Noodles | 15 Albums + EPs

15 albums and EPs, nearly 8 hours of Noodles, reupped again on June 17, 2015, by reader request, here.

[Originally published on April 13, 2012.] I'm in an incredibly good mood this evening. Not only did I finish three ridiculously complicated projects this week at work, but I got the final confirmation (date, time and location) of a reading I'll be giving one week from tonight in Washington, D.C., with one of my all-time favorite poets, p. inman.

Although it's the first reading I've given in a year (and you can listen to that previous reading, here, if you scroll down to April 23, 2011), I'm frankly more excited about getting to hear and watch inman than I am about reading any of my own stuff. Inman may not be the most famous poet associated with the Language Writing movement that came into prominence in the 1970s & 80s, but he is certainly the most radical. And, as far as I'm concerned, the finest. He is the Melt Banana of poets. Check out, for instance, this comic I drew in 2009 using his words (and Sugiura Shigeru's images):

Which brings me to tonight's musical offering. As many of you know, I'm a huge fan of Japanese pop and rock (including, yes, Melt Banana). Most of what's on my computer, and thus on my iPhone, is J-pop and J-rock that I either found while on vacation in the archipelago, or downloaded from one of the many Japan-focused music blogs I've been scouring over the last several years.

Without question, my favorite still-active J-rock band would have to be the all-female trio, Noodles. Formed in 1991 in Yokohama, Noodles has clearly drawn the bulk of its inspiration from American bands of the same period, especially post-punk and grunge acts like Nirvana and the Breeders. But they are, IM (not so) HO, more satisfying than either.

Blasphemy? Perhaps. But consider this: Whereas Nirvana collapsed after only a few albums with Cobain's suicide and the Breeders never managed to put together that many more albums, despite none of its members actually having died, Noodles, like the Energizer Bunny before them, keep on going and going ... and going. And, inexplicably, getting better and better ...

No matter what sort of mood I'm in--from "Pretty Okay" to "Utterly Defeated"--it doesn't take more than two or three Noodles tracks to push me up to "Ecstatic," or, at the very least, "Hey! Wow!" I love, love, love, love, love this band, with its Stolen From College Rock Radio hooks and structures and its macaronic lyrics and its obsessively alt-rock-referential titles ("Slits," "New Wave," "Velvet Underground," "Runaways," "Splash," "Lemon Grass Foo Foo").

810 MBs is, admittedly, an almost egregious commitment to ask of you. But, then, ask yourself: Has the Bodega Pop proprietor ever steered you seriously wrong, yet? If you have any love for J-Rock, if the 90s were over far too early for your liking ... give this one a try. You won't regret it.

Various Artists | Red Rock

Reupped once again (on Feb 15, 2015) here.

[Originally posted in early 2010; first reposted in August 2011. See recent articles I wrote on Chinese punk here and here.]

After 10 years of bodega diving, very little surprises or shocks me. When I picked up, last summer in Brighton Beach, a Russian CD featuring on the cover two large shirtless orthodox Jewish guys made up to look like walruses, complete with huge tusks, I pretty much figured I'd seen and heard it all.

Not so, as it turns out. I found Red Rock in one of my favorite Bowery Video stores, all way the in the back of the joint, where they keep the stuff from Korea and mainland China.

The rock versions of these communist songs are intentionally ironic; artists include Cuī Jiàn, whose "Balls under the Red Flag" I posted here.

In addition to a lot of the music on this admittedly uneven collection, I love the list of songs as translated into English on the back cover:

The long march newly on the road shakes to roll
The Chinese people's liberation army army song
Socialism is good
The internationale
The small bird
Member of a society all is a light exposed to the sun
Brother
Colorful clothes clothing
Ideal and peace
Leave oil lamp light
The Chinese people's volunteer battle song
The detachment of women even song
We walk on the main road
The egg under the red flag
Nanniwan area
Not own a thing in the world [this is actually Cuī Jiàn's legendary anthem "Nothing to My Name"]
Feel too ashamed to show the face
Is not that I am in vain unknown
The end rises lucky its tommy gun
The tunnel warfare
The holding in arms armed forces flower drum
Learn the good good example of Lei Feng
The rambles in the sky
Big production
Mans and wives are in pairs the family still
It is full of water
Greenhouse girl
Together Hong Bu
Girl is handsome
Elder sister
The ant ant
The river water of folk song in the spring of Caing be compared to
Beijing that good night
The beacon-fire Yangzhou road
The bird hovering

Check out this fabulously punked out video of Communist classic "She Hui Zhu Yi Hao" ("Socialism is good," the third track in Red Rock):

You Forgot Poland | Bodega Pop 14

Just reupped the 33-track Bodega Pop exclusive album here. You'll never forget Poland again.


Listen to "Tatuuj Mnie"


Listen to "Welcome to Poland Asshole"


Listen to "Artbroken"


Listen to "Nie Ma Nic"

 
Listen to "Rosol"

A collection of ear-blistering alt Polish pop, rock and new wave found over the last couple of years at Music Planet in Greenpoint, Brooklyn. I compressed the album in a ZIP file rather than a RAR because at least one person I know who will love this album has complained in the past that she can't open RARs. (Yes, I know; hush.)

Boddega | Lo Mejor De Boddega

Listen to "Dame Tu Amor"


Listen to "Seremos Dos" 

Get the whole album here.

A super-group formed in late 1971 in Guayaquil, Ecuador, Bodegga was made up of former members of sixties bands Los Hippies, Los Picapiedras, Los Vanders and Los Cardenales. They recorded two albums (1973, 1975) and an EP (1974), toured incessently while going through numerous personnel changes before disbanding for good in 1980. They came up with their name because their first practice space was a bodega--though I'm not sure from the Spanish-language Wikipedia page where I gleaned this fact whether the bodega in that instance was a wine cellar or a storage room. (Seriously.) The present collection, which draws its two dozen tracks from those three records and previously uncollected singles was published in 1983.

I found this gem literally on the street in east Jackson Heights; I bought it for from a woman who was selling all manner of Ecuadoran goods from a table she'd plopped down on the northwest corner of Roosevelt and 85th just outside of what I recall being a phone card store. As the 7 train rattled overhead, I managed to talk the woman into selling me 10 CDs for $4 a piece--no small feat, considering that I don't speak Spanish and she didn't speak English. I can't remember how much she was asking for them, but I know I wanted all ten I'd set aside, but that I couldn't really justify that many at her asking price.

I almost didn't post this record; as you can probably imagine, the gears in my brain were clicking when I picked it up: How awesome would it be to manipulate it in Photoshop (wouldn't be too hard to remove one of the "D"s in BODDEGGA) and use it as the cover of some comp or other--perhaps even a comp of Ecuadoran music? It's a tribute to the awesomeness of the actual CD that I finally broke down this evening and have posted it for you, instead. 

Little Fujiko | White Peach Jellyfish (1996)

Dare you eat a peach? [Reupped b/c you simply can't live w/out it.]

The radiant prayer of steel bursts between your ears. There it is, outside of sorrow. Inferior to the click beetle. 

Things that have poured, of light. That were born in soft legs and the rain that no longer rains. Into the arc lamp above, the "crazed moon." When it arrives and wraps.

Wraps the ocean? The shape of a poem. And horses, larvae. The dung peacefully eating its surroundings. 

The water of mayhem wrapped in the palm of your hand, twisting itself. FOR THE FIGHTING SPIRIT OF THE WALNUT. Nipped by the air creatures everywhere, bewildered, nut-cracking. Able to melt this cloud like a ringing ear.

The quick leaps have a fire!

You would like to stand yourself up, as humans did, long ago. Without gazing and is not here. To think poems are always thunderclouds with our blind eyes and folded branches. Fog descending stairs? 

Wonder what kind of deranged scratch marks resist dyed "Chinese" signs, food displays,  the right to read in any order? Shy twitch where the leaf mulch spreads.

Poetry continues to differ from what people believe the bar tilts, a cheerful hustle, the spirit torn apart by the swirl it's just lived through.

Various Artists | Warszawa

Reupped in 360kbps by popular demand here.

[Originally posted June 4, 2011.] Found at Music Planet near the Nassau G stop near the border of Williamsburg and Greenpoint. Music Planet is a Polish CD and DVD store that I discovered a couple of weeks ago with friends as we wandered around the neighborhood, waiting for a table to have brunch. Somehow, I was able to talk them into stepping inside, after which I took note of several things, this all-Polish tribute to Joy Division among them.




Today, I returned to the neighborhood and picked up this, and "Woda, Woda, Woda" by the punk band Sexbomba. I think all of us assumed Soxbomba would be the clear winner; we were wrong. This is actually one of the best tribute records I've ever heard, in great part due to the range of responses, including an original song in Polish inspired by Joy Division. (This is, as it turns out, one of numerous Joy Division tributes recorded around the world.)



When I returned today I managed to find this immediately, but not the Sexbomba (a sign?). As I stood there, scanning the stacks, one of the clerks, dressed more like a pharmacist than a guy selling CDs, asked me what seemed like a very long question in Polish as he walked by me. Assuming he was asking me the obvious, I blurted out "Sexbomba!" He stopped, wheeled around and, again saying something that sounded incredibly long and complicated, pointed out the Sexbomba section. I thanked him in English.


"You like this band?" he asked, without skipping a beat. He seemed impressed.

"Mm, thanks for finding it for me."

"That's what I'm here for!" he replied, disappearing into the back of the store as I made my way to the register.

22Cats | 10 Years of 22Cats

Listen to "Grunge Love"

Get it all here.

It's too early for a Best of 2012 post, but not too early, I hope, to begin upping some of my favorite records of the year. There are 10 albums at the top of my list, one of which is this freebie from one of Hong Kong's most beloved alt bands, 22Cats--the others will follow soon.

I'm not going to mince words: I've already checked out Pitchfork and Spin's 2012 Best Ofs, and I have to say, I don't care how hard you foist Grizzly Bears, Frank Ocean, Swans and other pretentious & immediately forgettable U.S./U.K. crap in my face, you're never, not in a million billion years, ever going to convince me that killing myself in the most horrifically painful way imaginable is not the more desirable alternative to resigning myself to living in a world where people honestly consider it listenable.

Fortunately, I don't have to resign myself to living in that world. I can live right here in the real world, where albums like this one exist. And, guess what? You can live there, too.

22Cats don't have so much as an English-language Wikipedia page, but they've been rocking, if this compilation is any indication, for the last decade--and rocking harder than your average cats. I got this free download through a link on Facebook posted by the band's label, Harbour Records. I guess the idea is that, once you listen to this comp, you'll want to buy their actual albums. Considering that: (a) no one in the mainstream music media has nor ever will write about them; and (b) they will not likely therefore ever be asked (and paid) to play anywhere in the U.S., it's the only way you're ever going to hear more by them.

La Merde Chaude! | 19 Hot French Trax

Listen to "Quai No 3"



Listen to "Le P'tit Clown De Ton Coeur"



Listen to "Sex Accordeon Et Alcool"



Listen to "Le Travail"



Listen to "Au Revoir"


Get the 19-song mix here.


Despite New York's reputation as one of the most expensive cities on earth, there is not a single day of the year that you can't find at least one totally free event to partake in--everything from live performances to gallery openings to street fairs. Today, of course, was Bastille Day on 60th Street in Manhattan, which is held annually on the Sunday following the actual Bastille Day. For several long blocks along 60th Street, just below Central Park, you can listen to free live music as you wander by stalls offering French eats, groceries, knick-knacks, books and--you guessed it--music. 

Last year, I picked up three French hip-hop records for $1 each, one of which I posted here. At today's fair, the Alliance Francaise Library was offering French CDs withdrawn from their library for 25 cents apiece. I happened to be at their stall the moment they opened. Fifteen seconds after they opened, I walked away with all 16 CDs they had out for sale. I knew it was a gamble; after all, these were rejects, la merde de la merde. I stuffed them all in my backpack and promptly forgot about them as I wandered around, taking in the sights and smells and sounds. Hours later, when I returned home, I plopped the first CD into my computer to have a quick listen (Arthur H's first album, Arthur H--that's an image of him from the back of the CD at the top of this post).

The opening track, "Quai No 3" (listen to sample above), had me sitting up and taking notice. I created a new playlist in iTunes, titled it "Merde," and dragged the song into it. Not that I thought every album was going to be a winner, or even have single listenable track. But I thought it would be fun--and appropriately French--to perform a kind of oulipian experiment using the Alliance Francaise Library's withdrawn CDs I had picked up this year and last.

When the second CD (Johnny Hallyday's Les Grands Success De Johnny Hallyday--second sample above) turned out to be as great as the first, I figured I'd just gotten lucky. When the third, fourth and fifth CDs all proved to each be as fabulous as the last, I almost started to cry. Really? I'd spent four lousy bucks on this merde. And all of it was kicking my ass.

In creating tonight's mix-tape I gave myself a couple of rules: (1) I could only include one track per CD and (2) I had to use EVERY CD I'd gotten at the fair, both this year and last. I admit that I broke the second rule--while I found a couple of tracks on Florent Pagny's Re:Creation that didn't make me want to do violence to myself, I also remembered how OuLiPo creators had embraced the "clinamen"--or "unpredictable swerve." In layman's terms, it means the Oulipians allowed themselves one opportunity to cheat. So I took mine.

That said, this is an effing supremely fabulous mix, especially considering the fact that I only passed on one of the CDs I picked up in the last two years at a street fair. Do note, however, that while I did stay true to the first rule of only including one song per CD, I wound up getting two CDs each by two artists Java and Dominique A, which is just as well, as they're both incredible. Also, JL Murat's Lilith is a two-CD set; I picked a song from each disc.

Obviously, this is not a representative sample of contemporary French pop. It seems skewed toward the experimental (Franck Vigroux's collaboration with Elliott Sharp!) and the music dates from as far back as the 60s to the present, with quite a bit of 90s action.

If there's anything you find yourself particularly thrilled by, let me know and I'll perhaps post a few entire CDs of the creme de la merde.

21st Century Chinese Rock & Punk

Subs vocalist Kang Mao (photo by Bjørn Gausdal)

Listen to "Asshole I'm Not Your Baby"



Listen to "No! No! No!"



Listen to "Eat Me"



Listen to "Wahaha"



Listen to "爱之过往"


Get the 30-band, 30-song compilation here.


For decades now it seems like the most exciting expressive culture--no matter the discipline--has been coming out of mainland China. Ai Weiwei, Gu Wenda, and Xu Bing are at the forefront of a huge explosion of visual and conceptual art that a number of phone book-thick catalogs published here and in Europe can barely keep pace with. Writers as diverse as Ma Jian, Liao Yiwu, and Mian Mian are creating some of the most raw and genuinely engaging fiction and creative non-fiction in recent memory--and making international headlines in the process. And I don't think I'm alone in thinking there is no greater, more inventive living film director than Jia Zhangke.


So it should probably be no surprise that, over the last decade or so, the PRC has produced quite literally the most thrilling rock, punk and post-punk in the world. Or that much of this music--unlike so much else on this blog--has become increasingly available through western channels.



Watch Subs perform "So Fine Emo"


For this compilation I gave myself a couple of rules: I wouldn't poach from any pre-existing, readily available compilations (although I did wind up using one song from a free comp that some of you may already have) and I would only allow myself one song from each band, no matter how hair-raisingly great their other tracks may be.



Watch Rebuilding the Rights of Statues' "TV Show (Hang the Police)"


I'll keep this post to the bare minimum, hoping the reader will listen and judge for herself, and use the opportunity to seek out more, as the interest strikes, through Amazon, iTunes and the great independent Asian-focused site Tenzenmen.com.


And, as always, I'm totally curious what you think. ...

Cui Jian | Power of the Powerless

Listen to "Slackers"

Listen to "The 90s"

Listen to "Buffer"

Get it all here.

Imagine if Bruce Springsteen, in addition to being politically savvy and popular with both audiences and critics was musically edgy and interesting. That's basically what you get with Cui Jian. And this album, recorded in 1998, four years after Balls Under the Red Flag, might just be his most musically exciting.

AMK | RARE AMK

Okay, I can't even contain my excitement ... I've discovered the root of all Hong Kong indie rock, essentially the band that more-or-less functions as the Velvet Underground of the Special Administrative Region.

Over the last month or so I've been compiling songs for a mix that will concentrate on covers; specifically songs covered by people of a different race, gender, nationality and/or ethnicity than the people who wrote or first popularized the song. While putting this set together (which I'll upload in the coming weeks), I noticed that the Hong Kong indie/twee pop band Marshmallow Kisses had a song: "I always love the one who doesn't love me (AMK cover)."

AMK cover? I had no idea what that could refer to, but after a bit of hunting around, I figured it out: The band was Adam Met Karl (Adam for Adam Smith; Karl for Karl Marx--in other words, capitalism meets communism), better known as AMK.

The band formed in 1989, coincidentally (or perhaps not so coincidentally) the same year that mainland rock pioneer Cuī Jiàn released his first successful album, "Rock'n'Roll on the New Long March."

According to Rock in China, AMK was active from '89 until 1996, the year before the Brits transferred ownership of Hong Kong to China, and:

"Their songs featured upbeat melodies and fast rhythms, with lyrics inspired from political issues and ordinary city life in Hong Kong often presented in a humorous and satirical way.

"One of their most notable achievements was their theme song for a television programme, 'One Person, Two Roles' (一人分飾兩角), which was recorded by Faye Wong in 1995 on an EP with the same title.

"In 2009, Harbour Records released their complete and authorized anthology [AMK History] with a bonus CD 'Rare AMK' and a bonus music video and live performance DVD '真人表演.'"

Digging around on YouTube, I discovered that someone--a mere month ago--uploaded each of the nine songs on that aforementioned Rare AMK CD. As you've probably guessed, I then converted the vids to high-quality MP3s and ... voila! I'm now sharing it here on Bodega Pop.

From what I can gather via the little written in English about AMK online, the band's entire catalog had been out of print for years until the AMK History compilation, though the band has had an obvious influence on nearly every truly fantastic indie HK act, from The Pancakes to My Little Airport to 22Cats to PixelToy to at17 to Marshmallow Kisses.

Though AMK clearly has its own roots in underground American bands like the Velvet Underground (and every band the VU can be said to have given birth to), their sound is completely their own ... and absolutely to-die-for fabulous.

Listen to "請讓我回家"

Listen to "I always love the one who doesn't love me"

Listen to "失真醉"

Get it here.

Kojima Mayumi | Omokage

Listen to the title song

Get it all here.

I originally posted this CD in June 2010, soon after having found it at a used CD place in Tokyo. I'm reposting now because I hadn't previously put the whole thing together in a single zip file (or rar, as the case is now), meaning anyone wanting it had to grab each song individually.

Obviously, such a finding is outside the purported parameters of this blog; but I posted it because I had earlier found Kojima Mayumi's Ai No Poltergeist at P-Tunes and Video, the much-alluded-to mom and pop Chinese media store on Chrystie Street in Manhattan's Chinatown pictured in the header image of this blog.

From her LastFM entry:

"Kojima Mayumi’s maturation over the years has been exciting to watch, as she evolved from the cutesy, almost childlike persona of the nascent years of her career to the confident, sultry diva we’ve seen this side of the millennium.

"That it was this cute playfulness that contributed greatly to the charm of her early material cannot be doubted, but gradually she moved away from that as her musical appetite increased in its avidity. It wasn’t just the strengthened influence of jazz, an important element of her repertoire from the very beginning, but also a newfound enthusiasm to incorporate styles as wide-ranging as rockabilly, reggae, Americana, and cha-cha to her own music.

"The girlish elements never disappeared completely of course, and traces can still be heard in albums as recent as 2003’s Ai no Poltergeist (“Koi wa Psychedelic”) or the following year’s Pablo no Koibito (“Chairo no Kobin”). But at the same time it would’ve been senseless to characterize that as her musical centerpiece."

Video from Ai No Poltergeist

10 Best Albums of 2011

I've provided links to get most this music, all for free, and all from others' uploads. I encourage you in every case to seek out original CDs and actually buy them, whenever possible.

Marshmallow Kisses
Ciao!Baby
Released January 25, 2011

This is one of my top two CDs of the year, and possibly the album I listened to most after discovering it online a couple of months ago while sleuthing around about Hong Kong underground music. While the MKs are somewhat late to the Hong Kong twee party, their first two albums (their first being I Wonder Why My Favorite Boy Leaves Me an EP) have delivered far beyond my own expectations for the genre ... and I'm a huge fan of HK twee pioneers My Little Airport, Ketchup and the Pancakes.

I have no idea what sort of legs this terrific ray of sunshine would have outside of the Special Administrative Region, but it seems criminal that not even Pitchfork seems to know about it. Get it here.

Listen to "Jazz for Lovers; Solitude for Me"

* * *

Deerhoof
Deerhoof vs. Evil
Released January 25, 2011
I'm just as shocked as you are to see a U.S. band among my top 10, but along with Ciao!Baby, this was my most listened to CD all year. (My two top faves of the year were both released on January 25.) In another 2011 top 10 I read online, someone else described the album as "utilitarian," noting the lukewarm response it received from critics, who generally like the album but complain about it being unfocused, or even ADD. That actually makes it the perfect record for the kind of listener I am: completely bored with the simplicity of most western popular music but not terribly thrilled by most jazz or classical, either. It's what's driven me to track down every Albanian, Bangladeshi, Brazilian, Burmese, etc., etc. bodega in NYC, where I can get music I can really respond to on a visceral level. (Most western critics write about pop as if they respond to it on a purely socio-semiotic level; reading music more than than listening to it.)

Personally, I think this is the best album Deerhoof has ever made: sonically rich, forward-looking, utterly brilliant pop that sounds like it couldn't possibly have been made in this country. (File removed from link; sorry.)


Listen to "Qui Dorm, Només Somia"

* * *

Najwa Karam
Hal Leile ... Ma Fi Noum 
Released June 28, 2011
Holy crap, but I love Najwa Karam. I have--I'll admit it--zero objectivity when it comes to this woman; she could release an album sitting on the toilet reading Jewel poems translated into Arabic and I'm sure I'd buy it, listen to it and profess my undying love for it. That said, trust me when I tell you that this record totally and unimpeachably fucking rocks. Other than her voice getting consistently deeper and more powerful, little has changed since the Lebanese superstar began recording in the late 80s: nearly every record she puts out is either the dabke or the baladi equivalent of AC/DC, Rolling Stones or, closer to home, Hakim. And this one, quite honestly, is the most rockin' she's put out in a few years--it's like the Some Girls of her career.

Did I mention how hard she rocks? Or how hard this record rocks? If this wasn't such a recent purchase for me, it would probably be right up there with Deerhoof and Marshmallow Kisses in the "most-listened-to" category. I'm sure it'll earn that status soon enough. Get it here.


Listen to "Ya Baie"

* * *

Sōtaisei Riron
Correct Theory of Relativity
Released April 27, 2011
Sōtaisei Riron means "theory of relativity," so the title is kind of a play on the idea of a correct theory and the fact that most of this album is made up of remixes of the band's earlier work by Yoshihide Otomo, Spank Happy, Buffalo Daughter, Arto Lindsay, Cornelius and others. These aren't, however, remixes that sound like remixes--this album is completely unique, beautiful and totally perplexing. (Track three, for instance, is NOT a mistake; although it took me several tries before I was able to listen all the way through to the end and realize what, exactly, it is.) Perhaps appropriately, the first song, "Q/P," one of the two non-remixes on the album, opens with the words: "I. Don't know. Wha. Choowhachoo want ..."

The band has come a long way from its kind of Smiths-soundalike-with-female-lead-singer, and this album, though I bet it throws some fans off, is another great surge forward. Get it here.


Listen to "Q/P"

* * *

Pairs
Summer Sweat
Released September 30, 2011
I know next to nothing about this band, which I "discovered" via Music Has the Right to People a couple of weeks ago. From what I've been able to suss out, it's a male-female duo based in Shanghai; this is their second album; and this one was produced by Yanghai Song of Beijing punk superstars PK14. When my absolute favorite Chinese punk band, Subs, released the deeply disappointing Queen of Fucking Everything last year, followed this year by a less-than-thrilling Honeyed and Killed from the once fabulous Hedgehog, I just assumed that punk in China had shot its wad. Apparently, it's just moved south to Shanghai.

This record is stripped down, extremely raw and in some ways every bit as surprising as Wire's Pink Flag (songs range in length from the 52 second "Christmas" to the nearly five-minute long "My body is not a wonderland"). I suspect it'll convince at least a few of the more cynical of you out there that, in fact, "punk's not dead." Get it here.


Listen to "Cloud Nine"

* * *

Zee Avi
Ghostbird
Released August 23, 2011
This is the only record (other than the Deerhoof) that actually, so far as I know, has legs here in the U.S. In fact, you're more likely to know more about her than I do, as I only recently stumbled onto this record, wholly by accident, while scrolling through the music blog Chinese Music Collection. (Yes, I know she's Malaysian; thanks.) I don't know what her record was doing on that blog, but there it was, and I'm rather happy to have it, although I have no idea if I'll still be listening to it in another week or two; it's already starting to feel ickily like any number of earnest American or British neo-folkers whose work I have strenuously attempted to avoid for the last several years.

That said, I do love "Siboh Kitak Nangis" and "The Book of Morris Johnson," neither of which I can imagine getting tired of any time soon. Get it here.


Listen to "The Book of Morris Johnson"

* * *

Guitar Wolf
Spacebattleshiplove
Released, golly ... sometime in 2011
This is a self-released album, recorded in Tokyo in 2010 and intended to be sold during Guitar Wolf's 2011 Hoochie Coochie Space Men North American tour. It is so ear-shreddingly raw, so super em effin' rockin', words simply can't describe how much I love it. How is it that, while 80s Japan rockers Shonen Knife have gotten increasingly self-consciously cute, Guitar Wolf has just gotten more fucked-up and awesome? Don't get me wrong; I love both bands. But GW has no right to be this full of energy, this rockin', this far into their career. For one thing, it isn't fair to everyone else. For another, it's just confusing. 

Get it here.


Listen to "Hoochie Coochie Spaceman"

* * *

Da Bang
Bone Hug

Released October 1, 2011

I'm seriously running out of steam here, so don't expect a lot of vivid description at this point. And, honestly, we're starting to get into "uneven" territory now. But the "end of year" convention demands 10 albums so, so help me god, that's what I'll deliver. I don't love everything on this record, but I love the stuff that sounds like super-jacked up 80s synth pop, especially "No-Hero-Days," which is as good as anything Big Sea Queen Shark has recorded, and "冰心" (which I'm assuming is about the famous Chinese writer of the same name).

Definitely worth a listen. Get it here.


Listen to "No-Hero-Days"

* * *

Juusho Futei Mushoku
JAKAJAAAAAN!!!!!
Released sometime in 2011
I love this band so much it hurts. That said, their follow-up to their 2010 debut isn't quite as mind-blowing, though it certainly has its moments. I really, really, really, really, really, really wish I could find the video they shot for "One Two Three"; it was insane. Alas, it appears to longer be on YouTube, perhaps owing to the fact that it wasn't, to be perfectly honest, exactly P.C. Or maybe I just lack the skills to find it again. (If you find it, for god's sake, please let me know.)

Get it here.

* * *

10cm
1.0
Released February 10, 2011
In truth? I don't love this album, but I think this band, which I'm pretty sure is a duo, from Korea, has potential. They can either go one of two ways: Slicker and less interesting, or more Jonathan Richman/Crowd Lu-like and awesome. Time, I suppose, will tell. I wouldn't have included it here except that (a) it does seem promising and (b) fairly different from most K-pop.

Get it here.


Listen to "King Star"

* * *

So, what do you think? And, more to the point, what are your own favorite albums of 2011? Post your list in the comments below, or, better yet, include a URL to your own blog, if you have one. (But, seriously, if your list includes Wilco or PJ Harvey, don't bother.)