Mostrar mensagens com a etiqueta Palestina. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Palestina. Mostrar todas as mensagens

22 dezembro 2024

The lives they lived - NY Times

 





21. From Yusuf El-Mbayed
The Lives They Lived


Wafa Al-Udaini Captured the Experiences of Palestinians From Within

As a journalist, she was determined to tell a story of Gaza that was full of life. 21.12.24



The Mediterranean Sea traces the 25-mile-long stretch of coastal land that makes up Gaza; for many people there, it is a lifeline. The poet Mahmoud Darwish understood those waters as the sole possession of Palestinians, writing in his poem “The Strangers’ Picnic”: “I will embrace a wave and say: Take me to the sea again. This is what the fearful do: when a burning star torments them, they go to the sea.”

 Wafa Al-Udaini grew up entranced by that same sea. The waters offered relief for overheated bodies, a backdrop for gatherings, fish to grill for dinner. When the Israeli military destroyed clean-water wells and desalination plants, it became essential in a different way: It was a place to wash dishes, do laundry and, occasionally, under extreme duress, even drink.

 When Al-Udaini became a journalist, she traced the story of Israel’s occupation of Gaza by its impact on the water and, in turn, on the lives of those who depended on it. This was also her way of ensuring that the story of Palestinians was not told only by the number of civilians killed or bombs dropped.

 She wrote about the fishermen who relied on catching anchovies and sardines to sell and feed their families. It was a dangerous profession, she wrote, mainly because of the risk of being fired on by Israeli naval gunners. The men she interviewed told her that the Israeli blockade limited their access to equipment for their boats, leading them to replace their motors with truck engines, which can result in capsizing. And yet many of them returned despite the precarity. As one fisherman told her: “I love the sea and its smell. It’s an indescribable thing.” In another article, she wrote about the reduction of water pollution to the sea, which was caused by Israeli airstrikes on sewage networks. She interviewed a woman named Sabah who was elated to go surfing for the first time in years.

 Al-Udaini was raised in the city Deir al-Balah, in the middle of the Gaza Strip, by a large extended family. In 2007, she completed her English studies at Al Aqsa University. She quickly became frustrated by Western media’s coverage of Gaza as a place of violence, extremism and poverty. She resolved to be a voice from within, telling the stories of its pleasures alongside its hardships. She wrote for smaller outlets to start, eventually working her way up to regular bylines in The Guardian and The Middle East Monitor. In 2009, she founded an organization called 16th October to train young writers and activists in Gaza to work with English-language organizations. (The group was named for the day the U.N. began to review a report that found evidence that both the Israeli military and Hamas committed war crimes in the 2008-9 Gaza conflict.)

 Al-Udaini documented the way cultural traditions could become peaceful weapons of defiance. In 2018, she covered the Great March of Return, which started out as weekly demonstrations demanding the end of the Israeli blockade and the right of return for refugees and ended up stretching on for over a year. She marveled at the endurance of those who kept attending the protests despite losing limbs after being hit by rubber bullets and tear-gas canisters, describing them as “the image of sumoud,” Arabic for steadfastness. Once, she observed people in an exuberant folk dance called the dabka; another time, she was moved by the sight of elders holding the keys to their former homes that they were forced to leave in 1948.

 

Al-Udaini became a frequent commentator on Palestine Chronicle TV, which airs on YouTube. She always wore a niqab, even though she felt it risked impeding her ambitions to become a prominent voice in the West. Her eye shadow often matched the fabric of her head scarf, pale pink or shimmery opal, eyes flashing as she delivered her reports. Her voice was often raspy, carrying the strain of someone deprived of sleep and time.

 

After a 2023 interview with a particularly hostile British journalist was picked up by the Israeli media, Al-Udaini shared with friends and colleagues that she was receiving threats. Eventually she moved to a town outside Deir al-Balah, where she and her husband built a two-story house surrounded by fields and farms. They loved it, even though electricity and running water had been cut off.

 On Aug. 7, Al-Udaini published her last article, about outrage over the deaths of Ismael Alghoul and Rami Alrifi, two Al-Jazeera journalists who were killed by an Israeli drone strike while in a car marked “PRESS.” A little over a month later, Al-Udaini’s house was hit by an Israeli airstrike, killing her; her husband; their 5-year-old daughter, Balsam; and their 7-month-old son, Tamim. She is survived by her other two children, Malek and Siraj, who now live with her parents. Their whereabouts is unknown.

 Al-Udaini once wrote an article about the catastrophic loss of Gaza’s almond trees. The Israeli military forced farmers to uproot acres of trees — and the rest were damaged by the contaminated water supply. Almond blooms signify spring and form the basis of local dishes and even children’s games. “They grew so well in Palestine that when asked how they are, locals would reply, ‘Almond!’” she wrote. “It was a sign of goodness, health, greatness. No longer.”

 

Jenna (J) Wortham is a staff writer for the magazine who has written about wellness apps and how the pandemic changed the internet.

12 dezembro 2024

Solidarity in the Age of Digital Genocide

 “Whiteness” is the name for the elimination of all persons not designated “white.” That whiteness may or may not correlate to skin tone. It may eliminate by removal. It may be content to let the slow violences (as Rob Nixon has it) of environmental collapse, epidemics and poverty do its work. Or not, as now.

When genocide becomes “fast,” violent and deliberate, as it has since October 7th, whiteness mobilizes, catalyzes, and accelerates. In these past 14 months, it has been enabled by AI, the cloud, drones and “smart” bombs. Digital genocide is not virtual. 

(...)

In all cases, “they” (the non-white, non-straight, non-citizen) are to be denied in favor of “us” (the old and new white people). This “us” is the digitally-imagined exclusionary nation, whether in “France for the French,” “Make America Great Again,” or Brexit. Or, in its now exemplary form, the Zionist concept of Israel as a country where only Jews can be citizens."


Solidarity in the Age of Digital Genocide

11 setembro 2024

Investigação NY Times

 Como Israel abate civis propositadamente desde o início, 


How a Single Family Was Shot Dead on a Street in Gaza

By Riley Mellen, Neil Collier, Natalie Reneau and Alexander CardiaSeptember 6, 202

 New York Times


26 dezembro 2023

To Strike in the Dark, 13.11.2023

 To Strike in the Dark, by Nicholas Mirzoeff 

It’s for this conflict that I want to offer a set of strike actions against the colonial counterinsurgency in Gaza. Building off my last post, I call these actions “strikes in the dark” because they are actions outside colonial white reality. Use them if they help. Please make them better, or create better ones

(...)

Your Culture Is A Battleground

This is an extended and non-continuous conflict. In the US and Europe, while the Zionist mainstream are trying to delegitimize all support for Palestine, the far-right have set out to erase all questioning of colonial and racial hierarchy

(...)

Jump cut to 1982, the year of Israel’s invasion of Lebanon, in which a variety of new weapons were tried out, including a prototype remotely piloted vehicle, or what has become known as the drone.

(...)

In its scorched-earth defense of the nation-state, the Israel Defense Force has now defined all of Gaza as a kill box. It is divided into two: the north, where everything is a target; and the south, where no-one is safe, but not everything will be shot at.

All of us who watch screens have now been trained to see like drones. Drone footage appears in all TV dramas these days, not to mention advertising, especially for cars. While the film from so-called “smart” bombs caused a sense of cultural rupture in the 1991 Gulf War, today bomb footage is treated as part of “normal” war.

05 agosto 2014

J`accuse

"Quando bombistas suicidas se fazem explodir em autocarros nas cidades de Israel não vejo ninguém preocupado com a curva etária dos passageiros estraçalhados. Por que será?" escreve Eduardo Pitta no seu blogue em 2006. É um blogger particularmente activo, escreve sobre literatura futebol o bes o ps e o psd, diríamos que é um activo incansaável. E de repente, passado quase um mês da mais completa barbárie na faixa de Gaza eis que o seu blogue está omisso, nem uma palavra. Suponho que seja um tema tão difícil que não quis entrar nem somente referir nenhuma informação em relação à catástrofe que, pelas suas características hediondas, não deixa ninguém indiferente. Mas engano-me redondamente. Este não é um tema ausente da reflexão do blogue de Eduardo Pitta. Está presente por todo lado. Mas os bombardeamentos isaelitas que fizeram desde dia 8 do mês passado perto de 1900 mortos na sua maioria civis não merecem uma única palavra deste autor, comentador. O seu silêncio está cheio de sangue. Como o estão as palavras dos que se precipitam a vir falar de sionismo como se da cultura e história semita se tratasse, quem se precipita a vir justificar enquadrar legitimar o que não pode ter em nenhum lugar no mundo onde queiramos ou seja possível viver a mínima desculpa. A dívida de Israel com a História e com a humanidade tornou-se demasiado grande para ser saldada sem acusar os que a silenciam ou justificam de cúmplices deste Holocausto.

08 novembro 2012

Refugiados palestinianos no Líbano



Un reportage dans les camps de réfugiés palestiniens au Liban.
Durée 27 min. Réalisation : Chris Den Hond et Mireille Court. Tournée en juillet 2012.

02 dezembro 2011

Novas Resoluções da ONU sobre a Palestina

30.11.2011



"(...) Hoje cedo, a Assembleia concluiu o seu debate anual sobre a questão da Palestina, com delegações a expressar amplo apoio à aplicação da liderança palestina de setembro para a plena participação das Nações Unidas. Enquanto oradores apoiaram a troca de prisioneiros recente entre Israel e os palestinos, assim como o recente acordo intermediado pelo Egito, que tinha preparado o caminho para eleições palestinas no início do próximo ano, eles apontaram que tais ações positivas haviam sido minado pela construção de colonatos de Israel bem como a sua recente decisão de reter cerca de US $ 100 milhões em receitas fiscais da Autoridade Palestina.
O Quarteto diplomático sobre o processo de paz no Oriente Médio deve obrigar Israel a acabar com a sua intransigência, particularmente em relação à construção de assentamentos, acrescentou, enfatizando a igual importância na unidade política entre os palestinos para o progresso no processo de paz e de reconstrução na Faixa de Gaza (...)"






15 junho 2010

"A violência ilustrada" por Ricardo Noronha

"(...) A violência que esta e outras imagens ilustram não carece de qualquer manipulação ou instrumentalização. A semiótica prolonga o conflito, mas não o produz. E como uma das partes do conflito tem a seu favor os mais poderosos instrumentos para operar esse prolongamento, é inteiramente legítimo identificar aí um terreno de combate. Não foi um fotógrafo que produziu aquela imagem. Foi uma violência inteiramente desproporcionada e cinicamente empregue para reduzir um povo ocupado à capitulação. E é sobretudo isso nos deveria chocar. A nossa impotência face ao horror, o frágil suporte daquilo que nos habituámos a considerar normal apenas porque acontece todos os dias."