Showing posts with label Oppenheimer. Show all posts
Showing posts with label Oppenheimer. Show all posts

Monday, November 12, 2018

La Mancha Del Pecado / Xazzaz ‎– La Fetichista split tape



Yet another split between La Mancha Del Pecado and Xazzaz. Miguel Pérez offers two dense subterranean and Lovecraftian harsh drone/noise invocations, while Mike Simpson tortures his guitar and amp once more with layers of swarming feedback and disharmonics close to Skullflower's best. 2013 tape on Agorafobia Tapes and Molotov.

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Thursday, August 9, 2018

Unkerd Wood - Demo II tape

Wednesday, August 8, 2018

Unkerd Wood / Pact Of Ash / Gammal Sed ‎– Northern Retaliation split tape


3-way split tape by three projects with overlapping memberships: Lee Stokoe's Pact Of Ash begins the program with a 9-minute instrumental slow barrage of black metal riffing and dead-slow drums that somewhat reminds me of that awesome Murmuüre album in 2010. Unkerd Wood consists of Mike Simpson (Xazzaz, Oppenheimer, Dark Bargain, and Satanhartalt - all of which have been covered here) on bass & vocals, Jamie Stewart (Wrest, Fuckin' Amateurs Records, Oppenheimer, Dark Bargain, and Satanhartalt) on drums, and George Proctor (Legion Blotan/Turgid Animal Records, Mutant Ape, Inseminoid, ex-Skullflower) on guitar & vocals. I already liked their ultra-lo-fi, dungeon-sounding, black-hole black/doom metal, but this track is just UNBELIEVABLE,. It's a 16-minute epic of slowly grinding drums and bass, wailing and dissonant guitars, and some of the most seriously scary vocals I've heard invoking terrible swampy creatures and seems to me like a more structured version of the ritual darkness of Satanhartalt. At the 9-minute mark, everything stops and an ominous ritual dark ambient drone takes over, only to give its place after 2 minutes to one of the best riffs black metal has ever experienced, a reverbed cacophonous arpeggiated anthemic thing sustained by crushing drums and noise and a blurry psychedelic doom/blues vibe behind it that simply crushes everything. I think that this tape must be bought/listened to even just for this track. Finally, there's Gammal Sed, a solo (I think) project of George Proctor, where he plays catatonic, depressive but loud and noisy black metal revolving around a great arpeggiated riff eventually morphing into a noisy industrial/ambient chaos. All three of these groups are great, and they have released other stuff on Legion Blotan and Matching Head that deserve listening/buying. 2017 tape on Legion Blotan.

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Thursday, June 14, 2018

Female Borstal (Culver/Mutant Ape/Haikai No Ku project)

As mentioned in the previous post on the Wasp Bomb/Female Borstal split tape, the latter is a project consisting of Lee Stokoe of Culver on bass, George Proctor of Mutant Ape on drums and Jerome Smith of Haikai No Ku on guitar. Their music is sort of a mix between Lee's Marzuraan super-heavy sludge and Jerome's Haikai No Ku psychedelic vastness, something like a more energetic and less sleep-inducing Bong or Let Us Prey-era Electric Wizard (my fave Wizard album btw). The riffs are real nice and there is an epic and agonizing feeling that usually culminates in noisy feedback and echo-drowned jams. Here are some of their releases:

2011 - Female Borstal cdr (Turgid Animal) - Download



2012 - Women In Prison...In Manchester 12.04.12 cdr (Turgid Animal) - Download



Live Split with Drunk In Hell - Free Download


NIHL/Female Borstal split tape on Matching Head - Get it from the label itself - get active!

Wednesday, June 13, 2018

Wasp Bomb / Female Borstal ‎– Live At The Dog And Parrot 28.3.14 (Fuckin' Amateurs)



Another obscurity brought to your family's entertainment by Blyth's finest record label is this live recording of Wasp Bomb and Female Borstal. Wasp Bomb was a (one-off I gather) project of Lucy Johnson (Smut, Witchblood, Indian Lady, Dark Bargain), Jamie Stewart (Fuckin' Amateurs, Wrest, Oppenheimer, Satanhartalt) along with two other people and played feedback-fog-heavy screaming punk/noise rock, and I'm not sure if I separated the tracks correctly. Female Borstal was one of the myriad projects of Lee Stokoe, accompanied by George Proctor (Mutant Ape, Karst, Turgid Animal) and Jerome Smith (Oppenheimer, Charles Dexter Ward). One of the most band-like musically ones at that, since they played a more psychedelic and energetic version of Marzuraan, that is, lysergic doom metal/drone. Expect much noise and intensity, proceed with caution. 2014 tape on Fuckin' Amateurs.

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Saturday, June 9, 2018

Xazzaz - The Candle Is Lit tape



Xazzaz playing "happy droneday to you" on the occasion of Lee Stokoe's birthday (as can be seen on the tape inlay). Having read reviews of his live appearances, I gotta say that they were pretty accurate in their raving: deadening/deafening drone with a more industrial-Throbbing Gristle vibe here, and as always with the greyness of NE England ever-present. Essential listening released in 2014 on the sadly missed Fuckin' Amateurs.

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Friday, June 8, 2018

Xazzaz - Smoke Jaguar/Ghost Wolf cdr



Over-the-top distorto-guitar noise on the first track, but all the money's on the second track, which is a wild psychedelic ritual drone with hazy electronics, guitar feedbacks and ecstatic percussion, quite reminiscent of Matthew Bower's Total. Superb. 2012 cdr on Molotov.

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Thursday, June 7, 2018

Xazzaz / La Mancha Del Pecado ‎– La Esquina Roja Split cdr



On this superb split between two of the most notable guitar-based drone/noisers of the present, Xazzaz/Mike Simpson is at his most black-metal moment, combining sinister tremolo riffing with terrorist feedback in a buried-in-the-coffin sound, while La Mancha Del Pecado/Miguel Perez plays a heavy Culver-ian/Sunn-O)))-esque heavy static drone hymn that sounds like it also has a little bit of an organ. 2013 cdr on Oracle Netlabel

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Xazzaz - Untitled cdr



Damn me if Matthew Bower isn't proud of his disciples. This one could have been one of the greatest post-reunion Skullflower releases, with its combination of a menacing serpentine riff with psychedelic electronics and a buried sound. Listened to the riff and don't tell that this could have also been the drone version of Carl Orff's "Veris Leta Facies" from Carmina Burana. The sinister drone black metal evilness gives way to ten minutes of industrial drone stasis, a mix between a factory and a Sunn O))). The second track is an interplay between low-frequency electronics and bass drone throb, like Culver working on a spaceship. An essential release of the North-East English underground. 2012 cdr on Molotov.

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https://mega.nz/#!9b5WTIrK!MvH-6vg-J0L94lqyUpIj4sP52sCVXI4GwJp_hNtN-lI