Satanhartalt - Forscr​í​fan tape

Fuck yes new Satanhartalt tape after like 5 years and it's still as ominous and cavernous as ever revolving around an unbelievable dissonant chord. Amazing shit, much better than all that sketchy and untalented bm, punk or whatever Legion Blotan does. 2022 tape on Legion Blotan.

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Unkerd Wood - Demo II tape

 

Second release for this creepy doom/black metal North-East England project, playing subterranean crawling invocations with slow funeral-like drums and guitar/bass creating a thick foggy noise that cannot be escaped from. It's great that these guys can invoke such enveloping darkness just by playing live with three instruments and making good use of reverb, without any keyboards or studio tricks. Track three has this extremely spooky and depressive e-bow melody morphing into black metal arpeggio combined with heavy gruff caveman vocals-definitely a must hear. 2012 tape on Legion Blotan.

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Wasp Bomb / Female Borstal ‎– Live At The Dog And Parrot 28.3.14 (Fuckin' Amateurs)

Another obscurity brought to your family's entertainment by Blyth's finest record label is this live recording of Wasp Bomb and Female Borstal. Wasp Bomb was a (one-off I gather) project of Lucy Johnson (Smut, Witchblood, Indian Lady, Dark Bargain), Jamie Stewart (Fuckin' Amateurs, Wrest, Oppenheimer, Satanhartalt) along with two other people and played feedback-fog-heavy screaming punk/noise rock, and I'm not sure if I separated the tracks correctly. Female Borstal was one of the myriad projects of Lee Stokoe, accompanied by George Proctor (Mutant Ape, Karst, Turgid Animal) and Jerome Smith (Oppenheimer, Charles Dexter Ward). One of the most band-like musically ones at that, since they played a more psychedelic and energetic version of Marzuraan, that is, lysergic doom metal/drone. Expect much noise and intensity, proceed with caution. 2014 tape on Fuckin' Amateurs.

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Various ‎– Fuckin' Fifty? (Fuckin' Amateurs compilation 6 X cdr)

The two recent posts about Xazzaz and TQ Zine were more or less related to Fuckin' Amateurs, so I thought to post this. In short, F#A was a ten-year-long project started by Martin Gregory and Jamie Stewart, documenting the life of the North-East English no-audience underground, mainly by bootlegging gigs of those artists and bands located or playing there, many of whom have received posts about here, or are going to get! That scene is really vibrant, diverse and creative and F#A did an amazing job keeping the light alive, until its folding of operations last year, which has fortunately been taken over by No-Audience Underground tapes. In this mammoth six-cdr compilation celebrating the fiftieth release of the label, a long series of artists ranging from drone, noise, punk, dictaphone and free jazz are compiled. Some are blog favorites, such as Jazzfinger, Posset, Waz Hoola, Culver, Wrest, Basilica, MC Blazin, Mechanical Children, Hapsburg Braganza, Lobster Priest, Charles Dexter Ward, as well as enigmatic car-race radio broadcast dictaphone worshipper Chris "Pause" Richardson. The highlight, though, is the last track of the last cdr, which is a band called The Nice People From Straightsville doing a cacophonous lo-fi castrato-voice cover of Hawkwind's "Silver Machine" renamed "I'm Going to Ashington." 2009 6-cdr set on Fuckin' Amateurs.

Disc 1
Disc 2
Disc 3
Disc 4
Disc 5
Disc 6

TQ Zine 10 & 11 / Charlie Ulyatt - Inaudible Gestures

With each issue TQ Zine gets better and better and gradually fills up adequately the slumber of Radio Free Midwich, which we still invoke to wake up when the stars are right. The last few issues have seen a shift into high gears, with offering of cdrs to subscribers and extremely interesting interviews, which seem to get even better with the oncoming issues that will celebrate a year since the first light of day.

#10 comes with a cdr sampler of the superb Linear Obsessional label, featuring released, as well as exclusive, tracks from the label's 2017 output, which has now been posted as non-subscriber earcandy. Everything sounds great, but I especially dig the tracks by Kassia Flux (also reviewed and interviewed in issue 11), Steven Ball, Far Rainbow, as well as Lost Robots. The latter band is given an extensive feature in said issue to mark their recording return after nine years with the album Arms in which they offer a stunning combination of kraut rock, This Heat-style madness and the sound of Canterbury. Also included, aside from expected reviews, is a free download coupon for Nat Lyon's nice Slant Front Desk (expect dark pop with a hint of western), and the highlight, which is the first part of an interview with Jamie Stewart, aka harsh noise artist Wrest, co-founder of the important NE England label Fuckin' Amateurs, and member of Satanhartalt and Oppenheimer, whose works have been covered here. In this interview he talks extensively about the town of Blyth and noise and it's a great read.

I've just received #11 in the mail, and it's a fantastic job. Aside from the second part of Jamie's interview, where he recounts the founding and course of Fuckin' Amateurs, followed by a list of notable Fuckin' Amateurs releases, as well as an extensive feature of Charlie Ulyatt's music, consisting of two reviews, an interview and a free cdr of his latest release, Inaudible Gestures.

Charlie Ulyatt seems to be a relative newcomer to the experimental underground, with his earliest outings dating from 2016. In his interview he states that he drew large inspiration from Earth/Dylan Carlson, which is reason enough to give his music a chance. He also cites Dean McPhee and John Fahey, though I would also point to Slint and late Talk Talk as referential points to his guitar playing. On his first release, Dead Birds, there is indeed a lot of leaning on Earth's reform material, especially Hex, as well as Carlson's solo material. Shifting is a much more experimental affair, offering a string of prepared guitar/e-bow offerings, creating an electric/drone counterpart to Jon Collin's guitar experiments. On his most recent release, Inaudible Gestures, (which is as I said offered free to TQ subscribers) he abandons the guitar for a molestation of the cello (which he says has recently started taking lessons on) creating highly entertaining avant-drone/free-jazz, with referential points possibly being Roof, Revolutionary Ensemble, and modern-day masters Diktat.

I wanna thank TQ for introducing me to Charlie, whose music can be found on Bandcamp, is offered for free, and deserves financial support. TQ in itself deserves our support and subscriptions for the great work that must continue, so head over to the blog and get in touch!

Satanhartalt

This is another project involving Mike Simpson of Xazzaz and Jamie Stewart, who plays with Mike in Oppenheimer and Dark Bargain. This is an unsettling, dungeon-like, lo-fi mix of psychedelia, drone, black metal, doom metal and ritual music that became less metal-y with the years (fortunately) and which creates an atmosphere of enveloping and oozing, walls-closing-in darkness. All of their tapes have been released by Legion Blotan.

2010 - Hæðenfolc


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2011 - Carcernþéostru


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2011 - Féondscipe

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2012 - Déaþscufærgewinn


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2013 - Sigeléas



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2017 - Ágenslaga




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Oppenheimer (Culver/Wrest/Charles Dexter Ward/Xazzaz project)

Oppenheimer is one of the many groups in which Lee Stokoe of the almighty beacon of deep drone Culver and Matching Head Tapes plays. Also playing are Jamie Stewart of Wrest and Satanhartalt (whose works will one day be covered here), Jerome Smith of Charles Dexter Ward, Female Borstal (also including Lee!) and Haikai No Ku, and Mike Simpson of the amazing Xazzaz, also of Satanhartalt and Molotov Productions. All these guys are contributors to the small but powerful North England underground noise/drone scene. Here, though, they play something slightly different, showcasing a deafening but highly rhythmic type of skronk/noise rock, which is heavily influenced by the motorik style as well as containing some surprisingly rock 'n' roll parts, especially in the 2015 release. As obvious in the liner notes, instrument duties are exchanged among the band members. Worth checking out.

2012 CD-R (Molotov Productions)

 

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2014 CD-R (Molotov Productions)

 

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 2014 tape (Matching Head)



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2015 CD-R (Molotov Productions)



Here they are aided by Dean Glaister of drone monks RYN.

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