Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Wednesday, August 27, 2014

Urological Graffiti

It’s possible that my youngest picked up some American slang from some TV show or other, or possibly one of the computer games he plays and made the connection with John and toilet.

I’m theorizing wildly in the hope of justifying my part in an act of gross geological vandalism.

We’d gone to the Peak District at the beginning of our summer holiday and despite the weather being surprisingly good we’d elected to spend part of our trip underground away from the benevolence of the British sun investigating one of the many cave systems that honeycomb the area.

We were spoilt for choice but in the end Treak Cliff Cavern lured us in with reports of it being the last working Blue John mine in the world. It was suitably impressive and we had the usual local-lad-come-good-vacationing-Uni-student tour guide to see to our geological interpretative needs as we were sashayed past stalactites, stalagmites and amorphous rock formations that resembled everything from a witch on a broomstick to a huge melted breast. In fact melted breasts appeared everywhere to my mind but I’m working through that with the help of a counsellor and a colourful set of Rorschach test cards.

About half way round I was assailed by my youngest who, by way of Brian Blessed whispered tones that shattered the sonic receptors of any bats in a 5 mile radius, announced that he needed the toilet. Urgently. Urgently to the point where a sudden deluge was imminent and the chances of reaching either the entrance or the exit were posited as nil. This was further emphasized by the mini River Dance that he then enacted out to the backdrop of a million years of ball-achingly slow phantasmagorical rock formation.

I admit, I thought I’d pulled a flanker. I thought I’d got away with it. I guessed / hoped that the tour guide had not picked up on the urinary distress calls and when he moved the group on to the next interesting lump of ever moistening rock I kept me and my youngest back. Once it was sufficiently dark and quiet I bade him let loose with his little cup that forever runneth over and kept enough distance to avoid splash-back but remained sufficiently close to ensure he didn’t disappear body and anorak down a hidden pot hole.

Shoes shaken adequately dry we then re-joined the tour group further into the cave system whistling a tuneless song of complete innocence.

Nobody was none the wiser.

Or so I thought.

My wife later told me that while we were busy with business elsewhere the tour guide had alluded to our absence in almost dramatic tones along the lines of “oh gosh, we seem to be missing a couple of people, I do wonder if they’ll be along soon… cough, cough…”

I’m just thankful that my boy managed to spread his jet relatively quietly and the group weren’t treated to the sounds of a sudden waterfall thundering out of nowhere in the neighbouring cave. That would have been much harder to deny.

As it is, if you are a visitor to Treak Cliff Cavern in about 2000 years’ time and one of the stalactites has a distinct yellowish cast to it… I hereby apologize profusely for vandalizing in 30 seconds what nature took eons to create.

But jewellers take note: it’ll make somebody a smashing wee pendant.

Thursday, August 07, 2014

Does It Have To Be Bad?

I’ve steered away from writing about the forthcoming vote for Scottish independence because (a) I don’t consider myself to be an overtly political animal and (b) despite strong Scottish family blood a-swirling in my veins from my dad’s side of the parental tree I don’t really see how a nurtured Sassenach who’s lived in the heart of England all his life has any right to say yea or nay on the question of whether Scotland should be independent or not.

But it seems everyone has an opinion these days, especially those English politicians who’ve done eff all for Scotland over the years and up to this point haven’t cared a stuff about how it has fared. Geez, even J.K. Rowling has thrown a good wodge of her own money behind support for keeping Scotland forever yoked to the millstone of fake tradition that is British unity.

And I guess that paragraph hints at where my true personal leanings lie though I admit my arguments are purely emotional, possibly romantic, and wilfully have nothing to do with fiscal systems or the complicated bureaucracy of devolved governments.

To me Scotland has always been another country; always been its own country with its own identity and personality. The people, the landscape, the atmosphere are foreign. And I mean that as a massive positive. I like the idea of Scotland being truly independent. If for no other reason than the rather shallow pleasure I will get from the inevitable exoticization that will occur.

But that’s not the real point of this post. For me the central question is this: independent or not, does it have to be bad? All I’ve heard is various bad tempered politicians griping about what Scotland / England will lose if the yays for independence swing the day. And then other infantile politicians spitting their dummies and threatening to take their ball away and not play anymore if Scotland wants to be in charge of supplying their own kit. All blatantly ridiculous. It seems someone has to suffer no matter which way the vote goes and there’s going to be a lot of sulking.

But really? Does it have to be that way? Can’t Scotland have its independence and England and Scotland still work together for the benefit of both? Does it have to be miserable? Why can’t it just be good for everybody? Because at the end of the day life and trade will still need to continue. There will still be movement from across both sides of the border (even if it’s only the Queen digging out her passport before she enters Balmoral). We can all still play and work together.

As in any kind of relationship, a sense of independence is healthy and usually good for both sides. England needs to be less clingy and less possessive. That kind of behaviour always drives a partner away or into the arms of another.

Wednesday, May 21, 2014

47 Groanin’

Traditionally on this blog film reviews go down like Nick Griffin on Robert Mugabe, i.e. very awkwardly. The comments tend to dry up rather quickly as people take the excuse “I haven’t seen that film / don’t plan to see that film so I can’t leave a comment anyway so I won’t even bother to read the blog at all. Job done”.

However, I’m bloody minded enough not to care and arrogant enough to think that the power of my writing can overcome any wilful lethargy in my readership. But to show I’m not totally uncaring to your plight I will keep this short.

47 Ronin.

I had high hopes for this. I saw it trailered at the cinema – it looked rather good – but life circumnavigated my attempts to see it on the big screen. So I bought a copy on Blu-Ray for my wife and I to enjoy at our leisure.

We watched it over the weekend.

And now I want to kill Keanu Reeves.

Because having seen his performance I have been left in the emotional state of permanent WTF?

WTF was he doing in that film? Just WTF? And I mean that conceptually, metaphorically and professionally. What. Was. He. Doing. [Big question mark.]

The original story is based on an 18th Century Japanese legend. 47 Samurai avenge their murdered Lord knowing that their own code of ethics will ultimately demand their own deaths via seppuku. There’s a poignancy and sad beauty to this along with scope for lots of action and martial arts choreography. In cinematic terms the story should be a sure-fire winner.

And the supporting cast – mostly Japanese / Asian – were excellent. No big names (by Western standards – but really, what do we know?) but still they impressed me. They gave it their all. Pathos and sensitivity at war in a culture where emotion is not meant to be overly shown. I’d argue that their performances were poised and subtle and damned impressive.

And then there was Keanu. Shoehorned into the story as a “half breed” with special magical powers.

Really?

I’m betting there’s no sign of his character at all in the original legend. He was just inserted because the producers decided they needed a big name to sell the film to the box office. So we get this bolted-on element to the story. An add-on that the plot doesn’t really require and, as a result, is totally imbalanced by. Keanu is like a bogoff deal that you want to refuse. No really. I don’t want the extra bit. I don’t want the freebie. Please, please keep it.

Now, if I was Keanu I‘d be thinking: I’m extraneous to this story; I’m superfluous to the requirements of the emotional arc, therefore, I’d better pull my finger out and act like I’ve never acted before and earn my right to be on the screen.

But I am not Keanu. Keanu is Keanu.

And that is the problem. Because Keanu is Keanu all the way through the film. Sullen. Unresponsive. Flat. Incongruous.

He talks in the same gruff monotone whether he’s been being beaten (a criminally too short scene), offering comfort to a dying comrade or exchanging romantic pleasantries with his love interest. He talks like the Hollywood voiceover man from the 60s and 70s. The one who invites you to come see the next Warner Brother’s [or whatever] spectacular in that voice that makes it sound morally imperative that you come to the cinema right now and have your life changed by the experience. You know the type of voice I mean. Now imagine that voice reciting a fragile poem by e.e.cummings and utterly ruining it, utterly disembowelling it with the barbarism of its relentlessly galloping speech rhythm. Now you have Keanu telling his lady love that he will search for her through a thousand worlds, through 10 thousand lifetimes. He spits the poetry out like a half chewed hamburger. In his mouth it becomes pure American gristle and the gentle lotus flower breeze of the Japanese love-story curls up and dies in the blast from his meaty breath.

And he has but one facial expression. The bearded grimace. That is it. All the way through the film. He grimaces. From behind his inexplicably dirty looking beard.

Death: grrr! Sadness: grrr! Fighting: grrr! Male bonding: grrr! Standing still and not talking: grrr!

And then, at the end, he becomes an honorary Samurai and gets to kill himself – along with the other Samurai – with full, painfully tragic honour.

In that single moment Bushido becomes bullshit and the entire point of the film is utterly destroyed.

Because, in my view, Keanu has no honour. Keanu is not a Samurai.

Not by a long chalk.

But he has more chance of becoming a Samurai than becoming an actor.

In fact he has more chance of becoming Japanese.


Friday, May 16, 2014

Ban The Berk

I knew something was wrong the minute I got home.

My letterbox was grimacing. Like it had a horrible taste in its mouth.

Behind the door, laid out on the mat like cat vomit, was the item pictured below.




I felt sickened and shaky. I felt besmirched. Like my home had been violated. I had been on the receiving end of a BNP leafleting campaign. One of their hate-monkeys had actually walked up my path and touched my door. And then had slid something bilious and nasty into my inner sanctum.

My first reaction was to screw it up and bin it without looking at it. But then I thought, “No. Know your enemy.” So I read the leaflet. Every word. And my gut ran through a gamut of emotions. Everything from contempt, scorn and vituperative ridicule to the confirmed belief that these people are genuinely missing a chromosome; that the wiring in their brain is missing a couple of essential connectors, forever denying them the opportunity to reason and feel like normal, adult, articulate human beings.

What I hate most is the way this leaflet doesn’t pose any questions to the reader. It tells. It orders. It assumes. There is no facility here to interact mentally with this leaflet. It doesn’t care what you think. It doesn’t care what you feel. It doesn’t care for your life or the precious individuality of your particular existence. And that is nasty. That should be of concern to everyone who has any truck with this absurd political party.

And then there are the pictures, the images. The lazy buy-in to outdated, outmoded metaphors that only have meaning to idiots whose view of Britain is trapped in some fake, bromide stained stasis chamber of pre-war empire-fed glory full of working men wearing cloth caps, wives who stay at home to cook Beef Wellingtons and children who play solely with gender appropriate toys. And we all extol the Christian virtues of love thy neighbour as long as your neighbour is as British as you are. And don't worry of you have no idea of how to benchmark those Great British credentials because the BNP will do it for you.

Check out the picture of the Burka wearers:

They want to ban the burka because it is “offensive and threatening”. And to drive that singularly stupid and vapid point home they have pictured a couple of Burka wearers flicking their V’s at the camera – thus, in my opinion, totally proving their true blue British credentials forever. But that irony is lost on your average BNP member (and let’s be honest; they are all average). Is the picture mocked up? Is it real? Who cares. It’s like something out of Viz magazine. It is comic and laughable. But it is also tragic and lamentable because there will be some BNP mongrel somewhere, working himself up into an orgasmic fury of outraged indignation over this picture. It is akin to the fake Boer war footage that was played to English citizens centuries ago – shot in a London park but purporting to show Boer atrocities to galvanize the zeal of the average Englishman and give him fuel for the fight. It is nasty propaganda designed to spread hatred and xenophobia. And if that hatred and xenophobia already exist then it is designed to inflate it up into atomic mushroom cloud proportions.

And at the end of the day, is the Burka really, truly threatening and offensive?

Only if you are such a pussy you are scared of women’s clothing. It is no more threatening and offensive than a dog collar or a monk’s cassock and a good deal less threatening and offensive than a BNP rosette.

This entire leaflet does not seek to enlighten or educate. It does not seek to question. Because that would be dangerous and self-defeating. The BNP relies on the stupid misconceptions and inborn bigotry of its incestuous membership to continue its existence. The BNP more than any other party wants to halt upward mobility and free thinking and trap this country forever under a glass jar of anachronism and vile paranoia. This leaflet has but one purpose. To reaffirm the idiocy of those who are already tainted with stupidity and make them feel that they are right. Seductive. Comforting. And, sadly to some, a vote winner – those people whose innate cowardice prevent them from questioning and second-guessing their own assumptions and hatred of people who, if they got to know them despite their different languages and cultures, would be discovered to be just like them. More or less. Just without the silly haircuts. Possibly.

In all honesty, I would rather have had a urine stained tramp shove his cock through my letterbox than this leaflet. In fact, to piss Mr. Nick Griffin off even more I’d go as far as to say I would rather welcome a whole army of Polish / Arabic / Asian immigrants, each of them taking it in turns to make love to my door than to ever have one of these puerile leaflets land in my hallway ever again.

Ban the Burka?

No. Let’s keep Britain for the intelligent and the liberal and the fair minded and those with the guts and humanity to question and oppose hate-filled manifestoes and find a way forward that unites all cultures and all races.

Let’s ban the berk.


Wednesday, May 14, 2014

Credit

I got my first credit card when I was 18.

And that was the beginning of the end. The end of living life my grandparent’s way. Their ethos was very much if you haven’t got the money, you go without. I don’t think my grandparents ever owned a credit card. Ever. They had a cheque book and if they wanted cash they got it over the counter at the bank. And if there wasn’t enough in the account they didn’t draw it out. And that was it. If the bank ever sent them credit cards when it became de rigueur to have a bit of plastic in your wallet I never saw them use one. Aside from their inevitable mortgage, they were deeply suspicious of virtual money and ATMs. Undoubtedly it was a generation thing.

And, of course, ironic. Banks have for centuries dealt with virtual money and the idea of a “promise to pay”. The countries of the West are built on this ethos. On spending money that they haven’t got. It is the basis of all speculation.

When I got my first credit card no real harm was done. I was single, living at home with parents who hardly fleeced me for housekeeping money and so I had more cash that I sensibly knew what to do with.

I frittered it away on books, movies and music – and later travel. And it was fine ‘cos when that bill landed on my doormat at the end of the month I had enough spare cash floating around to pay it all off immediately.

And that’s the ideal. That’s how using a credit card should be.

But later in life – much later – paying stuff off all in one go became impossible. It became the norm not to do it and those halcyon days of settling my account without a second thought became a novelty. The honeymoon period between my flexible friend and my salad days was well and truly over.

When real life kicks in – when you’re standing on your own two feet – it’s all too easy to fall into the credit trap; the overdraft pit; the snare of buy now pay later and then keep paying and paying for a very long time.

And if you are canny you do the credit card transfer dance for a while. Or “debt consolidation” as it is sometimes called. Lumping all your outstanding debts into one big sum that you bung on an interest free credit card deal in the vain hope you’ll get most of it paid off before the interest finally kicks in.

Of course, all you’re doing is “promising to pay” the vultures who are happy to sit and wait and let your meat tenderize itself as the pressure softens you up. And the longer they wait the juicier you’ll be.

It’s the law of the financial jungle.

This year, however, I made a decision – a resolution in fact – to get myself out of the credit trap. To consciously and conscientiously budget each month. To pay off debts without accruing more. To not dip into my overdraft but to stay in the black.

So far, 5 months in, I’ve managed it. My debts are being whittled down, bit by bit – they’ll be with me for a year or two but they’re shrinking, losing volume and threat. And my overdraft is a 5 month virgin, i.e. undipped into and I mean to keep her that way.

My credit cards are, by and large, becoming orphaned. More, they’re becoming strangers.

We used to be so close but now I can see it was always an abusive relationship. I’m only sorry it took me so long to realize that and do something positive about it.

Now that I’m away from the situation I do hope that one day they’ll learn to forgive me and move on.

I know the fault was mostly mine but I can’t help feeling that, in their very nature, they colluded in my weaknesses and led me on. And despite the protestations of the banking history of the world I can’t help thinking that my grandparents had the right idea.

Virtual money never leads to virtual riches. It only ever opens the door to very real debt.

Friday, May 09, 2014

Year Zero

This post has been inspired by “Year Zero: A History of 1945” by Ian Buruma.

Being born in 1969 I grew up with the Second World War.

This possibly seems an odd statement to make but it is true.

Throughout the seventies WWII was there. Ever present through the medium of the comics my dad used to buy me – Battle and Action – through toys like Action Man and model Spitfires which, despite the air superiority of the Hurricane, was the one that caught everyone’s imagination. And through the good old “war film” that the BBC and ITV would roll out every Sunday afternoon. Before I was familiar with algebra I was familiar with The Guns of Navarone, A Bridge Too Far and Von Ryan’s Express. My grandfather occasionally showing me his medals and my Nan’s reminiscences of working in a munitions factory during the 1940’s made the myth making very personal.

Although WWII faded from my mind during the 1980’s – my teenage mind finally progressed to the Cold War and the imminent threat (or so we thought) of nuclear holocaust – there are those who argue that WWII did not end until the collapse of the Berlin Wall in 1989. In reality, the world we have all been born into – all us post war babies – has been and still is shaped by the ongoing strifes and struggles that WWII either created or did not amply settle. The guns of WWII might be silent but the rumbles still produce shellshock in the unfortunates around the globe who found the taste of liberation merely a slightly less bitter pill to swallow than occupation.

In my mind, as a boy, 1945 must have been a great year. Celebration. Relief. Freedom. The end of suffering, death, starvation and chaos. The beginning of a better world.

In fact, 1945, even after the capitulation of Germany and Japan, was a horrific bloodbath. Hundreds of thousands of people were killed in reprisal and revenge attacks all across Europe and Asia. In some cases the Allies made attempts to keep a lid on it; in others they supplied the means – be it guns or a temporary policy to turn a blind eye. Thousands of German women were raped every day by the Russian Red Army – and this went on until 1947 when the Red Army was eventually confined to barracks. Thousands of POWS and Death Camp survivors died after liberation – not through maltreatment – but through well-meaning ignorance. Soldiers and medical teams would give them food not realizing that a body, in an advanced state of starvation, cannot cope with rich food. Women across Europe who were accused of being “horizontal collaborators” were tarred, feathered, beaten, publically humiliated and in some cases executed. Others, male and female, were accused of collaboration with the fascists, or the communists, or whoever was out of favour that week and executed in almost endless rounds of reprisals as those who perhaps were not as brave as they felt they should have been during the actual conflict crawled out of the woodwork to flex last minute muscles and do their bit for glorious freedom.

And there were, of course, the political betrayals which were ultimately no less bloody. The Cossacks sold back to the Russians, disarmed both martially and emotionally by false promises spouted by the mouthpieces of the West and executed within hours of being loaded onto the trucks. The Koreans who within days of declaring their independence found themselves occupied by the communists in the north and the western powers in the south; years later the entire country would be split into two – an absolute travesty of liberation. And there were the Jews – who nobody wanted and whose true suffering at that point in time nobody bar a precious few really understood – who were still being treated as pariahs.

1945 was bleak.

But humanity did begin to exert itself again. Within days of the cease fires the Allies were mobilizing themselves to save Germany and later Japan from starvation. It was at least understood that the economy of Europe and later the world depended on their survival. Less charitably it was also understood that leaving them to completely collapse would make them ripe pickings for communist ideologies. Because despite the uneasy alliance with Uncle Joe Stalin, the battlefronts for the Cold War were already being drawn up and marked out.

The big idea – the big ideal, in fact – that emerged from the chaos of WWII was the United Nations. A means to prevent such a costly, disastrous war ever happening again. A means to exert and make sacred globally certain human rights and essential freedoms. Freedom of speech. Freedom of worship. Freedom from want. Freedom from fear. High ideals. But even at the time the Allied powers would only go as far as making these rights a “declaration” and not “a guarantee”. How could they with Korea occupied? The Shinto religion banned in Japan? The communist zone in East Germany already closing like a suffocating fist? National re-education programmes put into place in both Japan and Germany to “civilize the brutes”. And a hundred other nudges, pushes and pressures as the Yanks and the Commies divided up the spoils of war and created the world in which we all currently live.

The modern world then, our world, was borne out of good intentions and unholy hypocrisy. And the guns of its collective war machine, it’s collective peace machine, rumble on and on and on.

Sobering to acknowledge as we take stock of the world around us in 2014, both at home and abroad, that although good intentions can never cancel out hypocrisy, hypocrisy can and does fully cancel out good intentions.

Are those four freedoms really so unobtainable? So unmaintainable? Is it time to admit defeat and present each one of them with a single white feather?

World Wars, it seems, never end but the peace we as individuals make with them sometimes, sadly, does.

Monday, March 24, 2014

Farewell To Moussaka

It grieves a man to confess his failures, his weaknesses.

Especially when those failures result not only in the deaths of hundreds of thousands but in the resultant non-existence of billions of billions more.

In my heart I am responsible for a mass genocide too heinous to contemplate. The snuffing out of an entire culture upon which most of the Western world has been founded. The pillars of democracy lie smashed and as dust at my sandaled feet. Philosophy and play writing have been set back millennia. Ray Harryhausen would have spent most of his adult life out of work.

But for a small quirk of fate (and reality) Greece – the classic Athens of ancient history – would have been utterly smashed and wiped from the face of the earth on my say so. Some of the more erudite historians among you are going to point out to me that pretty much happened anyway but don’t spoil a good anecdotal fantasy when I’m spinning one.

The wife and I went to see “300: Rise Of An Empire” on Saturday.

We didn’t expect to be bathed in an academic recreation of pre-history; we expected to be bathed in blood.

And we were. A tidal wave of CGI spatter patterns and arterial Jackson Pollocks cartwheeled and rooster-tailed across the screen in a ruby carnival of spear thrusts, sword flourishes and shield jabs. Limbs were liberated. Guts were eviscerated. Necks were relieved of gristly burdens.

Boats were rammed. Boobs were bared. Six packs were enhanced.

Fans of the original “300” won’t be disappointed by this sequel. It delivers and then some.

Sullivan Stapleton as Themistocles may not have the stature of Gerard Butler’s King Leonidas but he certainly manages the presence. His performance is an artful mix of machismo and convincing battlefield intelligence... enough that I was able to overlook the slight Australian twang of his accent. Lena Headey reprises her role as Queen Gorgo and it is nice to see her actually cutting her way through some of Xerxe’s black clad hordes rather than just looking coolly superior from afar but it is Eva Green as Artemisia who steals the show. Both visceral and yet weirdly supernatural she is by far the strongest character on the screen. A seething brunette maelstrom of contempt, bitterness and vengeance.

Her attempts to seduce Themistocles verge on the sadistic / masochistic. The violence is matched on both sides but it is Artemisia who inevitably ends up on top like a mocking Succubus.

And it is at that moment that I knew in the very depth of my soul that, had any of this been real and I had been Themistocles, I would have sold Greece down the river without a second thought. Thus proving that despite my pretensions to the contrary I am no high minded poet but a base animal of flesh and (non-CGI’d) blood.

Goodbye moussaka. Goodbye drachma.

Goodbye Sparta. Goodbye Olympus.

Goodbye Democrates.

Hello beautiful Persian rugs and buoyantly curved Arabian jugs*.

Utterly no contest.

*Ahem.

Friday, September 20, 2013

Are Yow Larfing At Moi Bruvva?

It's rare that Birmingham - capital of the UK Midlands - gets to feature in any kind of television drama. Most of the time film crews avail themselves of the city because it is undoubtedly cheaper to film there than the nation's capital and then represent it as actually being London. The BBC's Hustle is a case in point. Most of the exterior city shots were filmed in Birmingham but sold to the world as being London.

So it's rather satisfying to see Birmingham featuring in a BBC costume drama and being sold as itself. Noisy, grimy, rough, tough and with that unmistakable Midland's twang that I grew up with. Not that Leamington Spa has much of an accent. Compared to the true son of Birmingham, the Leamingtonian accent is rather poesh and nice (as opposed to "push" and "noice").

Peaky Blinders kicked off last week and is the fictionalized account of the Shelby's, a gang of Birmingham crims who held sway in the city just after the finish of the first World War. I daresay the writer's have taken numerous liberties but I am not in a position to point out any factual inaccuracies as yet; I'll leave that to the numerous "Brum" academics who'll not be shy in voicing their complaints as and when any Birmingham based misinformation hits the slagheap.

Knowing parts of Birmingham well and others not at all I can at least say that there is a clever mix of real location and CGI that brings 1920's Birmingham to life; not to mention heavy use of the canal yard at The Black Country Museum. The accents, for those of is the know, sometimes veer from the true Birmingham "yam", but on the whole hold true. The actor with the toughest accent to crack is Sam Neil as Chief Inspector Campbell who has nailed his oracular flag to the mast of the Reverend Ian Paisley. Sometimes it jars but the script is cracking enough that you overlook the occasional dip into Walt Disney Oirish.

The star of the show is Cillian Murphy as Thomas Shelby (or Tommoi as he is referred to in our house), the leader of the Shelbys. The Peaky Blinders were so named for the razorblades they concealed in the peaks of their cloth caps that were then transformed into slashing weapons in a fight... but in truth Cillian Murphy could cut a man wide open with his cheekbones alone. He's a powerful presence on the screen and exudes an air of calm, urbane, gentlemanly violence that is somehow the more brutal for being measured and calculated. Helen McCrory too is a strong backbone to the rest of the cast and manages to slum her vowels into Birmingham's street talk with aplomb.

The show has everything; horses and bet rigging, stolen army munitions, pub fights, gypsy warfare, blood, sex, cheekbones and exortations not to "larf at moi bruvva." And best of all it is bigging up Birmingham.

The city up the road from me has a history that is just as magnificent and nasty as the one to the south.

Only our accent is better.

If yow can't get a rowm at the Premi-air Inn then jus' yow tyoon in to the Beebeeceee of a Thursdaaay and it's like yow is proppa in the Bullrinnng. Jus' down't look at us funnoi. Cos we down't loik it.


Sunday, September 15, 2013

Shoddy Comes Fitted As Standard

I have an age old problem with computers.

Or rather with the operating system itself. I admit my experience is limited to Windows and I know there are alternatives out there but nevertheless I am driven to persist with the devil I know.

It's the updates.

The constant updates that make my machine lag just when I need it to be super quick; the peremptory order to restart so that the new updates it has shoehorned into its electronic gizzard without my knowledge can be installed properly; the interminable wait so that Windows can "configure" itself (and then stalls at 37% for hours) before my own machine is released to me once more.

I sometimes wonder who my machine belongs to. I distinctly recall paying a whopping great bill for the actual physical components. I still have the receipt. But it seems that as soon as Windows was installed Microsoft then took ownership.

Kind of like a sitting tenant. Yes, you own the property but Mr MS is living here now and possession is 9 tenths of the law so sod off; if he wants to set fire to the wallpaper he jolly well will and there is nothing you can do about it.

Now I know you can turn off Automatic Updates and make it all manual but, really, we humans are all on the paranoid OCD spectrum so we leave it all Automatic in case we miss the update that plugs the huge security breach that Microsoft didn't realize was there when they first sold the software to us (as being the next best thing to sliced bread) for £100+.

And that is my problem. A new version of Windows is in the offing or at least on the brink of being offered. It will undoubtedly be huge, i.e. you are suddenly going to need a dozen terabytes of memory just to run it and a processor large enough to handle the data from the Hadron Collider. Inevitably we are all going to be forced to go back to the computer shop of our choice and pay out another large sum of cash to buy more machinery that Mr MS will then move into and take possession of.

But I don't want this new version of Windows to be bulked out with new services, new apps and new lights and flashing bells (or whatever). I just want it to be like the one I have now but finished.

Finished. Perfect. Not broken. Not with bits missing. Not with any security issues. In short, without any need whatsoever to have to continually update itself.

I mean, if I buy a car I don't expect to wake up one morning 2 months later to find a team of mechanics on my drive changing the tyres.

"Sorry, gov, you can't use the car for the next 3 hours until we swap the tyres over. Yeah, they suddenly decided that the original square tyres that were fitted when you first bought the model aren't conducive to high speed travel so now we're upgrading them all with these round ones."

"But I need to get my wife to hospital this morning - it's an emergency!"

"Sorry. But you chose to have automatic updates and once the process has started we can't stop until it's finished - otherwise the car won't be configured properly."

Ridiculous!

Surely there is an operating system out there somewhere that gets it right first time?

Otherwise, the simple fact is, in thousands of years of human history we haven't actually improved upon the abacus...

Monday, April 22, 2013

A Tale Of Two Toilets

Not sure why these two separate memories should have pushed themselves to the forefront of my thoughts today but rather than fight it I am going to do as all the best plumbers do and just go with the flow.

Back at the tail end of 1999 I realized an ambition I’d had since my teens and went to Egypt. Although the whole thing was an organized tour I went on my own which was a big thing for me at the time. The furthest place I’d been to on my own to before then was Weston-super-Mare and, believe me, despite the sand and the dodgy food, there is little comparison.

My one all-abiding memory of Egypt isn’t the pyramids, or Saqqara, or The Valley of the Kings, or even the limbless beggars that lined the streets of Aswan.

It is of the toilets in the Cairo Museum.

After a weeklong Nile cruise I had three days in Cairo. The Museum was a must and it didn’t disappoint though I will admit that by this point of the holiday I was mummied out. I had also succumbed to ‘gypy’ tummy. The first spell had hit me at the Son Et Lumiere show at the Philae Temple a few days before but a quick necking down of a couple of Imodium tablets had set the potential avalanche like concrete.

Unfortunately, all this did was ensure the infection stayed within my gut where it wore away at the halting effects of the Imodium until, days later, at the Cairo museum, that particular train of matter decided it was going to make a break for it no matter what chemical cocktail I attempted to throw at it.

Thankfully, the Cairo Museum toilets were near at hand. I recall at knee-clenched wait in the inevitable queue before the cubicle became free. I dived in, already sweating uncomfortably with the effort of holding back both time and tide and was immediately faced with the single desolating sight of my life.

No toilet paper. Nothing. Not even a newspaper.

I must have staggered out of the cubicle looking like a very unsuccessfully desiccated mummy. And instantly met my saviour: a young Egyptian toilet attendant who without a single word but an understanding nod handed me an entire roll of toilet paper all to myself.

When I was done I gave him the most money I’d given to any of the locals on the entire holiday. Money well spent. Wherever he is now I hope his gods are smiling on him.

My second toilet memory is the ridiculous to the above’s sublime.

‘Twas a day visit to Dover. Part of a weeklong family holiday to Canterbury and environs. I’m not sure why we elected to have a day in Dover as my memory of the town was that it was rather drab, rather dirty and rather smelly. I was possibly not seeing it in its best light.

Part of the trip saw us at some kind of terminal. I’m not sure now whether it was for ferries or boats or whether it was just some kind of all-purpose visitor centre. I do know it was as far South-East as you could go without dipping yourself into the sea and we had a decent view of the coast. As with all visits to places new – and the undeniable thread to this post – a trip to the lavatory was necessitated by a can of coke.

In the cubicle there, on the edge of England, the very cusp of Europe, I came to face to face with the most astounding example of human organic graffiti that I’ve ever seen.

Picture if you will an entire toilet roll wedged down the bottom of the toilet. Packed so tightly that the softening effects of total submersion in cold water had been unable to destroy the toilet roll’s shape. Now, picture if you will, the kind of poo that a horse would have been shaken to produce harpooning the cardboard centre of the loo roll down its entire length with a good four inches to spare emerging from the top and indeed from the very surface of the water. It looked like a postmodern representation of Thor’s hammer.

My overriding thought at the moment of confrontation was simply: how?

How had somebody physically achieved this singular feat of faecal protest? Did they poo first and then fit the loo roll snugly over the top like some kind of grommet? Or did they install the toilet roll first and then ease the poo out inch by agonizingly slow inch, micro-managing and fine adjusting the angle of approach, ensuring the nose cone was lined up perfectly before fully opening the bomb bay doors and letting her loose?

As with my adventure in Egypt, philosophizing ultimately had to be put aside: I had a burning desire to “go”. Thankfully this time it was merely a number one and, after a quick hosing, I left the sculpture all but intact. There was no point flushing, believe me. That monster was going absolutely nowhere.

I often wonder about it even now and for all I know it’s still there… pinning this country to the Eurasian plate like a tin tack through a giant post-it note.

It would be a fitting addition to the Natural History Museum’s permanent collection should they ever be scouting for one.

Toilets, eh? What amazing adventures one can have in them. It’s often the best penny you’ll ever spend...

Tuesday, March 19, 2013

Quick On The Draw

It’s too easy to make snide comments these days. To throw a disparaging remark into someone’s path. To toss a hand grenade of insult over the shield wall of “constructive criticism” and watch it explode from a safe distance.
 
The people that sow such barbs with impunity rarely seem to fear reprisals or even the possibility of being taken out by their own shrapnel. Of course, cowards that they are, they stand too far back. They stand fully enveloped in their Kevlar suits of “only being helpful”.
 
Don’t get me wrong. This post hasn’t been inspired by anyone or anything specific. People have taken so many pops at me and this blog recently I have got completely used to the detonations.
 
And it is that which has inspired this post.
 
You see, it’s too easy to take pot-shots these days. We all do it without thinking. We all do it as natural as breathing. Open our mouths, type something, and let the sting fly to its target. Bang. Gotcha. Onto the next one.
 
Why has abuse become such common currency?
 
The internet, the workplace, the press are all rife with it. Comedians take cheap shots at anyone who has fallen foul of the law or public morality just to get a laugh – people they have probably never met or had any personal dealings with. Our colleagues assassinate each other in whispering huddles that may or may not include you… and you are damned either way.
 
And this is just the way it is.
 
I find myself wondering if people were politer in (paradoxically) less enlightened times and places? In the Dark Ages, say? Or Mediaeval Europe? The Wild Wild West? Times when the common man went about armed and tooled up and ready to answer even the slightest insult with a red smile or an invasion of steel to the gut?
 
Did people watch their P’s and Q’s more? Dot their I’s and cross their T’s? Save their insults and barbs for under the breath mutterings that harmed no one and kept the water source from which we all drink free from poison and contagion?
 
Or did that length of steel at their side or that iron strapped round their waist make them feel they had the right to sneer even more? Make them feel they could say what the hell they liked and if the target didn’t like it, well, they could choose between swallowing it or sleeping the sleep you never wake from?
 
I suspect weaponry merely separated the truly arrogant from those who only pose. The true bastards from those merely trying to be. And at the end of the day too, there would have been polite, peacable men who kept their mastery of the martial arts under their hats until pushed to extremis. Maybe, sometimes, justice was done? Maybe for every insult made grosser with violence there was an insult met with a righteous meting out of pain that made some cocky loudmouth think twice before opening his mouth again?
 
I can’t work out which is better or which is worse.
 
Only that while sticks and stones may break my bones, a bullet to someone’s crust is going to shut them up forever. In which case, insults suddenly become completely unnecessary.
 
 

Saturday, January 12, 2013

Hand Prints

Not for the first time in the comparatively short history of this blog my reasons for writing have yet again been called into question by a third party.

Why do I write? What need does it satisfy? What good does it do? Who the hell do I think cares enough, is interested enough to even want to read it all in the first place?

Needless to say such questions weren't posed in an emotionless psycho-scientific vacuum but were given a hefty wallop of negative spin that created a curve-ball with enough thrust to smash through even my superdense cranium.

Well if you've got this far I guess you've just answered the fourth question.

As for the others I'm pleased to report that it didn't take much brain searching to come up with a few answers.

The way I see it (and that statement alone is the fundamental starting point for any blog, letter, email, newspaper column, book, film or play) blogging of itself it a pretty pointless activity. It's not going to stop world poverty, end human trafficking or child abuse or even get The X Factor axed from our television screens. It's not really within its narrow remit.

But what it could do is flag up to the powers-that-be that enough people want these issues sorted out with enough urgency and passion that the powers-that-be actually plough some energy and money into sorting them.

Yeah. That's a naive argument but I live in hope.

In all honesty I personally see blogging in its entirety the world over as a wonderful ever-expanding social-history document. Kind of like the Bayeux Tapestry but this time mostly about mundane stuff and one where everybody gets to voice their opinion - not just the winners. Taken as a whole it represents lots of truths (some of them conflicting) about human nature, human society and how we all, as a species, interact - not just on a local scale but also globally because the great thing about the online community is that geography as an obstacle is completely and utterly removed.

In fact there was an experiment a year or so ago where everybody (not just regular blog writers) was invited to submit a blog post on the same day so that a group of curators somewhere could have a digital snapshot of what the 20th century world was doing on 25th July 2010 (or whenever it was - I just made that date up so that the sentence would feel like it was going somewhere). Blogging in general is like that. Our descendents 300 years from now will look back at all this online verbiage and feel that they know us a lot more intimately that we can currently say we know the population of Restoration Britain, or the Elizabethans or Stone Age Man.

Which brings me onto a neat conceit.

Whenever anyone asks me why I blog (and no, it isn't just about my ego) I always think of the hand prints our ancient ancestors left on the walls of caves all those millennia ago.

Why did they bother? What need did it satisfy? What good did it do them? Who the hell did they think would ever be interested enough to look at them and care about them?

I mean those hand prints by themselves don't tell us very much at all apart from the date they were made (like most blog posts in fact) and what colour paint they had available. They don't in themselves tell us what these people ate, what they wore, how they spoke or what kind of relationships and hierarchy their society was composed of.

Apart from the aesthetics and the wonderment of how old they are those hand prints don't add to the total sum of human knowledge a great deal at all. They were made by simple folk, in a nascent civilization with nothing very big or world shattering to say at all.

And yet they are invaluable. They are important.

Those hand prints say quite simply but nevertheless very fundamentally, "I was human. I was here."

And actually, on a cosmic scale, that is quite world shattering.

For me, blogging is a bit like that.

I am human and I am here.

And quite honestly if you don't like the shape my hand makes against the wall feel free to drag yourself onto the next cave. There's some "horsies" in that one.

Tuesday, May 01, 2012

Blue Plaque

I want one.

I’ve decided.

I want a blue plaque erected in my honour and attached to the wall of a house I’ve lived in or a pub I’ve drunk in or an alleyway I’ve relieved myself in somewhere in my home town.

Because – maybe it’s just Leamington – but there seems to be blue plaques being put up all over the place these days, to all and sundry for a whole raft of endeavours that, at best, often strain the bounds of remarkability and noteworthiness.

Lord Isambard Moolah invented the screw top salt shaker in this garret in 1846. Sir Ivor Permanent Backache invented skiving off from work in this bedsit in 1954. Captain Smartarse created the world’s first time machine in this domicile pod in 2539. Etc. Etc.

Forget Facebook or Twitter (or whatever it is you young un’s are using these days to avoid actually speaking to each other), a blue plaque is what you need if you want people to know who you are, to notice you and – most importantly – to remember you.

‘Cos being remembered is everything. If you die and nobody remembers you, well, that’s like you never existed. You were there but you were like dark matter... just holding the bright stars in their place. But if your name is still on people’s lips, still being bandied around backstreet pubs and used as a gross insult in the playground then you have at least achieved some kind or immortality. Future generations will carry your name forth like some kind of socio-biological seed and who knows? You may yet influence the children of tomorrow in some weirdly perverse manner which will either raise humankind to the heights of enlightenment or (more likely) see it damned to the lowest circle of hell.

But the fate of the species is unimportant compared with having had a hand in bringing that fate into being.

Because it doesn’t matter whether you’re remembered for good things or bad things. Just as long as you’re remembered. Fame doesn’t give a shit about morality. Fame doesn’t differentiate between top ten hit singles or the number of people you stuff into a mass grave. History enshrines Hitler and Michael Jackson both on an equal footing (though I know who I’d trust to babysit).

So all I have to do now is decide how I’m going to get my blue plaque.

Will it be for some kind of Nobel prize winning endeavour? Novel writing? Poetry? Blogging even? It would have to be arts based because I’m completely crap at science (if you’re waiting for me to invent a time machine you’d need a time machine just to cope with the wait).

Or shall I choose the dark path? Become a plague to my fellow man? Visit upon him sores and pestilence and endless irritation?

Hmm...

Blogging it is then.

P.S. Just make sure they spell my name right.

Monday, September 12, 2011

Digging Dr Alice


For all I would consider myself an outdoorsy person I am well aware that what I actually mean is: I like traipsing the hills and valleys and admiring the view. I don’t as a rule relish the thought of pushing a Flymo around, laying fresh turf on clay or running my fingers through the green bushiness of a vegetable patch.

Me and trowels... we don’t have “a thing” going on.

But whenever I see Dr Alice Roberts on the telly I have a sudden and overwhelming desire to bury myself deeply into some undergrowth and root around in a dark hole to see what glorious treasures I can find. Forget the welly-boots and a stout sou’wester I’d be quite prepared to do it absolutely stark bollock naked. (Dr Alice you have only got to ask. P.S. your Lawyer was rather rude to me last Friday... you know, I don’t think he is passing on my letters to you at all).

So Friday night saw the return of Digging For Britain and more importantly the return of Dr Alice – new mum, bone expert and all round historical / archaeological pin-up. Within the space of an hour she transported us around Roman Britain and uncovered more earth than a JCB driven by a coke-head.

One of Dr Alice’s missions in life is to get young people (yes, alright, that excludes me straight away) interested in the sciences and history and proper ‘ologies. Snare ‘em young and our scientific community will be enriched for years to come, etc. She’s right too. When I was at school and it came time to choose my “options” (as they were called back then) I found I had to choose between Geography and History. I was good at both. If I’m honest I preferred History but due to a timetable ‘thing’ I could only take one of them, not both. At the time I thought Geography would have more practical applications in terms of acquiring a job so I chose Geography.

I’ve always regretted it. Not that I didn’t come out with a good mark – I got a B. But, well, I kind of feel History would have been more up my street.

If Dr Alice had been around at the time I think I would have undoubtedly chosen History and would have studied a lot harder at Biology too (I only got a C). She would have put thoughts into my head of Roman digs, Iron Age mounds and the possibility of kneeling in the English mud for months at a time next to a velvet voiced beauty who occasionally dyes her hair red.

I would have told Mrs Abbot that she could keep her meteorological charts and her ‘fruit growing in the Vale of Evesham’ and all the other twaddle that we studied in Geography and that I have never ever used – ever – on the various states of employ I have endured over the years and I would have prepared myself for the coming of Dr Alice.

And then it would have been me on Time Team excavating all those barrows. It would have been me on Digging For Britain holding Dr Alice’s freshly lacquered rose-wood handled soil brush for her. And most of all it would have been me holding Dr Alice’s towel and bathrobe for her when she did that programme about skinny dipping, sorry, wild swimming, a year or so ago.

You hear me, North Leamington School? You and your effing Options! You ruined my life!

P.S. On a lighter note. Here is a link to a superb interview with Dr Alice conducted for the on-line show, Carpool – a superb little programme where Robert Llewellyn drives various TV celebs around from A to B and interviews them whilst filming them with on-board cameras mounted onto his dash. It's brilliant.

*sigh*

That could have been me in that car. Me. Possibly only sitting in the back, not saying very much at all, but nevertheless it could have been me.

Goddammit.



Monday, March 07, 2011

I Mean It Ma’am!

Leamington was overrun by the boys in blue last week. Or rather boys in high visibility vests. The pigs were everywhere. Coppers. Rozzers. The Old Bill. The Fuzz.

You couldn’t move without risking a truncheon up the jacksy.

They left no stone unturned. Or stonehead.

Bins were checked and taped up. Sewers were probed. And then the big boys came in. The narks with peaked caps. The ones who mean real business. The proper coppers.

You’d be forgiven for thinking that Leamington was about to become a hotbed for cultural revolution. That the battle lines had been drawn down the length of The Parade and today would not be a good day to purchase a new divan mattress from John Lewis.

But you’d be wrong.

Because instead of cultural revolution Leamington was in fact the venue for one of this country’s great cultural traditions: waving a little union jack flag at a lady in a big hat who waves like she’s been taught to do so by Mr Miyagi from the original Karate Kid, “wax orn, wax orf.”

Friday saw Her Maj The Queen visiting my home town of Royal Leamington Spa. She came dressed in shocking pink with Prince Philip in tow to formally open Leamington Spa’s brand new Justice Centre building.

That’s right. We no longer have a magistrate’s court. We have a Justice Centre. Sadly my suggestion to have a statue of Judge Dredd erected outside was met with askance looks and murmurs of “can we please relocate this geek to another country please?”

Leamington has at last put itself back onto the Royal map. You see, I’m pretty sure that the last time we had a Royal visit was in the 1800’s when Queen Victoria popped by to sample the spa waters and graciously allowed Leamington Spa to name itself Royal Leamington Spa. I find it somehow ironic that our response to civil disobedience has at last brought the currently reigning monarch back to our sleepy little backwater town to renew our regal connections.

Though I doubt the coppers of Victoria’s day checked the sewers quite so avidly (probably because there weren’t any sewers back then). What were our coppers looking for? Bombs I suppose. Or perhaps Royal souvenir poo hunters who were squatting down beneath the loos of the Justice Centre hoping that Liz or Phil might crack a little something off in the cells that they could sell on the black market. If any Chinese doctors are listening Royal poo has amazing healing properties but only if taken orally. Trust me, it’s true.

So did I go out and join the flag waving throngs? At first I thought no, sod this for a game of soldiers, I’m not against the Royals but I’m not a Royalist automaton either. I’ve got work to do. But the sun was shining and then I thought I’ve got work to do I’d rather be outside. So outside I went and joined the crowds. ‘Cos let’s face it, Liz is getting on a bit. The chances of her living long enough to ever have a justifiable reason to come back to Leamington Spa are pretty slim.

The crowds were as you might expect. Screaming school children waving flags, old ladies muttering, “Ooh she does a lot of charity work, she does, heart of gold she has, don’t she duck?” and cynical teenagers hanging around whilst cursing themselves for not having the courage of their convictions to moon in the face of a stern faced policeman or give the Royal convoy the finger.

The picture above is my own. It is the closest I am ever likely to come to England’s current monarch (unless my Knighthood comes through before she carks it). Annoyingly I was concentrating on operating my camera phone so much that I didn’t actually look upon her with my own eyes. I’m sure there is a life lesson in there somewhere but I can’t for the life of me be bothered enough to think what it is.

So there you have it. The Queen. Real news of national importance on this ‘ere blog. Proper journalism (almost). History recorded. The stuff of news. The fabric of our national identity interwoven with my own.

God Save The Queen! I mean it most heartily ma’am.

Though, of course, you do all realize there is little or no future in England’s dreaming...



Wednesday, May 19, 2010

Compare & Contrast

Addendum: I've since had it confirmed by my mother that the (older) gentleman in the picture below is my maternal great-grandfather not paternal and has therefore been identified as Henry Hyde and not, as previously stated, Arthur Benjamin Olorenshaw.

I rarely publish photographs of myself on this blog. Not because I think I’m particularly un-photogenic (although I do) but simply because (and I realise this is a paradox) I like to retain an element of privacy even as I lay my soul bare with a series of sumptuously written exposés detailing my sexual and criminal exploits as an MI5 operative in Siberia (including my life and times as a circus based gigolo). Apologies if you have missed those posts but you really should have been paying better attention.

However, the call went out for a photograph of me – donning a flat cap – with which you could all compare and contrast the one of my great-granddad that featured in my previous post. I was simply overwhelmed and inundated with two of you demanding I supply such a unique photograph.

And thus, even though I have a hundred and one other things to write about – including my blog being stalked by someone who fancies themselves as an old school East End villain (I kid you not – just wait for Thursday’s post) – I have decided to acquiesce to this request.

So here for your delectation is once again my great-granddad, Henry Hyde, and for the first time ever, yours truly, full faced, cloth capped and making lurve to the camera:



I leave it up to you to figure out which one is which.


Monday, May 17, 2010

The Family Moustache

Addendum: I've since had it confirmed by my mother that the gentleman in the picture below is my maternal great-grandfather not paternal and has therefore been identified as Henry Hyde and not, as previously stated, Arthur Benjamin Olorenshaw.

There are some synchronicities that stretch down through the ages. Eye shape, cheek bones, crooked toes. Physical and biological DNA fingerprints that are passed on at the cellular level. Familial biometrics. A lottery that we have no choice about but find ourselves born with. Ooh you have your mother’s eyes, etc.

But then there are others. The physical, the biological traits that we do choose.

Confused? Think of the moustache.

Yes. Think of it. Stroke it. Caress it in your mind.

It grows quite naturally but with the technology of the modern world keeping it is a personal choice. To beard or not to beard. Hirsute you, sir.

I first allowed my face to be graced with facial hair in my early twenties. I sported a full on beard and tache. Not quite the Brian Blessed aurora bristlyaris but coupled with my waist length hair it gave me a full on Bejasus look that the locals kids would daily feel compelled to comment upon. Little tykes. Ah bless.

And then, sometimes in my thirties, my marvellous continent of beard began to be invaded with white hairs. Lots of them. I’ve never been one for the badger look (“as rough as a badger’s arse” is my favourite expression – wouldn’t be good to have a facsimile of one on my face) so I elected with the help of my good lady girlfriend (now my good lady wife) to trim the beard into something a little more sporty. To drop the people carrier in favour of an MG.

The result was an entirely separate moustache and goatee (although I can grow them “joined up” I choose not to). I’ve had it for years now and it feels very much “me”.

So it was rather comforting whilst digitally scanning some of my grandparent’s old photographs into the computer to come across this picture of my great-granddad, Henry Hyde:

Check the tache. That’s mine, that is. To a T. I know other people had moustaches in those days but not everyone did. Old Henry H made an aesthetic choice regarding his whiskers that I have matched over a hundred years later. It’s a tenuous link I know but it is beefed up by the fact that the structure of his face quite closely mirrors my own. Both Karen and I can see a likeness to me within the sepia definitions of a face that I never ever saw firsthand.

I feel a sense of connection. A bond. A correlation in what constitutes good face furniture. Separated by a hundred years of family and global history our moustaches bristle proudly from the same town in the same country... in the same shape.

The family moustache is alive and well.

Rest assured, when the time comes I shall ensure that it is passed onto my sons and carried forward, cleaned and possibly waxed, into all perpetuity.

Make the most of those naked top lips, boys, ‘cos they won’t be that way forever.


Friday, May 14, 2010

Stalking

I fear that unless I summon up and exert all of my will power I am in danger of becoming a stalker.

Not for me the telescope through my neighbour’s curtains to catch a glimpse of her camisoles (why go to that expense when I can see her knickers on the washing line every day? Note to self: probably better to edit that line out later). Not for me the surreptitious car chases or, coat collar up, following someone to and from their place of work on foot, hoping to catch a glimpse of a shady décolletage.

No. I’m stalking a house. A red cube of bricks and mortar.

I couldn’t resist walking by my grandparent’s house yesterday lunchtime. Although, of course, it is not really their house any longer. A new car had parked itself on the drive. Dark green. Unkempt looking. With horribly filthy hubcaps. My grandfather would never have allowed that.

It hurt. This I freely admit. It hurt seeing signs of other lives going about their business inside those walls. It hurt realizing that I can no longer go inside a house where I was, without fail, always, always welcome. I found myself craning my neck to see through the net curtains (still my Nan’s), noting that no furniture had yet been moved inside, that the bird muck on the patio windows was still there and visible via the light bleeding through from the back garden.

I did two walk-bys feeling furtive and fugitive. I caught a glimpse of the back garden fence – the boundary that, when blowing bubbles as kids, my sisters and I would delight in sending our little soapy missives over. Amongst the hundreds of photos rescued from my Nan’s possessions is one of me in a yellow romper suit, barely 12 months old, being held by my Nan on the back lawn.

I have stood on that very spot a few times in the lead up to the sale of the house marvelling sadly at how fast, how coldly time seems to fly by.

I’m steeling myself to stay away for a while. To try and come to terms with it all emotionally – and I am sorry to be going on about it yet again here (how boring for you all) but I am shocked at how difficult I am finding this new reality.

It feels wrong. For as long as I have been alive that house has been my Nan’s. I’m pretty sure they were the first people to move into it and in my mind it is forever associated with her and my granddad. It feels like a huge chunk has been bitten out of the world. Or I suppose a better analogy is that of an amputated limb. I know it’s not there anymore but I can still feel it.

In a bizarre kind of way I feel suddenly shut out of my childhood.

The one positive from all this emotional upheaval is the sheer number of memories that have come flooding back to me. Helped along by the mass scanning project I have now begun to back-up all my Nan’s old photographs, I have remembered things I had completely forgotten I remembered (if you see what I mean). I will no doubt record some of them here over the coming months to save them from falling into the abyss of my mind once more.

In the meantime, please bear with me people. I’m going to put my binoculars away. I’m going to shred my little notepad of comings and goings. Normal service will be resumed shortly.


Monday, May 10, 2010

The Last To Go

I’m possibly being overly sentiment (and sentimentality is never a good thing) but today is the day my grandparent’s house is laid to rest (killed is too strong a word).

The house clearance people – a local firm of auctioneers – are already at work, possibly even finished by the time you read this, clearing out the furniture, the cupboard junk, the knick-knacks, the physical manifestations of over 60 years and at least 4 generations of family life.

All of it – the dishes we used at Christmas, the old ice cream tubs full of pencils and their smell of graphite, the suitcases of old knitting magazines that my Nan used to collect – will be loaded up into a van and transported off to some side street depot where the wheat will be sorted from the chaff. The good stuff will be put up for auction, the non-saleable stuff... well, God knows. Do they bin it? Recycle it? EBay it? I’d hate to think of my Nan’s old pots and pans taking up space in some landfill somewhere – her Wednesday beef stews were amazing. Those pots and pans should be on a pedestal somewhere. Alas, I have neither the room for them nor the pedestal.

So it’s time to let them go. Let it all go. I have said my goodbyes. I have saved what I can. But the bulk of it – the collected sum of all that makes up my Nan’s home – cannot be kept.

I think what I shall miss most is the smell of the house. The smell of each room. My Nan was a great one for putting a bar of Palmolive soap in every drawer so that all her clothes would smell nice. Those bars were still in the drawers last time I looked. And when I stood over them, closed my eyes and inhaled, it was as if I could almost smell the lives of the people that once lived there – my own life intricately and intimately bound up with them.

The house is like a member of the family to me. It has a personality and a place in my memory as beloved and special as those that are inhabited by my Nan, my granddad (or Bampap as we called him) and my Auntie Linda (not that we’d ever dare call her “auntie”) who all lived within its walls. All are dead now. All are gone. The last 5 years took all three of them. Only the house remains. A sad old friend. Its memory failing, its ear straining desperately for the key in the lock that will announce that its former owner’s are returning but finding always only silence.

The front door will never be opened by anyone from my family now. My family's 60 year and my 40 year association with the house is over.

The last few times I have been there have been bittersweet. The comfort of the familiar undercut by the sharp sorrow of the small but quiet emptiness that has settled over the entire house. I have felt like a ghost, felt like I have been haunting the house because my grandparents are not. A troubled ghost walking old rooms and staring fondly at old aspects hoping that they will never change.

Those hopes were always going to be futile. Change has come. On Wednesday the contract with the new owners will undergo “completion”. My Nan’s house with its horde of treasures that so fascinated me as a child will be dead forever. The last of them to go.

But unlike them it will undergo some sort of instant reincarnation. A new family will move in. Will put down new carpets. Put up new curtains and wallpaper. Will bring their own sounds and smells of life.

My ghost will haunt there no longer.

It will return to life. A new day. A new tomorrow, holding much loved yesterdays to its heart.

Is sentimentality such a bad thing? I hope not.

Goodbye old friend.


Friday, January 22, 2010

George Davis Is Innocent

The above appeared, clumsily spray painted on the wall of a dilapidated pub building in Leamington, a couple of months before Christmas.

At first, being ignorant of gangster lore, I assumed it referred to a local lad; some poor yob out misspending his youth who had found himself on the wrong side of a policeman’s taser. Before he could protest that he had just gone up that there alley for a quick Jimmy Riddle he’d found himself banged up for burglary with 500 other spurious offenses to be taken into consideration and escorted to a prison cell by a couple of uniformed officers who were slapping each other’s backs for singlehandedly improving Leamington’s clean-up rate over night.

His siblings, his mates, even his 85 year old granny with her dodgy hip and rheumatoid arthritis had taken to the streets of Leamo armed with cheap aerosol’s to protest his innocence on every wall, pavement and fence they could find.

Who was George Davis? That was the question that was rattling around my mind every time I walked past this enticing bit of graffiti. Who was he? What had he not done that he had been accused of doing?

In the end I Googled him. And lo and behold George Davis wasn’t a local lad done wrong by the local constabulary at all but a London mobster who was dodgily convicted for The London Electricity Board Robbery in 1975. He was released a couple of years later as a result of a campaign by supporters who protested his innocence before being later re-imprisoned for armed robberies that he did actually commit. So not so innocent after all.

Which must have been a bit of a kick in the teeth for Roger Daltry and Sham 69 who via T-shirt wearing and song-writing had come out in George’s defence. Stick to rock opera’s, Rog, your wrists are too subtle to divine the true realities of a man’s innocence.

So back to the graffiti of 2010. George Davis Is Innocent? Plainly the graffiti artist hadn’t done his research properly. I’m eagerly awaiting an addendum to the said piece of graffiti that starts with the words “Well, actually, ahem, the thing is...”

Or perhaps this is the first instance of “retro graffiti”. A celebration of famous graffiti from times gone by? Is the wall at the back of Tesco’s car-park going to shimmer with the words “The Juwes are the men who will not be blamed for nothing” sometime in the not too distant future? Or shall I get ahead of the game myself and paint the side of my house with the legend: “Is there intelligent life on earth? Yes, but I'm only visiting”?

Hmm.

Answers painted on a brick wall at the usual address please...