Showing posts with label underground. Show all posts
Showing posts with label underground. Show all posts

Tuesday, June 30, 2020

The House of Whispers by Laura Purcell

Laura Purcell's previous novel The Poison Thread was my top read of 2019, so I had high hopes for this next novel. And while it was good, and full of what I've come to think of as Purcell's trademark style, it fell a little short of my expectations. Gothic? Check. Creepy? Check. But a bit thin on the plot, and it left me a little confused. 

Told in two storylines, the novel centers around Hester Why, who has traveled to the Cornish coast to take on nursing duties for Louise Pinecroft, the sickly head of the quintessential gothic Cornish home called Morvoren House. Hester is about as unreliable a narrator as you can get: an unquenchable thirst for gin, a sipper of stolen laudanum, and a women so wracked with insecurity and jealousy that she's done some pretty bad things in her previous employment. She's a mess, and someone who just keeps digging the hole she's in, letting it get deeper and deeper. 

Once at Morvoren House, Hester realizes everyone there is a bit odd. Creeda is convinced fairies are all around; she takes care of Rosewyn, who is an adult woman dressed as a child, and kept pretty much under lockdown in the home. Louise Pinecroft sits in a freezing room day and night, staring at a wall of bone china. Yes, it's a home jam packed with a lot of odd. All this talk of fairies gets Hester flustered, and disbelieving, of course. But it gets harder and harder to believe anything Hester sees, says or does as she increases her doses of laudanum and gin just to get through the hours of the day. 

Meanwhile, we also travel back 40 years, to when Louise and her father, a former esteemed doctor, set up an experiment in the caves below the house: consumptive men are housed in the caves with the belief that the cool ocean air will help cure them. Instead, a whole lot of weird is happening, and Louise is torn between believing in her father's cause, and believing that the men in the cave are under threat from something unseen but definitely felt. 

Both plots come together towards the end, with not much of a surprise at all. I did really enjoy the end-specifically the last page or so. I loved how it ended suddenly and quite abruptly. But otherwise, I wish I had a few more answers to some of the bits of plot that were a bit foggy. 

If you want gothic mixed with Cornish folktales, this is for you. If you're looking for a novel about happy fairies aka Tinkerbell, look elsewhere. These otherworldly creatures are not nice. Nope. Not at all. 

I'll keep reading Laura Purcell's novels, because she weaves an interesting story, full of dysfunctional people who always leave you wondering if what they're saying is actually true. However, this one just missed the mark for me. 

Rating: 3/6 for an interesting idea for a novel about the dark side of Cornish folktales that fell a bit short for me. Full of cold winds, creepy characters, and bone china that will make you shudder, this tale is for those who enjoy their gothic with the lights on and some salt laid on the doorstep to keep them safe from what wants to come in.

Available in paperback, ebook, and audio. 

Tuesday, February 18, 2020

Read Off the TBR Pile: The Underground Railroad by Colson Whitehead

This is a novel I've been wanting to read for quite some time. February is African American History Month, and I felt this was the perfect time to read it. I finished last night, and had to take some time to digest, because it's a book that left me gobsmacked. 

First of all, Colson Whitehead is an amazing writer. Amazing. This was a novel that grabbed me and occasionally let me come up for air. I  read it in chunks, because some of it was brutal, and left me feeling a bit sick and horrified. 

Cora is a young slave working the cotton fields at the Randall plantation in Georgia. Two brothers own two parts of the plantation, and while she is under the ownership of the less brutal brother, it is still a harsh life. Her mother Martha had run away when Cora was very small, and the famous slave catcher Ridgeway had failed to bring her back to the plantation. Ridgeway just could never let that go, and that plays a big part in Cora's journey throughout the novel. Cora herself is at turns angry and bitter at her mother for leaving her, and desperately missing her mother. 

Cora's owner dies, and his brother Terrance takes ownership of the whole plantation. Terrance is quite possibly the most sadistic and horrible character in the novel. He has his eye on Cora, and she is terrified of what's to come. Caesar, a fellow slave, decides to run, and asks Cora to go with him. The two run away and so begins Cora's amazing flight to freedom. 

The underground railroad is stunning; it's an actual railroad, complete with trains and tracks. Cora travels from Georgia to South Carolina and beyond. At each stop she thinks she's found a safe place. The people who help along the way are all part of a huge network of folks who risk their lives to keep the railroad moving. Some of them pay a harsh price. 

I can't tell you more, because if you haven't read it, you should and discover Cora's journey for yourself. While some reviewers expressed disappointment in not getting to know Cora on a deeper level, I didn't find that to be true. The brutality she experiences is told in a matter of fact way which makes it that much more awful. This was every day life. I was reminded at times of witch hunts--people taking the opportunity to turn others in on suspicion in order to get even for imagined slights. I was reminded of World War 2, when people took great risks to hide Jews and help them get to safety. I was reminded of those people who were so afraid for their own safety that they willingly, and sometimes gleefully betrayed others in order to survive. Time and again, Whitehead reminds us that the machine of the South was relentless, asking for more and more human flesh to keep it churning, greedy for more cotton, more money. 

The "magical realism" of the railroad and some of Cora's experiences portray a world gone mad and out of control. Time and again, Cora meets and loses someone; she must continue on this journey alone. Ridgeway has not given up on finding Cora and bringing her back to the plantation. He's obsessed with her, and will not let Martha's daughter escape. 

Will Cora make it to freedom? Is it worth the sacrifices and loss she must suffer?   Will she ever find Martha?

This is a novel that will stick with me for a long time. I feel emotionally exhausted. Worthy of all the accolades, and definitely one of the best books I've read in a very, very long time. 

Rating: 6/6 for a Pulitzer prize winning novel that is astonishing in the brutal portrayal of slavery and a flight to freedom. A cast of unforgettable characters and excellent writing make this truly an epic read. 

Available in hardcover, paperback, ebook, and audio.