THE GRATEFUL DEAD - Parc des Expositions, Dijon, France - 09/18/1974

Grateful Dead
1974-09-18
Parc des Expositions, Dijon, France

Set I:
d1t01 - Uncle John's Band
d1t02 - Jack Straw
d1t03 - Friend Of The Devil
d1t04 - Black Throated Wind
d1t05 - Scarlet Begonias
d1t06 - Mexicali Blues
d1t07 - Row Jimmy
d1t08 - Beat It On Down The Line
d1t09 - Deal
d1t10 - The Race Is On
d1t11 - To Lay Me Down
d2t01 - Playing In The Band
d2t02 - Seastones (Phil & Ned)

Set II:
d2t03 - Loose Lucy
d2t04 - Big River
d2t05 - Peggy-O
d2t06 - Me & My Uncle
d3t01 - Eyes Of The World >
d3t02 - China Doll
d3t03 - He's Gone >
d3t04 - Truckin' >
d3t05 - Drums >
d3t06 - Caution Jam >
d3t07 - Ship Of Fools
d3t08 - Johnny B. Goode
Encore:
d3t09 - U.S. Blues


Lineage:
SBD > Master Reel > Dat > Sonic Solutions > CD > EAC > SHN
(3 Discs Audio / 2 Discs SHN)

SHN'd By Charlie Miller from Pre-FM GDH Production Discs
11/19/03

This shn set has fixed a pop on d1t07 (see notes).  Otherwise it is
unchanged from the original seed (http://db.etree.org/shn/20675)

Notes:
-Two pops removed in Peggy-O with Cool Edit Pro v1.2

Note added 11/29/2003 by Matt Vernon
- fixed pop d1t07 ~ 6:17.  If you have the original source you only need this "fixed" track, the rest are uneffected (sector boundaries unchanged)
- added notations where between song tuning appears not continuous

http://fp.io/8d776774/

THE GRATEFUL DEAD - Olympiahalle, Munich, West Germany - 09/14/1974

Grateful Dead
1974-09-14
Olympiahalle, Munich, West Germany

Set I:
d1t01 - Bertha (aud)
d1t02 - Me And My Uncle (aud)
d1t03 - Deal (aud)
d1t04 - Jack Straw (aud)
d1t05 - Scarlet Begonias (aud > sbd)
d1t06 - Promised Land
d1t07 - Loser
d1t08 - El Paso
d1t09 - Row Jimmy
d2t01 - Weather Report Suite >
d2t02 - Let It Grow
d2t03 - Tennessee Jed
d2t04 - Around And Around
d2t05 - Seastones (Phil and Ned)

Set II
d2t06 - Big River
d2t07 - Sugaree
d2t08 - Mexicali Blues
d2t09 - Mississippi Half-Step Uptown Toodeloo
d2t10 - It Must Have Been The Roses
d3t01 - Truckin' >
d3t02 - Mind Left Body Jam >
d3t03 - Wharf Rat >
d3t04 - Sugar Magnolia
Encore:
d3t05 - Eyes Of The World >
d3t06 - One More Saturday Night
d3t07 - U.S. Blues


Recording Info:
SBD > Master Reel > Dat

Transfer Info:
Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > FLAC
(3 Discs Audio / 2 Discs FLAC)

Transferred & Edited By Charlie Miller
August 23, 2005

Patch Info:
AUD > Master Reel >Dat > CD supplies:
Bertha through 5:20 of Scarlet Begonias


Notes:
-- I did a 10db bass boost on the AUD patch (not that you can tell).
-- Cut in Truckin' Jam removed with crossfade.
-- Last few seconds of Sugar Magnolia missing (Fade Out).
-- Cut in U.S. Blues.
http://fp.io/77a3e241/

DEREK AND THE DOMINOS - Johnny Cash Show Taping Ryman Auditorium Nashville, TN - 11/05/1970

Derek and the Dominos
1970-11-05
Johnny Cash Show Taping
Ryman Auditorium
Nashville, TN
Soundboard Recording
320 kbps
Artwork Included

01. It's Too Late
02. Got To Get Better In A Little While
03. Matchbox
04. Matchbox
05. Matchbox
06. Blues Power

http://fp.io/d6dfma64/
Taping for show.  Actually aired on Januay 6, 1971

DEREK AND THE DOMINOS With Duane Allman - Curtis Hixon Hall, Tampa, FL - 12/10/1970

Derek and the Dominos
With Duane Allman
1970-12-10
Curtis Hixon Hall,
Tampa, FL
Very Good Audience Recording
320 kbps
Artwork Included

CD 1:
01. Layla
02. Got To Get Better In A Little While
03. Key To The Highway
04. Why Does Love Got To Be So Sad

CD 2:
01. Blues Power
02. Have You Ever Loved A Woman
03. Bottle Of Red Wine
04. Let It Rain


Notes: Notes: This is the only known live performance of Derek and the Dominos with Duane Allman. The insert claims that he joined the band on at least one other occasion but so far nothing has been documented. Relatively good sound quality for a D&D show.  An upgrade over the circulating "Second Source Remix," but it may have some noise reduction in there. And, of course, Duane! (Taken from original info file).        http://fp.io/1a4b92m1/

JAMES TAYLOR - The Complete Carnegie Hall Concert Carnegie Hall, New York City - May 26-27, 1974

James Taylor
The Complete Carnegie Hall Concert
Carnegie Hall, New York City
May 26-27, 1974

First Set
1.      You Can Close Your Eyes
2. Riding On A Railroad
3. Blossom
4. Long Ago And Far Away
5. Sunshine Sunshine
6. Me And My Guitar
7. Country Road
8. You’ve Got A Friend
9. Promised Land

Second Set
10. Migration
11. Let It All Fall Down
12. Brighten Your Night With My Day
13. One Man Parade
14. Anywhere Like Heaven
15. Don’t Let Me Be Lonely Tonight
16. Fire and Rain
17. You’re The One (That I Adore)
18. Rock 'N' Roll Is Music Now
19. Mockingbird

Encore
20. Ain’t No Song
21. Sweet Baby James

Time:  79:10


Source:  KBFH master reels > dat > cdr > EAC > Sound Forge 6.0 > CD Wave > 1shn/1cdr
Remastered by ALS, March 2003


Comments:

James Taylor performed at Carnegie Hall on May 26th and May 27th in 1974.
These two shows were probably the final two shows of JT's four-week U.S. tour to promote
"Walking Man."  The DIR Concert Network had permission to tape both shows and it is not
clear whether this version represents one of the shows or a combination of both shows.
My gut feeling is that it is probably a combination of both shows.  KBFH broadcasted this
version of the show on June 30, 1974.  This version is superior in every way to the hugely
popular and widely circulated "Carnegie Hall" KTS bootleg. The overall sound quality is
stunning, crystal clear stereo.  The soft songs are perfect, although the loud songs are
so full the sound nearly distorts.  The KTS bootleg was probably sourced from a second or
third generation cassette.  The addition of the six songs not included on the KTS bootleg
dramatically changes the flow of the show.  KTS would have you believe that JT jumped from
"Fire and Rain" to "Mockingbird."  Not so.  JT beautifully built the show to a peak
culminating with Carly's arrival just after the start of "Mockingbird."  For JT fans this
version is essential.  Some minor editing was necessary to best represent the original
concert experience from the perspective of the audience.  I edited out the KBFH
announcements.  I edited in several "soft endings" where the audience applause would have
otherwise abruptly ended (due to harsh KBFH edits or announcements).  No edits were made
to the music or stage banter.

http://fp.io/a6abe56c/

JOHN FOGERTY & Friends - Oakland Alameda County Coliseum Oakland, CA - 05/27/1989

John Fogerty & Friends
1989-05-27
Oakland Alameda County Coliseum
Oakland, CA
Soundboard Recording


01. Born On The Bayou.
02. Green River
03. Down on the Corner
04. Rock And Roll Girls
05. Centerfield
06. Proud Mary
07. Midnight Special
08. Bad Moon Rising
09. Fortunate Son
10. Suzy Q
11. Long Tall Sally

Notes:

Entire Show with:
Jerry Garcia, Clarence Clemmons and Bob Weir

Source: SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR

http://fp.io/8a5f58ee/

DEREK AND THE DOMINOS - Civic Center Santa Monica CA - 11/20/1970

Derek & The Dominoes
1970-11-20
Civic Center
Santa Monica CA
November 20, 1970
320 kbps




CD 1:
Early Show
01. Got To Get Better In A Little While
02. Key To The Highway
03. Why Does Love Got To Be So Sad
04. Blues Power
05. Have You Ever Loved A Woman
06. Tell The Truth
07. All Night Long - Derek's Boogie
08. Let It Rain

CD 2:
Late Show
01. Tuning
02. Got To Get Better In A Little While
03. Key To The Highway
04. Why Does Love Got To Be So Sad

CD 3:
Late Show (continued)
01. Tuning
02. Blues Power
03. Stormy Monday
04. Tell The Truth
05. Let It Rain
06. Everyday I Have The Blues

Derek and the Dominos’ first official onstage appearance was at the Lyceum in London on June 14. This show is five months later in California. Much of the time in between was spent in Miami, Florida at Criteria Studios recording Layla And Other Assorted Love Songs from late August to early October, 1970.

How they managed to record an album and tour, even briefly, is a modern miracle, considering the drugs and vice that swirled around the band. At the time, they were doing hard drugs. Years later, the Dominos’ Bobby Whitlock was quoted in the Layla Sessions liner notes that “We didn’t have little bits of anything. There were no grams around, let’s just put it like that. Tom (Dowd) couldn’t believe it, the way we had these big bags laying out everywhere. I’m almost ashamed to tell it, but it’s the truth. It was scary, what we were doing, but we were just young and dumb and didn’t know. Cocaine and heroin, that’s all and Johnny Walker.”

When you listen to this show, the band is steamin’ with Clapton singing authoritatively, while throwing licks with quicksilver speed. Did the drugs do the trick? This audience recording is fantastic, up close capturing a stereo image with nice bass, and also the atmosphere of a pre-Heavy Metal show. This was blues rock with the emphasis on the blues as heavy music, soon to be upended by the brute force of metal. This pre-Heavy Metal show is distinguished by the flair of Clapton’s soloing, his musicality and variety.

The downer hit while the band was back in London recording their second album. It was never completed. Eric Clapton said the second album “broke down halfway through because of the paranoia and tension. And the band just… dissolved.” Too much drugs and a band relationship that didn’t have enough time to cement was to blame. Clapton and Whitlock did not speak for years. Carl Radle was the only Domino to continue working with Clapton. And according to Wikipedia Jim Gordon, “who was an undiagnosed schizophrenic, killed his mother with a hammer in 1983 during a psychotic episode. He was confined to a mental institution in 1984, where he remains today”.

This was among the earliest Derek and the Dominos show to emerge on bootleg. This version has the benefit of being cleaned by grner1 and is also from a low-generation source tape. It has been “meticulously remastered to eliminate most of the quality issues that were introduced in this source over time. This version is not going to fool anyone into thinking it was mastered on a 24-bit R-09, but it is now a pleasant listen that has clearly audible vocals, good dynamics, and limited hiss” says sharer ademotte.

The bonus of this show is the appearance of Delaney Bramlett on second guitar on both the afternoon and evening shows.           http://fp.io/bb31527d/

THE BLUE VIPERS OF BROOKLYN - PERMANENT MAGIC

THE BLUE VIPERS OF BROOKLYN
''PERMANENT MAGIC''
2010
44:11

1/Blue Drag
Josef Myrow/3:40
2/Nadine
Billy Nemec/2:38
3/Stay a Little Longer
T. Duncan/2:30
4/Georgia
Hoagy Carmichael/4:13
5/Some of These Days
S. Brooks/3:16
6/Don't Pretend
Billy Nemec/3:23
7/On the Sunny Side of the Street
Jimmy McHugh/2:42
8/You Can Depend on Me
C. Carpenter / E. Hines/4:27
9/Viperation
Tom Abbott/3:34
10/Permanent Magic [AKA Bathroom Wall]
Billy Nemec/2:21
11/Hey Good Lookin'
Hank Williams/3:11
12/Nightlife
Walt Breeland / Paul Buskirk / Willie Nelson/4:17
13/All Night Long
Clifton Chenier/2:48
14/Happy Trails
Dale Evans/1:11

Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone

ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.

http://fp.io/7886a573/   thanks to old rocker for post

THE BLUE VIPERS OF BROOKLYN - GOOD NIGHT HARRY

THE BLUE VIPERS OF BROOKLYN
''GOOD NIGHT HARRY''
JANUARY 15 2009
47:28

1. Ragg Mopp/2:56
2. My Bucket's Got a Hole in It/3:13
3. Let It Roll/3:01
4. Margie/4:05
5. I'll Fly Away/3:40
6. Gangster of Love/4:03
7. Ice Cream/4:40
8. St. James Infirmary/5:01
9. Shake, Rattle and Roll/3:43
10. Down By the Riverside/3:24
11. Bei Mir Bist Du Schon/4:20
12. I'll See You in My Dreams/4:01
13. Good Night Irene/1:21

Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone

ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.

http://fp.io/m6989935/        thanks to old rocker for post

THE BLUE VIPERS OF BROOKLYN - FORTY DAYS AND FORTY NIGHTS

THE BLUE VIPERS OF BROOKLYN
''FORTY DAYS AND FORTY NIGHTS''
2007
36:31

1. When You're Smiling/3:51
2. Leave You Then/2:32
3. Five Guys Named Moe/2:47
4. Forty Days & Forty Nights/2:51
5. Stardust/3:31
6. Up, Up & Away/3:46
7. Cross The Room/3:15
8. Outskirts Of Town/3:51
9. Gloryland/3:36
10. World Is Waiting/2:48
11. Perdon/3:43

Billy Nemec/Guitar, Lead Vocals
Chris Pistorino/Bass, Vocals
David Langlois/Washboard Percussion, Vocals
Sam Hoyt/Trumpet, Vocals
Tom Abbott/Saxophone
The Vipers are often joined by the following fine musicians:
Sean Condron, Mikey Hart – Guitar/Vocals
Andrew Hall, George Rush – Upright Bass
Rich Levinson, Jeremy Noller – Percussion
David Luther, Adrian Cunningham, Peter and Will Anderson – Sax, Clarinet
Dan Blankinship, Charlie Caranicas – Trumpet
Matt Mussulman, James Zeller – Trombone

ABOUT
The Blue Vipers of Brooklyn are an early jazz, swing, and blues band, composed of acoustic guitar/vocals, upright bass, homemade washboard percussion, trumpet and saxophone. Their repertoire of witty songs from the 1920′s and 30′s, New Orleans & Dixieland, classic Blues, R&B and Western Swing is augmented by original tunes with moving yet often bawdy lyrics and catchy 4 part vocal harmony.

http://fp.io/3c66mee1/    thanks to old rocker for post