Showing posts with label OZRIC TENTACLES. Show all posts
Showing posts with label OZRIC TENTACLES. Show all posts
October 14, 2015
OZRIC TENTACLES - Fillmore San Francisco, Ca. - June 5, 1998
OZRIC TENTACLES the Fillmore San Francisco, Ca.June 5, 1998 Sound Enhanced
Source: Sound Board runtime: 115:35 (minutes/seconds)
New Lineage: 2nd gen. sbd recording > Dime Download > 24bit Creative X-Fi Titanium Pro sound card > Adobe Audition for retracking and Izotope Ozone for sound enhancement > TLH Flac level 8.
Big Thanks to glasnostrd19 for sharing this source.
This show was to promote their album "curious corn"
and to prepare for their "spice doubt"
live recording 2 days later.
The Band is on fire, it's a great concert, Every track is amazing! the keyboards played during this show are nothing short of astounding! The way it all blends together is perfect. The guitar playing is also sublime.
I spent a lot of time on this project and it was well worth it. To my ears this sounds better than their actual live album. But you be the judge.
The original source was out of phase and lacking a bottom end. I have beefed up the bottom end and corrected the phase issue. I also cleaned up a few artifacts and smoothed out all the track transitions.
This recording is now much fuller with great midrange and highs you wont be disapointed. This rework puts you right in the seats!
Musicians
Ed: guitars, snyths
Jon: flute, vioce
Zia: bass
Seaweed: synths
Rad: drums
Setlist
01. CAT DNA
02. ETERNAL WHEEL
03. SPLOOSH!
04. AHU BELAHU
05. PAPYRUS
06. SNAKE PIT
07. Jon Speaks I
08. OOLITE GROOVE
09. CITADEL JAM
10. ODDENTITY
11. MYRIAPOD
12. SPICE DOUBT
13. Jon Speaks II
14. DISSOLUTION (CLOUDS DISPERSE)
15. WHITE RHINO TEA
16. THE THROBBE
notes:
this was the last concert before the live recording of
"spice doubt" (recorded june 7 at Syklopps Studio in
San Francisco and also webcasted live before release)
https://www.filefactory.com/file/5n4jiphmp3yl/ozric%20San%20Francisco.%205th%20June%201998.rar
July 22, 2015
OZRIC TENTACLES - The Wetlands Preserve New York City, NY - 07/25/1993
Ozric Tentacles - 1993-07-25 - New York City (Soundboard)
Ozric Tentacles
July 25, 1993
The Wetlands Preserve
New York City, NY
103 minutes
Master SOUNDBOARD recording and photos by Marc DeCarlo
CD1
101 Og-Ha-Be
102 O-I
103 White Rhino Tea
104 Dissolution (The Clouds Disperse) >
105 Sunscape (spliced)
CD2
201 The Throbbe > Space Jam
202 Vita Voom >
203 Jurassic Shift
204 Space Between Your Ears
205 Kick Muck (venue power cut off)
Ed Wynne - guitar & keyboards
John Egan - flute & vocals
Zia Geelani - bass
Merv Pepler - drums
Joie Hinton - keyboards
Haggis - mixing board
http://fp.io/e1cbam75/
OZRIC TENTACLES - The Limelight New York City, NY - 04/19/1994
Ozric Tentacles - 1994-04-19 - New York City (Soundboard)
Ozric Tentacles
April 19, 1994
The Limelight
New York City, NY
Master soundboard recording taped by Marc DeCarlo
101 Og-Ha-Be
102 O-I
103 Erpland
104 White Rhino Tea
105 Vita Voom >
106 Jurassic Shift
107 Snakepit
201 Dissolution (The Clouds Disperse)
202 The Throbbe
203 Space Between Your Ears
204 Kick Muck
205 Ayurvedic
Ed Wynne - guitar & keyboards
John Egan - flute & vocals
Zia Geelani - bass
Merv Pepler - drums
Joie Hinton - keyboards
Haggis - mixing board
The tape flip during Snakepit is patched with an alternate soundboard recording from the same show.
http://fp.io/cfm3ebmm/
May 11, 2015
OZRIC TENTACLES - The Limelight New York City, NY - 10/23/1994
Ozric Tentacles - 1994-10-23 - New York City
Ozric Tentacles
October 23, 1994
The Limelight
New York City, NY
Master soundboard recording taped by Marc DeCarlo
101 Og-Ha-Be
102 O-I
103 White Rhino Tea
104 Astro Cortex
105 Vita Voom
106 There's A Planet Here
107 Myriapod
108 The Throbbe >
109 Synth Jam >
110 Erpland
201 Dissolution > Vibuthi Jam (spliced)
202 Kick Muck
203 Sunscape
204 Sniffing Dog
Ed Wynne - guitar & keyboards
John Egan - flute & vocals
Zia Geelani - bass
Conrad "Rad" Price - drums
Christopher "Seaweed" Lenox-Smith - keyboards
Haggis - mixing board
Final show of the 1994 US tour.
http://fp.io/dm2881d5/
OZRIC TENTACLES - Technicians Of The Sacred
Ozric Tentacles – Technicians Of The Sacred (2015)
TECHNICIANS OF THE SACRED is the first all new OZRIC TENTACLES album since 2011 s PAPER MONKEYS (and their first double album since their classic Erpland release of 1990), and comprises eleven tracks, with over ninety minutes of music. Tracks such as Switchback, Rubbing Shoulders With The Infinite and Butterfly Garden are brilliant examples of the Ozrics musical art; pulsating rhythms and blissed out tunefulness present and correct.
Their talent for hypnotic, mantra like grooves found kindred spirits in the British rave scene of the late 1980s, uniting the seemingly disparate New Age hippie and Rave audiences. Despite the lack of a hit single, media notoriety or the usual music business hype, much less major label backing, their 1993 album Jurassic Shift was a UK top twenty album, and their hardcore audience is both dedicated and loyal to the band s unique sound. At the core of the band s music is an exploration of electronic musical textures and compulsive, danceable grooves interlaced with strong melodies and multi ethnic musical references.
http://www.filefactory.com/file/1x4sym6niwjl/ORIC2015
TECHNICIANS OF THE SACRED is the first all new OZRIC TENTACLES album since 2011 s PAPER MONKEYS (and their first double album since their classic Erpland release of 1990), and comprises eleven tracks, with over ninety minutes of music. Tracks such as Switchback, Rubbing Shoulders With The Infinite and Butterfly Garden are brilliant examples of the Ozrics musical art; pulsating rhythms and blissed out tunefulness present and correct.
Their talent for hypnotic, mantra like grooves found kindred spirits in the British rave scene of the late 1980s, uniting the seemingly disparate New Age hippie and Rave audiences. Despite the lack of a hit single, media notoriety or the usual music business hype, much less major label backing, their 1993 album Jurassic Shift was a UK top twenty album, and their hardcore audience is both dedicated and loyal to the band s unique sound. At the core of the band s music is an exploration of electronic musical textures and compulsive, danceable grooves interlaced with strong melodies and multi ethnic musical references.
http://www.filefactory.com/file/1x4sym6niwjl/ORIC2015
February 19, 2015
October 31, 2013
OZRIC TENTACLES - 30th Anniversary Tour O2 Academy 2 Liverpool - 10/28/2013
Ozric Tentacles
2013-10-28
30th Anniversary Tour
O2 Academy 2
Liverpool
101 Intro
102 Dots Thots
103 Invisible Carpet
104 Paper Monkeys
105 Xingu
106 Sniffing Dog
107 Og-Ha-Be
108 Sploosh!
109 Disdots
201 Mooncalf
202 Sultana Detrii
203 Lost In The Sky
204 The Sacred Turf
205 Myriapod
206 Kick Muck
207 Eternal Wheel
Band Line-up
Ed Wynne - guitar, keyboards, synthesizer
Brandi Wynne - bass
Silas Wynne – keyboards, synthsizer
Paul Hankin - congas and percussion
Balázs Szende - drums
http://fp.io/e617dfbm/
March 17, 2013
March 16, 2013
OZRIC TENTACLES - PAPER MONKEYS
Artist: Ozric Tentacles
Album: Paper Monkeys
Released: 2011
Style: Psychedelic rock
Tracklist:
01 – Attack Of The Vapours
02 – Lemon Kush
03 – Flying Machines
04 – Knurl
05 – Lost In The Sky
06 – Paper Monkeys
07 – Plowm
08 – Will Of The Wisps
09 – Air City
http://fp.io/mfeaecbb/
October 1, 2012
September 30, 2012
June 3, 2012
OZRIC TENTACLES - Bits Between the Bits (1989)
Ozric Tentacles - Bits Between the Bits (1989) (@256)
(Review from progarchives.com)
The last of the tentacles :)
This album was to close the chapter in the early cassette-era releases. Roughly the same time as “The Bits Between the Bits”, they released “Pungent Effulgent”, their first proper-label release. “The Bits Between the Bits” were leftover material that never made it on any of their albums from “Erpsongs” to “Pungent Effulgent”. But these aren’t half-ass rejects that should’ve been thrown in the trash, but top quality material that should’ve appeared on those albums in the first place. Because of this, the material is a bit more eclectic than anything they did before.
The opening cut, “Eye of Adia” sounds like something off “Pungent Effulgent”, and in fact was used on that album, as part of one of the cuts. “Sparkling Oasis” is another one of those reggae tunes the band liked doing at this early stage of their career. “Tidal Otherness” in this version, is just a short, ambient piece, with just the main, recognizable theme, and that’s it. The original (off “Erpsongs”) is much longer, which ventured more in to Tangerine Dream-like electronic music. “Symetricum” is a wonderful piece, utilizing Ed’s delayed guitar method, with some great spacy passages. Of course, I could live without Joie’s use of the cheesy Casio CZ-1000 (I should know, I used to own a CZ-101, which is exactly the same thing, but with smaller keys, and was a pretty second-rate synthesizer). “Floating Seeds” is a wonderful ambient piece, with some ethnic influences. Then you have “Wreltch”, which re-appeared on the 1990 reissue of “Pungent Effulgent”, so if you own that album (that is, the Dovetail version or the Snapper version), you know this song already. Great way to close off their cassette-era, as from here on out, they’ll be releasing albums on a proper label, with more great albums to come!
Line-up :
- Ed Wynne / guitar, keyboards
- Steve Everett / sampling
- Joie Hinton / synthesizer, sampling
- Tig (Nick van Gelder) / drums
- Roly Wynne / bass
Track List :
01. Eye of Adia (4:24)
02. Fragmentary Aura (3:09)
03. Sparkling Oasis (4:30)
04. Tidal Otherness (0:59)
05. Secret Names (5:23)
06. Symetricum (4:37)
07. Floating Seeds (5:40)
08. Ozrosis (2:33)
09. Wreltch (8:29)
10. Afterswish (2:41)
11. Koh Phangan (7:09)
12. The Cave of Aeolas (5:52)
13. Puff Puff on a Chuff Chuff (2:13)
14. Health Music (4:45)
http://fp.io/ad5ebca5/
OZRIC TENTACLES - Sliding Gliding Worlds (1988)
Ozric Tentacles - Sliding Gliding Worlds (1988) (@256)
Many regard this as their best cassette-era release, but I’m not one of them, as I fell “There is Nothing” and even “The Bits Between the Bits” are better. But of course, this being an Ozric album, it’s full of great stuff, and I never ran across a bad Ozric album. This being originally a privately issued cassette, the cover artwork was still black and white (done by Blim, an anonymous figure responsible for the trippy colorful psychedelic artwork once the band started recording for proper labels). The band also witness the most major linup change at this point, with two major figures coming in. One is the arrival of drummer Merv Pepler. He was obviously responsible for several of Ozrics best albums, and he stayed with the band until 1994 (previous drummer, Nick Van Gilder aka. “Tig” left because he really wasn’t too interested in the music Ozrics played, and you’ll find out once he joined Jamiroquai for a short time from 1992 to ‘94). Another key figure to make his premiere here is John Egan, on flutes (sometimes he goes by his Gaelic name of Eoin Eogan, since if I’m not mistakened, he is Irish). He is still with the band to this day, and he was responsible for giving the band a more ethnic bent, which obviously helped improved on the band’s sound.
“Sliding Gliding Worlds” is quite an accomplishment given it was originally a privately issued cassette the band released themselves. While I though “There is Nothing” was better because it was more energetic and exciting, “Sliding Gliding Worlds” was perhaps a more consistent offering (you don’t get experiments like the original version of “The Eternal Wheel”, for example) and the band was obviously going for a more exotic and ethnic feel. Here you get the original version of “White Rhino Tea” (later re-recorded for Strangeitude). This version has a more ’80s sound (especially the drum machines). “Kick Muck” makes its premiere here as well (exactly the same as “Pungent Effulgent”, but with an ambient experiment tagged at the end, rather than seguing in to “Agog in the Ether”). “The Dusty Pouch” was the album’s only excursion in to reggae, but what makes this really interesting is John’s exotic flute at the end. “Mae Hong Song”, despite the Chinese title, sounds more like Balinesian gamelan. “(Omnidirectional) Bhadra” has more of an Indian feel, no doubt helped by someone named Marcus “Carcus” playing tabla. It’s amazing that in ‘88 any band would combine both digital and analog (since too many bands at that time were too stuck on digital to give a rat’s ass to anything that existed before the Yamaha DX-7). This is some great material, to say the least, and it’s little wonder why the band would get proper label treatment pretty soon after this.
Line-up :
- Ed Wynne / guitar, synthesizer
- Joie Hinton / synts, sampling
- Roly Wynne / bass
- Merv Pepler / drums
- Steve Everett / keyboards
- Paul Hankin / percussion
- Marcus “Carcus” / percussion
- John Egan / flute
Track List :
01. Yaboop (5:29)
02. Soda Water (4:10)
03. The Code for Chickendon (4:59)
04. Guzzard (2:05)
05. The Dusty Pouch (4:22)
06. Sliding and Gliding (4:54)
07. Kick Muck (5:30)
08. It’s a Hup Ho World (6:42)
09. Atmospheric Underslunky (3:33)
10. (Omnidirectional) Bhadra (2:58)
11. Fetch Me the Pongmaster (6:12)
12. Mae Hong Song (3:19)
13. White Rhino Tea (4:05)
14. Loaf Jaw (1:11)
15. The Green Island (3:04)
http://fp.io/47bama2c/
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