Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Friday, July 7, 2017

Welcome Guest Artist: Nealay Patel

Today we welcome innovative designer, prolific author and charming instructor Nealay Patel. Nealay is an artist who crafts in beads and fiber to produce jewelry designs that are striking, colorful and textured. He is a problem-solver who sees his designs as solving a puzzle. His intricate jewelry is always highly textural and full of life, using a mix of metal and fiber and beads and wire. He has authored three books: Jewelry for the New Romantic, Jewelry Designs with Knitted Wire, and his most recent, Jewelry Made with Wire & Fiber. Recently, Nealay has started doing monthly Live Facebook videos featuring a kit that he sells on his Etsy site. Nealay was kind enough to share a project featuring an art bead with us.

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The power of a single pendant

How rare is it to come across an amazing pendant that works with just about anything? I asked a bead artisan and glass expert friend of mine to assemble a special pendant for me with just one word in mind…dagger.

Open to interpretation and inspired by the challenge, Scott Griffin of Griffin Glass sent over this wonderful pendant and I have to say, he deserves a gold star!

It was my turn for the challenge next and I didn’t know exactly what to do with it at first, I have to admit. I knew I loved it simply by itself! So, why clutter up a fabulous pendant with beadwork, right?



I threw out a few chains and cords onto the table and the fiber cord spoke to me the most! The detailed, black and white cord worked perfect to set the backdrop for this star! I added some minor embellishments on either side, a technique that can be found in my latest book, Jewelry Made with Wire & Fiber.



I also had this fabulous wire collar, from Halstead Beads, that worked amazingly with the pendant! I love the bright silver, un-textured collar that contrasts with the very textured pendant.

A perfect combo for the fashion forward! Give it a try!




Be sure to stop by Nealay's Beads & Bubbles Facebook page and mark your calendars to watch his next video on Wednesday, July 26th for the In Bloom Bracelet shown above https://www.facebook.com/beadsandbubbles/

Beading Kits by Nealay Patel for this project and more are available in his
Etsy shop:
  https://www.etsy.com/shop/nealaypatel

And check out his new book Jewelry Made with Wire & Fiber for some great ideas that you can incorporate into your own designs, intersperse with art beads and jazz up your style!




UPDATE! Nealay has agreed to give away a copy of the digital version of his new book (retail value $21.99) to one lucky random winner for answering the following question:

Tell me...
what type of project would you love to see on a future installment of Beads & Bubbles?


Winner will be chosen at random from all entries
(one per person please!) and announced on July 14th!

Monday, January 23, 2017

Guest Contributor: Monica Pryor

Today we are welcoming jewelry designer Monica Pryor of Feminine Genius Jewelry as a guest contributor:

To me, creating jewelry with art beads is like composing a piece of music. You start with an idea of the main melody and the story you want your piece to tell, the feeling you want to elicit in the audience. Then you flesh it out with other colors and shapes as harmonious accompanimens. Two of my favorite "melody" artists at the moment are Anne Choi and Cathleen Zaring.  

Anne Choi's handmade sterling beads each tell their own story, either with a brief line of poetry or miniature illustration.  This first pic is Anne Choi's Wheat bead, combined with a soldered leaf charm by Sasha Crow that ties together the rustic fall gemstones and Harvest feel.
The next is another Anne Choi, her Maple Leaf bead, combined with Green Girl Studio's pewter squirrel and a copper leaf by Patricia Healey with a rainbow assortment of gemstones to represent the array of colors in the changing seasons.

I recently created one with a special Valentine's Day theme, that my heart really went into. It's a hug to everyone who has ever hurt on Valentine's Day, and a reminder to be Single and Fabulous! It features Anne Choi, Susan Woodworth, Jolene Riley and Cheryl Kiyoi.

Another source of wonderful inspiration (and catalyst for my shameless hoarding) is Cathleen Zaring who works in copper enameling. Each piece with its shape, colors and decorations, is its own tiny vignette. I especially enjoy her pieces that have holes in the bottom, offering great opportunity to add bits and treasures to flesh out the story.

The first one of these "Treasure Earrings" I made combined denim blue and copper Cathleen Zaring pieces with Green Girl Studio's decorative link with "Strength" inscribed on it, combined with Sodalite and copper chain.  

The next pair uses soldered Splash headpins by Susan Woodworth that give an element of oceany movement and glimmer and complete the story of an underwater garden full of little treasures. 
The last pair uses offbeat edgy mismatched charms by Cathleen Zaring in bold spicy colors.  These were perfectly complemented by handmade Sari silk and Pyrite drops made by Anna Pierson, with their own bit of random shape and striking colors. 

Some of Monica's favorite beadmakers:




Cynthia Thornton at Green Girl Studios: http://www.greengirlstudios.com/

Susan Woodworth at Susie Designs: http://www.susiedesigns.etsy.com/

Anna Pierson at SagaHus Components:



To see more of Monica's colorful art bead jewelry visit her Etsy shop, Feminine Genius Jewelry and her Facebook page

Tuesday, February 18, 2014

Kumihimo Braiding and Art Beads Tutorial and Inspiration



Hello. My name is Ema Kilroy. I am a glass bead maker, metalsmith and jewelry designer. I've been a follower of all the marvelous contributors and their inspiring posts here at Art Bead Scene for a few years now. I'm thrilled to be asked to be a guest contributor today. I'm going to share with you one of my favorite jewelry designing techniques; kumihimo braiding.

What is Kumihimo braiding?

A Brief History: Kumihimo braiding is an ancient Japanese art which roughly translates into English as braided cord. Often used as a belt over traditional Japanese clothing. The braided cords are also used as ornamentation on festival carts, tea containers, as ribbons for fans and as closures for clothing in place of buttons. The braids were traditionally created using wooden braiding tools, called marudai, although there are a variety of loom like structures also used to create the braids. The history and development of Kumihimo braiding is undocumented until around 645 – 784 A.D, as it was considered a small part of textile tradition. 

A wooden loom used for braiding.


A traditional Japanese sash tied on with a kumihimo belt



Here we are in 2014 and kumihimo braiding is now a hot trend in jewelry designs.

I've been adding seed beads, fibers, lampwork beads and sterling silver beads to kumihimo braids to create unique pieces of art jewelry. I'll share with you a few of my own pieces for inspiration and then give you a tutuorial so you can create your own beaded kumihimo jewelry. 

This is my very first kumihimo braided bracelet. I created this bracelet using rattail cord. Rattail is a good beginners choice to learn the rythym of kumihimo.


I quickly progressed to using seed beads in my braided designs. I just love the sparkle of seed beads!


I added sterling silver beads into the weaving process. Adding beads directly into the kumihimo braid is a bit more complicated. I thought I'd share these pieces with you to show you where you can evenutally head with your braiding if you choose.


Lampwork beads were added to the kumihimo braid using various techniques. Again these focal beads have been woven directly onto the kumihimo braid.



In this case a lampwork bead was added after the braid was complete. A much more straightforward method, using basic jewelry making skills, to add a bead to the kumihimo.


Here is a design combining fibers and beads.

 As you can see the possibilities are endless!
So let's get to the tutorial. I'm going to show you how to create a beautiful kumihimo braid using seed beads. You may want to create a practice piece or two using inexpensive rattail before you begin using seed beads. The basics of the braiding techniques will be the same.

Your first task is to decide on the focal and the seed beads you'll be using in your design. So many wonderful options! Forgive the not so great picture. I tend to spread out on my floor when I'm pulling out various materials to consider my options.



Materials:
A kumihimo disc and 8 spools
30 - 35 grams size 8/0 Miyuki Delica seed beads
C-Lon thread in color to match your seed beads
2 sterling silver end caps (8mm outer diameter - 6 mm inner diameter)
2 - 4 or 5 mm sterling silver rounds
1 sterling silver toggle clasp
2 - 4-6 inch lengths 22 ga sterling silver wire
Jewelers glue - I prefer G-S Hypo Cement
A measuring tape
A weighted clip
scissors
basic jewelry making tools (pliers, cutters)

Focal:
1 bail - 10 mm inner diameter
lampwork focal
2 - 5 mm sterling silver rounds
1 balled headpin


Kumihimo Braiding Supplies


Supplies for the lampwork focal piece


Decide on the length of your finished piece. In this case we will be making an 18 inch necklace. I will subtract 1.75 inches from the finished length to accomodate for the end caps and clasp to determine the actual length of woven beads we will need. 18 - 1.75 = 16.25 inches woven seed beads.


The length of your cut thread will be 3x the finished length (this is a basic kumihimo guideline but I always find I have a substainal amount of extra thread left on my spool - just an fyi). In this case our finished length of an 18 inch necklace, 18 x 3 = 54 inches  +  'just in case' inches = 57 inches. Cut (8) pieces of C-Lon thread, 57 inches each. Gather one end of all eight cords and tie together into one big knot.


On the opposite ends of your threads string 11 - 12 inches of seed beads onto each of the 8 cords. Tie a knot on the end of each thread after you have added the seed beads and immediately roll onto a spool. Spooling before you begin to add beads to the next thread keeps your work nice and neat so your threads don't tangle up on each other. A needle is not necessary as the C-Lon thread is sturdy enough to pick up the seed beads. This is the tedious, time consuming bit. Find a sunny spot, put on some good tunes and get each thread loaded with beads and wound onto their spools. 



Tie a knot on the end of each thread. You definitely don't want those seed beads sliding off unexpectedly.


Wind each cord onto a spool.



Snap the spool closed.


Finish adding seed beads to the remaining 7 threads.
You're work will look something like this. You're now ready to to add the work to your disc.


Insert the knotted end into the center of the disc. The weight is optional but I find it extremely helpful in the early stage of the braiding process. Not only does it give you something to hold onto but it also adds weight to help your work pull down through the center.

Place two threads, into adjacent slots of the disc in each of the north, south, west and east positions of the disc. Set up as you see in the photo below.


You are now ready to begin braiding! Begin by braiding the threads only. We're not adding beads at this point. Pick up the thread in the top right position (slot #1), bring it down to the south position (slip into slot# 15). Pick up the thread furthest to the left in the south position (slot #17). Bring up to the north and slip into the slot furthest to the left of existing thread (slot# 31). Turn the disc counterclockwise 1/4 turn and repeat...down to the right, up to the left, 1/4 turn.






Your mantra as you braid:
Down to the right
Up to the left
1/4 turn counterclockwise


Braid the thread only for a couple of rows. I got a little over zealous in the photo below and braided too much thread. I had to go back and adjust this. We'll talk more about this later on.


As you're braiding you want to maintain an even tension on the threads. Every once in a while, one, two or three times around the disc, you'll want to tighten the threads by holding threads opposite each other and pull them snuggly. As you see in the photo below. NOTE: When you do this make sure you take note of your thread/disc positioning. You will want to know what thread you will be picking up next. You may want to note the number you would be using next. 


After two or three rows of braiding thread we can begin to add the seed beads. Pick up your most northern, right thread. Slide a bead down the thread. 


Make sure the bead slides all the way down so it is resting under the thread in the east position. This east parallel thread will be holding the bead to the outside of the braid.


Bring the north thread down to the south , slip it into the next available slot in the south, to the right of the existing threads.
(down to the right)


Contiune...Up to the left...Pick up the thread furthest to the left of the south position. Slide a bead down the thread and move the thread up to the left into the slot to the left of existing north thread.

Again, Make sure the bead is under the parallel thread.


This what your threads and disc will look like after completing down to the right, up to the left.


Rotate 1/4 turn counterclockwise.
Slide a bead down, pull thread down to the right, insert into slot.





Your next thread to pick up will be the thread furthest to the left, south position. 
Slide a bead down, pull thread up to the left.
1/4 turn counterclockwise.

Repeat.
Down to the right
Up to the left
1/4 turn disc, counterclockwise

Keep an even tension on your threads as you braid.

Before you know it you'll be getting a good idea of what your braid will look like when it's woven together.


A bead may not want to slip under the east/west parallel threads. As you can see in the photo below. I moved the thread up to the left and the bead popped up.


You want to make sure the bead is anchored under the parallel thread before continuing.



As you build the braid you may find beads are not slipping under the parellel threads.


Give it a little nudge with your finger.



Bring your thread down to the right.


Before you know it you'll have a nice beaded braid.


Here is an important tip:
If you are putting your disc down for any reason (phone rings, tea time, taking a break) ALWAYS finish by leaving off with a thread down to the right. You will have three threads in the south and only one in the north. 


When you return to your work you will always know where you left off and exactly what your next move is When I look at this disc I know my next move is going to be...Up to the left.

When the braid reaches your desired finished length, stop adding beads and braid three or four rows of thread only. We will finish exactly the way we began by weaving the thread only.

Remove the threads from the slots in the disc. Pull the braid up through the center hole of the disc. We are now done with the disc. Loop a knot on the end. Keeping the knot as close as possible to the beaded braid. 


I braided too much and had to undo some of the braid in order for my end cap to fit.


Working the knot closer to the beads.


 Do this on both ends of the braid. Once you have the knot in place you can cut any remaining threads with beads/spools free from the braid. Leave a good three or four inches of thread above your knot, giving yourself extra thread to work with as we finish up this project.

I have developed a technique that I prefer to use in order to add bead caps. I'm not happy with just glue. I want to feel that my piece is incredibly secure (perhaps overly so) and will last a lifetime. I do this by adding a length of wire into the center of the knot before tightening it. Tighten the knot; sliding it close to the beads and pull on each thread to ensure a tight knot. Use chain nose pliers to hold onto the wire just below the knot, pull on each thread with another pair of pliers.




I've completed tightening the knot on one end of the braid (top). You can see the difference it makes in the size of the knot. The knot in the bottom of the picture has not been tightened yet.


Using chain nose pliers hold onto the silver wire and the threads above the knot and wrap the other end of the wire around the woven threads, in between the beads and the knot.


You can see the neat wrap, the wire going through the center of the knot and extending out the top with the threads.


Test that your bead caps will fit over your knot. If it doesn't you will have to make your knot smaller or buy larger bead caps. (This is why you only need to weave a couple rows of thread at the beginning and end of the braid. And why I needed to make adjustments on the piece I made. When making the knot with the woven thread, the knot is too large to accomodate the bead cap.)

You want to bead cap to cover all the messy bits and meet your beads.


Trim the threads just before glueing. CAREFUL....DO NOT CUT YOUR WIRE.


I've trimmed close. Leaving just a tuft above the knot. Glue immediately.
Glue the wrapped wire, the entire knot and the tuft. Careful not to get glue on the seed beads.


While the glue is drying put your focal piece together using basic jewelry techniques. 
Slide the completed bail and focal onto the braid before adding the bead caps and finishing the ends.


String the bead cap, a sterling silver round onto the wire and create a wrapped loop to add the toggle clasp.



Congratulations! You have just created a beautiful kumihimo beaded piece of jewelry!

I am offering 20% off jewelry components (jewelry is not included) in my Etsy shop. If your looking for lampwork beads for your designs, stop by my shop and use coupon code ABS20 to receive your discount.

Many thanks to the contributors of the Art Bead Scene community. I appreciate the opportunity to visit with you today. I hope you enjoy this tutorial. I've been inspired to create an in depth tutorial offering additional kumihimo techniques. This will be available in my Etsy shop on March 1, 2014. If you have any questions regarding the techniques presented please feel free to contact me.


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