EMERSON, LAKE & PALMER
''LIVE IN CALIFORNIA 1974''
52:16
1 Toccata (Alberto Ginastera) 03:45
2 Still... You Turn Me On (Greg Lake) 03:07
3 Lucky Man (Greg Lake) 02:54
4 Piano Improvisations (including ''Fugue'' And ''Little Rock Getaway'') (Keith Emerson, Friedrich Gulda, Joe Sullivan) 09:49
5 Take A Pebble (Greg Lake) 02:41
6 Karn Evil 9, First Impression, Pt. 2 (Keith Emerson, Greg Lake) 09:25
7 Karn Evil 9, Third Impression (Keith Emerson, Greg Lake, Peter Sinfield) 10:00
8 Pictures At An Exhibition (Keith Emerson, Greg Lake, Modest Mussorgsky, Carl Palmer) 10:29
Keith Emerson - Keyboards
Greg Lake - Bass, Guitar, Vocals
Carl Palmer- Drums, Percussion
REVIEW
by Jason Lymangrover (AllMusic)
Of all the ELP live shows, The California Jam stands as the largest audience the British prog rockers had ever played for, and a personal favorite performance of vocalist Greg Lake. In the spring following Brain Salad Surgery, the trio’s abilities were at a high for this set recorded at the epic outdoor venue, Ontario Motor Speedway. Because each member started to go his own way around this time, a good share of Live in California 1974 focuses on Emerson, Lake & Palmer’s individual abilities. "Still…You Turn Me On" and the mega-hit "Lucky Man" are performed solo by Lake on acoustic guitar, "Piano Improvisations (Including 'Fugue' and 'Little Rock Getaway')" features Keith Emerson turning in nearly seven minutes of virtuoso piano playing before the rhythm section of Lake and Palmer join in for a tightly executed bebop jazz approximation, and the classic rock staple "Karn Evil 9, First Impression, Pt. 2" segues into a gratuitous, five-minute-long (albeit pretty amazing) drum solo by Carl Palmer. Welcome Back My Friends to the Show That Never Ends: Ladies & Gentlemen, Emerson Lake & Palmer, and From the Front Row…Live! are much better live documents from this period, but despite sonic imperfections, the firework finale of "Pictures at an Exhibition" captures the ambitious and dramatic spirit of the band nicely.
http://fp.io/99bd84fb/
December 25, 2014
YES - Providence Civic Center Providence, RI - 07/23/1975
Yes
Providence Civic Center
Providence, RI USA
23 July 1975
Master audience recording taped by Dan Lampinski
CD1
01 Firebird Suite
02 Sound Chaser
03 Close To The Edge
04 And You And I
05 Gates Of Delirium
CD2
01 Your Move
02 Mood For A Day
03 Long Distance Runaround
04 Moraz Solo
05 Clap
06 Jam
07 Ritual (spliced)
08 Roundabout
09 Starship Trooper (spliced)
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
A 24-bit/96-KHz flac24 version of this recording is also available.
Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.
He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.
http://fp.io/dcc715cd/
MAHAVISHNU ORCHESTRA - Boston Music Hall Boston, MA - 05/03/1975
Mahavishnu Orchestra
Boston Music Hall
Boston, MA
3 May 1975
Master audience recording taped by Dan Lampinski
CD1
01 tuning
02 Eternity's Breath (part I and II)
03 You Know, You Know
04 Sanctuary
05 band introductions jam > Lila's Dance (spliced)
CD2
01 My Foolish Heart (guitar and bass duet)
02 Vision Is A Naked Sword
Opening for Jeff Beck
John McLaughlin - Rex Bogue Twin neck
Narada Michael Walden - drums
Ralphe Armstrong - bass
Stu Goldberg - keyboard
Steve Kindler - violin
Carol Shive - violin
Norma Jean Bell - sax
Premik Russel Tubbs - sax
Philip Hirschi - cello
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
A 24-bit/96-KHz flac24 version of this recording is also available.
Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.
He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.
http://fp.io/9a281523/
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