Showing posts with label Thomas Morgan. Show all posts
Showing posts with label Thomas Morgan. Show all posts

Nov 9, 2010

Hino-Kikuchi Quartet - Counter Current

barabara sounds sez:
Two of the finest jazzmen from Japan's golden age of modal/fusion/free exploration. And they're still laying it down. Unlike some of their contemporaries (Sadao W. springs to mind immediately), these guys still have plenty to say. This album was one of two they cut in 2007 — this one a quintet format; the other (Edges) a duo. Both are now hard to lay hands on even here, and can cost a pretty penny in the rest of the world.

Counter Current brings the pair together with a multi-generational trio to explore another set of originals, this time almost exclusively by Kikuchi. The effect is that of strangers on a long train ride trying to find out what they have in common but amiably engaging in disagreements along the way. Hino is more muted, allowing more room for the cultured musings of Michael Attias' alto (who also contributes one piece). And Kikuchi forms part of a remarkably porous rhythm section, Thomas Morgan's Charlie Haden-esque bass gently overlaying Paul Motian's drums, like a bullfrog jumping languidly from lily pad to lily pad on a still pond. Though the instrumentation is typically modern, the feeling is not overly cerebral. Counter Current, like Edges, is an apt name for this beguiling document.


Tracks:

J.L.L. (ver.1); Sky Over Rain Forest; Blue in Yellow (for Mark Rothko); Misery on the Hudson; Making the Elephant Run (ver. 1); Making the Elephant Run (ver. 2); J.L.L. (ver.2).


Personnel:

Terumasa Hino: trumpet; Masabumi Kikuchi: piano; Michael Attias: alto sax; Thomas Morgan; bass; Paul Motian: drums.


For earlier work by these two guys, head over to the inestimable Orgy in Rhythm, where you will find Bacoso has posted a good number of their classic older albums.

And Katonah recently posted another, the brilliant Wishes, at his equally excellent Private Press.

Essential listening!