June 15, 2012
THE GRATEFUL DEAD - Rosemont Horizon Arena, Rosemont, IL - 03/10/1993
Grateful Dead
1993-03-10
Rosemont Horizon Arena, Rosemont, IL
Set 1:
d1t01 - Tuning
d1t02 - Feel Like A Stranger
d1t03 - Stagger Lee
d1t04 - The Same Thing
d1t05 - Peggy-O
d1t06 - Queen Jane Approximately
d1t07 - Ramble On Rose
d1t08 - Let It Grow
Set 2:
d2t01 - Eyes Of The World >
d2t02 - Way To Go Home
d2t03 - Lazy River Road
d2t04 - Corrina >
d2t05 - Mind Left Body Jam >
d2t06 - Drums >
d3t01 - Space >
d3t02 - The Wheel >
d3t03 - All Along The Watchtower >
d3t04 - Standing On The Moon >
d3t05 - Not Fade Away
Encore:
d3t06 - It's All Over Now, Baby Blue
Recording Info:
SBD > Master Dat (44.1k)
Transfer Info:
Master Dat (Sony R500) > Tascam SS-R05 > Samplitude Professional v11.1 > FLAC
All Transfers & Mastering By Charlie Miller
June 9, 2012
Notes:
-- Set 2 is seamless
Encoding Info...
FLAC > Dbpoweramp > MP3(v0)
http://fp.io/4949m1m1/
JEFF WAYNE'S - WAR OF THE WORLDS - 1985
Jeff Wayne - War of the Worlds (1977) (@256)
(Review from progarchives.com)
Jeff Wayne is not so much the performer as such; his role here is to bring together many highly talented musicians to perform his masterpiece. To be fair, he does contribute keyboards and backing vocals. While Wayne is indeed the main composer and producer, credit is due Garry Osbourne who writes virtually all the lyrics. ‘The War of the worlds’ could perhaps be seen as a follow up to Lou Reizner’s excellent symphonic version of ‘Tommy’, with which it has more than passing similarities (although admittedly Reizner was not involved in the composition in that case).
The album is of course based on the HG Wells novel of the same name, with narration by the late Richard Burton. Burton’s distinguished voice is ideal for the music. While his interjections playing the part of a journalist tell the story perfectly, there is never any danger of this becoming a talking book. The music at times has an almost dance like beat as on the opening track (’The eve of the war’), but it is diverse with strong orchestration, and some first class instrumental work (especially from Chris Spedding on guitar). There are also moody, ambient phases (’Dead London’), and Rice/Lloyd-Webber like stage show pieces (’The spirit of man’).
The most familiar tracks will be the two that feature Justin Hayward (Moody Blues). While ‘Eve of the war’ is largely an instrumental, it opens with a brief introductory narration from Burton, before the now so familiar orchestral theme crashes in. It is almost like the theme to a documentary or newsreel, where you just know what?s coming is not going to be good news. Hayward is the first singer to appear on the album as he reminds us, ‘The chances of anything coming from Mars are a million to one, but still they come’.
The tracks on the album are all lengthy, each side of the double LP only holding two or three songs. Side one is completed by ‘Horsell Common and the Heat Ray’. The sound effects can be a bit too literal in this section, with what appears to be a tin can being slowly unscrewed, then the lid dropping to the ground, to simulate the Martian heat ray being unveiled. It’s all a bit too BBC sound effects department!
The track distinctions and names are largely irrelevant, as the album flows as a continuous and complete piece. There are many excellent performances throughout the album. Phil Lynott (Thin Lizzy) as the manic and delusional preacher, Julie Covington as his devoted wife, and David Essex as the naive young artillery man who is going to build a whole new world from scratch, underground. The distinctive voiced Chris Thompson (Manfred Mann’s Earth Band) tells the tale of the ‘Thunder child’ warship, on which all hope for the future is resting, with his customary excellence.
Above all these however comes Justin Hayward’s performance on ‘Forever autumn’. If you have only ever heard the single version of this song, the full-length version included here will be a pleasant surprise. The lush orchestration, instrumental breaks, and narration interludes by Burton all go towards making this an absolute epic of a track. Lyrically (other than the narration), it doesn’t really add anything to the story, apart from painting a picture of the emotional devastation felt by the “journalist” with both his personal, and indeed the world’s predicament. Musically however, it is the highlight of the album, and one of the best pieces of music Hayward has contributed to (and he has been involved in many fine pieces).
Of course, there is the happy ending to the story to conclude, with a final sting in the tail added by Wayne(!).
‘War of the worlds’ is a quite stunning album, full of strong melodies, inspired song-writing, and excellent performances.
Line-up :
- Jeff Wayne / synthesizer, keyboards, voices, director, conductor, executive producer, performer, orchestration
- David Essex / vocals, performer
- Justin Hayward / vocals, performer
- Chris Spedding / guitar
- Julie Covington / vocals, performer
- Herbie Flowers / guitar (bass)
- Billy Lawrie / vocals (background)
- Phil Lynott / vocals, performer
- Chris Thompson / vocals, performer
- Richard Burton / vocals, performer
- Ray Cooper / percussion
- George Fenton / zither, taragat, santur
- Ken Freeman / synthesizer, keyboards
- Barry Morgan / drums
- Gary Osborne / vocals (background)
- Jo Partridge / guitar, vocals, performer
- Paul Vigrass / vocals (background)
- Roy Jones / percussion
- Barry Da Souza / percussion
Track List:
CD1:
01. The Eve of the War (9:06)
02. Horsell Common and the Heat Ray (11:36)
03. The Artilleryman and the Fighting Machine (10:36)
04. Forever Autumn (7:43)
05. Thunder Child (6:10)
CD2:
01. The Red Weed (5:55)
02. The Spirit of Man (11:41)
03. The Red Weed (part 2) (6:51)
04. Brave New World (12:13)
05. Dead London (8:37)
06. Epilogue (Part 1) (2:42)
07. Epilogue (Part 2) (NASA) (2:02)
http://fp.io/2d54ee87/
JEFF WAYNE'S - SPARTACUS -1992
Jeff Wayne - Spartacus (1992) (@256)
(Review from progarchives.com)
For the follow up to “War of the Worlds”, Jeff Wayne brought together once again many of the same ingredients. Talented performers, orchestration, and a strong storyline (in this case the story of Spartacus from the epic film of the same name) all indicated that this would be another fine album.
It is then, all the more surprising that this such a disappointing album. The main problem here is in the quality of the compositions. There is a real dearth of strong melodies, and the performances themselves can be best described as average. Perhaps it was the fact that unlike “War of the Worlds”, the performers here, while highly competent, were not “stars”. It’s only speculation, but perhaps Wayne did not get the expert feedback from the performers this time which he enjoyed previously, and thus the quality control was compromised.
A quick examination of the list of performers reveals that the rock orientated musicians who dominated War of the Worlds are largely missing, to be replaced by generally lesser know performers with dance music backgrounds. Ladysmith Black Mambazo play the part of the "crowd" giving the album a significant "world music" feel. Only Manfred Mann’s Earth Band’s Chris Thompson remains from the War of the Worlds guest singers. If that’s not concerning enough(!), the lead female role is sung (yes sung) and narrated by Catherine Zeta Jones! At the time, she was not nearly as well known as she is these days. To be fair, Jones is actually a pretty good singer in a stage show context, and the album does have the feel of a Lloyd-Webber/Rice musical, rather than a rock extravaganza. On the plus side, Fish (ex-Marillion) also appears, albeit briefly.
The tracks are lengthy but rather drawn out, with too little variety, and some sections become downright boring. The peculiar mixture of dance, world music, orchestration, story telling, stage show and a small amount of rock do not sit particularly well together resulting in a disjointed and unsatisfying mix.
The narration is shared by Anthony Hopkins and Catherine Zeta Jones, and while the album tells the story well, it can become a bit tedious. It has to be said too, that while the film was undoubtedly a classic, the story has not transferred well to the audio only medium.
“Spartacus” may appeal to someone who enjoys all the diverse influences include in it. Unfortunately, for me those influences have not been put together in a coherent and enjoyable format, and when seen as a whole, the album fails to inspire. Indeed, inspiration appears to largely lacking from the project as a whole.
Line-up :
- Anthony Hopkins / Marcus Crassus (spoken part)
- Catherine Zeta Jones / Palene (spoken and sung part)
- Ladysmith Black Mambazo / The "voices of Spartacus army"
- Incantation / multi-instrumentalists
- Jimmy Helms / Isoricus the Cicilian pirate
- Fish / Crixus the Gaul Alan King & Spartacus
- Chris Thompson / Oeomanus
- Bill Fredericks & Jo Partridge / guitar
- Danny Campbell & Marwenna Haver / backing vocalists on "For All Time"
- Lorna Bannon & Carol Kenyon / Slave Girls on "Trust Me"
- Gaetan Schurrer / programming
- Steve McLaughlin / programming
- James Cassidy / keyboards
- Jeff Wayne / keyboards
- Jo Partridge / guitars and guitar synths
- David Sinclair / bass guitar, stick
- John Cann / live drums
- "The Parting of the Ways" & "Trust Me" Kick Horns / brass section
Track List :
CD1:
01. Destiny
02. Animal & Man (Part One)
03. Animal & Man (Part Two)
04. For All Time
05. Whispers
06. The Eagle & the Hawk
CD2:
01. Going Home
02. The Parting of the Ways
03. We Carry On
04. Trust Me
05. Two Souls With a Single Dream
06. The Last Battle (leading into)
07. The Eagle & the Hawk
08. The Appian Way
09. Epilogue (Part One)
10. Epilogue (Part Two)
http://fp.io/1am4ce2m/
MOTHER EARTH - Living With The Animals - 1968
Mother Earth - Living With The Animals - 1968 - Mercury
Though Mother Earth is often remembered as a vehicle for Tracy Nelson, Living With the Animals is a true group effort, combining memorable vocal performances with tight R&B-derived playing with excellent guitar work from Michael Bloomfield. Side one is a showcase for Nelson's blues belting and piano, particularly on "Down So Low" and "Mother Earth." Not to be overlooked is the blues shuffle "I Did My Part" and R.P. St. John's sardonic "Living With the Animals" and "Marvel Set," which features him on lead vocals. Side two doesn't hold up quite as well, though there are stellar moments here as well, including "Cry On" and "Goodnight Nelda Grebe," with fine horn section work and excellent Nelson vocals. Written and fronted by St. John, "The Kingdom of Heaven Is Within You" is a brilliant closer; it's nocturnal, moody, and spacy and showcases beautiful muted trumpets and reeds with a gorgeous flute solo by Link Davis Jr. The album was reissued on CD by Wounded Bird in 2004. © J.P. Ollio & Thom Jurek © 2011 Answers Corporation http://www.answers.com/topic/living-with-the-animals
Great late sixties Texas blues/R&B. There are some great musicians here. Mark Naftalin was the keyboardist for the Butterfield Blues Band, and Powell St.John wrote for the great 13th Floor Elevators band.Tracy Nelson's powerful and clear vocals are a strong point of this album. The last track, "Kingdom of Heaven" by Powell St.John is a great psychedelic flavoured song, and is a highlight of the album. However, the entire album is great and HR by A.O.O.F.C. Listen to Mother Earth's 1972 s/t album, and Tracy Nelson's great album, "Deep Are the Roots." Mother Earth's "Satisfied" album is @ MOTHERE/SFD
TRACKS / COMPOSERS
SIDE ONE
Marvel Group (St. John)
Mother Earth (Memphis Slim)
I Did My Part (Neville)
Living with the Animals (St. John)
Down So Low (Nelson)
SIDE TWO
Cry On (Toussaint)
It Won't Be Long (McFarland)
My Love Will Never Die (Dixon)
Goodnight Nelda Grebe The Telephone Company Has Cut Us Off (Caldwell/Nelson)
The Kingdom of Heaven (Is Within You) (St. John)
MUSICIANS
Makal Blumfeld (aka Mike Bloomfield), John Andrews - guitar
Bob Arthur - bass
Tracy Nelson - piano, vocals
Mark Naftalin - piano, organ
Barry Goldberg - organ
Jose Emilio Rodriquez III, George Rains - drums
Martin Fierro - tenor saxophone, alto saxophone, flute
Frank Morin - tenor saxophone
Link Davis Jr. - alto saxophone
Bob Salisbury, Ron Taormina - baritone saxophone
Louis Gasca - trumpet
Spencer Perskin - violin
R. Powell St John Jr - harmonica, vocals
Shalimar Samuelson, Sylvia Caldwell, Losella Funque - backing vocals (members of The Earthettes)
SHORT BIO
The late-'60s/early-'70s blues-rock outfit Mother Earth was led by singer Tracy Nelson and issued several somewhat underappreciated releases during their time span. Nelson was originally from Madison, WI, and it was while attending the University of Wisconsin that the singer was discovered by producer Sam Charters and was eventually signed to a recording contract with the Prestige label. 1965 saw the release of Nelson's solo debut, the folk-based Deep Are the Roots, and when it didn't exactly burn up the charts, Nelson decided to relocate to San Francisco, with the hopes of forming a more conventional rock outfit. Shortly after arriving on the West Coast, Mother Earth was formed, which led to performances at the famed Fillmore West, opening for the likes of Janis Joplin, Jimi Hendrix, and Eric Burdon. After an appearance on the soundtrack to the 1968 motion picture Revolution (which also featured the Quicksilver Messenger Service and the Steve Miller Band), Mother Earth signed with Mercury Records and issued a steady stream of releases until the early '70s. These albums included 1968's Living with the Animals 1969's Tracy Nelson Country and Make a Joyful Noise, 1970's Satisfied, 1971's Bring Me Home, 1972's Tracy Nelson/Mother Earth, and 1973's Poor Man's Paradise, before Nelson pursued a solo career. Subsequently, Nelson earned a Grammy nomination in 1974 for the track "After the Fire Is Gone" (a duet with Willie Nelson) and continued to issue solo albums until the early '80s, when she became disillusioned with the direction that popular music was going in (although she did sing backup for Neil Young for a spell in the mid-'80s, including appearing with Young at the mammoth Live Aid concert in 1985). Nelson returned to music in the '90s, beginning with 1993's In the Here and Now, continuing to issue solo recordings (and in 1998, earned another Grammy nomination for the release Sing It!, a collaboration with Marcia Ball and Irma Thomas). © Greg Prato © 2011 Answers Corporation http://fp.io/db7abd5m/
MOTHER EARTH - ''Make A Joyful Noise'' 1969
Mother Earth
''Make A Joyful Noise''
1969
Wounded Bird Records
Download
1 Stop the Train/Andrews, Arthur, Castille 3:23
2 What Are You Trying to Do/Neville 3:56
3 I Need Your Love So Bad/John 5:25
4 Soul of the Man/Sain 3:07
5 Blues for the Road/Andrews, Stallings 3:36
6 You Win Again/Williams 4:16
7 Come on and See/Arthur 3:12
8 Then I'll Be Moving On/St. John 3:22
9 The Fly/St. John 3:36
10 I Wanna Be Your Mama Again/Sahm 3:31
11 Wait, Wait, Wait/Neville 2:43
John Cameron Andrews/Guitar
Joe Arnold/Horn Section, Sax (Tenor), Saxophone
Bob Arthur/Bass, Vocals
Robert Arthur/Bass
Larry Butler/Piano
Sadie Cantrell/Vocals
Lonnie Castille/Drums
James "Curly" Cooke/Guitar (Rhythm)
Lady Corder/Vocals
Clay Cotton/Organ, Piano
Jack Drake/Bass (Acoustic)
Pete Drake/Guitar (Steel)
Ronnie Eades/Baritone, Horn Section
D.J. Fontana/Drums
Johnny Gimble/Fiddle, Violin
Ben Keith/Dobro, Guitar
Shorty Lavender/Fiddle, Violin
Gene "Bowlegs" Miller/Horn Section, Trumpet
Tracy Nelson/Keyboards, Piano, Vocals
Gerald Richardson/Horn Section, Trombone
Hargus "Pig" Robbins/Keyboards
Irma Routen/Vocals
Powell St. John/Harmonica, Vocals
Shalimar Samuelson/Musician
Boz Scaggs/Guitar (Rhythm)
Dale Sellars/Guitar (Rhythm)
Rev. Ron Stallings/Vocals
Aaron Varnell/Horn Section, Sax (Tenor)
Review by J.P. Ollio & Thom Jurek
Make a Joyful Noise is the follow-up to 1968's Living With the Animals. This time out, Mother Earth neatly divided their joint appreciations for rural and urban American music: à la the thematic "City Side" and "Country Side." The City Side is an R&B workout, powered by a robust horn section and the vocals of Rev. Ron Stallings on burning soul cuts such as "Stop That Train," Tracy Nelson's killer performance on Naomi Neville's cooker "What Are You Trying to Do," and sultry read of Little Willie John's babymaker "Need Your Love So Bad." The Country Side is more subdued, adorned by steel guitars and Powell St. John's quavering vocals on "I'll Be Moving On" and the strange "The Fly." Nelson's version of Doug Sahm's "I Wanna Be Your Mama Again" is her blues-country gospel version of Hank Williams' honky tonk nugget "You Win Again" (with a fine fiddle solo by Johnny Gimble). Some of the guest stars on this set include Boz Scaggs, Hargus Robins, Ben Keith, D.J. Fontana, and Pete Drake. Make a Joyful Noise remains an overlooked classic from the Warner Brothers catalog that finally saw CD issue in 2004 by Wounded Bird.
Biography by Greg Prato
The late-'60s/early-'70s blues-rock outfit Mother Earth was led by singer Tracy Nelson and issued several somewhat underappreciated releases during their time span. Nelson was originally from Madison, WI, and it was while attending the University of Wisconsin that the singer was discovered by producer Sam Charters and was eventually signed to a recording contract with the Prestige label. 1965 saw the release of Nelson's solo debut, the folk-based Deep Are the Roots, and when it didn't exactly burn up the charts, Nelson decided to relocate to San Francisco, with the hopes of forming a more conventional rock outfit. Shortly after arriving on the West Coast, Mother Earth was formed, which led to performances at the famed Fillmore West, opening for the likes of Janis Joplin, Jimi Hendrix, and Eric Burdon. After an appearance on the soundtrack to the 1968 motion picture Revolution (which also featured the Quicksilver Messenger Service and the Steve Miller Band), Mother Earth signed with Mercury Records and issued a steady stream of releases until the early '70s.
These albums included 1968's Living with the Animals 1969's Tracy Nelson Country and Make a Joyful Noise, 1970's Satisfied, 1971's Bring Me Home, 1972's Tracy Nelson/Mother Earth, and 1973's Poor Man's Paradise, before Nelson pursued a solo career. Subsequently, Nelson earned a Grammy nomination in 1974 for the track "After the Fire Is Gone" (a duet with Willie Nelson) and continued to issue solo albums until the early '80s, when she became disillusioned with the direction that popular music was going in (although she did sing backup for Neil Young for a spell in the mid-'80s, including appearing with Young at the mammoth Live Aid concert in 1985). Nelson returned to music in the '90s, beginning with 1993's In the Here and Now, continuing to issue solo recordings (and in 1998, earned another Grammy nomination for the release Sing It!, a collaboration with Marcia Ball and Irma Thomas).
http://fp.io/94d9cdfm/
GONG - Watchfield Free Festival Watchfield Oxfordshire England UK - 08/23/1975
Gong
1975-08-23
Watchfield Free Festival
Watchfield
Oxfordshire
England
UK
01. Invocation
02. Master Builder
03. Jam
04. Solar Musick Suite
05. Isle of Everywhere
06. Flying Teapot
07. I Never Glid Before
08. Improvisation
lineup:
Steve Hillage - guitar, Vocals
Micquette Giraudy - vocals, synth
Patrice Lemoine - keyboards
Didier Malherbe - sax and flute
Mike Howlett - bass
Laurie Allan - drums
"The begining of the end for |the great"peoples free festivals" What had begun
with a bunch of hardcore anarchists (led by Mick Farren)at the ilse of wight in
1970,germinated in the queens "garden"at the unforgettable Windsor festivals
culminating with a "friendly"police skirmish "friendly" when you compare it to
the much overfantisiesed battle of the beanfield in the early eighties ,not
being into having my head caved in by anybody as well as being a pacifist it was
obvious what was on the horizen when in 1981 i forsook the annual trek to
stonehenge after having arrived 2 weeks prior to the summer solstice ,spent a
joyous 10 days "tripped out"whilst the likes of GONG--HERE AND
NOW--THANDOR--HAWKWIND==LEAGUE OF SONIC DISORDER (sic) etc....would kjick up a
jenny' in the middle of a field and jam the night away (enjoying themselves)
only to allow people ,10s of thousands of people to worship at the alter of
HAWKWIND etc..A week or so later as they took to the gargantuan stage
erected for this sole purpose .In disgust I LEFT and mosied on down to the
newly ressurected GLASTONBURY FAYRE in direct opposition to the polisce who had
made it physically impossible to access the anuall meeting ground at PRIDDYPOOL
by digging a ridiculously large trench,ergot MICHAEL EAVIS (yeah the same
capitilalist dude we see today)invited the PEOPLE to use the PYRAMID stage that
had stood unused in a field of his for a decade,a nice gathering of a few
thousand people witnessed the likes of TIM BLAKE ,crystal machine and lasers in
tow ,i think we were all happy to donate the token one pound fifty pence
requested,And that ladys and gentlemen is where the story ends,that is also
where the great PEOPLES FREE FESTIVAL ended .......Nuff said.
This recording comes from almost 10 years earlier at Watchfield,where you paid
if you could ,if you couldn't no problem somebody else would take care of that.
A truly historic document which sadly lacks in it's sound quality Whether or
not DIDIER was there or not i cannot remember although i do remember NIK TURNER
being in evidence as does the person who originally posted this set "somewheres
else (honestly cannot remember where@!
Yes it is lacking in aurral sonic capabilities yet it is a true piece of
ENGLISH UNDERGROUND HISTORY."
UB40 - Essential
Artist: UB40
Album: Essential
Released: 2012
Style: Reggae
Format: MP3 320Kbps
Size: 178 Mb
Tracklist:
01 – Food For Thought
02 – I Think It’s Going To Rain Today
03 – My Way Of Thinking
04 – 25%
05 – Don’t Let It Pass You By
06 – Don’t Slow Down
07 – Sardonicus
08 – Present Arms
09 – Don’t Do The Crime
10 – Forget The Cost
11 – Red Red Wine
12 – Many Rivers To Cross
13 – Don’t Break My Heart
14 – Homely Girl
15 – Here I Am (Come And Take Me)
16 – Higher Ground
17 – C’est La Vie
18 – Come Back Darling
http://fp.io/femf3c8b/
U2 – U22
U2 – U22 (2012)
U2 spent a couple of years on the road for the U2360° tour and, as a thank you to their biggest fans, they are releasing U22 a 22-song, double-CD set from the tour.
The limited edition disc will be made available to subscribers of u2.com only.
U2 performed 46 different songs during the U2360° tour spanning nine albums over 30 years and invited fans at u2.com to shortlist them for this release.
“This is really going to be a special CD,” said Adam Clayton tells U2.com. “I wasn’t expecting some of these tunes, it’s a really fresh collection and it’s going to make very interesting listening.”
CD1
1. Even Better Than the Real Thing (4:25)
2. The Fly (5:07)
3. Mysterious Ways (4:43)
4. Magnificent (5:32)
5. Until the End of the World (5:48)
6. I Still Haven’t Found What I’m Looking For (5:13)
7. Stay (Faraway, So Close!) (4:52)
8. One Tree Hill (5:24)
9. Beautiful Day (6:23)
10. Elevation (4:01)
11. Bad (8:08)
CD2
1. All I Want Is You/Love Rescue Me (9:57)
2. The Unforgettable Fire (4:48)
3. Zooropa (4:32)
4. City of Blinding Lights (5:30)
5. MLK/Walk On (8:43)
6. One (5:26)
7. Where the Streets Have No Name (5:24)
8. Ultra Violet (Light My Way) (5:14)
9. With or Without You (5:55)
10. Moment of Surrender (8:10)
11. Out of Control (5:21)
http://fp.io/ec3emf3e/
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