Showing posts with label sketchbooks. Show all posts
Showing posts with label sketchbooks. Show all posts

Dec 15, 2010

Dave Pimentel published a lovely book: "Evoke"



I've written on these pages several times already about my colleague Dave Pimentel.

Dave is a story artist who's probably the loudest cheerleader I know for drawing, drawing, drawing--at all times, in all places and with all media--and he's got the tweets, posts and sketchbooks to prove it.

He was lucky enough to be in the late Walt Stanchfield's gesture drawing classes at Disney. Stanchfield's philosophy and approach had a profound effect on him (as on so many others), and in the spirit Walt embodied he loves to share with and encourage other artists. He genuinely gets a charge out of not only creating his own work, but by seeing what everyone around him comes up with, whatever their take might be.

When I first started working with Dave I'd seize the chance to flip through his sketchbooks. He always had at least one in progress and a stack of what he'd just filled up on a shelf in the office. Each page was fun to look at, and each page was drawn from life. In fact, it was on those pages that I got to know his family before I'd actually met them--from the beautifully observed and executed sketches of them at the park, the bookstore, the beach, in the car...just engaging in ordinary everyday pursuits, but made to seem lyrical and alive on paper. The same was true of the anonymous passersby in his world, caricatured just enough to be recognizable as unique individuals. They all contained stories.

I hoped he'd self-publish a book of his drawings, and he has--he's also made it not only good to look at but to feel; it has a tactile, hard cloth binding with one of his ink brush drawings embossed on the oversize cover. He wanted it to resemble like the kind of 1950s-era books that all artists are drawn to(in my experience anyway) and it succeeds.

In addition to the many sketchbook excerpts he wrote a about a dozen pages containing the tips and ideas he uses in his gesture classes and applies to his own work. It's 100 pages of a very handsome and inspiring call to the pen, the pencil, and the sketchbook. Looking at it will make you feel good. And you'll really want to draw.





You can buy it from him here: EVOKE: The Art of Dave Pimentel

Dec 31, 2008

African Diaries-A New Sketchbook



I've posted about my friend and fellow story artist David Derrick before, pointing to his blog. He's a multi talented man who somehow finds time for constantly exploring new things and continuing to build on the knowledge he already has, putting it to good use. There's no one else I know who's as knowledgeable about flora and fauna--especially animals. He has a special interest in the life of the African continent, and finally had the chance to go there on safari this past year. He made sure to record much of what he found there and just published some of the choicest excerpts from his sketchbook in a lovely trade paperback, "African Diaries".

Here is a review from a critic who's not an artist but knows an interesting read when he sees one. I can't describe the book as well as he has.




As my old money pit manager Bud Plant would say "Highest Recommendations" for this title, which you can get for $14.95 here.

In addition to sketching and writing notes about what he saw on safari Dave took his sculpting tools and clay on location. Below are a few examples of what he came away with. He's particularly inspired by the great, lively genius of animal sculptors Bugatti and Barye.


















Mara King, a sculpture Dave did on location in Kenya that he's now cast as a bronze. I can't ever get enough of good rough animal sculpts like this.
So again, I'd urge you to add this to your shelves. And remember to take a look at the other sculptures and goodies at Dave Derrick's blog.


I've got a lot of catch-up to do with posts, but they are coming. Thanks for dropping by and eyeballing the archives and intermittent posting this past year. Hopefully 2009 will be full of pleasant experiences for everyone.

Aug 6, 2008

Dave Derrick Draws Africa


photograph courtesy of David Derrick

I've recently pointed readers to my friend, fellow story artist and co-author Dave Derrick--but it's not too soon to bring him up again as he's just returned from a safari to Africa.

That continent, its unique look and its life have been a special love of Dave's for years(inspiring his chapter in Scrambled Ink, an original just-so sort of story). It's been the number one place he'd wanted to go and he took along his sketchbook, his clay, and his paints.

He's only begun to post his impressions and artwork, but I feel certain that anyone visiting here should be sure to check in regularly to get a peek at what he's done. His observational skills are something.

Here it is: African Diaries




illustration by David Derrick

Jun 18, 2008

David Derrick blogs about drawing from life and plein air sculpting


Story artist Dave Derrick is a guy who inspires me with his talent, energy and determination to constantly seek out and accomplish new things. He's just put up a blog which can be visited here.


I have an especially soft spot for the sort of animal drawing he's adept at. He draws constantly from life, but to my eye his animals always have an extra personality and charm that's probably equal parts what's there--and what's inside the artist himself.

In his brand-new blog he's going to post examples of his studies and the ways he uses them-most recently in sculpting. He's definitely someone to watch and learn from (he's one of the artists included in "Scrambled Ink" as well-that work is pictured in my earlier post). Pay him a call.


all artwork courtesy of David Derrick, from his blog

Jan 16, 2008

Scrambled Ink book-coming in summer '08


Dave Pimentel and JJ Villard after our group trek to the Comic Con last summer.You couldn't find a better bunch of traveling companions.


An early rough splash page we put together for the book--this isn't the design, nothing here is final(especially color)-very, very early; this version also doesn't yet include the name of Keith Baxter; left column top to bottom is Ken, Dave D. and JJ; on the right is Dave P., me and Ennio

This blog is usually reserved for touting animation-related doings other than my own, but I'd like to give a heads up on a group project that six of us(all story artists working on the same crew, save JJ who was in visdev)hatched 18 months ago after visiting ComicCon '06 and being mightily inspired with the artists' books that were beginning to appear in ever-increasing numbers.

Since every one of us independently had thoughts of doing a sketchbook and had started exploring the various self-publishing options we decided to do one book together and split the expense. Eventually the book of sketches became a book of stories--one we still planned to do ourselves--but several months after that the founder of comics/book/entertainment company Dark Horse, Mike Richardson, came to Dreamworks to give a talk that most of us attended. A particularly intrepid soul among us approached Mike and pitched him our book. He liked it, we sent a rough dummy--and contracts were signed.
Our self-publishing venture had changed into a real publishing deal with a real editor, Diana Schutz(who's edited for and worked with Will Eisner and Frank Miller among others, ye gods!).
So in time for the ComicCon of 2008, our book "Scrambled Ink" will be out this summer in hardcover.

I'm in the company of a great group of guys with individual points of view: Dave Derrick, Dave Pimentel, Ennio Torresan, Ken Morrissey(who eventually brought Keith Baxter on board to write the prose for his story) and last but never least the inimitable JJ Villard. We did stories from 'the back of our brains'(as Ernie Kovacs might say) and ones we had had percolating for a while on the front burner, too. They're all quite different from each other--hence the "scrambled" title--which at one time we imagined might have a vintage menu look for the the table of contents, (as can be somewhat gleaned from the old page above). It's not like that now--there's not a retro diner menu design in it--but it's still a melange, that's for sure.

Dave Pimentel drew Ennio Torresan, me, and David Derrick taking a break last spring; I'm wondering why I am pictured drawing with a big smile, though. Given the date I'd probably just made reservations for Paris-that kept me smiling for two months-before and after.

They're all good friends as well as great coworkers and my life would be so much more dull without them. It's a hackneyed phrase but true: I'm honored to be in their company. I think--I hope--that our combined stories will appeal. It's great of Dark Horse, Mike and Diana to help us get it out there.

Coming soon!

Sep 15, 2007

Don Shank's Kurt



A lot of artists love to moonlight with girlie drawings, and many are superb at it. Few do the same with guys, likely because 99% of the artists are guys themselves and they'd prefer to work with a little more curvature when they're goofing around having fun.

Don Shank is tops with both genders on the pages of his sketchbooks. Back in the Turner development days Don had a fat sheaf of his girl drawings so choice that he was always granting requests for copies; I have one (and I wish I knew where I pu the darn things); they're completely wonderful--great designs and attitudes.

But since his blog has been up I've enjoyed his character Kurt even more than the ladies. Here's a guy I feel I know, who'd fit right in at a party, bar or in a 1961 film kibitzing with Bobby Morse or someone. It's definitely worth a trip to Don's blog to backtrack and vist the various Kurt posts--but be warned: the vast majority are rated G but a few aren't family-friendly.

Aug 9, 2007

Bruce Timm's sketchbook cover



Of all the items to miss at the con...I didn't even know he was doing them. This is I believe #3.
Bruce has been a big influence on a lot of people who in some cases might not even know it. Back in the day I never saw anyone, anywhere so facile with a brush pen and markers...and with such singularly appealing results. He's got a great color sense and I was agog at the rare watercolor(or gouache) of his that I'd see.

So I've got to track one of these babies down. Stuart Ng has them, at a price.