Annual Holiday Wreath, 2020 Edition

Every year I decorate a large wreath with a collection of beaded beads and pendants. I like to start by putting them in a big pile.

Sometimes I like to organize them by design or style. This year I loosely organized them by color.

Seeing all of these pieces together is a nice reminder of what I've done over the past few years. A couple of seed beads in a small piece doesn't always feel like a big accomplishment, but when you do that over and over again over a long period of time, the results really add up!

If you'd like to decorate your own wreath, make sure to exclude any piece that contains sterling-silver plated seed beads, as the silver will tarnish more quickly if it sits on a fresh wreath. Or do as I do, and decorate your wreath, take a picture, and then remove those pieces immediately afterward.

I hope that you and your loved ones have a peaceful and safe holiday season. 

Thanks for looking!

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Astral Spore Pendant

My newest beading pattern is now available.

The Astral Spore Pendant features the new Quarter Tila Bead in this very tactile, geometric pendant. It uses four colors of Quarter Tilas and a whole bunch of bugle beads and round seed beads, and it's hollow and self-supporting so you can see right through it. This beading pattern is an advanced design, and it teaches you how to weave the finished pendant.

Like the Succulent Topiary Pendant, this design uses the geometry of an icosiedodecahedron, which is like a dodecahedron but with 20 extra triangles. In this design I've embellished each of the 12 pentagons so that they stick out from the base. I've also attached a tassel-like set of matching fringe containing Czech etched dagger beads in colors that just make me swoon. The whole design reminds me of something from astronomy, like a comet, but I already have a design that has "comet" in its name (I'm going to run out of names someday!). But it also reminds me of a grain of pollen, so it's the Astral Spore Pendant.

This is actually my third attempt at stitching a geometric design with Quarter Tilas; the first two attempts were a little smaller, and the smallest one was harder to stitch than this design. The pattern contains a few photos of the smaller attempts.

The beading pattern is 24 pages long and contains 70 photos and illustrations. Kits are available in the three colorways pictured, and contain all the beads needed to stitch the finished pendant.

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Succulent Topiary Pendant

I wrote a new beading pattern.

The Succulent Topiary Pendant features a whole bunch of shaped beads all woven together in a geometric floral pendant. This advanced beading pattern teaches you how to stitch the finished pendant.

When I set out to stitch this design, I wanted to play with some Tulip Petal beads that had been sitting in my stash for a couple of years. I didn't intend to use so many shapes to stitch these little beaded flowers and bits of greenery, but as I worked I found that a collection of Rizos, Gekkos, drops, and Spiky Buttons complemented the floral Tulip Petals. Oddly enough, by the time I finished the flowers didn't look much like tulips, but they do remind me of cactus flowers.

It's a relative of the Tila Garden Pendant. Both designs use shaped beads and Tilas on their edges, and both have dodecahedral symmetry, but the Tila Garden uses the geometry of a standard dodecahedron while the Succulent Topiary uses that of an icosidodecahedron. You can think of it as a dodecahedron with 20 added triangles. The Succulent Topiary Pendant is also quite a bit bigger.

The beading pattern clocks in at over 20 pages and 60 photos and illustrations. Kits are available in two colorways and contain all the beads needed to stitch the finished pendant.

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New Pattern and Kits: Comet Trails Set

I've finished my next beading pattern, the Comet Trails Lariat and Earrings Set!

Beaded Beads with 2-Hole Crescents

I received a few packages of 2-hole crescent beads and 2-hole bar beads as part of Starman's Trendsetter program. After playing with them for a while I gravitated towards incorporating them into beaded beads, and I experimented with using them in geometric beaded bead embellishments. I couldn't decide whether to stick with bars or crescents for these embellishments, so I ended up using both for two different sets of spiky beaded beads. A lariat proved to be the ideal format to show off both versions.

Like the 2-hole triangles, the crescent beads have an "up" side and a down side that influences how they will orient themselves in the finished piece. I experimented with both orientations, but in this design the crescents preferred an outward orientation that gives the beaded bead a spiky look.

A Long Hubble Stitch Rope

I have a confession... Until I wove this piece, I didn't think I'd get into Hubble Stitch. Developed by Melanie de Miguel, this lacy, open weave is a cousin of right-angle weave and is reminiscent of a three-bead picot. I'd seen several lovely examples of this stitch from not only Melanie but also from Cynthia and Marcia, and I'd even made a few basic samples using the stitch, but I didn't initially see how it could be incorporated into any of my designs.

However, I noticed that the triangle shape formed by three-up Hubble looked like the seed bead embellishment in these beaded beads, so I set out to replicate that embellishment in a rope using Hubble stitch. The result is an extended variation, and by the definitions shown in Let's Hubble, it's an offset, four-up, tubular Hubble rope with periodic horizontal spaced out 2-hole beads. I like how this rope is light and lacy, but most of all how well it complements the beaded beads.

Matching Earrings

A pair of the smaller beaded beads make quick and easy matching earrings.

Three Colorways

Starman is continuously developing new colors and finishes for their beads, and it's quite fun to explore different colorways with this design.

The beading pattern for the Comet Trails Set includes complete written instructions on how to weave each component of the lariat, how to attach the components together, and how to weave the matching earrings. The pattern also includes a few images of the prototype pieces of beadwork that led to this design. Like the lariat, this pattern is on the long side; it's in the PDF format and clocks in at 30 pages and 117 full-color illustrations and photographs. I classify this pattern as intermediate, and it's most appropriate for beaders who have previous experience with beaded beads and who would like to learn a new way of creating them with 2-hole beads. Knowledge of Hubble Stitch is a plus but it isn't required to follow this pattern.

Kits for this design are available in three different colorways and make the completed lariat measuring up to 34" long, along with a pair of matching earrings. Each kit contains all the beads and findings needed to complete the project.

Thanks for looking!

New Pattern and Kits: Opulent Deltahedra Set

I wrote up a beading pattern for the Opulent Deltahedra Set!

Beaded Beads with Triangle Weave

You may have recognized this project from a 2015 issue of Beadwork Magazine; the Opulent Octahedron Necklace was one of my six Designer of the Year projects for 2015. These beaded beads use the geometry of the octahedron and a variation of triangle weave to make these sparkly, self-supporting beaded beads.

Five beaded beads pair with shiny crystal pearls and additional crystals for an elegant necklace:

Matching Pendant and Earrings

While I'm quite partial to the geometry of the octahedron (especially for beaded beads!), the great thing about triangle weave is that you can use it to create an infinite number of geometric objects made up of equilateral triangles. One of these objects is the icosahedron, which is made up of 20 triangles instead of eight. The Opulent Icosahedron makes a substantial beaded bead that's the perfect size for a pendant.

Additionally, a single triangle unit pairs with pear-shaped crystals for an easy, elegant pair of matching earrings.

Several Variations

The 3D shapes that can be made up only of equilateral triangles are called the deltahedra. While there are an infinite number of deltahedra (some of which feature quite cool star-shaped points), there are only eight that are strictly convex. I beaded all eight of them using the same technique that I used to make the Opulent Octahedron and Icosahedron. They make a collection of interesting structures that offer intriguing possibilities for further jewelry designs.

The beading pattern for this design includes complete written instructions on how to weave the Opulent Octahedron, the Opulent Icosahedron, and the matching Opulent Earrings. Additionally, I included several pages of variations showing photos and descriptions of all eight convex Opulent Deltahedra. The pattern is in the PDF format and clocks in at 26 pages and 89 full-color illustrations and photographs. I classify this pattern as intermediate and it's most appropriate for beaders who have already tried triangle weave and who would like to learn several possible ways to create 3D beaded beads with this stitch.

Kits for this design are available in three different colorways and in two different configurations; the Opulent Octahedron necklace kit makes one necklace with five Opulent Octahedron beaded beads, and the Opulent Icosahedron and Earrings kit makes one Opulent Icosahedron beaded bead that can easily make a pendant, and one pair of matching earrings. Each kit contains all the beads and findings needed to complete the project.

Thanks for looking!

Beaded Bead Reflection Photography

I've been playing with photographing some of my beaded beads on a reflective surface.

It's a fun but challenging photography technique and I think it works particularly well for silver beadwork. I used a piece of dark reflective plastic to generate the reflection, which does the job quite nicely however it also picks up every single speck of dust in the light tent. I had to spend a ton of time editing out the dust specks in post-processing to generate these shots.

Here's a shot of a Fairy Triangles beaded bead. I like how the reflection picks up the lower part of the beaded bead as well as the top.

Here's another shot of the silver Half Tila Technocluster beaded bead, which I previously tried to photograph in a previous post.

For reference, here's my previous attempt at photographing this beaded bead. The big difference is in the reflective surface; in the older shot I used a clear piece of plastic to generate the reflection (instead of a dark piece of plastic), but since both the top and bottom sides of the clear plastic show, it makes a double reflection rather than a single reflection.

I like the reflection in the new shot, but the beaded bead is a little overexposed. I prefer the way the beaded bead looks in the older photo.

Finally, I used this same technique to photograph the Diffractions Necklace, which is the project that I'll be teaching at the Beading by the Bay bead retreat in March of 2016.

This necklace features both cube- and dodecahedron-shaped beaded beads that use a unifying set of materials and embellishments, and I'm looking forward to teaching this project because it's a great example of beading with different geometries to make different types and sizes of beaded beads.

Thanks for looking!

New Beading Video: Geometric Beaded Beads, From Cubes to Dodecahedrons

A few months ago I had the opportunity to film a series of videos based on four different areas in beading. The videos are now available at the Interweave Store both as instant high definition video downloads as well as in the DVD format. This is the second in a series of four blog posts on those video projects; check out the previous post on working with 2-hole beads here.

Together with the team over at Interweave/F+W, we organized these videos with each level of beader in mind. Beginners can watch me weave each step of the project one stitch at a time, I share several variations for experienced beaders, and throughout the course of each video I include many tips and tricks that are useful for beaders of all levels. If you're new to my Bead Origami style then these videos are a great introduction to my approach to beadweaving, but if you're already familiar with my work then you'll want to check them out too as I cover a new project in each one.

The second of these videos focuses on a topic near and dear to my heart; geometric beaded beads.

When I was putting together this video, I asked myself: "if I could teach a beginning beader the fundamentals of geometric beaded beads, what would I cover?" I started outlining this video on how to weave the five Platonic Solids, and I still give a brief lesson on what makes these particular forms so interesting, but after thinking about it and receiving some insightful feedback I decided to focus the beading portion of the video on cubes and dodecahedrons and an important variation on each form.

There are several different ways to make beaded beads using these basic geometric forms, and many different beaders have explored these forms over the centuries (Valerie Hector's research in The Art of Beadwork indicates that Chinese beaders have been making these beaded beads since at least the 15th century). I cover both the basic cube and the dodecahedron using the single-needle, cubic right-angle weave (CRAW) approach with sparkly bicone crystals, and I explain each stitch to fully show each step of the process.

In the next part of the video I show how to weave a cube beaded bead with corner-cover beads. In this variation, we weave the structure using both bicone crystals and seed beads to give us seed beads at each corner. The advantage of adding these beads is that they protect the threads that can show at the corners, and they give us points where we can further embellish the beaded bead.

A pair of these beaded beads makes a quick, delicate pair of earrings.

The section on dodecahedron beaded beads with corner-cover beads is the most challenging part of the video, but I think it's one of the most useful techniques to master. Adding this form to your stitch repertoire will give you a strong foundation to tackle more advanced embellished beaded beads.

For a neat pendant using just this one thread path, I created three beaded beads in different sizes using a simple bead substitution...

...And then I wove them one by one, enclosing the smallest inside the medium inside the largest structure for a dodecahedron, inside of a dodecahedron, inside of a dodecahedron. It's three dodecahedrons in one!

A collection of cube and dodecahedron beaded beads pair with round crystal pearls for a very sparkly necklace.

Experienced beaders will want to check out the sections on bead type variations, and the summary of several advanced designs that use these beaded beads as a base.

This video is available both as a High Definition Video Download and in the DVD format, and includes a supplementary PDF pattern with step-by-step written instructions and a complete materials list for the beaded beads, necklace, and earrings shown here.

Thanks for looking!

New Beading Video: Weaving Beaded Beads with Two-Hole Beads

A few months ago I had the opportunity to film a series of videos based on four different areas in beading. The videos are now available at the Interweave Store both as instant high definition video downloads as well as in the DVD format. This is the first in a series of four blog posts on those video projects.

Together with the team over at Interweave/F+W, we organized these videos with each level of beader in mind. Beginners can watch me weave each step of the project one stitch at a time, I share several variations for experienced beaders, and throughout the course of each video I include many tips and tricks that are useful for beaders of all levels. If you're new to my Bead Origami style then these videos are a great introduction to my approach to beadweaving, but if you're already familiar with my work then you'll want to check them out too as I cover a new project in each one.

In the first video I talk about how to weave beaded beads using peyote stitch and two-hole beads. I expand on the idea I explored in the Double Pinwheel beaded bead pattern and apply it to other shapes, starting with the 2-hole bar beads.

The 2-hole bar beads combine with Japanese seed beads and round core beads to make elegant little beaded beads that remind me of tiny baskets. I cover how to make both the basic beaded bead, as well as how to modify the design to make it in three different sizes.

I also describe how to make the Double Pinwheel beaded beads using 2-hole triangles, and how the shape of this bead is less symmetrical than other 2-hole beads which makes a big difference as you add each triangle to the beadwork. For another, simpler variation, I talk about how Half Tilas easily substitute into these beaded beads in place of the 2-hole bar beads.

Experienced beaders will want to check out the sections on the handedness of these beaded beads, and my attempt at weaving this design using SuperDuos. I discuss my approach to incorporating SuperDuos into this design, the result, and what I might do to change that result in future attempts.

This video is available both as a High Definition Video Download and in the DVD format, and includes a supplementary PDF pattern with step-by-step written instructions and a complete materials list for the necklace and earrings shown here.

Thanks for looking!

Artist Profile in Bead & Button Magazine

If you've seen the August 2015 issue of Bead & Button Magazine, you might have noticed a cameo appearance of a Magic O Ball beaded bead on the cover.

Well, that's because I'm featured in this issue's Artist Profile on pages 46-47. It's an honor and it was a pleasure to be interviewed about my work and my artistic and scientific journey. (Though, it's rather surreal to read about myself from a third person point of view!)

I'm doubly honored that the Bead & Button editors found my own photos of my work fit to print. Generally, I try to optimize my photos for web viewing, so I was pleased that they turned out well in print too. They chose several of my geometric designs, such as the above Fiberoptic Dodecahedron beaded beads, and several of my chemical designs too.

I've gotten a couple of questions about the beaded chemical structures featured in this article, so I'd like to do a quick summary of them here. The golden necklace shown below features the chemical structures of the Serotonin and Dopamine molecules, which are neurotransmitters (i.e. chemicals that work with neurons) that have a couple of functions in your brain. Serotonin contributes to feelings of happiness and dopamine contributes to feelings of pleasure and satisfaction.

This necklace uses seed beads, jump rings, and a simple clasp, and the technique used to create it is a variation on Gwen and Florence's Infinity Weave. The advantage of this technique is that it results in flat but supported beaded structures, which are perfect for serotonin and dopamine because these molecules are mostly flat in real life. The beading pattern and kits for this piece are available on my website.

The endorphins are also neurotransmitters, and they're also feel-good molecules. Unlike serotonin and dopamine, endorphins are a type of protein and they're significantly larger and have much more dimensionality, though they're still on the small side as far as proteins are concerned. There are a couple of different types of endorphins, and the specific structure shown in the magazine is the necklace-length alpha-endorphin.

I created this piece with crystals, bugle beads, and seed beads to accurately reflect not only the atoms in an alpha-endorphin molecule, but also the different types of bonds and its dimensionality as well. I entered this piece into the 2013 Bead Dreams competition (where it made the finals!)

The technique behind this piece uses a combination of specific, redundant thread paths and thread tension to mimic the 3D structure of the molecule. While I've applied this technique to other 3D molecular structures, I've yet to come up with the best way of explaining how to create the Endorphin Necklace. I like using a detailed, step-by-step writing approach for my beading patterns, however this isn't a feasible approach for a piece as complex as the Endorphin Necklace as such a pattern would be hundreds of pages long. A more streamlined method of explaining the technique may work, but it would be best-explained in the context of a collection of beaded molecules. Either way, it's something that I will have to carefully consider in the future.

In the meantime, if you'd like to learn more about this technique, I have written a pattern for the smaller ethanol molecule, which is the molecule of interest in alcoholic beverages. I paired them with a variety of fruit charms for a pair of earrings that can be made to match your favorite cocktail. The pattern and kits for the Cocktail Hour Earrings are available on my website.

Thanks for looking!

2015 Toho Challenge Necklace

This year I was invited to participate in the 2015 TOHO Challenge, a beading challenge put on by the Japanese seed bead manufacturer TOHO Beads. Each participant was given the same set of Japanese seed beads and Czech beads to create a finished piece of beadwork. We didn't need to use all of the beads in the challenge kit, but we couldn't add any additional beads except for findings and stringing materials (with the option of including one extra focal piece). All the challenge pieces are on display at the 2015 Bead & Button Show, and after that they will travel to Japan where they will be on display for a year.

I was stoked to receive the challenge box because they included colors that I already love and use in my beadwork; gorgeous magentas, bronzes, and rich metallic greens. For the challenge piece itself I wanted to create something representative of my signature style, and I also wanted to play with a relatively unused stitch. I went for a more everyday-wear look rather than anything over-the-top, and I ended up with this simple but elegant necklace.

The round focal uses the geometry of an icosahedron, so it has 30 edges and 20 triangle-shaped sides. The edges are represented by 2-hole tile beads while a collection of magmata and mini dagger beads sit on each side, in a manner similar to that of my Tila Garden Pendant. But unlike the Tila Garden design, this focal is self-supporting without the use of a round core bead, though it did require some extra engineering to keep this beaded ball from being squishy.

Since the focal is hollow, it could be strung on a headpin or through beading wire as a beaded bead, but I instead elected to attach it to a beaded rope.

I wove the rope using twisted cubic right-angle weave (CRAW), using primarily green beads to set off the magenta and bronze beads in the focal. The twisted CRAW technique is a versatile stitch that can make a variety of ropes, bangles, and components, but it seems to intimidate everyone I describe it to. It's actually much more meditative and easier than CRAW once you get the rope started (no, really!), and I'm looking forward to exploring this stitch further. In this piece I wove it in both the right-handed and left-handed directions so that each side of the rope is symmetrical with the other side, and both sides meet in the middle in a novel join. I also had fun incorporating fire polish beads into this beaded rope, which become more prominent closer to the focal of the piece.

The clasp is a little beaded toggle that mimics the triangular shape of one of the sides of the focal. I sometimes elect for a metal clasp over a beaded clasp primarily due to time constraints, especially if it's a piece that I will need to illustrate for a beading pattern. There are definitely advantages and disadvantages to each clasp approach, but for this piece I was able to use a beaded clasp which nicely complements the focal of the necklace.

If you'd like to see the 2015 Toho Challenge pieces in person, please visit the display case near the registration desk at the Bead & Button Show. Keep an eye on the Team Toho page for more images of the challenge pieces as well.

Thanks for looking!