.caetano veloso, maria bethania, gilberto gil.

Veloso, Bethania, Gil
[RCA, 1968]

Este ha sido mi disco favorito de Brasil por varios años ya. Fue uno de los primeros que llegué a conseguir (quizás eso explica el porque), pero por esos azares del destino lo perdí, sólo para re-encontrarlo hoy en el internet. Son de las primeras grabaciones de los tres, incluso anteriores a muchos de sus discos debut. Aunque diferencia un poco de la versión que tenía (en ésta, las últimas 4 o 5 son versiones de canciones por maria bethania de noel rosas), sigue teniendo esos primeros rarisimos singles.
(Por cuestión de organización cambié todos los tags de los artistas a caetano veloso, sorry, se las cambian)

.gilberto gil.

Gilberto Gil
[Mercury, 1968]

1. Frevo Rasgado
2. Voragem Pra Suportar
3. Domingou
4. Marginália II
5. Pega a Voga, Cabeludo
6. Ele Falava Nisso Todo Dia
7. Procissão
8. Luzia Luluza
9. Pé da Roseria
10. Domingo No Parque
11. Barca Grande [*]
12. Coisa Mais Linda Que Existe [*]
13. Questão de Ordem [*]
14. Luta Contra a Lata (Ou a Falência Do Café) [*]

Gilberto Gil's second album is packed with some of the best songs of his career -- jubilant pop extravaganzas like "Domingo No Parque," "Pega a Voga, Cabeludo," and "Frevo Rasgado" that were equally inspired by the irresistible, brassy bombast of Carnaval and intelligent rock & roll from America and Britain. Even more than the other Tropicalistas, though, Gil blends his rock and native influences seamlessly, resulting in songs like "Ele Falava Nisso Todo Dia," which chart an intriguing fusion of Brazilian and British Invasion (before he breaks into Portuguese for the first verse, the intro sounds exactly like a few early Rolling Stones productions). Gil's occasional backing band, the teenage Tropicalia breakouts known as Os Mutantes, join in on the feel-good Brazilian pop anthem "Domingou." Enjoyable and never as experimental as his work would soon become, Gilberto Gil 1968 is one of the best Tropicalia albums ever released.
tomado de allmusicguide.com