THE WHO - Boston, MA TD Garden Quadrophenia And More Tour - 11/16/2012

Who, The 2012-11-16 Boston, MA TD Garden & Sound Check W/SOUND CHECK (WHOFANRAY)

The Who
2012-11-16
Boston, MA
TD Garden
Quadrophenia And More Tour

(WHOFANRAY)

Lineage: H2 ZOOM / Sony External microphone (circa 1988) / SD Card / Roxio / Flac
Recorded Sect 1-FLR Row C (In front of Pete)
Recorded by WHOFANRAY


Set List
(03:04:10 Total)
(02:14:10 Concert)
(00:50:00 Sound Check)

01. I Am The Sea
02. Real Me, The
03. Quadrophenia
04. Cut My Hair
05. Punk And The Godfather, The
06. I'm One
07. Dirty Jobs, The
08. Helpless Dancer
09. Is It In My Head
10. I've Had Enough
11. 5:15
12. Sea And Sand
13. Drowned
14. Bell Boy
15. Doctor Jimmy
16. Rock, The
17. Love, Reign O'er Me
18. Band Introductions
19. Who Are You
20. Behind Blue Eyes
21. Stage
22. Pinball Wizard
23. Stage
24. Baba O'Riley
25. Stage
26. Won't Get Fooled Again
27. Stage
28. Tea And Theater
29. Thank You, Good Night, Be Lucky......
30. Start of sound check
31. Roger Daltrey enters
32. Zak Starkey Drumming
33. Pete Townshend enters
34. Pete and Roger talk
35. Rock, The
36. Pete and Roger talk
37. Real Me, The
38. Pete and Roger talk
39. I'm One
40. Pete fixes the ending of I'm One
41. Who Are You
42. Roger Daltrey Thanks for your support guys....
43. Simon Townshend adjust guitar levels and effects
44. End of sound check


Band Members:
Roger Daltrey: Vocals, Harmonica, Guitar
Pete Townshend: Guitar, Vocals
Zak Starkey: Drums
Pino Palladino: Bass Guitar
Simon Townshend: Guitar, Acoustic Guitar, Vocals, Mandolin
Frank Simes: Keyboards, Vocals, Music Director
John Corey: Keyboards, Vocals
Loren Gold: keyboards, vocals
J. Greg Miller: Brass Section
Reggie Grisham: Brass Section

This is my third attempt at an upload....please be kind if I mess it up!!!!!! (STILL A ROOKIE AT THIS -getting a little more of the hang of it)
This was the first of three shows I saw on this tour. Also, Manchester, NH February 24, 2013 and Providence, RI February 26 2013.
I recorded both of those shows as well. The Providence show, as this one, was recorded from the 3rd row Pete's side of the stage.
The Manchester was recorded from Sect 104 Row R back of the arena nice clear sound on that one.

This show has a classic Who Fuck Up! Roger comes in early on Won't Get Fooled Again and does not know it. Pete gets them back after the first chorus.


When I track a show, I go from start of song to the end of a song.
I usually label anything of about 10 seconds or more between songs as "Stage".
This way you can skip the banter or silence and just listen to the songs.

If and when I get real adventurous I need to convert old master tapes and Mini Discs to digital.
I started recording shows in 1986 and have boxes I need to go through!!! It will be a long process!
If anyone has any suggestions on software, hardware, tips, or tricks that would be helpful!

***some shows from my archieve that i will try to get converted from tapes:
Roger Daltrey: HOB Boston MA 11/08/09, Great Woods Mansfield MA 08/28/94, w/British Rock Symphony 2 shows Harborlights Boston Ma 07/21/98  &  Foxwoods Casino CT 07/19/98
Pete Townshend: Harborlights Boston MA 02/14/98, Great Woods Mansfield MA 08/09/93, Berklee Performance Center Boston MA 10/12/12 (Interview & Acoustic Performance)
John Entwistle: State Theater Portland ME 06/06/01, Fleet Boston Pavilion Boston MA 07/11/01-(A Walk Down Abbey Road)

http://fp.io/11bade11/

BELA FLECK & The Flecktones - Summit - Hartford, CT - 11/13/1989

Béla Fleck & The Flecktones
November 13, 1989
Summit - Hartford, CT

Source: Analog audience master (Nak 300s directly off
right speaker > Sony D5)
Transfer: D5 > HHB 850 > CDR >shn
Taped and transferred by: Ray Potter
Transfer to shn by: Andy Kim
Some appluse between songs is cut.
please send questions to: andyxkim@yahoo.com

Set 1:

Disc 1
1. Frontiers
2. Flipper
3. Half Moon Bay
4. Intros
5. Vic intro
6. Emerald Falls
7. Caliente
8. Sunset Road
9. Béla and 'Earl'
10. Béla and 'Earl' - Dueling Banjos
11. Sea Brazil

Set 2:

12. Hurricane Camille
13. latin tune

Disc 2
1. Howard solo
2. Slipstream
3. Reflections of Lucy
4. Au-Leu-Cha
5. Vic rap
6. Sinister Minister
7. Space is a Lonely Place>They're Here
8. talk
9. The Chase                                                                                                                                                http://fp.io/49bd9daf/

YES - NORTHERN FLIGHT

http://fp.io/85535d38/

THE EAGLES - Hell Freezes Over Tour Queen Elizabeth II Stadium Christchurch, NZ - 11/24/1995

The Eagles
1995-11-24
Hell Freezes Over Tour
Queen Elizabeth II Stadium
Christchurch, NZ
Soundboard Recording

CD 1:
01. Hotel California
02. Victim Of Love
03. New Kid In Town
04. Wasted Time
05. Pretty Maids All In A Row
06. The Girl From Yesterday
07. I Can't Tell You Why
08. Ordinary Average Guy
09. Lyin' Eyes
10. One Of These Nights

CD 2:
01. Tequila Sunrise
02. Help Me Through The Night
03. Love Will Keep Us Alive
04. Heart Of The Matter
05. You Belong to The City
06. The Boys Of Summer
07. Funk #49
08. Dirty Laundry
09. Smuggler's Blues
10. Life's Been Good
11. Heartache Tonight
12. Life in The Fast Lane

CD 3:
01. Already Gone
02. Rocky Mountain Way
03. Desperado
04. Take It Easy
http://fp.io/6e27ffd8/

THE EAGLES - Tampa, FL Tampa Bay Times forum - November 20, 2013

The Eagles

Tampa, FL
Tampa Bay Times forum
November 20, 2013

Source: Schoeps MK5 Omni - Cards - Nbob Actives - Naiant Tinybox Transfo Out - Sony M10 (24-48)

Transfer: Micro SD card > wav file > Adobe Audition > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB
Recording Location: Front Row on the Floor
Recorded by: Datfly



01.Saturday Night - (Don Henley and Glenn Frey only)
02.Train Leaves Here This Morning - (Bernie Leadon, Don Henley and Glenn Frey only)
03.Peaceful Easy Feeling - (Timothy B. Schmit, Bernie … more)
04.Witchy Woman - (Joe Walsh joins the 4 others)
05.Doolin-Dalton
06.Tequila Sunrise
07.Doolin'-Dalton/Desperado (Reprise)
08.Already Gone
09.The Best of My Love
10.Lyin' Eyes
11.One of These Nights
12.Take It to the Limit


Set 2

13.Pretty Maids All in a Row
14.I Can't Tell You Why
15.New Kid in Town
16.Love Will Keep Us Alive
17.Heartache Tonight
18.Those Shoes
19.In the City
20.Band Introductions
21.Life's Been Good
22.The Long Run
23.Funk #49
24.Life in the Fast Lane
25.Hotel California
26.Take It Easy
27.Rocky Mountain Way
28.Desperado

(Bernie Leadon didn't play the second part until the second encore)


I used the Schoeps in Omni for the first set & Cards for the second.
The Eagles front row...need I say more. crowd around me is a little noisy at times.

http://fp.io/22f3915c/

THE EAGLES - Orlando, FL Amway Center - November 23, 2013

The Eagles

Orlando, FL
Amway Center
November 23, 2013



Set 1

01.Saturday Night - (Don Henley and Glenn Frey only)
02.Train Leaves Here This Morning - (Bernie Leadon, Don Henley and Glenn Frey only)
03.Peaceful Easy Feeling - (Timothy B. Schmit, Bernie … more)
04.Witchy Woman - (Joe Walsh joins the 4 others)
05.Doolin-Dalton
06.Tequila Sunrise
07.Doolin'-Dalton/Desperado (Reprise)
08.Already Gone
09.The Best of My Love
10.Lyin' Eyes
11.One of These Nights
12.Take It to the Limit


Set 2

13.Pretty Maids All in a Row
14.I Can't Tell You Why
15.New Kid in Town
16.Love Will Keep Us Alive
17.Heartache Tonight
18.Those Shoes
19.In the City
20.Band Introductions
21.Life's Been Good
22.The Long Run
23.Funk #49
24.Life in the Fast Lane
25.Hotel California
26.Take It Easy
27.Rocky Mountain Way
28.Desperado

(Bernie Leadon didn't play the second part until the second encore)
http://fp.io/f99a665d/

THE WAYBACKS - BURGER AFTER CHURCH

THE WAYBACKS
''BURGER AFTER CHURCH''
MAY 14 2002
57:15

1 /Turkish Stalemate/4:31
2 /Down from Iona/2:59
3 /Brundlefly/4:56
4 /Bright Place/6:59
5 /Last Date/8:43
6 /Prairie Doggin'/2:57
7 /Police Dog Blues/4:04
8 /Saltflat Rhapsody/4:58
9 /Gulshion Island/3:31
10 /The Return/7:43
11 /Temporary Cheese/5:54

REVIEW
by William Ruhlmann
Judging by the instrumentation, you'd probably say the Waybacks were a bluegrass group; how else could you describe a band with two mandolin players? And so they are, but these guys have a lot of records besides Bill Monroe's in their collections, if their second album, Burger After Church, is any indication. There are tunes that come across as traditional bluegrass instrumentals, notably the opener, "Turkish Stalemate" (which might be subtitled "Dueling Mandos"), and "Gulshion Island," but even these have other elements. The rest are even more eclectic: "Brundlefly" boasts jazzy solos, "Bright Place," with its prominent fiddle playing, is a country raver, Floyd Cramer's "Last Date" is turned into a lengthy ballad statement sans piano, "Prairie Doggin'" and "The Return" both have Celtic influences, Blind Blake's "Police Dog Blues" is country blues with a few twists, "Saltflat Rhapsody" has some wonderful fingerpicking, and "Temporary Cheese" contains a passage that might have come from one of the Grateful Dead's "space" excursions. So, what do you call all that? Progressive bluegrass? Newgrass? the Waybacks delight in mixing things up, and they are the kind of musician's musicians who devote a portion of their short CD booklet to a list of the instruments they use ("Michael Coulon's '30s-era Kalamazoo L-30 guitar was played by James on track 7"). The resulting music stays fresh as the band takes it to one style after another, playing each one well.

BIOGRAPHY
by Craig Harris
The traditional sounds of old-timey string band music is only element of the musical tapestry woven by San Francisco-based quintet the Waybacks. Roots Town Music Magazine called them "a dream combination of punk vandalism and hyper-intelligent, seldom heard, humoristic musicality," while the Winnipeg Free Press praised them for their "unpretentious musicality." Describing their musical approach, www.shoprecords.com wrote, "it's everything from 'Kumbaya'-like folk and cowboy jazz, space jam, celtoid, agnostic gospel, beat poetry, Grappelli-esque swing, and acoustic originals." The Waybacks' sound represents the combined efforts of lead guitar, mandolin player, and vocalist James Nash; fiddle, mandolin, guitar, and Humanatone player and vocalist Chojo Jacques; and rhythm, fingerpicked and Weissenborn slide guitar player, and vocalist Stevie Coyle. A native of Nashville, Nash has been playing guitar since the age of nine. Throughout high school, he studied with renowned Nashville session guitarist Jerry Kimbrough. Relocating to the San Francisco area to attend Stanford University, he became a member of the alt-rock band Occam's Razor. Increasingly drawn to traditional Southern music, he taught himself to play mandolin. In addition to working with the Waybacks, he performs as a soloist and with Lane & the Badass Chicken Bones. Although he initially studied piano and viola, Jacques found his natural voice on the guitar. The instrument was only one step, however, on his musical journey. After playing guitar in a truck stop bar band in East Missoula, MO, he began studying fiddle with the Montana Fiddlers Association. Two years later he added the mandolin, which he played with the Lost Highway Band. Moving to Austin, he became involved with the city's thriving music scene for eight years. At the suggestion of David Grisman, he moved to San Francisco in 1982. In the nearly two decades since, Jacques has become an in-demand session player. The lengthy list of artists with whom he's worked includes Ramblin' Jack Elliott, Johnny Paycheck, Frank Wakefield, and Michael Hedges. Much of the Wayback's irreverent approach is stirred by Coyle, whose resumé includes emceeing killer whale shows, doing standup comedy as one-half of the Reagan Brothers, and performing with satirical folk bands the Foremen and the Frontmen. The Wayback's rhythm section features double bass player and vocalist Joe Kyle, Jr. and drummers Chuck Hamilton, who tours with the group, and Peter Tucker, who performs with the band in the San Francisco area.
http://fp.io/9f238me3/