ERIC CLAPTON - Laidback Do Not Disturb! Going Solo Nassau Veterans Memorial Coliseum Uniondale (Long Island), New York June 30 and September 29, 1974

Eric Clapton - Laidback
Do Not Disturb! Going Solo
Nassau Veterans Memorial Coliseum
Uniondale (Long Island), New York
June 30 and September 29, 1974
Mid Valley 079 thru 082


Disc 1: June 30, 1974
1. Easy Now
2. Let it Grow
3. Can't Find My Way Home
4. Let It Rain
5. Key To The Highway
6. Badge
7. Little Wing
8. Mainline Florida
9.Tell The Truth

Disc 2: June 30, 1974
1. Blues Power
2. Have You Ever Loved A Woman
3. Little Queenie
4. Willie And The Hand Jive
5. Get Ready
6. Crossroads
7. Layla
8. Presence Of The Lord

Disc 3: September 29, 1974
1. Better Make It Through Today
2. Can't Find My Way Home
3. Let It Rain
4. Little Wing
5. Singing The Blues
6. I Shot The Sheriff
7. Tell The Truth
8. The Sky Is Crying

Disc 4: September 29, 1974
1. Badge
2. Little Rachel
3. Willie And The Hand Jive
4. Get Ready
5. Blues Power

The Band:
Eric Clapton   guitar, vocals
Jamie Oldaker   drums
Dick Sims   keyboards
Carl Radle   bass
George Terry   guitar
Yvonne Elliman   backing vocals
Marcy Levy  backing vocals at the September 29,1974 show


Artwork Included

Soundboard>?>Silvers>EAC>Flac frontend 6

http://fp.io/m55cmf74/

THE ROLLING STONES - Welcome To Boulder : Folsom Field, Boulder Colorado, October 4, 1981

The Rolling Stones - Welcome To Boulder (Empress Valley EVSD 383-384)

Folsom Field, Boulder Colorado, October 4, 1981


CD 1


01 Under My Thumb
02 When The Whip Comes Down
03 Let's Spend The Night Together
04 Shattered
05 Neighbours
06 Black Limousine
07 Just My Imagination
08 Twenty Flight Rock
09 Let Me Go
10 Time Is On My Side
11 Beast Of Burden
12 Waiting On A Friend
13 Let It Bleed


CD 2


01 You Can't Always Get What You Want
02 Little T & A
03 Tumbling Dice
04 She's So Cold
05 All Down The Line
06 Band introductions
07 Hang Fire
08 Miss You
09 Start Me Up
10 Honky Tonk Women
11 Brown Sugar
12 Jumping Jack Flash
13 Street Fighting Man

Thanks for midnrambler the original torrent uploader .

Comments

From torrent uploader .

Rolling Stones
Welcome To Boulder
(Empress Valley Supreme Disc)

Boulder, Colorado, Folsom Field, October 4, 1981

Exc. mono soundboard quality
Under My Thumb, When The Whip Comes Down, the end of Waiting On A Friend and the beginning of Let It Bleed are in very good audience quality.
http://fp.io/e45672bc/

JOHNNY WINTER - 70th Birthday Celebration B.B. Kings Blues Club And Grill NYC , New York - February 23, 2014

Johnny Winter
70th Birthday Celebration
B.B. Kings Blues Club And Grill
NYC , New York
February 23, 2014




Recorded by bcironmaiden - Nice sounding recording , I love BB Kings sound system !!! Johnnys vocals are much better than usual , still a
bit low in the mix though
Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones >
SP-SPSB-1 Sound Professionals  Mini Battery Module > Olympus LS-10 Linear PCM Recorder HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split >
TLH ( Flac 8 ) > You


Some stuff I found online about the show :

Johnny Winter celebrated his 70th birthday with a show at New York’s B.B. King’s. Throughout the show, Winter was joined by special guests
Poppa Chubby, Debbie Davies, Mike Zito, Joe Louis Walker, Jon Paris as well as Lance Lopez, who opened the show for Winter. Johnny was also
presented with a blues award and a birthday cake during the show.

In honor of the blues guitarist’s 70th birthday, Winter will release True to the Blues on February 25, a 4-CD career-spanning box set
featuring well known songs such as “Johnny B. Goode,” “Rock and Roll Hoochie Koo” and “Prodigal Son.” Pre-orders are still underway via Amazon.


There’s a video clip on Johnny Winter’s official site in which the blues great says, “Being worshipped is not fun. Being appreciated is fun.”
The low-key Winter must have enjoyed himself on Feb. 23. That night at New York’s B.B. King Blues Club & Grill, appreciation for Winter’s life
and career was everywhere, as his concert also served as a 70th-birthday celebration and a push for his new 4-CD retrospective, “True to the Blues:
The Johnny Winter Story.”Seated throughout his headlining set, Winter stormed through material that put him on the map, including his early 1970s
covers of Chuck Berry’s “Johnny B. Goode” and The Rolling Stones’ “Jumpin’ Jack Flash” (both included on “True to the Blues”), and what inspired
him to be a musician, such as the Muddy Waters-popularized “Got My Mojo Workin’ (which Winter recorded for his 2011 album, “Roots”).Johnny Winter
Paying tribute to him onstage were fellow blues artists Popa Chubby (who during his guest spot on “Got My Mojo Workin’”
elicited a big grin from the normally poker-faced Winter), Mike Zito (who jammed on “Jumpin’ Jack Flash” and later presented Winter with a guitar
as a gift) and Joe Louis Walker (who strapped on opener Lance Lopez’s guitar for “It’s All Over Now”).As the show was winding down, statements
from the likes of Derek Trucks, Carlos Santana and Pete Townshend about Winter’s impact as a blues guitarist appeared on the club’s inexplicably
blurry video screens. For a lifelong musician like Winter, appreciation from peers and disciples is the kind of fun that probably never gets old.
Winter’s next block of North American tour dates begins with a March 6 show in Leesburg, Va. The “True to the Blues” collection is due Feb. 25
via Columbia/Legacy.


I bought the box set at the show , good stuff !!!
Looking forward to the Johnny Winter documentary "Down & Dirty"
Also looking forward to seeing him again soon .... he still has chops !!  




Setlist : 97:34.379
01. Down And Dirty Preview
02. Intro/Jam
03. Johnny B Goode
04. Good Morning Little School Girl
05. Popa & Frank Intro
06. Got My Mojo Workin' ( With Popa Chubby - Guitar & Frank Latorre - Harp )
07. Debbie & James Intro
08. Black Jack  (  Debbie Davies - Guitar & James Montgomery - Harp )
09. Killing Floor
10. Lance Lopez Intro
11. Boney Maroni ( Lance Lopez Guitar )
12. Mike Intro
13. Jumpin Jack Flash ( Mike Zito - Guitar )
14. Don't Take Advantage Of Me
15. Joe Intro
16. It's All Over Now ( Joe Louis Walker - Guitar )
17. Awards/Happy Birthday/Jon Paris Intro
18. Dust My Broom ( Joe Louis Walker - Guitar & Jon Paris - Harp )
19. Encore
20. Highway 61 Revisited



Johhny Winter band :
Johnny Winter - Guitar/Vocals
Paul Nelson - Guitar
Scott Spray - Bass
Tommy Curiale - Drums


http://fp.io/4am3ccc4/

MUDDY WATERS, JOHNNY WINTER & JAMES COTTON – Breakin’ It Up, Breakin’ It Down (2007)

Muddy Waters, Johnny Winter & James Cotton – Breakin’ It Up, Breakin’ It Down (2007)



In March 1977, Muddy Waters, Johnny Winter, and James Cotton did a concert tour together in support of Waters’ then-recent Hard Again LP, on which Winter had played guitar (as well as produced) and Cotton had played harmonica. This CD, not released until about 30 years later, has an hour of music drawn from three different shows on the tour. It might have been spurred by a Muddy Waters album, but in fact Waters, Winter, and Cotton all took vocals — sometimes alone, and sometimes on the same song — on stage, and these 11 songs feature the vocals of each of the three in about equal measure. Often these kind of touring combinations are too many cooks in the kitchen, or, if not quite that, at least more fun to attend than to listen to on tape. The latter could be said of the material on this disc, which is really just okay, not great, and not even among the best recordings that have been issued of Waters in the mid-’70s. It’s still solid and decent, including some Waters classics (“Can’t Be Satisfied,” “Got My Mojo Workin’,” “Trouble No More”), Cotton originals, and covers of staples by Jackie Brenston (“Rocket 88?), John Lee Hooker (“I Done Got Over It”), J.B. Lenoir (“Mama Talk to Your Daughter”), Lowell Fulson (“Love Her with a Feeling”), and Elmore James (“Dust My Broom”), as well as the famed jump blues “Caledonia.” It’s undeniable, however, that Waters was, even at this relatively advanced age, by far the most commanding singer of the trio. The songs on which his vocals are prominent (especially “Can’t Be Satisfied” and “Trouble No More”) kind of dwarf the ones on which his singing is absent or secondary, making the cuts that emphasize Cotton and Winter seem rather workmanlike in comparison. Nevertheless, the sound is good, and the band filled out competently with sidemen (particularly Pinetop Perkins on piano), making this a satisfactory listen for serious blues collectors, though a little superfluous for most fans.

http://fp.io/fd5a59ba/

THE DOORS - Live At The Matrix 1967

The Doors – Live At The Matrix 1967 (2008)



When the Doors were playing at the Matrix club in San Francisco on March 7 and March 10 of 1967, unofficial tapes were made of their performances. Music from four sets (two each night) of these gigs has long been available on bootleg, and a couple tracks did show up on the Doors’ 1997 box set. This two-CD package, however, marks the first official release of material from these shows in bulk. They represent the earliest concert recordings of the band that have been made available, dating from just two months after the release of their debut album (and a few months before the “Light My Fire” single would catch on and make them superstars). While this by no means has the complete recordings from these two nights that have circulated on bootleg, it does contain one version of every single song captured on the tapes. The sound quality, too, is substantially improved from those bootlegs (though it’s not true, as the liner notes claim, that all of those bootlegs had “the worst quality imaginable”). If it’s not quite up to the level of the fidelity heard on most official live albums (or even some more adeptly recorded Doors live shows from later in their career that have seen official release), the instruments and vocals come through pretty well, and can easily be listened to for pleasure as well as historical archival value.

More important than the technical and discographical details, however, is the quality of the performances themselves. And while they’re occasionally a bit ragged, and certainly not as sleek and cleanly balanced as their studio recordings, you could make an argument for this as the finest Doors live release, from the musical if not the fidelity point of view. For these are the Doors, and Jim Morrison in particular, when they were still hungry and eager to make an impression, with little of the somewhat self-parodying theatricalism that Morrison would sometimes lapse into on-stage after reaching superstardom. There are lean, urgent versions of most of the songs from their classic debut album, as well as, more surprisingly, about half the numbers from the yet-to-be-released Strange Days. “Unhappy Girl,” “Moonlight Drive,” “My Eyes Have Seen You,” “People Are Strange,” and “I Can’t See Your Face in My Mind” especially have notably sparer arrangements, betraying the band’s roots as more of a straight-ahead rock outfit prior to these songs getting effectively psychedelicized studio treatments. There’s even a version of one tune, “Summer’s Almost Gone,” that they’d wait until their third album, Waiting for the Sun, to put on a studio LP.

Filling out the set are a good number of cover tunes that the Doors didn’t release in the ’60s, including several blues and R&B covers. While these have their interest for documenting aspects of their repertoire that aren’t fully evident from their studio albums, they also reveal the group to be much less interesting when playing such cover tunes — among them “Money,” John Lee Hooker’s “Crawling King Snake,” Lee Dorsey’s “Get out of My Life Woman,” and Them’s “Gloria” — than they were when doing their own material. Still, even these selections include some standouts, especially a burning version of “Who Do You Love” that outdoes the more laid-back one on Absolutely Live, and an instrumental version of “Summertime” that gives Ray Manzarek a chance to showcase his organ chops. It’s also odd to hear such a cool, almost non-reception from the sparse audience, giving the impression the Doors were playing to a near-empty club, though they seem to be putting as much or more heart into their performance as they would later do for most of their arena concerts. All told, it’s an excellent document of their early days that’s strongly recommended to Doors fans. It would have been even neater for hardcore fanatics had all four sets from the two nights been included, but admittedly the elimination of multiple versions and resequencing makes this a much more listenable product for the general audience.

CD1:

1. Break on through (to the other side)
2. Soul kitchen
3. Money
4. The crystal ship
5. Twentieth century fox
6. I’m a king bee
7. Alabama song (whisky bar)
8. Summer’s almost gone
9. Light my fire
10. Get out of My life, woman
11. Back door man
12. Who do you love
13. The end

CD2:

1. Unhappy girl
2. Moonlight drive
3. Woman is a devil / Rock me
4. People are strange
5. Close to you
6. My eyes have seen you
7. Crawling king snake
8. I can’t see your face in my mind
9. Summertime
10. When the music’s over
11. Gloria

http://fp.io/9m47e935/