In the 1980s Costis Drygiannakis played in an electronics group called Optical Musics (check here). Costas Pantopoulos was another member of the group and this is a collaboration they recorded in 1989, which centers around heavily percussive MIDI electronics with big ethnic influences, which would probably make a good soundtrack to a documentary or something. 2019 cd on Hxoi Kato Apo To Spiti.
Didn't plan to take me such a long time to get back to posting, but things haven't been exactly well. Probably had the worst summer of my life, I don't see life getting any better soon. Thanks to everyone who asked about me, sorry for not replying.I haven't heard to much music either, when I have the time I'd rather listen to ASMR videos on youtube (or even watch old NBA highlights).
Costis Drygiannakis is a top-class Greek avant-garde composer (I think Bleak Bliss has posted some of his other releases in the past) and this is a dizzying cello-weird electronics-fucked percussions electroacoustic masterpiece bordering Greek folk music at times, drone and everything in-between, with vocal contributions from Alexandra Katsiani and Thanasis Chondros (hence the title) from weirdo Greek band Dimosioypalliliko Retire. First released in 2006, this is the 2019 re-release on Rekem Records.