released 31 October 1991.
Featured interviews with Russ Meyer, Timothy Leary, Holly Woodlawn, Kid Frost, Public Enemy, Iceberg Slim, and pieces on Bakersfield, California, Sunset Boulevard, masturbation in literature, and Twelve-Step programs.

Issue No. 2

Released 17 July 1992.
Featured Anton LaVey, David Duke, Al Goldstein, El Duce of The Mentors, the Geto Boys, Ray Dennis Steckler, 100 serial killers and mass murderers, Vietnamese gangs, and Mexican murder magazines.

Issue No. 3
Released 19 July 1993.
Featured Jack Kevorkian, Al Sharpton, NAMBLA, the Kids of Widney High, Boyd Rice, Suzanne Muldowney, 100 suicides, guns, Andrei Chikatilo, pedophilia in Steven Spielberg's work, Mexican deformity comics, paintings and drawings by murderers, and a prank call to a suicide hotline.

Download:
https://yadi.sk/i/bTW_qeJ4tFERX

Sleepchamber ‎::: The Sun May Speak Of Pleasures


Label: Inner-X-Musick ‎– XXX-DLPROMO-2011.2
Format: 6 × File, Quadraphonic, AAC, ALAC, FLAC, MP3
Country: US
Released: 2011
Genre: Electronic
Style: EBM

Tracklist:
1 4 Finger Oizerexsin (Mix #1)    
2 4 Finger Oizerexsin (Mix #2)    
3 4 Horsemen    
4 La 'Mort    
5 Stained Prayers (Edit)    
6 Sabbath 23 (Edit)

Download:
https://yadi.sk/d/t9jrMSrWtFCB9

Sorrow ::: Under The Yew Possessed


Label: Piski Disk Records – Pix-001 CD
Format: CD, Album
Country: UK
Released: 1993
Genre: Rock
Style: Folk Rock, Ethereal

Tracklist:
1 Die 4:36
2 Forgive Me 4:41
3 Songbird 3:14
4 Dew Of The Sea 1:25
5 Emptyness 3:40
6 Ice And I 2:43
7 Ruby Tears 2:21
8 Darkness 5:47
9 Loki And Evil 4:23
13 Untitled 3:20

Notes
Recorded between Sept. 1992 and May 1993.
Track 10 appears on the CD as track 13 after 3 tracks (10-12) with 10 seconds of silence each.

Download:
https://yadi.sk/d/seTOYrzytF6oq

Tuesday, July 12, 2016

Death In June / Current 93 ‎::: 1888


Label: New European Recordings ‎– BAD VC 693
Format: Vinyl, LP, Limited Edition
Country: UK
Released: 1990
Genre: Electronic, Rock
Style: Experimental, Neofolk

Tracklist:
A1 –Death In June - Break The Black Ice    
A2 –Death In June - Fall Apart (Rose Mix)
A3 –Death In June - Rule Again (Tibet Mix)
B1 –Current 93 - Since Yesterday    
B2 –Current 93 - The Signs And The Sighs Of Emptiness    
B3 –Current 93 - Oh, Coal Black Smith    
B4 –Current 93 - Emptiness Itself    
B5 –Current 93 - I Am Everywhere Broken And Spinning

Download:
https://yadi.sk/d/W1rBi3bntDMBn

Coil ‎::: Animal Are You?



Label: Absinthevertrieb Lion ‎– HOA237862
Format: CD, Single, Limited Edition Box Set, Limited Edition, Numbered, Wood
Country: Germany
Released: Dec 2006
Genre: Electronic
Style: Leftfield, Glitch, Industrial, Ambient

Tracklist:
1 Animal Are You?     11:38

Notes:
Signed and numbered edition of 250 copies.
A wooden box set containing one small bottle of fine absinthe (label designed and signed by Peter Christopherson), two absinthe glasses, two spoons and a CD featuring one specially recorded track by Peter Christopherson / Coil.

Download:
https://yadi.sk/d/Bf7epScftDMDk

Coil / The New Blockaders / Vortex Campaign ‎::: The Melancholy Mad Tenant



Label: Black Rose Recordings ‎– BRCD 05-1007
Format: CD, Album, Limited Edition, Cloth Bag Edition
Country: UK
Released: Sep 2005
Genre: Electronic
Style: Noise, Experimental

Tracklist:
1 –Coil / The New Blockaders / Vortex Campaign - Untitled Collaboration     14:44
2 –Coil / The New Blockaders / Vortex Campaign - Untitled Collaboration     29:01
3 –Vortex Campaign - Untitled     5:23
4 –Vortex Campaign - The Melancholy Mad Tenant Part 1     7:47
5 –Vortex Campaign - The Melancholy Mad Tenant Part 2     6:05

Download:
https://yadi.sk/d/S5NBi05CtDMR4

Monday, July 11, 2016

Rome ::: Anthology 2005-2015


Label: Trisol – TRI 522 CD
Format: CD, Album
Country: Europe
Released: 25 Sep 2015
Genre: Electronic, Rock
Style: Neofolk, Industrial, Experimental

Tracklist
1 The Accidents of Gesture (Remastered) 5:11
2 Der Brandtaucher (Remastered) 4:17
3 Querkraft (Remastered) 4:57
4 A Legacy of Unrest (Remastered) 4:18
5 Der Wolfsmantel (Remastered) 3:26
6 A Pact of Blood (Remastered) 2:52
7 One Fire (Remastered) 3:42
8 Reversion (Remastered) 4:33
9 To Each His Storm (Remastered) 2:51
10 Das Feuerordal (Remastered) 3:08
11 A La Faveur De La Nuit (Remastered) 3:36
12 Amsterdam, the Clearing (Remastered) 3:18
13 L'assassin (Remastered) 4:06
14 Years of Abalone (Remastered) 2:28
15 The Orchards (Remastered) 3:09
16 Pornero (Remastered) 2:40
17 The Torture Detachment (Remastered) 6:03
18 Families of Eden (Remastered) 3:36
19 Neue Erinnerung (Remastered) 3:55
20 My Traitor's Heart (Remastered) 4:00

Download:
https://yadi.sk/d/pn7bXXtetB6Wx