Friday, May 30, 2014
Marc Barreca ::: Music Works For Industry
Wonderful release from 1983, kind of a cross between pop industrial, ambient and minimal synth. I don't know, I just really like it.
Tracklist:
1- Community Life
2- Shopping
3- Hotcake
4- Glass And Steel No. 1
5- The Urge To Buy Terrorizes You
6- Glass And Steel No. 2
7- Nerve Roots Are Uncontrollable
8- Music Works for Industry
9- Georgetown
10- Organized Labor
11- Vs Chorus
12- Radio And Television
13- Church and State
Preview:
Download:
http://www.adrive.com/public/mQhu5t/Marc%20Barreca%20-%20Music%20Works%20For%20Industry.zip
Labels:
ambient,
experimental,
industrial,
minimal synth
Tuesday, May 27, 2014
The Thinker and the Prover' by Robert Anton Wilson
"In the dialectic between nature and the socially constructed world, the human organism is transformed. In this dialectic man produces reality and thereby produces himself." — Berger and Luckman, 'The Social Construction of Reality'
William James, father of American psychology, tells of meeting an old lady who told him the Earth rested on the back of a huge turtle.
"But, my dear lady," Professor James asked, as politely as possible, "what holds up the turtle?"
"Ah," she said, "that's easy. He is standing on the back of another turtle."
"Oh, I see," said Professor James, still being polite. "But would you be so good as to tell me what holds up the second turtle?"
"It's no use, Professor," said the old lady, realizing he was trying to lead her into a logical trap. "It's turtles-turtles-turtles, all the way!"
Don't be too quick to laugh at this little old lady. All human minds work on fundamentally similar principles. Her universe was a little bit weirder than most but it was built up on the same mental principles as every other universe people have believed in.
As Dr. Leonard Orr has noted, the human mind behaves as if it were divided into two parts, the Thinker and the Prover. The Thinker can think about virtually anything. History shows that it can think the earth is suspended on the backs of infinite turtles or that the Earth is hollow, or that the Earth is floating in space, comparative religion and philosophy show that the Thinker can regard itself as mortal, as immortal, as both mortal and immortal (the reincarnation model) or even as nonexistent (Buddhism). It can think itself into living in a Christian universe, a Marxist universe, a scientific-relativistic universe, or a Nazi universe—among many possibilities.
As psychiatrists and psychologists have often observed (much to the chagrin of their medical colleagues), the Thinker can think itself sick, and can even think itself well again.
The Prover is a much simpler mechanism. It operates on one law only: Whatever the Thinker thinks, the Prover proves. To cite a notorious example which unleashed incredible horrors earlier in this century, if the Thinker thinks that all Jews are rich, the Prover will prove it. It will find evidence that the poorest Jew in the most run-down ghetto has hidden money somewhere. Similarly, Feminists are able to believe that all men, including the starving wretches who live and sleep on the streets, are exploiting all women, including the Queen of England.
If the Thinker thinks that the sun moves around the earth, the Prover will obligingly organize all perceptions to fit that thought; if the Thinker changes its mind and decides the earth moves around the sun, the Prover will reorganize the evidence. If the Thinker thinks "holy water" from Lourdes will cure its lumbago, the Prover will skillfully orchestrate all signals from the glands, muscles, organs etc. until they have organized themselves
into good health again.
Of course, it is fairly easy to see that other people's minds operate this way; it is comparatively much harder to become aware that one's own mind is working that way also.
It is believed, for instance, that some men are more "objective" than others. (One seldom hears this about women...) Businessmen are allegedly hard-nosed, pragmatic and "objective" in this sense. A brief examination of the dingbat politics most businessmen endorse will quickly correct that impression.
Scientists, however, are still believed to be objective. No study of the lives of the great scientists will confirm this. They were as passionate, and hence as prejudiced, as any assembly of great painters or great musicians. It was not just the Church but also the established astronomers of the time who condemned Galileo. The majority of physicists rejected Einstein's Special Relativity Theory in 1905. Einstein himself would not accept anything in quantum theory after 1920 no matter how many experiments supported it. Edison's commitment to direct current (DC) electrical generators led him to insist alternating current (AC) generators were unsafe for years after their safety had been proven to everyone else.
Science achieves, or approximates, objectivity not because the individual scientist is immune from the psychological laws that govern the rest of us, but because scientific method—a group creation—eventually overrides individual prejudices, in the long run.To take a notorious example from the 1960s, there was a point when three research groups had "proven" that LSD causes chromosome damage, while three other groups had "proven" that LSD has no effect on the chromosomes. In each case, the Prover had proved what the Thinker thought. Right now, there are, in physics, 7 experiments that confirm a very controversial concept known as Bell's Theorem, and two experiments that refute Bell's Theorem. In the area of extra-sensory perception, the results are uniform after more than a century: everybody who sets out to prove that ESP exists succeeds, and everybody who sets out to prove that ESP does not exist also succeeds.
"Truth" or relative truth emerges only after decades of experiments by thousands of groups all over the world.
In the long run, we are hopefully approximating closer and closer to "objective Truth" over the centuries. In the short run, Orr's law always holds:
Whatever the Thinker thinks, the Prover will prove.'
And if the Thinker thinks passionately enough, the Prover will prove the thought so conclusively that you will never talk a person out of such a belief, even if it is something as remarkable as the notion that there is a gaseous thing ("GOD") who will spend all eternity torturing people who do not believe in his religion.
Monday, May 26, 2014
Before The Beginning Of Years by Algernon Charles Swinburne
Before the beginning of years
There came to the making of man
Time, with a gift of tears;
Grief, with a glass that ran;
Pleasure, with pain for leaven;
Summer, with flowers that fell;
Remembrance, fallen from heaven,
And madness risen from hell;
Strength without hands to smite;
Love that endures for a breath;
Night, the shadow of light,
And life, the shadow of death.
And the high gods took in hand
Fire, and the falling of tears,
And a measure of sliding sand
From under the feet of the years;
And froth and the drift of the sea;
And dust of the laboring earth;
And bodies of things to be
In the houses of death and of birth;
And wrought with weeping and laughter,
And fashioned with loathing and love,
With life before and after
And death beneath and above,
For a day and a night and a morrow,
That his strength might endure for a span
With travail and heavy sorrow,
The holy spirit of man.
From the winds of the north and the south,
They gathered as unto strife;
They breathed upon his mouth,
They filled his body with life;
Eyesight and speech they wrought
For the veils of the soul therein,
A time for labor and thought,
A time to serve and to sin;
They gave him light in his ways,
And love, and space for delight,
And beauty, and length of days,
And night, and sleep in the night.
His speech is a burning fire;
With his lips he travaileth;
In his heart is a blind desire,
In his eyes foreknowledge of death;
He weaves, and is clothed with derision;
Sows, and he shall not reap;
His life is a watch or a vision
Between a sleep and a sleep.
There came to the making of man
Time, with a gift of tears;
Grief, with a glass that ran;
Pleasure, with pain for leaven;
Summer, with flowers that fell;
Remembrance, fallen from heaven,
And madness risen from hell;
Strength without hands to smite;
Love that endures for a breath;
Night, the shadow of light,
And life, the shadow of death.
And the high gods took in hand
Fire, and the falling of tears,
And a measure of sliding sand
From under the feet of the years;
And froth and the drift of the sea;
And dust of the laboring earth;
And bodies of things to be
In the houses of death and of birth;
And wrought with weeping and laughter,
And fashioned with loathing and love,
With life before and after
And death beneath and above,
For a day and a night and a morrow,
That his strength might endure for a span
With travail and heavy sorrow,
The holy spirit of man.
From the winds of the north and the south,
They gathered as unto strife;
They breathed upon his mouth,
They filled his body with life;
Eyesight and speech they wrought
For the veils of the soul therein,
A time for labor and thought,
A time to serve and to sin;
They gave him light in his ways,
And love, and space for delight,
And beauty, and length of days,
And night, and sleep in the night.
His speech is a burning fire;
With his lips he travaileth;
In his heart is a blind desire,
In his eyes foreknowledge of death;
He weaves, and is clothed with derision;
Sows, and he shall not reap;
His life is a watch or a vision
Between a sleep and a sleep.
Labels:
poet
Coil ::: The Unreleased Themes for Hellraiser
Side A features Coil's rejected theme music for Clive Barker's "Hellraiser" movie. Side B features music composed for various commercials.
Printed on sleeve: "The only group I've heard on disc, whose records I've taken off because they made my bowels churn." - Clive Barker, Director of Hellraiser.
The spine has the text 'the consequences of raising hell…'
Initial 10" pressing on clear vinyl, probably limited to 500 copies. Second 10" pressing on black vinyl, quantity unknown. Third 10" pressing on pink vinyl, probably limited to 500 copies.
Tracklist:
Side A: "The Unreleased Themes For Hellraiser"
1. Hellraiser
2. Box Theme
3. Main Title
Side B: "Music For Commercials"
1. Airline 1
2. Liqueur
3. Perfume
4. Video Recorder
5. Airline 2
6. Natural Gas
7. Cosmetic 1
8. Cosmetic 2
9. Analgesic
10.Road Surface
11.Accident Insurance
Download:
https://mega.nz/#!MZQkXLAT!wsUGR6zW8SImjneIsSeSFtlN8FptqszoAdA7xrlJrMk
Labels:
ambient,
art-rock,
Coil,
dark ambient,
experimental,
Jhonn Balance
Coil ::: Panic/Tainted Love
"Panic"/"Tainted Love" is a 12" single released in 1985 - and later on in 1990, on CD - by Coil.
The song "Tainted Love" was originally performed by Gloria Jones, and then became popular again around 1981 after a synthpop cover-version was released by Soft Cell. (Marc Almond from Soft Cell would eventually go on to guest on Coil's next two albums, Horse Rotorvator and Love's Secret Domain.)
The first pressing of this release featured a textured sleeve, with the first 1000 copies also being produced on red vinyl.
"Aqua Regis" is truncated from the version on Scatology. "Panic" is a rearranged. "Tainted Love" is exactly as it appears on Scatology.
All profits from the sale of this release were donated to the AIDS charity the Terrence Higgins Trust. It was the first AIDS benefit music release.[
Tracklist:
1. Aqua Regis
2. Panic
3. Tainted Love
Download:
https://mega.nz/#!UZommbAZ!hBHlLuublbipm35PoybzN-IC91rKaKRnyjLCKxkGhR4
Labels:
art-rock,
Coil,
experimental,
industrial,
Jhonn Balance
Snog ::: Lies Inc.
One of the landmark albums in the history of electronic music. Snog's 'Lies Inc.' was a revelation upon its release 20 years ago.
Liquid electro rhythms, sharp satirical lyrics, a dark kind of dry humour and a global left-field industrial dance-floor hit ('Corporate Slave') combined to make an album both timeless and unique. From the opening track 'Spermy Man', it's clear that Snog sound like nobody before or since, a maniacal lyric about a sleazy housemate (or is there more to it than that?), ghostly Slavic choirs and squealing analogue synths propel the song forward into the darkness. The rest of the album just gets better.
Lies Inc. is Snog's first long play album, released in 1992. Snog albums used to frequently come with copyleft markings (not so much these days), so I guess this one's free for all, eh?
Traclist:
1. Spermy Man
2. Corporate Slave
3. Shop
4. Born to Be Mild
5. Hunter
6. Manufacturing Consent
7. Bank
8. Real Wise Yuppie
9. Control
10. Somatime
11. Make My Day
12. Supermarket Dream
13. Love Power
14. Flesh
15. Corporate Slave (Alpha 66 remix)
16. Shop (U.S.C.W.F. remix)
17. Ridjeck Theme
18. Funereal
Download:
https://mega.nz/#!QJAQ0LzR!FX6KlFSq1bL5upl2SCKvRIe290AIsrNz0C9TNzTO0yI
Labels:
dark electro,
electronic,
IDM
Snog ::: Buy me... I'll change your life
Snog's third LP (sorta) sounds nothing like its predecessors.
Tracklist:
1 Light, Yet Refreshing
2 Hooray!!
3 Make The Little Flowers Grow
4 The Ballad
5 The Prole Song
6 Big Brother
7 This Is Capitalism
8 The Human Germ
9 Bastard Closet
10 The Future
11 The People Of Straight Land
12 The End (Suite)
Download:
https://mega.nz/#!xZAU0DKI!ioshb2ounIVLq2Zwq7z9bxzk2r-dPIU_A3bYEEBk_a4
Labels:
dark electro,
electronic,
IDM
Saturday, May 24, 2014
Snog ::: Dear Valued Customer
Snog is a band that was formed by Australian musician David Thrussell, along with fellow art school friends Tim McGrath and Julia Bourke in 1989. The band's music is a fusion of many different styles, including industrial, techno, ambient, experimental, funk and country music. The band name is a reference to "kissing and cuddling," and Thrussell has stated that the name symbolizes the Marxist concept of destroying barriers between people. Thrussell's songs frequently contain themes of anti-capitalism, anti-fascism, anti-consumerism, individuality and anti-big-brotherism.
Tracklist:
1 Invocation to the Fiscal Demon
2 Dear Valued Customer
3 Cliché
4 Langley, Virginia
5 Headsand
6 Empires
7 Naïve Giant
8 Reigning Terror
9 Hey, Christian God
10 One Way Ticket to the Womb
11 Skinhead
12 The Illuminati
13 The Yuppie Shall Inherit the Earth
14 Gods and Governments
15 Dear Valued Customer (reprise)
16 The Golden Rule
Preview:
Download:
https://mega.nz/#!YAozgLLS!nA1GiUVPbC47eM2dyWswUJoQigQ6_1GNibSuUphalc4
Labels:
dark electro,
electronic,
IDM,
industrial
Monday, May 19, 2014
Coil ::: Windowpane
Also available as picture disc limited to 5000 numbered copies (2000 of which were deliberately destroyed), as well as a regular black vinyl edition. Both editions have the same catalogue number and the same tracks.
Tracklist:
1- Windowpane and the Snow
2- Windowpane
3- Windowpane (Astral Paddington Mix)
Download:
https://mega.nz/#!cBpnmIBT!v3BV78qaLWtE0YV9GQZrqcRglnpxSWtzshju0o-jvRQ
Labels:
ambient,
art-rock,
Coil,
dark ambient,
experimental,
industrial,
Jhonn Balance
Coil ::: Queens Of The Circulating Library
Part one of "a continually mutating series of circulating musickal compositions".
Initially limited to 2000 copies in a clear grey clamshell case, sold at Coil's live performance as Time Machines at the Royal Festival Hall in London on April 2nd, 2000. The performance featured Peter Christopherson, John Balance, Thighpaulsandra and Simon Norris (Cyclobe) and was entitled "The Industrial Use Of Semen Will Revolutionise The Human Race".
Copies remaining after the show were made available via World Serpent, along with an additional 1500 copies packaged in a pink clamshell case.
The music was created by Thighpaulsandra and John Balance, and Thighpaulsandra's mother, opera singer Dorothy Lewis, recites the lyrics especially written by John Balance for "her and for mothers everywhere".
Tracklist:
1- Queens Of The Circulating Library
Download:
https://mega.nz/#!VdpQEZKJ!xSmRJe2FqrusGrUs9wAB9Xf6R_XggrBw8u0swC509Qg
Labels:
ambient,
art-rock,
Coil,
dark ambient,
experimental,
industrial,
Jhonn Balance
Coil ::: Megolithomania!
Recording of Coil's live appearance as part of the Megalithomania! Festival on October 12th 2002 at The Conway Hall, London. The single track is a 40 minute variation/permutation on "The Universe is a Haunted House".
This limited edition release was available only as part of a mail order box set of the Live series.
The box also included the ANS tour edition CD and various art objects.
Tracklist:
1- Unttitled
Download:
https://mega.nz/#!lZhR0Z5K!HUbb3iDdiF1_nvNWerFQwbLTP_xhMSanU2mtz4u-zis
Labels:
ambient,
art-rock,
Coil,
dark ambient,
experimental,
industrial,
Jhonn Balance
Solar Lodge ::: Heartbeat Of The Roses
You are spoiled for choices today. Wonderful ambient from Italy. Original release limited to 100 copies. Very highly recommended!
Tracklist:
1- Our Dead Steeds
2- On The Ship
3- Figures In A Landscape
4- White Swan
5- Sacrifice Of Elements
6- Heartbeat Of The Roses
Download:
http://www.adrive.com/public/TNK9VZ/Solar%20Lodge%20-%20Heartbeat%20Of%20The%20Roses.zip
Labels:
ambient,
experimental
Soren ::: Mixed Emotions
Free record. Wonderful sounds. Just get it.
Download:
http://www.ascetism.com/downloads/040114.zip
Support:
http://www.ascetism.com/
Labels:
ambient,
dark ambient,
dark electro,
experimental,
industrial
Zhoupheus
Labels:
Aleister Crowley,
art,
article,
journal,
magick,
media,
philosophy,
religion,
Thelema
Coil ::: Time Machines From the Heart of Darkness
More Coil goodness. This CD was produced in a limited amount of 1,000 copies and was given away with the initial mail orders of Music to Play in the Dark Vol.2. The CD is a live performance which took place on April 2, 2000 at the Cornucopia Festival in England.
Tracklist:
1- Everything Keeps Dissolving
2- Circulating
3- Chasms
Download:
https://mega.nz/#!AEJ1nRRK!u3YWHRvDD-7VKW45Du4uG5J4CySiGVSX7EgI0rU5C7s
Labels:
ambient,
art-rock,
Coil,
experimental,
Jhonn Balance
Cordis Cincti Serpente ::: Cordis Cincti Serpente
Wonderful minimal, ritual recording from Italy. Probably one of the best things I have yet posted on this blog. If you have not yet heard this and love this kind of sound then you are in for a real treat. A must have!!
Tracklist:
1- 7 Charkras / 10 Sephirot
2- A. A.
3- Astral Wandering
4- Fourteen Enochian Key
5- P.V.N.
6- The Sword Of The Lord
Download:
https://drive.google.com/file/d/0B1aRwWf7Q2tLRHhLNjFwSU1YU1k/view?usp=sharing
Labels:
dark ambient,
experimental,
ritual
The Grey Wolves ::: Programmed To Kill + No New Jerusalem
From the cover: "2 live events by Thee Grey Wolves during thee 1st phase in 85 before thee 2 year lay off to go separate ways before resuming operations on May 1st 1987"
Harsh live noise to make your ears bleed.
Tracklist:
1- No New Jerusalem
2- Programmed to Kill
Download:
http://www.adrive.com/public/fZm73D/The%20Grey%20Wolves%20-%20Programmed%20To%20Kill%20%2B%20No%20New%20Jerusalem.zip
Labels:
experimental,
noise
Saturday, May 17, 2014
Elm ::: Nemcatacoa
Elm is Jon Porras (from Barn Owl) solo creation. His music retains the megasonics of Barn Owl, but finds his tutelage deep in the heart of the desert. "Nemcatacoa" is a lonesome, epic journey. Named after one of the deities of his Colombian heritage, his latest full-length (and first large-scale solo release) feels huge and endless. Walls of guitars shatter beneath the weight of the booming percussion blasts that find their way from the caves into the light. An acoustic guitar is mournfully plucked, the beginning of a procession of the dead. "Nemcatacoa" is an album begging for somebody, anybody to find and embrace. Even though this album is dark and at times bleak, it never overpowers. Traversing similar aural planes as Sunn O))) and Earth, Porras is staking a claim all his own. As his voice wails over blankets of guitars, he never loses sight of the golden life ahead. It’s dark, it’s epic, it’s a full-fledged drone masterpiece.
Tracklist:
1. nemcatacoa (audio)
2. in the shadow of red rock
3. silver dust in moonlight
4. arc of wisdom
5. sacrament at dusk
6. breath of midnight still (audio)
7. covered in blankets & moss
8. three rings drawn in sand
9. mirage at the devil's playground
Download:
http://www.adrive.com/public/q6rys4/Elm%20-%20Nemcatacoa%20(2009).zip
Labels:
ambient,
dark ambient,
drone,
post-rock
Death by Utopia
In the late 20th Century, John B. Calhoun decided to make Utopia; it
started with rats. In 1947 he began to watch a colony of Norway rats,
over 28 months he noticed something, in that time the population could
have increased to 50,000 rats, but instead it never rose above 200. Then
he noticed that the colony split into smaller groups of 12 at most. He
continued to study rats up until 1954. Then in 1958, he made his first
lab.
He bought the second floor of a barn, and there he made his office and lab. For four years he had Universe 1, a large room hosting rats and mice alike. It was split into four spacious pens connected by ramps, each filled with rats. The thronging mass of rodents produced an odour so strong that unaccustomed visitors took several minutes until they could breathe normally. In 1963 he produced his most famous creation, Universe 1. The worlds first mouse mortality-inhibiting-environment.
2.7 metres square with 1.4m high walls. The ‘Universe’ was surrounded by 16 tunnels leading to food, water and burrows. No predators, no scarcity, the mice would have to be blind to not see the utopia around them. At least it began as Utopia. Four breeding pairs of mice were introduced into Universe 1. After 104 days they adjusted to the new world and the population began to grow, doubling every 55 days. By day 315 the population reached 620. Then is stopped. The population grew much more slowly as the mice came against the limit of space, their only limiting frontier.
Society broke. Young were expelled before they had been properly weaned and were arbitrarily attacked by excessive aggressive male mice. Females became more aggressive, non-dominant males became passive, not retaliating to attacks. The last healthy birth came on the 600th day. Then there were no new mice. Then there were none.
The purpose of the experiment for Calhoun was to examine a pressing problem, overpopulation. In the post-war 1940′s the world population was rising extremely quickly and in the 1970′s this continued. The question was, what happens next? So he tested it, and tested again. Just 9 years later, in 1972, he produced Universe 25, similar in design but so precise as to keep the temperature at a constant 20 degrees. No matter how he adjusted the ‘Universe’ the results were consistent, the mice moved from perfect to appalling.
After day 600, the male mice just stopped defending their territory, listless mice congregated in the centres of the Universe. These gangs would burst into pointless and sporadic violence. Females stopped reproducing and even started attacking their own young. Mortality rose phenomenally. Roaming mice either attacked or attempted to mount others, irrespective of relation or gender, cannibalism and other acts of depravity consumed them. These were the feral ones. Then there were the ‘beautiful ones.’
The ‘beautiful ones’ withdrew themselves ever so quietly, removing themselves from the sick society. Solitary pursuits began to define them; eating, drinking and grooming among others. No scars on their back or hairs out-of-place, these mice behaved like a separate race. They saw the world through their narrow scopes, as they tossed, turned and tried to cope.
In the end the population sank, even when it was back down to a tolerable level none of the mice changed back. The change was irreversible, the mice were different now. The secluded females could still bear offspring and the beautiful ones had the capacity to help produce them yet it never came. This tipping over into irreversible societal collapse came to be known as ‘The Behavioral Sink.’ John Calhoun called it the first death. Death of the mind and soul, leading eventually to the second death, of the physical form. What he meant was that after the first death, the mice were no longer mice and could never be so again.
In a time where people worried about the dangers of people gathering in cities it confirmed their worst fears. The paper, when published, was a massive hit as papers go, it fed into the public consciousness and seemed to match up with the worst of the worries. In 1973, the same year in which the paper was published, the film Soylent Green was released. It depicted a future, an overcrowded world where the population could only survive on Soylent Green, a food handout from the government. The source it turns out, was the more than plentiful supply of human corpses. This change, this innovation was reflected in his experiments. From the cannibalism to the behaviour in desperate mice, John Calhoun noticed that some mice, feral though they were, had to innovate to survive, they became creative.
This purpose of the experiments was not to portend some imminent doom for humanity, in fact Calhoun was trying to be positive. He wanted to change cities, his remedy to the behavioural sink was creativity. By changing society and changing how we designed our cities we could avoid becoming mired, stagnant, and eventually, dead as a dormouse. Over 100 Universes were designed after he published the paper in 1973, these ones designed with the aim of promoting creativity and reducing stagnation.
The fact that nearly everyone who read his research used it to draw out doom caused John Calhoun to become distraught. They missed his point, but still he pressed on. Regardless of what was said, there was science to do. He and others promoted space colonies as a way of advancing human societies and he convinced others to change the way they thought of cities. Bringing in the idea that the places in which people lived could affect their lives in the way they were designed.
For the first time in history, over 50% of the world population exists within cities, and they are safer than ever before, due in part to the ideas drawn from John B. Calhoun and his pungent rodents. His 1973 paper has been classed as one of the 40 most influential psychology papers of all time, and with good reason, it may have indirectly saved thousands of lives.
He bought the second floor of a barn, and there he made his office and lab. For four years he had Universe 1, a large room hosting rats and mice alike. It was split into four spacious pens connected by ramps, each filled with rats. The thronging mass of rodents produced an odour so strong that unaccustomed visitors took several minutes until they could breathe normally. In 1963 he produced his most famous creation, Universe 1. The worlds first mouse mortality-inhibiting-environment.
2.7 metres square with 1.4m high walls. The ‘Universe’ was surrounded by 16 tunnels leading to food, water and burrows. No predators, no scarcity, the mice would have to be blind to not see the utopia around them. At least it began as Utopia. Four breeding pairs of mice were introduced into Universe 1. After 104 days they adjusted to the new world and the population began to grow, doubling every 55 days. By day 315 the population reached 620. Then is stopped. The population grew much more slowly as the mice came against the limit of space, their only limiting frontier.
Society broke. Young were expelled before they had been properly weaned and were arbitrarily attacked by excessive aggressive male mice. Females became more aggressive, non-dominant males became passive, not retaliating to attacks. The last healthy birth came on the 600th day. Then there were no new mice. Then there were none.
The purpose of the experiment for Calhoun was to examine a pressing problem, overpopulation. In the post-war 1940′s the world population was rising extremely quickly and in the 1970′s this continued. The question was, what happens next? So he tested it, and tested again. Just 9 years later, in 1972, he produced Universe 25, similar in design but so precise as to keep the temperature at a constant 20 degrees. No matter how he adjusted the ‘Universe’ the results were consistent, the mice moved from perfect to appalling.
After day 600, the male mice just stopped defending their territory, listless mice congregated in the centres of the Universe. These gangs would burst into pointless and sporadic violence. Females stopped reproducing and even started attacking their own young. Mortality rose phenomenally. Roaming mice either attacked or attempted to mount others, irrespective of relation or gender, cannibalism and other acts of depravity consumed them. These were the feral ones. Then there were the ‘beautiful ones.’
The ‘beautiful ones’ withdrew themselves ever so quietly, removing themselves from the sick society. Solitary pursuits began to define them; eating, drinking and grooming among others. No scars on their back or hairs out-of-place, these mice behaved like a separate race. They saw the world through their narrow scopes, as they tossed, turned and tried to cope.
In the end the population sank, even when it was back down to a tolerable level none of the mice changed back. The change was irreversible, the mice were different now. The secluded females could still bear offspring and the beautiful ones had the capacity to help produce them yet it never came. This tipping over into irreversible societal collapse came to be known as ‘The Behavioral Sink.’ John Calhoun called it the first death. Death of the mind and soul, leading eventually to the second death, of the physical form. What he meant was that after the first death, the mice were no longer mice and could never be so again.
In a time where people worried about the dangers of people gathering in cities it confirmed their worst fears. The paper, when published, was a massive hit as papers go, it fed into the public consciousness and seemed to match up with the worst of the worries. In 1973, the same year in which the paper was published, the film Soylent Green was released. It depicted a future, an overcrowded world where the population could only survive on Soylent Green, a food handout from the government. The source it turns out, was the more than plentiful supply of human corpses. This change, this innovation was reflected in his experiments. From the cannibalism to the behaviour in desperate mice, John Calhoun noticed that some mice, feral though they were, had to innovate to survive, they became creative.
This purpose of the experiments was not to portend some imminent doom for humanity, in fact Calhoun was trying to be positive. He wanted to change cities, his remedy to the behavioural sink was creativity. By changing society and changing how we designed our cities we could avoid becoming mired, stagnant, and eventually, dead as a dormouse. Over 100 Universes were designed after he published the paper in 1973, these ones designed with the aim of promoting creativity and reducing stagnation.
The fact that nearly everyone who read his research used it to draw out doom caused John Calhoun to become distraught. They missed his point, but still he pressed on. Regardless of what was said, there was science to do. He and others promoted space colonies as a way of advancing human societies and he convinced others to change the way they thought of cities. Bringing in the idea that the places in which people lived could affect their lives in the way they were designed.
For the first time in history, over 50% of the world population exists within cities, and they are safer than ever before, due in part to the ideas drawn from John B. Calhoun and his pungent rodents. His 1973 paper has been classed as one of the 40 most influential psychology papers of all time, and with good reason, it may have indirectly saved thousands of lives.
Labels:
article,
history,
nature,
philosophy,
politics,
radical theory,
social
Coil ::: The Snow (EP)
It's been a while since I posted any Coil and of course I don't need to go into how freekin' amazing the sound is! Totally mind altering. The whole release is excellent. The Snow is a beautiful, dance friendly song with a wonderful keyboard solo dancing about the beat. "Driftmix" and "Out in the Cold" are fairly straightforward re-workings by Peter Christopherson. The two "Answers Come in Dreams" (notice the clever anagram) tracks are remixed by Jack Dangers of Meat Beat Manifesto. These two essentially become MBM songs by taking on the trademark bass and beat of Meat Beat. "As Pure As?" is remixed by John Balance and Drew McDowall, basically another re-working of the track but probably the best of the bunch.
Tracklist:
1- Driftmix
2- Answers Come in Dreams I
3- Out in the Cold
4- As Pure As?
5- Answers Come in Dreams II
6- The Snow
Download:
https://mega.nz/#!sYB1HazJ!m_QprapBaakqPAt53OaaxwOvdzRvc8ku0dAA8ubvBxw
Labels:
ambient,
art-rock,
Coil,
experimental,
Jhonn Balance
Monday, May 12, 2014
S.K.E.T ::: Depleted Uranium Weapons
On their debut album, Aktivist, S.K.E.T. made a name for themselves with a sound that was both energetic and rhythmically complex. Now with their third album, Depleted Uranium Weapons, S.K.E.T. takes their unique electro-industrial sound to the next level. Combining layers of noisy electronica sounds with groove-laden electro beats and the rhythmic intensity that has become their trademark, S.K.E.T. are primed and ready to reinvent the genre.
The CD is packaged in the typical Hands paper pack with a 12-pages booklet designed by Nicola Bork. More on the concept behind Depleted Uranium Weapons: Different sources state about 330 - 375 metric tons of DU ammunition was fired in the 1991 gulf war, 7 - 20 metric tons on the Balkan conflict in 1999 and about 1000 metric tons in the 2003 Iraq conflict, mostly in cities or urban areas. DU ammunition has also been used in the Afghan conflict and in Somalia. After almost twenty years of using DU weapons the long-term consequences are still unknown. After the first gulf war in 1991 in the area of Basrah (south Iraq) cases of cancer rose ten times and there have been twenty times more babies with congenital deformities. Current studies of the effects of the use of DU show there is no doubt that uranium ammunitions are to blame.
Download:
http://www.adrive.com/public/pGcjKU/S.K.E.T.zip
Labels:
dark ambient,
dark electro,
experimental,
industrial,
noise
Paranoid Conspiracy Theorists Will Ruin Your Life
Vaccinations, fluoride, and birth certificates. Chem-trails, dictators, and big brother. Assassinations. Spree killings. CIA. FBI. Earthquakes. Hurricanes. Global Warming. Nine Eleven, secrets, Masons and Illuminati...
Read more:
http://www.onyxtruth.com/2014/04/01/pcts/
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