Posted in Youtube by lastdeadream
Thanks to my friend George
02 Blue Maiden's Tale
03 Glory Road
04 Time (The Revelator)
05 Hallelujah Boulevard
06 Is It Me Or You
07 Two Of A Kind, Workin' On A Full House
.
Showing posts with label warren haynes. Show all posts
Showing posts with label warren haynes. Show all posts
July 30, 2015
July 27, 2015
9837 - WARREN HAYNES FEATURING RAILROAD EARTH - ASHES & DUST (DELUXE EDITION), DISC TWO (2015)
WARREN HAYNES FEATURING RAILROAD EARTH
''ASHES & DUST (DELUXE EDITION), DISC TWO''
JULY 24 2015
104:23
DISC ONE (79:06)
1 Is It Me or You 05:14
2 Coal Tattoo (Ed Wheeler) 07:23
3 Blue Maiden's Tale 07:25
4 Company Man 04:47
5 New Year's Eve 04:38
6 Stranded in Self-Pity (Larry Rhodes) 06:36
7 Glory Road (Raymond Sisk) 05:58
8 Gold Dust Woman (Stevie Nicks) 06:22
9 Beat Down the Dust 04:55
10 Wanderlust 04:48
11 Spots of Time (Warren Haynes, Phil Lesh) 08:23
12 Hallelujah Boulevard 05:43
13 Word On the Wind (Warren Haynes, Todd Sheaffer) 06:45
Tracks By Warren Haynes, Except As Indicated
DISC TWO (25:17)
1 Company Man (Demo) 04:51
2 New Year's Eve (Demo) 04:18
3 Glory Road (Demo) 04:38
4 Wanderlust (Demo) 05:02
5 Hallelujah Boulevard (Live from 12282008) 06:25
Andrew Altman/Bass Guitar, Bass (Upright)
Oteil Burbridge/Bass Guitar
Tim Carbone/Fiddle
Shawn Colvin/Vocal Harmony
Andy Goessling/Banjo, Clarinet, Guitar (Acoustic), National Steel Guitar
Carey Harmon/Drums
Warren Haynes/Guitar (Acoustic), Guitar (Electric), Slide Guitar, Vocals
Grace Potter/Featured Artist, Vocals
Marc Quiñones/Drums, Percussion
Mickey Raphael/Harmonica
Todd Sheaffer/Guitar (Acoustic), Vocal Harmony
John Skehan/Bouzouki, Mandolin, Piano
ABOUT THE ALBUM
By Doug Collette, www.glidemagazine.com
Warren Haynes has done more than his share of musical exploration during the course of his career. From working with outlaw country artist David Allen Coe he joined Dickey Betts’ Pattern Disruptive band which led directly to his extended tenure with The Allman Brothers during which time he formed Gov’t Mule, now a twenty year plus enterprise. During that time he’s collaborated with Phil Lesh as well as the rest of the surviving members of the Grateful Dead as well as John Scofield. And that doesn’t take into account Haynes’ 2011 R& B centered solo outing Man in Motion.
Yet he’s never delved into the acoustic-based likes of Ashes & Dust, recorded with Railroad Earth Still, this nouveau bluegrass/folk music is immediately recognizable as Haynes’ own on the initial cut, “Is It Me or Is It You,” and equally so on his cover of Billy Ed Wheeler’s “Coal Tattoo.” The alternately mournful and sprightly fiddle of Tim Carbone, in combination with mandolin from John Skehan, effectively offsets the wan tone of both tracks and even more so in contrast with the electric edge of the guitarist’s slide work. Subdued arrangements like that of “Blue Maiden’s Tale” are fully fleshed out with the playing of the aforementioned duo and the rest of Railroad Earth, who have so thoroughly bonded with Haynes, the musicians are now integrated as a single septet.
The unit’s interactions as on “Company Man” are effortlessly fluid, and they impart authenticity to this material, most of which was composed by the leader of the sessions. The lyrics display a keen, soulful introspection which only enhances Haynes’ ability to identify with such character portraits as “Hallelujah Boulevard.” And whether it’s the comparatively upbeat barroom mood of “Stranded in Self Pity” or the resonant melancholy in “New Year’s Eve,” the nuances of atmosphere are as evident in the vocals of Haynes as in the arrangements, never more so than in those moment when the phrasing of his otherwise guttural voice turns soft and sleek.
Perhaps as a combination of encouragement and affirmation of such restrained delivery, female vocalists make distinct contributions to Ashes & Dust. Shawn Colvin’s background vocals on “Wanderlust” sound like a mirror image of the lead singing, while Haynes’ harmonizing with Grace Potter on Stevie Nicks’ “Gold Dust Woman” renders successful an idea that, on paper, might not seem to work; the careful mesh of their voices allows for deep feeling to permeate the famous tune, so much so they make the track their own. Yet the most notable aspect of this cut, apart from its abiding association with Fleetwood Mac, is that it rests comfortably within the dozen that surround it.
Produced by Warren Haynes himself, Ashes & Dust evinces as much artistic courage as curiosity, a combination of virtues reflected in his openness to supporting the players and singers around him, remaining justifiably confident in his own abilities. Meanwhile, his own personality still manifests itself vividly on this album, especially on the more extended tracks “Word On The Wind” and “Spots of Time”(distinguished by the presence of former Allman Brothers Oteil Burbridge on bass and Marc Quinones on percussion), where the detail of engineer Jim Scott’s expert sound mix magnifies the continuity of the recording with this man’s previous work and that of his collaborating partners. Comparable to the extraordinary skill of great actors and actresses whose public personae disappear as they render a role, it’s easy to forget exactly who you’re hearing on this record, and just luxuriate in the purity of expression.
REVIEW/AMG
by Thom Jurek
When Warren Haynes released the rocking soul and gospel set Man in Motion in 2011, it was the fulfillment of a dream, to write and record songs that reflected the early influence of those sounds on his musical development with an all-star band. Ashes & Dust is another side of his story. Growing up in Asheville, North Carolina, Haynes was equally exposed to bluegrass, mountain folk music, and country gospel. Their influence is plentiful here, on originals and covers alike. He's chosen New Jersey's endlessly inventive roots music ensemble Railroad Earth this time out. Haynes uses electric guitars here; they are part and parcel of a largely acoustic tapestry that can loosely be called Americana. He wrote or co-wrote eight of these 13 tunes. Among the highlights is "Company Man," a song that's been around for more than a decade in his own shows. It was inspired by his father's hard-wrought life and work experiences; though it is ultimately triumphant, the song's narrative poignantly details struggle. John Skehan's mandolin, Andy Goessling's banjo and strummed acoustic, and Tim Carbone's fiddle swirl around Haynes' stinging electric break, which adds drama to his lyric. The cover of Billy Edd Wheeler's classic "Coal Tattoo" (he's the songwriter and visual artist who wrote "Jackson" for Johnny Cash) weds Appalachian mountain music to the electric blues with Haynes slide cutting through the banjo and mandolin. Shawn Colvin and Mickey Raphael assist on the road-weary country-rock of "Wanderlust." "Stranded in Self-Pity" is a jazzy rag blues with a honky tonk piano underscoring Haynes' wily electric guitar, Carbone's fiddle, and Skehan's clarinet solo. One can hear the influences of Levon Helm and T-Bone Wolk on the track, which is only fitting. He planned this record seven years ago and they were both supposed to play on it. The only misstep here is the cover of Fleetwood Mac's "Gold Dust Woman," with Grace Potter almost mimicking songwriter Stevie Nicks' role. It's such a straight arrangement that it adds virtually nothing. "Spots of Time" is the set's longest cut at over eight minutes, co-written with Phil Lesh. It is one of two tracks here to feature drums and percussion by Marc Quiñones. It's a loping, breezy rocker with a gorgeous extended jazz guitar solo; it would have been right at home in the Grateful Dead's catalog. Closer "Word on the Wind" is an excellent update -- even reinvention -- of Southern rock; it exists in a space where Marshall Tucker, Crazy Horse, and the (Joe Walsh era) James Gang all melt into one another. While Ashes & Dust doesn't really add anything "new" to Haynes' musical profile -- fans already knew this was here -- there are some fine benchmarks: his singing has never used such a range of dynamics before; for once he lets the song dictate his expression. Others are tight songwriting and arranging craft -- especially when fleshed out by the almost limitless creativity of Railroad Earth. Ashes & Dust is a worthy and welcome addition to Haynes' catalog.
BIOGRAPHY/AMG
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960 and he developed a taste for soul and R&B at an early age, from his older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson. Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that had influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
Pattern Disruptive
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard to join Betts in the band's twin-guitar team. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
The Deep End, Vol. 1
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Man in Motion
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
Ashes & Dust
Haynes continued to tour and host his Christmas Jam, and he guested on records by James Cotton, the Howlin' Brothers, and the Lee Boys. He also remained a member of the Allman Brothers Band through their final show at the Beacon Theater in October 2014. His Evil Teen label released several archival recordings by Gov't Mule in early 2015. Later in the year, he issued his next proper studio recording, Ashes & Dust, an Americana date. Haynes selected New Jersey newgrass outfit Railroad Earth as his backing band for the session. The album also featured a duet with Grace Potter on a cover of Fleetwood Mac's "Gold Dust Woman."
WEBSITE
TO THE TOP
''ASHES & DUST (DELUXE EDITION), DISC TWO''
JULY 24 2015
104:23
DISC ONE (79:06)
1 Is It Me or You 05:14
2 Coal Tattoo (Ed Wheeler) 07:23
3 Blue Maiden's Tale 07:25
4 Company Man 04:47
5 New Year's Eve 04:38
6 Stranded in Self-Pity (Larry Rhodes) 06:36
7 Glory Road (Raymond Sisk) 05:58
8 Gold Dust Woman (Stevie Nicks) 06:22
9 Beat Down the Dust 04:55
10 Wanderlust 04:48
11 Spots of Time (Warren Haynes, Phil Lesh) 08:23
12 Hallelujah Boulevard 05:43
13 Word On the Wind (Warren Haynes, Todd Sheaffer) 06:45
Tracks By Warren Haynes, Except As Indicated
DISC TWO (25:17)
1 Company Man (Demo) 04:51
2 New Year's Eve (Demo) 04:18
3 Glory Road (Demo) 04:38
4 Wanderlust (Demo) 05:02
5 Hallelujah Boulevard (Live from 12282008) 06:25
Andrew Altman/Bass Guitar, Bass (Upright)
Oteil Burbridge/Bass Guitar
Tim Carbone/Fiddle
Shawn Colvin/Vocal Harmony
Andy Goessling/Banjo, Clarinet, Guitar (Acoustic), National Steel Guitar
Carey Harmon/Drums
Warren Haynes/Guitar (Acoustic), Guitar (Electric), Slide Guitar, Vocals
Grace Potter/Featured Artist, Vocals
Marc Quiñones/Drums, Percussion
Mickey Raphael/Harmonica
Todd Sheaffer/Guitar (Acoustic), Vocal Harmony
John Skehan/Bouzouki, Mandolin, Piano
ABOUT THE ALBUM
By Doug Collette, www.glidemagazine.com
Warren Haynes has done more than his share of musical exploration during the course of his career. From working with outlaw country artist David Allen Coe he joined Dickey Betts’ Pattern Disruptive band which led directly to his extended tenure with The Allman Brothers during which time he formed Gov’t Mule, now a twenty year plus enterprise. During that time he’s collaborated with Phil Lesh as well as the rest of the surviving members of the Grateful Dead as well as John Scofield. And that doesn’t take into account Haynes’ 2011 R& B centered solo outing Man in Motion.
Yet he’s never delved into the acoustic-based likes of Ashes & Dust, recorded with Railroad Earth Still, this nouveau bluegrass/folk music is immediately recognizable as Haynes’ own on the initial cut, “Is It Me or Is It You,” and equally so on his cover of Billy Ed Wheeler’s “Coal Tattoo.” The alternately mournful and sprightly fiddle of Tim Carbone, in combination with mandolin from John Skehan, effectively offsets the wan tone of both tracks and even more so in contrast with the electric edge of the guitarist’s slide work. Subdued arrangements like that of “Blue Maiden’s Tale” are fully fleshed out with the playing of the aforementioned duo and the rest of Railroad Earth, who have so thoroughly bonded with Haynes, the musicians are now integrated as a single septet.
The unit’s interactions as on “Company Man” are effortlessly fluid, and they impart authenticity to this material, most of which was composed by the leader of the sessions. The lyrics display a keen, soulful introspection which only enhances Haynes’ ability to identify with such character portraits as “Hallelujah Boulevard.” And whether it’s the comparatively upbeat barroom mood of “Stranded in Self Pity” or the resonant melancholy in “New Year’s Eve,” the nuances of atmosphere are as evident in the vocals of Haynes as in the arrangements, never more so than in those moment when the phrasing of his otherwise guttural voice turns soft and sleek.
Perhaps as a combination of encouragement and affirmation of such restrained delivery, female vocalists make distinct contributions to Ashes & Dust. Shawn Colvin’s background vocals on “Wanderlust” sound like a mirror image of the lead singing, while Haynes’ harmonizing with Grace Potter on Stevie Nicks’ “Gold Dust Woman” renders successful an idea that, on paper, might not seem to work; the careful mesh of their voices allows for deep feeling to permeate the famous tune, so much so they make the track their own. Yet the most notable aspect of this cut, apart from its abiding association with Fleetwood Mac, is that it rests comfortably within the dozen that surround it.
Produced by Warren Haynes himself, Ashes & Dust evinces as much artistic courage as curiosity, a combination of virtues reflected in his openness to supporting the players and singers around him, remaining justifiably confident in his own abilities. Meanwhile, his own personality still manifests itself vividly on this album, especially on the more extended tracks “Word On The Wind” and “Spots of Time”(distinguished by the presence of former Allman Brothers Oteil Burbridge on bass and Marc Quinones on percussion), where the detail of engineer Jim Scott’s expert sound mix magnifies the continuity of the recording with this man’s previous work and that of his collaborating partners. Comparable to the extraordinary skill of great actors and actresses whose public personae disappear as they render a role, it’s easy to forget exactly who you’re hearing on this record, and just luxuriate in the purity of expression.
REVIEW/AMG
by Thom Jurek
When Warren Haynes released the rocking soul and gospel set Man in Motion in 2011, it was the fulfillment of a dream, to write and record songs that reflected the early influence of those sounds on his musical development with an all-star band. Ashes & Dust is another side of his story. Growing up in Asheville, North Carolina, Haynes was equally exposed to bluegrass, mountain folk music, and country gospel. Their influence is plentiful here, on originals and covers alike. He's chosen New Jersey's endlessly inventive roots music ensemble Railroad Earth this time out. Haynes uses electric guitars here; they are part and parcel of a largely acoustic tapestry that can loosely be called Americana. He wrote or co-wrote eight of these 13 tunes. Among the highlights is "Company Man," a song that's been around for more than a decade in his own shows. It was inspired by his father's hard-wrought life and work experiences; though it is ultimately triumphant, the song's narrative poignantly details struggle. John Skehan's mandolin, Andy Goessling's banjo and strummed acoustic, and Tim Carbone's fiddle swirl around Haynes' stinging electric break, which adds drama to his lyric. The cover of Billy Edd Wheeler's classic "Coal Tattoo" (he's the songwriter and visual artist who wrote "Jackson" for Johnny Cash) weds Appalachian mountain music to the electric blues with Haynes slide cutting through the banjo and mandolin. Shawn Colvin and Mickey Raphael assist on the road-weary country-rock of "Wanderlust." "Stranded in Self-Pity" is a jazzy rag blues with a honky tonk piano underscoring Haynes' wily electric guitar, Carbone's fiddle, and Skehan's clarinet solo. One can hear the influences of Levon Helm and T-Bone Wolk on the track, which is only fitting. He planned this record seven years ago and they were both supposed to play on it. The only misstep here is the cover of Fleetwood Mac's "Gold Dust Woman," with Grace Potter almost mimicking songwriter Stevie Nicks' role. It's such a straight arrangement that it adds virtually nothing. "Spots of Time" is the set's longest cut at over eight minutes, co-written with Phil Lesh. It is one of two tracks here to feature drums and percussion by Marc Quiñones. It's a loping, breezy rocker with a gorgeous extended jazz guitar solo; it would have been right at home in the Grateful Dead's catalog. Closer "Word on the Wind" is an excellent update -- even reinvention -- of Southern rock; it exists in a space where Marshall Tucker, Crazy Horse, and the (Joe Walsh era) James Gang all melt into one another. While Ashes & Dust doesn't really add anything "new" to Haynes' musical profile -- fans already knew this was here -- there are some fine benchmarks: his singing has never used such a range of dynamics before; for once he lets the song dictate his expression. Others are tight songwriting and arranging craft -- especially when fleshed out by the almost limitless creativity of Railroad Earth. Ashes & Dust is a worthy and welcome addition to Haynes' catalog.
BIOGRAPHY/AMG
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960 and he developed a taste for soul and R&B at an early age, from his older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson. Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that had influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
Pattern Disruptive
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard to join Betts in the band's twin-guitar team. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
The Deep End, Vol. 1
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Man in Motion
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
Ashes & Dust
Haynes continued to tour and host his Christmas Jam, and he guested on records by James Cotton, the Howlin' Brothers, and the Lee Boys. He also remained a member of the Allman Brothers Band through their final show at the Beacon Theater in October 2014. His Evil Teen label released several archival recordings by Gov't Mule in early 2015. Later in the year, he issued his next proper studio recording, Ashes & Dust, an Americana date. Haynes selected New Jersey newgrass outfit Railroad Earth as his backing band for the session. The album also featured a duet with Grace Potter on a cover of Fleetwood Mac's "Gold Dust Woman."
WEBSITE
TO THE TOP
9836 - WARREN HAYNES FEATURING RAILROAD EARTH - ASHES & DUST (DELUXE EDITION), DISC ONE (2015
WARREN HAYNES FEATURING RAILROAD EARTH
''ASHES & DUST (DELUXE EDITION), DISC ONE''
JULY 24 2015
104:23
DISC ONE (79:06)
1 Is It Me or You 05:14
2 Coal Tattoo (Ed Wheeler) 07:23
3 Blue Maiden's Tale 07:25
4 Company Man 04:47
5 New Year's Eve 04:38
6 Stranded in Self-Pity (Larry Rhodes) 06:36
7 Glory Road (Raymond Sisk) 05:58
8 Gold Dust Woman (Stevie Nicks) 06:22
9 Beat Down the Dust 04:55
10 Wanderlust 04:48
11 Spots of Time (Warren Haynes, Phil Lesh) 08:23
12 Hallelujah Boulevard 05:43
13 Word On the Wind (Warren Haynes, Todd Sheaffer) 06:45
Tracks By Warren Haynes, Except As Indicated
DISC TWO (25:17)
1 Company Man (Demo) 04:51
2 New Year's Eve (Demo) 04:18
3 Glory Road (Demo) 04:38
4 Wanderlust (Demo) 05:02
5 Hallelujah Boulevard (Live from 12282008) 06:25
Andrew Altman/Bass Guitar, Bass (Upright)
Oteil Burbridge/Bass Guitar
Tim Carbone/Fiddle
Shawn Colvin/Vocal Harmony
Andy Goessling/Banjo, Clarinet, Guitar (Acoustic), National Steel Guitar
Carey Harmon/Drums
Warren Haynes/Guitar (Acoustic), Guitar (Electric), Slide Guitar, Vocals
Grace Potter/Featured Artist, Vocals
Marc Quiñones/Drums, Percussion
Mickey Raphael/Harmonica
Todd Sheaffer/Guitar (Acoustic), Vocal Harmony
John Skehan/Bouzouki, Mandolin, Piano
ABOUT THE ALBUM
By Doug Collette, www.glidemagazine.com
Warren Haynes has done more than his share of musical exploration during the course of his career. From working with outlaw country artist David Allen Coe he joined Dickey Betts’ Pattern Disruptive band which led directly to his extended tenure with The Allman Brothers during which time he formed Gov’t Mule, now a twenty year plus enterprise. During that time he’s collaborated with Phil Lesh as well as the rest of the surviving members of the Grateful Dead as well as John Scofield. And that doesn’t take into account Haynes’ 2011 R& B centered solo outing Man in Motion.
Yet he’s never delved into the acoustic-based likes of Ashes & Dust, recorded with Railroad Earth Still, this nouveau bluegrass/folk music is immediately recognizable as Haynes’ own on the initial cut, “Is It Me or Is It You,” and equally so on his cover of Billy Ed Wheeler’s “Coal Tattoo.” The alternately mournful and sprightly fiddle of Tim Carbone, in combination with mandolin from John Skehan, effectively offsets the wan tone of both tracks and even more so in contrast with the electric edge of the guitarist’s slide work. Subdued arrangements like that of “Blue Maiden’s Tale” are fully fleshed out with the playing of the aforementioned duo and the rest of Railroad Earth, who have so thoroughly bonded with Haynes, the musicians are now integrated as a single septet.
The unit’s interactions as on “Company Man” are effortlessly fluid, and they impart authenticity to this material, most of which was composed by the leader of the sessions. The lyrics display a keen, soulful introspection which only enhances Haynes’ ability to identify with such character portraits as “Hallelujah Boulevard.” And whether it’s the comparatively upbeat barroom mood of “Stranded in Self Pity” or the resonant melancholy in “New Year’s Eve,” the nuances of atmosphere are as evident in the vocals of Haynes as in the arrangements, never more so than in those moment when the phrasing of his otherwise guttural voice turns soft and sleek.
Perhaps as a combination of encouragement and affirmation of such restrained delivery, female vocalists make distinct contributions to Ashes & Dust. Shawn Colvin’s background vocals on “Wanderlust” sound like a mirror image of the lead singing, while Haynes’ harmonizing with Grace Potter on Stevie Nicks’ “Gold Dust Woman” renders successful an idea that, on paper, might not seem to work; the careful mesh of their voices allows for deep feeling to permeate the famous tune, so much so they make the track their own. Yet the most notable aspect of this cut, apart from its abiding association with Fleetwood Mac, is that it rests comfortably within the dozen that surround it.
Produced by Warren Haynes himself, Ashes & Dust evinces as much artistic courage as curiosity, a combination of virtues reflected in his openness to supporting the players and singers around him, remaining justifiably confident in his own abilities. Meanwhile, his own personality still manifests itself vividly on this album, especially on the more extended tracks “Word On The Wind” and “Spots of Time”(distinguished by the presence of former Allman Brothers Oteil Burbridge on bass and Marc Quinones on percussion), where the detail of engineer Jim Scott’s expert sound mix magnifies the continuity of the recording with this man’s previous work and that of his collaborating partners. Comparable to the extraordinary skill of great actors and actresses whose public personae disappear as they render a role, it’s easy to forget exactly who you’re hearing on this record, and just luxuriate in the purity of expression.
REVIEW/AMG
by Thom Jurek
When Warren Haynes released the rocking soul and gospel set Man in Motion in 2011, it was the fulfillment of a dream, to write and record songs that reflected the early influence of those sounds on his musical development with an all-star band. Ashes & Dust is another side of his story. Growing up in Asheville, North Carolina, Haynes was equally exposed to bluegrass, mountain folk music, and country gospel. Their influence is plentiful here, on originals and covers alike. He's chosen New Jersey's endlessly inventive roots music ensemble Railroad Earth this time out. Haynes uses electric guitars here; they are part and parcel of a largely acoustic tapestry that can loosely be called Americana. He wrote or co-wrote eight of these 13 tunes. Among the highlights is "Company Man," a song that's been around for more than a decade in his own shows. It was inspired by his father's hard-wrought life and work experiences; though it is ultimately triumphant, the song's narrative poignantly details struggle. John Skehan's mandolin, Andy Goessling's banjo and strummed acoustic, and Tim Carbone's fiddle swirl around Haynes' stinging electric break, which adds drama to his lyric. The cover of Billy Edd Wheeler's classic "Coal Tattoo" (he's the songwriter and visual artist who wrote "Jackson" for Johnny Cash) weds Appalachian mountain music to the electric blues with Haynes slide cutting through the banjo and mandolin. Shawn Colvin and Mickey Raphael assist on the road-weary country-rock of "Wanderlust." "Stranded in Self-Pity" is a jazzy rag blues with a honky tonk piano underscoring Haynes' wily electric guitar, Carbone's fiddle, and Skehan's clarinet solo. One can hear the influences of Levon Helm and T-Bone Wolk on the track, which is only fitting. He planned this record seven years ago and they were both supposed to play on it. The only misstep here is the cover of Fleetwood Mac's "Gold Dust Woman," with Grace Potter almost mimicking songwriter Stevie Nicks' role. It's such a straight arrangement that it adds virtually nothing. "Spots of Time" is the set's longest cut at over eight minutes, co-written with Phil Lesh. It is one of two tracks here to feature drums and percussion by Marc Quiñones. It's a loping, breezy rocker with a gorgeous extended jazz guitar solo; it would have been right at home in the Grateful Dead's catalog. Closer "Word on the Wind" is an excellent update -- even reinvention -- of Southern rock; it exists in a space where Marshall Tucker, Crazy Horse, and the (Joe Walsh era) James Gang all melt into one another. While Ashes & Dust doesn't really add anything "new" to Haynes' musical profile -- fans already knew this was here -- there are some fine benchmarks: his singing has never used such a range of dynamics before; for once he lets the song dictate his expression. Others are tight songwriting and arranging craft -- especially when fleshed out by the almost limitless creativity of Railroad Earth. Ashes & Dust is a worthy and welcome addition to Haynes' catalog.
BIOGRAPHY/AMG
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960 and he developed a taste for soul and R&B at an early age, from his older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson. Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that had influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
Pattern Disruptive
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard to join Betts in the band's twin-guitar team. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
The Deep End, Vol. 1
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Man in Motion
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
Ashes & Dust
Haynes continued to tour and host his Christmas Jam, and he guested on records by James Cotton, the Howlin' Brothers, and the Lee Boys. He also remained a member of the Allman Brothers Band through their final show at the Beacon Theater in October 2014. His Evil Teen label released several archival recordings by Gov't Mule in early 2015. Later in the year, he issued his next proper studio recording, Ashes & Dust, an Americana date. Haynes selected New Jersey newgrass outfit Railroad Earth as his backing band for the session. The album also featured a duet with Grace Potter on a cover of Fleetwood Mac's "Gold Dust Woman."
WEBSITE
TO THE TOP
''ASHES & DUST (DELUXE EDITION), DISC ONE''
JULY 24 2015
104:23
DISC ONE (79:06)
1 Is It Me or You 05:14
2 Coal Tattoo (Ed Wheeler) 07:23
3 Blue Maiden's Tale 07:25
4 Company Man 04:47
5 New Year's Eve 04:38
6 Stranded in Self-Pity (Larry Rhodes) 06:36
7 Glory Road (Raymond Sisk) 05:58
8 Gold Dust Woman (Stevie Nicks) 06:22
9 Beat Down the Dust 04:55
10 Wanderlust 04:48
11 Spots of Time (Warren Haynes, Phil Lesh) 08:23
12 Hallelujah Boulevard 05:43
13 Word On the Wind (Warren Haynes, Todd Sheaffer) 06:45
Tracks By Warren Haynes, Except As Indicated
DISC TWO (25:17)
1 Company Man (Demo) 04:51
2 New Year's Eve (Demo) 04:18
3 Glory Road (Demo) 04:38
4 Wanderlust (Demo) 05:02
5 Hallelujah Boulevard (Live from 12282008) 06:25
Andrew Altman/Bass Guitar, Bass (Upright)
Oteil Burbridge/Bass Guitar
Tim Carbone/Fiddle
Shawn Colvin/Vocal Harmony
Andy Goessling/Banjo, Clarinet, Guitar (Acoustic), National Steel Guitar
Carey Harmon/Drums
Warren Haynes/Guitar (Acoustic), Guitar (Electric), Slide Guitar, Vocals
Grace Potter/Featured Artist, Vocals
Marc Quiñones/Drums, Percussion
Mickey Raphael/Harmonica
Todd Sheaffer/Guitar (Acoustic), Vocal Harmony
John Skehan/Bouzouki, Mandolin, Piano
ABOUT THE ALBUM
By Doug Collette, www.glidemagazine.com
Warren Haynes has done more than his share of musical exploration during the course of his career. From working with outlaw country artist David Allen Coe he joined Dickey Betts’ Pattern Disruptive band which led directly to his extended tenure with The Allman Brothers during which time he formed Gov’t Mule, now a twenty year plus enterprise. During that time he’s collaborated with Phil Lesh as well as the rest of the surviving members of the Grateful Dead as well as John Scofield. And that doesn’t take into account Haynes’ 2011 R& B centered solo outing Man in Motion.
Yet he’s never delved into the acoustic-based likes of Ashes & Dust, recorded with Railroad Earth Still, this nouveau bluegrass/folk music is immediately recognizable as Haynes’ own on the initial cut, “Is It Me or Is It You,” and equally so on his cover of Billy Ed Wheeler’s “Coal Tattoo.” The alternately mournful and sprightly fiddle of Tim Carbone, in combination with mandolin from John Skehan, effectively offsets the wan tone of both tracks and even more so in contrast with the electric edge of the guitarist’s slide work. Subdued arrangements like that of “Blue Maiden’s Tale” are fully fleshed out with the playing of the aforementioned duo and the rest of Railroad Earth, who have so thoroughly bonded with Haynes, the musicians are now integrated as a single septet.
The unit’s interactions as on “Company Man” are effortlessly fluid, and they impart authenticity to this material, most of which was composed by the leader of the sessions. The lyrics display a keen, soulful introspection which only enhances Haynes’ ability to identify with such character portraits as “Hallelujah Boulevard.” And whether it’s the comparatively upbeat barroom mood of “Stranded in Self Pity” or the resonant melancholy in “New Year’s Eve,” the nuances of atmosphere are as evident in the vocals of Haynes as in the arrangements, never more so than in those moment when the phrasing of his otherwise guttural voice turns soft and sleek.
Perhaps as a combination of encouragement and affirmation of such restrained delivery, female vocalists make distinct contributions to Ashes & Dust. Shawn Colvin’s background vocals on “Wanderlust” sound like a mirror image of the lead singing, while Haynes’ harmonizing with Grace Potter on Stevie Nicks’ “Gold Dust Woman” renders successful an idea that, on paper, might not seem to work; the careful mesh of their voices allows for deep feeling to permeate the famous tune, so much so they make the track their own. Yet the most notable aspect of this cut, apart from its abiding association with Fleetwood Mac, is that it rests comfortably within the dozen that surround it.
Produced by Warren Haynes himself, Ashes & Dust evinces as much artistic courage as curiosity, a combination of virtues reflected in his openness to supporting the players and singers around him, remaining justifiably confident in his own abilities. Meanwhile, his own personality still manifests itself vividly on this album, especially on the more extended tracks “Word On The Wind” and “Spots of Time”(distinguished by the presence of former Allman Brothers Oteil Burbridge on bass and Marc Quinones on percussion), where the detail of engineer Jim Scott’s expert sound mix magnifies the continuity of the recording with this man’s previous work and that of his collaborating partners. Comparable to the extraordinary skill of great actors and actresses whose public personae disappear as they render a role, it’s easy to forget exactly who you’re hearing on this record, and just luxuriate in the purity of expression.
REVIEW/AMG
by Thom Jurek
When Warren Haynes released the rocking soul and gospel set Man in Motion in 2011, it was the fulfillment of a dream, to write and record songs that reflected the early influence of those sounds on his musical development with an all-star band. Ashes & Dust is another side of his story. Growing up in Asheville, North Carolina, Haynes was equally exposed to bluegrass, mountain folk music, and country gospel. Their influence is plentiful here, on originals and covers alike. He's chosen New Jersey's endlessly inventive roots music ensemble Railroad Earth this time out. Haynes uses electric guitars here; they are part and parcel of a largely acoustic tapestry that can loosely be called Americana. He wrote or co-wrote eight of these 13 tunes. Among the highlights is "Company Man," a song that's been around for more than a decade in his own shows. It was inspired by his father's hard-wrought life and work experiences; though it is ultimately triumphant, the song's narrative poignantly details struggle. John Skehan's mandolin, Andy Goessling's banjo and strummed acoustic, and Tim Carbone's fiddle swirl around Haynes' stinging electric break, which adds drama to his lyric. The cover of Billy Edd Wheeler's classic "Coal Tattoo" (he's the songwriter and visual artist who wrote "Jackson" for Johnny Cash) weds Appalachian mountain music to the electric blues with Haynes slide cutting through the banjo and mandolin. Shawn Colvin and Mickey Raphael assist on the road-weary country-rock of "Wanderlust." "Stranded in Self-Pity" is a jazzy rag blues with a honky tonk piano underscoring Haynes' wily electric guitar, Carbone's fiddle, and Skehan's clarinet solo. One can hear the influences of Levon Helm and T-Bone Wolk on the track, which is only fitting. He planned this record seven years ago and they were both supposed to play on it. The only misstep here is the cover of Fleetwood Mac's "Gold Dust Woman," with Grace Potter almost mimicking songwriter Stevie Nicks' role. It's such a straight arrangement that it adds virtually nothing. "Spots of Time" is the set's longest cut at over eight minutes, co-written with Phil Lesh. It is one of two tracks here to feature drums and percussion by Marc Quiñones. It's a loping, breezy rocker with a gorgeous extended jazz guitar solo; it would have been right at home in the Grateful Dead's catalog. Closer "Word on the Wind" is an excellent update -- even reinvention -- of Southern rock; it exists in a space where Marshall Tucker, Crazy Horse, and the (Joe Walsh era) James Gang all melt into one another. While Ashes & Dust doesn't really add anything "new" to Haynes' musical profile -- fans already knew this was here -- there are some fine benchmarks: his singing has never used such a range of dynamics before; for once he lets the song dictate his expression. Others are tight songwriting and arranging craft -- especially when fleshed out by the almost limitless creativity of Railroad Earth. Ashes & Dust is a worthy and welcome addition to Haynes' catalog.
BIOGRAPHY/AMG
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960 and he developed a taste for soul and R&B at an early age, from his older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson. Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that had influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
Pattern Disruptive
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard to join Betts in the band's twin-guitar team. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
The Deep End, Vol. 1
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Man in Motion
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
Ashes & Dust
Haynes continued to tour and host his Christmas Jam, and he guested on records by James Cotton, the Howlin' Brothers, and the Lee Boys. He also remained a member of the Allman Brothers Band through their final show at the Beacon Theater in October 2014. His Evil Teen label released several archival recordings by Gov't Mule in early 2015. Later in the year, he issued his next proper studio recording, Ashes & Dust, an Americana date. Haynes selected New Jersey newgrass outfit Railroad Earth as his backing band for the session. The album also featured a duet with Grace Potter on a cover of Fleetwood Mac's "Gold Dust Woman."
WEBSITE
TO THE TOP
December 20, 2014
8229 - ALLMAN BROTHERS BAND & FRIENDS - ANOTHER ONE FOR WOODY, DISC FIVE (2010)
ALLMAN BROTHERS BAND & FRIENDS
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC FIVE''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC FIVE''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame
8228 - ALLMAN BROTHERS BAND & FRIENDS - ANOTHER ONE FOR WOODY, DISC FOUR (2010)
ALLMAN BROTHERS BAND & FRIENDS
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC FOUR''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC FOUR''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame
\8227 - ALLMAN BROTHERS BAND & FRIENDS - ANOTHER ONE FOR WOODY, DISC THREE (2010)
ALLMAN BROTHERS BAND & FRIENDS
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC THREE''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame>
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC THREE''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame>
8226 - ALLMAN BROTHERS BAND & FRIENDS - ANOTHER ONE FOR WOODY, DISC TWO (2010)
ALLMAN BROTHERS BAND & FRIENDS
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC TWO''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame>
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC TWO''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame>
8225 - ALLMAN BROTHERS BAND & FRIENDS - ANOTHER ONE FOR WOODY, DISC ONE (2010)
ALLMAN BROTHERS BAND & FRIENDS
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC ONE''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame>
''ANOTHER ONE FOR WOODY - 2010-11-22 (ROSELAND BALLROOM, NEW YORK, NY), DISC ONE''
2010
264:34
On September 21, 2000, following the passing of Allen Woody, a founding member of Gov't Mule and longtime Allman Brothers Band bass player, many of his friends and musical heroes came together to celebrate his life at a historic concert at Roseland Ballroom in New York City. "One For Woody" was a landmark event that lives on as a cherished memory for all those who were in attendance.
This recording marks the 10th Anniversary of the event. The CDs in this album were recorded live on November 22, 2010 at the Roseland Ballroom, and feature sets by The Allman Brothers Band, Gov't Mule, and The North Mississippi All-stars Duo (Luther and Cody Dickinson) along with many special guests who were touched by Allen's friendship, music and memory. Like the original concert, all net proceeds from "Another One For Woody" will go to a cause near to Allen's heart: musical education in schools.
DISC ONE - WARREN HAYNES, EDWIN MCCAIN & KEVIN KINNEY, THE NORTH MISSISSIPPI ALL-STARS (50:15)
1 Just Outside Of Heaven 6:54
2 The Lucky One 4:38
3 I Shall Be Released 7:00
4 Shimmy The Wobble > Station Blues > Preachin' Blues 7:57
5 Glory Glory Glory 6:11
6 Po Black Maddie > Skinny Woman > Jumpercable 10:42
7 Whiskey Rock Rolla 6:47
DISC TWO - GOV'T MULE (61:36)
1 Railroad Boy 5:26
2 Blind Man In The Dark 8:56
3 Steppin' Lightly 7:30
4 Banks Of The Deep End 6:18
5 Stage banter 1 0:43
6 I'm A Ram 10:49
7 Stage banter 2 1:46
8 Dear Prudence 9:02
9 Stage banter 3 0:27
10 32/20 Blues 10:33
DISC THREE (35:20)
1 Announcement 0:27
2 Stay With Me 6:29
3 Sometimes Salvation 4:43
4 Stage banter 4 1:32
5 Simple Man 8:49
6 Wishing Well 5:35
7 Soulshine 7:42
DISC FOUR - ALLMAN BROTHERS BAND (49:36)
1 Don't Want You No More 2:39
2 It's Not My Cross To Bear 5:03
3 End Of The Line 7:04
4 No One To Run With 10:49
5 Black Hearted Woman 10:56
6 Who's Been Talking 9:41
7 Midnight Rider 3:20
DISC FIVE (67:47)
1 Stage banter 5 0:22
2 One Way Out 6:08
3 Statesboro Blues 5:20
4 Stage banter 6 0:29
5 The Weight 11:14
6 Stage banter 7 0:34
7 Franklin's Tower 12:18
8 Stage banter 8 0:56
9 Southbound 7:59
10 Whipping Post 15:22
11 Wish You Were Here 6:59
Gov't Mule
Warren Haynes - Guitar, Vocals
Matt Abts - Drums
Danny Louis - keyboards
Jorgen Carlsson - Bass
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Jim Loughlin (moe)- Drums
Vinnie Amico (moe) - Drums
Chuck Garvey (moe) – Guitar
Hook Herrera – Harmonica
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Artemis Pyle (Lynyrd Skynyrd) - Drums
Rich Robinson (Black Crowes) – Guitar
Robert Kearns (Cry of Love) – Bass
Audley Freed (Black Crowes) – Guitar
Savannah Woody – Vocals
North Mississippi Allstars Duo
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Special Guests:
Gordie Johnson (Big Sugar) – Guitar
Artimis Pyle (Lynyrd Skynyrd) – Drums
Danny Louis (Gov’t Mule) – Keys
Audley Freed (Cry of Love) – Guitar
Warren Haynes Acoustic Set
Warren Haynes – Guitar
Edwin McCain – Guitar
Kevin Kinney – Guitar
Allman Brothers Band
Gregg Allman - Hammond B-3 Organ, Acoustic Guitar, Vocals
Warren Haynes - Guitar, Vocals
Butch Trucks - Drums & Tympani
Jaimoe - Drums
Derek Trucks - Lead & Slide Guitar
Oteil Burbridge - Bass, Vocals
Marc Quinones - Congas, Percussion, Vocals
Special Guests:
Hook Herrera – Harmonica
Rich Robinson (Black Crowes) – Guitar
Artemis Pyle (Lynyrd Skynyrd) - Drums
Berry Oakley, Jr. (Bloodline, OKB) – Guitar
Audley Freed (Black Crowes) – Guitar
Chuck Garvey (moe) – Guitar
Danny Louis – Keyboards, Background Vocals
Vinnie Amico (moe) - Drums
Jim Loughlin (moe)- Drums
Luther Dickinson – Guitar & Vocals
Cody Dickinson – Drums, & Electric Washboard
Matt Abts – Drums
# Po Black Maddie through Whiskey Rock Rolla with Gordie Johnson on bass
# Whiskey Rock Rolla with Artimus Pyle, Danny Louis, Audley Freed & Robert Kearns.
# I'm A Ram with Gordie Johnson, Jim Loughlin & Vinnie Amico
# Dear Prudence with Chuck Garvey, Jim Loughlin & Vinnie Amico
# 32/20 Blues with Hook Herrera, Luther Dickinson, Cody Dickinson & Artemis Pyle
# Stay With Me with Rich Robinson & Artemis Pyle
# Sometimes Salvation with Rich Robinson, Robert Kearns & Artemis Pyle (without Jorgen Carlsson)
# Simple Man with Artemis Pyle, Audley Freed & Robert Kearns (without Matt Abts & Jorgen Carlsson)
# Wishing Well with Artemis Pyle & Audley Freed
# Soulshine with Savannah Woody & Artemis Pyle
# Who's Been Talking with Hook Herrera
# One Way Out with Rich Robinson, Berry Oakley Jr. & Artemus Pyle
# Statesboro Blues with Berry Oakley Jr.
# The Weight with Danny Louis & Audley Freed
# Franklin's Tower with Chuck Garvey, Jim Loughlin, James van de Bogert & Vinnie Amico
# Southbound with Cody Dickenson, Luther Dickenson, Hook Herrera & Danny Louisame>
January 8, 2013
3677 - WARREN HAYNES Presents The Benefit Concert Vol. 3, Disc Two (2010)
DOWNLOAD
WARREN HAYNES
''WARREN HAYNES PRESENTS THE BENEFIT CONCERT VOL. 3, DISC TWO''
JUNE 8 2010
140:32
DISC ONE
1. Mama Don't Allow/Alvin Youngblood Hart/5:43
2. Devil Got My Woman/Alvin Youngblood Hart;John Popper/3:34
3. That Sign on the Door/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/7:57
4. Alone/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/12:23
5. Broken Heart and Auto Parts/Drivin' 'n Cryin'/4:57
6. Fly Me Courageous/Drivin' 'n Cryin';Audley Freed/6:09
7. Straight to Hell/Drivin' 'n Cryin';Audley Freed;Edwin McCain/6:56
8. Carolina Blues/Blues Traveler/6:10
9. Slow Change/Blues Traveler/7:25
0. Mountains Win Again/Blues Traveler;Warren Haynes/6:05
1. NY Prophesie/Blues Traveler/6:37
DISC TWO
1. Loose Lucy/Phil Lesh and Friends/16:08
2. Tennessee Jed/Phil Lesh and Friends/10:01
3. Night of A Thousand Stars/Phil Lesh and Friends/7:33
4. Blind Man in the Dark/Gov't Mule;Rob Barraco;Dave Schools/7:29
5. Sco-Mule/Gov't Mule;Oteil Burbridge;Rob Barraco/8:24
6. Almost Cut My Hair/Gov't Mule;Rob Barraco;Dave Schools;Robert Randolph/8:34
7. Masters of War > Rockin' in the Free World/Gov't Mule;Rob Barraco;Dave Schools;Kevin Kinney;Audley Freed/8:27
REVIEW
by Hal Horowitz
It's unclear why Volume 3 of Warren Haynes' annual Christmas show (recorded December 2001), took three additional years for an official CD release after Vols. 1 & 2 (from 1999 and 2000 performances) were made available in 2007. Regardless, this edition, finally available commercially in 2010, follows the same basic template as the gigs and the previous two discs: it's a double package that begins unplugged and builds up steam culminating in a final all-star collective that closes the second platter. Haynes is never far from the festivities, adding his licks and/or gruff voice to the sets of Blues Traveler, Phil Lesh & Friends, and of course Gov't Mule. Alvin Youngblood Hart kicks things off with traditional Delta blues, Edwin McCain appears next and is joined by guitarist Jimmy Herring and others. That's followed by Drivin' N Cryin' who charge into their two biggest tunes, and Blues Traveler, whose frantic four-song, 25-minute performance, featuring Popper's jittery more-notes-per-second harp solos, end the first disc. Disc two is dedicated to the Grateful Dead's Lesh, whose band Haynes toured with that year, along with Gov't Mule and a closing all-in blowout on Neil Young's "Rockin' in the Free World," the only subtle acknowledgment to the September 11 events that occurred just a few months before. The jam factor is high throughout, a mixed blessing on what seems to be an interminable 12-minute acoustic version of McCain's "Alone" that feels nearly twice as long, as well as some of the BT material. That's to be expected of Lesh and his group, though, whose contributions make up approximately a half-hour on disc 2. Haynes' work, both vocally and on guitar, energizes and often focuses what can be meandering Dead-styled material. Gov't Mule is no stranger to improvisation either, albeit in a harder style, as they grind out spirited, gutsy, extended versions of their own "Blind Man in the Dark," "Sco-Mule," and a rollicking cover of David Crosby's "Almost Cut My Hair," the latter featuring sacred steel whiz Robert Randolph and Widespread Panic's Dave Schools. Any fan of Haynes and his diverse musical associations will find lots to like here, and since the proceeds benefit Habitat for Humanity, others can feel good cherrypicking from over two hours of energetic, passionate music, all recorded live on a single night with no overdubs.
BIOGRAPHY
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960, and he developed a taste for soul and R&B at an early age from older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson, while young Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard as their guitarist. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
''WARREN HAYNES PRESENTS THE BENEFIT CONCERT VOL. 3, DISC TWO''
JUNE 8 2010
140:32
DISC ONE
1. Mama Don't Allow/Alvin Youngblood Hart/5:43
2. Devil Got My Woman/Alvin Youngblood Hart;John Popper/3:34
3. That Sign on the Door/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/7:57
4. Alone/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/12:23
5. Broken Heart and Auto Parts/Drivin' 'n Cryin'/4:57
6. Fly Me Courageous/Drivin' 'n Cryin';Audley Freed/6:09
7. Straight to Hell/Drivin' 'n Cryin';Audley Freed;Edwin McCain/6:56
8. Carolina Blues/Blues Traveler/6:10
9. Slow Change/Blues Traveler/7:25
0. Mountains Win Again/Blues Traveler;Warren Haynes/6:05
1. NY Prophesie/Blues Traveler/6:37
DISC TWO
1. Loose Lucy/Phil Lesh and Friends/16:08
2. Tennessee Jed/Phil Lesh and Friends/10:01
3. Night of A Thousand Stars/Phil Lesh and Friends/7:33
4. Blind Man in the Dark/Gov't Mule;Rob Barraco;Dave Schools/7:29
5. Sco-Mule/Gov't Mule;Oteil Burbridge;Rob Barraco/8:24
6. Almost Cut My Hair/Gov't Mule;Rob Barraco;Dave Schools;Robert Randolph/8:34
7. Masters of War > Rockin' in the Free World/Gov't Mule;Rob Barraco;Dave Schools;Kevin Kinney;Audley Freed/8:27
REVIEW
by Hal Horowitz
It's unclear why Volume 3 of Warren Haynes' annual Christmas show (recorded December 2001), took three additional years for an official CD release after Vols. 1 & 2 (from 1999 and 2000 performances) were made available in 2007. Regardless, this edition, finally available commercially in 2010, follows the same basic template as the gigs and the previous two discs: it's a double package that begins unplugged and builds up steam culminating in a final all-star collective that closes the second platter. Haynes is never far from the festivities, adding his licks and/or gruff voice to the sets of Blues Traveler, Phil Lesh & Friends, and of course Gov't Mule. Alvin Youngblood Hart kicks things off with traditional Delta blues, Edwin McCain appears next and is joined by guitarist Jimmy Herring and others. That's followed by Drivin' N Cryin' who charge into their two biggest tunes, and Blues Traveler, whose frantic four-song, 25-minute performance, featuring Popper's jittery more-notes-per-second harp solos, end the first disc. Disc two is dedicated to the Grateful Dead's Lesh, whose band Haynes toured with that year, along with Gov't Mule and a closing all-in blowout on Neil Young's "Rockin' in the Free World," the only subtle acknowledgment to the September 11 events that occurred just a few months before. The jam factor is high throughout, a mixed blessing on what seems to be an interminable 12-minute acoustic version of McCain's "Alone" that feels nearly twice as long, as well as some of the BT material. That's to be expected of Lesh and his group, though, whose contributions make up approximately a half-hour on disc 2. Haynes' work, both vocally and on guitar, energizes and often focuses what can be meandering Dead-styled material. Gov't Mule is no stranger to improvisation either, albeit in a harder style, as they grind out spirited, gutsy, extended versions of their own "Blind Man in the Dark," "Sco-Mule," and a rollicking cover of David Crosby's "Almost Cut My Hair," the latter featuring sacred steel whiz Robert Randolph and Widespread Panic's Dave Schools. Any fan of Haynes and his diverse musical associations will find lots to like here, and since the proceeds benefit Habitat for Humanity, others can feel good cherrypicking from over two hours of energetic, passionate music, all recorded live on a single night with no overdubs.
BIOGRAPHY
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960, and he developed a taste for soul and R&B at an early age from older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson, while young Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard as their guitarist. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
3676 - WARREN HAYNES Presents The Benefit Concert Vol. 3, Disc One (2010)
DOWNLOAD
WARREN HAYNES
''WARREN HAYNES PRESENTS THE BENEFIT CONCERT VOL. 3, DISC ONE''
JUNE 8 2010
140:32
DISC ONE
1. Mama Don't Allow/Alvin Youngblood Hart/5:43
2. Devil Got My Woman/Alvin Youngblood Hart;John Popper/3:34
3. That Sign on the Door/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/7:57
4. Alone/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/12:23
5. Broken Heart and Auto Parts/Drivin' 'n Cryin'/4:57
6. Fly Me Courageous/Drivin' 'n Cryin';Audley Freed/6:09
7. Straight to Hell/Drivin' 'n Cryin';Audley Freed;Edwin McCain/6:56
8. Carolina Blues/Blues Traveler/6:10
9. Slow Change/Blues Traveler/7:25
0. Mountains Win Again/Blues Traveler;Warren Haynes/6:05
1. NY Prophesie/Blues Traveler/6:37
DISC TWO
1. Loose Lucy/Phil Lesh and Friends/16:08
2. Tennessee Jed/Phil Lesh and Friends/10:01
3. Night of A Thousand Stars/Phil Lesh and Friends/7:33
4. Blind Man in the Dark/Gov't Mule;Rob Barraco;Dave Schools/7:29
5. Sco-Mule/Gov't Mule;Oteil Burbridge;Rob Barraco/8:24
6. Almost Cut My Hair/Gov't Mule;Rob Barraco;Dave Schools;Robert Randolph/8:34
7. Masters of War > Rockin' in the Free World/Gov't Mule;Rob Barraco;Dave Schools;Kevin Kinney;Audley Freed/8:27
REVIEW
by Hal Horowitz
It's unclear why Volume 3 of Warren Haynes' annual Christmas show (recorded December 2001), took three additional years for an official CD release after Vols. 1 & 2 (from 1999 and 2000 performances) were made available in 2007. Regardless, this edition, finally available commercially in 2010, follows the same basic template as the gigs and the previous two discs: it's a double package that begins unplugged and builds up steam culminating in a final all-star collective that closes the second platter. Haynes is never far from the festivities, adding his licks and/or gruff voice to the sets of Blues Traveler, Phil Lesh & Friends, and of course Gov't Mule. Alvin Youngblood Hart kicks things off with traditional Delta blues, Edwin McCain appears next and is joined by guitarist Jimmy Herring and others. That's followed by Drivin' N Cryin' who charge into their two biggest tunes, and Blues Traveler, whose frantic four-song, 25-minute performance, featuring Popper's jittery more-notes-per-second harp solos, end the first disc. Disc two is dedicated to the Grateful Dead's Lesh, whose band Haynes toured with that year, along with Gov't Mule and a closing all-in blowout on Neil Young's "Rockin' in the Free World," the only subtle acknowledgment to the September 11 events that occurred just a few months before. The jam factor is high throughout, a mixed blessing on what seems to be an interminable 12-minute acoustic version of McCain's "Alone" that feels nearly twice as long, as well as some of the BT material. That's to be expected of Lesh and his group, though, whose contributions make up approximately a half-hour on disc 2. Haynes' work, both vocally and on guitar, energizes and often focuses what can be meandering Dead-styled material. Gov't Mule is no stranger to improvisation either, albeit in a harder style, as they grind out spirited, gutsy, extended versions of their own "Blind Man in the Dark," "Sco-Mule," and a rollicking cover of David Crosby's "Almost Cut My Hair," the latter featuring sacred steel whiz Robert Randolph and Widespread Panic's Dave Schools. Any fan of Haynes and his diverse musical associations will find lots to like here, and since the proceeds benefit Habitat for Humanity, others can feel good cherrypicking from over two hours of energetic, passionate music, all recorded live on a single night with no overdubs.
BIOGRAPHY
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960, and he developed a taste for soul and R&B at an early age from older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson, while young Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard as their guitarist. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
''WARREN HAYNES PRESENTS THE BENEFIT CONCERT VOL. 3, DISC ONE''
JUNE 8 2010
140:32
DISC ONE
1. Mama Don't Allow/Alvin Youngblood Hart/5:43
2. Devil Got My Woman/Alvin Youngblood Hart;John Popper/3:34
3. That Sign on the Door/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/7:57
4. Alone/Edwin McCain;Oteil Burbridge;Jimmy Herring;John Popper;Danny Barnes/12:23
5. Broken Heart and Auto Parts/Drivin' 'n Cryin'/4:57
6. Fly Me Courageous/Drivin' 'n Cryin';Audley Freed/6:09
7. Straight to Hell/Drivin' 'n Cryin';Audley Freed;Edwin McCain/6:56
8. Carolina Blues/Blues Traveler/6:10
9. Slow Change/Blues Traveler/7:25
0. Mountains Win Again/Blues Traveler;Warren Haynes/6:05
1. NY Prophesie/Blues Traveler/6:37
DISC TWO
1. Loose Lucy/Phil Lesh and Friends/16:08
2. Tennessee Jed/Phil Lesh and Friends/10:01
3. Night of A Thousand Stars/Phil Lesh and Friends/7:33
4. Blind Man in the Dark/Gov't Mule;Rob Barraco;Dave Schools/7:29
5. Sco-Mule/Gov't Mule;Oteil Burbridge;Rob Barraco/8:24
6. Almost Cut My Hair/Gov't Mule;Rob Barraco;Dave Schools;Robert Randolph/8:34
7. Masters of War > Rockin' in the Free World/Gov't Mule;Rob Barraco;Dave Schools;Kevin Kinney;Audley Freed/8:27
REVIEW
by Hal Horowitz
It's unclear why Volume 3 of Warren Haynes' annual Christmas show (recorded December 2001), took three additional years for an official CD release after Vols. 1 & 2 (from 1999 and 2000 performances) were made available in 2007. Regardless, this edition, finally available commercially in 2010, follows the same basic template as the gigs and the previous two discs: it's a double package that begins unplugged and builds up steam culminating in a final all-star collective that closes the second platter. Haynes is never far from the festivities, adding his licks and/or gruff voice to the sets of Blues Traveler, Phil Lesh & Friends, and of course Gov't Mule. Alvin Youngblood Hart kicks things off with traditional Delta blues, Edwin McCain appears next and is joined by guitarist Jimmy Herring and others. That's followed by Drivin' N Cryin' who charge into their two biggest tunes, and Blues Traveler, whose frantic four-song, 25-minute performance, featuring Popper's jittery more-notes-per-second harp solos, end the first disc. Disc two is dedicated to the Grateful Dead's Lesh, whose band Haynes toured with that year, along with Gov't Mule and a closing all-in blowout on Neil Young's "Rockin' in the Free World," the only subtle acknowledgment to the September 11 events that occurred just a few months before. The jam factor is high throughout, a mixed blessing on what seems to be an interminable 12-minute acoustic version of McCain's "Alone" that feels nearly twice as long, as well as some of the BT material. That's to be expected of Lesh and his group, though, whose contributions make up approximately a half-hour on disc 2. Haynes' work, both vocally and on guitar, energizes and often focuses what can be meandering Dead-styled material. Gov't Mule is no stranger to improvisation either, albeit in a harder style, as they grind out spirited, gutsy, extended versions of their own "Blind Man in the Dark," "Sco-Mule," and a rollicking cover of David Crosby's "Almost Cut My Hair," the latter featuring sacred steel whiz Robert Randolph and Widespread Panic's Dave Schools. Any fan of Haynes and his diverse musical associations will find lots to like here, and since the proceeds benefit Habitat for Humanity, others can feel good cherrypicking from over two hours of energetic, passionate music, all recorded live on a single night with no overdubs.
BIOGRAPHY
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960, and he developed a taste for soul and R&B at an early age from older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson, while young Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard as their guitarist. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
3675 - WARREN HAYNES Presents The Benefit Concert Volume 2, Disc Two
DOWNLOAD
WARREN HAYNES
''WARREN HAYNES PRESENTS THE BENEFIT CONCERT VOLUME 2, DISC TWO''
MAY 6 2003
147:33
DISC ONE
1/I'll Be the One - Warren Haynes/5:11
2/In My Life - Warren Haynes, Matt Abts/4:55
3/Badness - Chris Duarte Group/4:17
4/Who Knows - Chris Duarte Group, Mike Barnes/9:27
5/Nancy Sinatra - Bottle Rockets/2:56
6/Stuck in a Rut - Bottle Rockets/4:14
7/Elevator to the Moon - Aquarium Rescue Unit/10:50
8/Fixin' to Die - Aquarium Rescue Unit/4:32
9/Time Is Free/Jack the Rabbit - Aquarium Rescue Unit, John Popper/17:28
10/Goin' out West - Gov't Mule, Dave Schools - 7:39
11/Mountains Win Again - Gov't Mule, Dave Schools, John Popper/7:38
DISC TWO
1/Alone - John Popper, Warren Haynes/12:42
2/Scarred But Smarter - Kevn Kinney, John Popper/5:11
3/A Good Country Mile - Kevin Kinny, Tramp/5:24
4/Solitude - Edwin McCain, Warren Haynes/7:03
5/I Shall Be Released - Warren Haynes, Kevn Kinney, Edwin McCain/7:14
6/Come & Go Blues - Gregg Allman, Warren Hayes/5:22
7/Ain't Wastin' Time No More - Allman Brothers Band/5:30
8/Born Under a Bad Sign - Allman Brothers Band, Floyd Miles/6:23
9/Soulshine - Allman Brothers Band, Dan Matrazzo/6:54
10/Statesboro Blues - Allman Brothers Band, John Popper/6:43
REVIEW
by Thom Jurek
Y'all know what you're gonna get here, right? Yep. Recorded at the Thomas Wolfe Auditorium in Asheville, NC back on December 21, 2000, it's Warren Haynes and his pals from the strange to the legendary and everywhere in between. This Benefit Concert, Vol. 2 is a double disc that features Haynes playing solo acoustic, and with two of his own bands -- the Allman Brothers and Gov't Mule -- as well as John Popper, Kevn Kinney, the Bottle Rockets, Edwin McCain, Chris Duarte, Col. Bruce Hampton & the Aquarium Rescue Unit, and cats like Audley Freed, Dr. Dan Matrazzo, and Dave Schools pitching in wherever needed. Haynes is a dynamite performer even when playing acoustic. When he's playing with anybody else he's simply a monster of a musician. For those who dig the jam band scene, this set and its first companion volume are among the hardcore treasures. The performances are all dynamite: check the Allmans playing "Born Under a Bad Sign," and Gregg Allman with Haynes on "Come and Go Blues," or Haynes, Kinney, Popper and McCain playing Bob Dylan's "I Shall Be Released," just for starters. There's some ebb and flow here, too: Duarte's and Hampton's performances are over the top, and the Bottle Rockets are just plain crazy (and delightful). The sound is pristine, without losing any of the grit and grease of the moment.
BIOGRAPHY
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960, and he developed a taste for soul and R&B at an early age from older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson, while young Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard as their guitarist. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.
''WARREN HAYNES PRESENTS THE BENEFIT CONCERT VOLUME 2, DISC TWO''
MAY 6 2003
147:33
DISC ONE
1/I'll Be the One - Warren Haynes/5:11
2/In My Life - Warren Haynes, Matt Abts/4:55
3/Badness - Chris Duarte Group/4:17
4/Who Knows - Chris Duarte Group, Mike Barnes/9:27
5/Nancy Sinatra - Bottle Rockets/2:56
6/Stuck in a Rut - Bottle Rockets/4:14
7/Elevator to the Moon - Aquarium Rescue Unit/10:50
8/Fixin' to Die - Aquarium Rescue Unit/4:32
9/Time Is Free/Jack the Rabbit - Aquarium Rescue Unit, John Popper/17:28
10/Goin' out West - Gov't Mule, Dave Schools - 7:39
11/Mountains Win Again - Gov't Mule, Dave Schools, John Popper/7:38
DISC TWO
1/Alone - John Popper, Warren Haynes/12:42
2/Scarred But Smarter - Kevn Kinney, John Popper/5:11
3/A Good Country Mile - Kevin Kinny, Tramp/5:24
4/Solitude - Edwin McCain, Warren Haynes/7:03
5/I Shall Be Released - Warren Haynes, Kevn Kinney, Edwin McCain/7:14
6/Come & Go Blues - Gregg Allman, Warren Hayes/5:22
7/Ain't Wastin' Time No More - Allman Brothers Band/5:30
8/Born Under a Bad Sign - Allman Brothers Band, Floyd Miles/6:23
9/Soulshine - Allman Brothers Band, Dan Matrazzo/6:54
10/Statesboro Blues - Allman Brothers Band, John Popper/6:43
REVIEW
by Thom Jurek
Y'all know what you're gonna get here, right? Yep. Recorded at the Thomas Wolfe Auditorium in Asheville, NC back on December 21, 2000, it's Warren Haynes and his pals from the strange to the legendary and everywhere in between. This Benefit Concert, Vol. 2 is a double disc that features Haynes playing solo acoustic, and with two of his own bands -- the Allman Brothers and Gov't Mule -- as well as John Popper, Kevn Kinney, the Bottle Rockets, Edwin McCain, Chris Duarte, Col. Bruce Hampton & the Aquarium Rescue Unit, and cats like Audley Freed, Dr. Dan Matrazzo, and Dave Schools pitching in wherever needed. Haynes is a dynamite performer even when playing acoustic. When he's playing with anybody else he's simply a monster of a musician. For those who dig the jam band scene, this set and its first companion volume are among the hardcore treasures. The performances are all dynamite: check the Allmans playing "Born Under a Bad Sign," and Gregg Allman with Haynes on "Come and Go Blues," or Haynes, Kinney, Popper and McCain playing Bob Dylan's "I Shall Be Released," just for starters. There's some ebb and flow here, too: Duarte's and Hampton's performances are over the top, and the Bottle Rockets are just plain crazy (and delightful). The sound is pristine, without losing any of the grit and grease of the moment.
BIOGRAPHY
by Mark Deming
Warren Haynes is a generation-spanning guitar hero; he wasn't out of grade school when some of his best-known collaborators were at the peak of their fame, but he's earned a powerful reputation for his fiery guitar work, steeped in blues and Southern rock traditions, and has distinguished himself as a songwriter, bandleader, and solo artist as well as a gifted sideman. Haynes was born in Asheville, North Carolina on April 9, 1960, and he developed a taste for soul and R&B at an early age from older brothers who listened to Otis Redding, Wilson Pickett, and Smokey Robinson, while young Warren would spend hours singing along with their records. When he was 12, Haynes got his first guitar, and by 14 he was playing parties and sitting in with the house band at a local pizza parlor. Haynes became a serious Eric Clapton fan, and studying his work led him deeper into the classic blues sounds that influenced the British guitar hero.
In his late teens, after short stays in a number of local bands, Haynes landed a gig with a group called Ricochet, and began playing North Carolina clubs on a regular basis. One evening, Mickey Hayes, who played bass for outlaw country star David Allan Coe, caught Ricochet and was impressed with the band's lead guitarist, and when Coe's guitarist dropped out of the group shortly afterwards, Hayes recommended Haynes for the gig. Haynes played with Coe from 1980 to 1984, touring frequently and appearing on three of Coe's albums, before Haynes moved on to a band of his own, Rich Hippies, with Hayes on bass.
After a short spell with blues journeymen the Nighthawks, in 1988 Haynes was invited to join the band of former Allman Brothers guitarist Dickey Betts, who had met Haynes through their mutual friend Coe; Haynes appeared on Betts' album Pattern Disruptive. In 1989, Betts and Gregg Allman re-formed the Allman Brothers Band, and Haynes was brought aboard as their guitarist. Haynes spent eight years touring and recording with the Allman Brothers, and in 1991 formed the first edition of the Warren Haynes Band to play gigs during his time off from the Allmans; in 1993 Haynes also cut his first solo album, Tales of Ordinary Madness, which was produced by Chuck Leavell. Haynes had also been working on his songwriting, which brought him a solid payday in 1990 when Garth Brooks had a hit single with a tune Haynes co-wrote, "Two of a Kind, Working on a Full House."
In 1994, Haynes broke up the Warren Haynes Band and formed Gov't Mule, a power trio featuring Allman Brothers bassist Allen Woody and drummer Matt Abts; they released their self-titled debut album in 1995. In 1997, Haynes left the Allman Brothers to make Gov't Mule his first priority, but the trio was sidelined in 2000 by the death of Allen Woody, and Haynes soon rejoined the Allman Brothers Band. For a while, Haynes and Abts kept Gov't Mule going as a two-piece, playing acoustic shows in duo format and recording a pair of albums, 2001's The Deep End, Vol. 1 and 2002's The Deep End, Vol. 2, in which a variety of well-known bassists and guest artists sat in with Haynes and Abts. In 2003, Gov't Mule once again had a steady lineup as bassist Andy Hess and keyboardist Danny Louis joined the group.
Meanwhile, in between dates with the Allmans and Gov't Mule, Haynes had been playing with Grateful Dead bassist Phil Lesh in his solo group Phil Lesh & Friends, and in 2004, when the surviving members of the Grateful Dead began touring as the Dead, Haynes was recruited to play guitar on their first road trip; he was brought back for the Dead's 2009 tour. Haynes also re-formed the Warren Haynes Band for various one-off shows, and Gov't Mule continued on with bassist Jorgen Carlsson after Andy Hess left the band. During his downtime from the Allman Brothers and Gov't Mule, Haynes kept busy playing on-stage and in the studio with a remarkable variety of artists, from Blues Traveler and Dave Matthews to Son Seals and John Mayall (and even guesting on a Corrosion of Conformity session). In 2011, Haynes looked back at his roots in Southern soul with his album Man in Motion, recorded for the reactivated Stax label and featuring accompaniment from Ian McLagan, Ivan Neville, and George Porter, Jr. This was followed by a triple-disc (two-CD-plus-DVD) Live at the Moody Theater in 2012.