5457 - SHAMARR ALLEN AND THE UNDERDAWGS - 504-799-8147 (2011)

SHAMARR ALLEN AND THE UNDERDAWGS
''504-799-8147''
JULY 4 2011
55:13

1. Typical Rock Star /4:23
2. Whatever You Wanna Do /3:18
3. Mr. Old Man /4:21
4. Friend Zone /4:13
5. Think Like You /3:45
6. P.A.N. (Party All Night) (feat. Dee-1 & Jarrel Allen) /3:51
7. You're My Doctor (feat. Khalid Allen) /4:03
8. Leaky Faucet /4:08
9. I Am Your Problem /3:14
10. Uh Huh! (Universal Answer) /4:16
11. One Night Stand (feat. Alania) /3:45
12. Bad Luck /3:58
13. Dangerous Love Affair (feat. E.L. Phage) /4:15
14. Out The Window /3:43

William Terry/Bass
Floyd Gray/Drums
Matt Clark/Guitar, Backing Vocals
Jason Butler/Keyboards
Herbert Stevens/Percussions, Backing Vocals
Shamarr Allen/Vocal, Trumpet/Guitar Amped Trumpet, Trombone

BIO
Music has been a part of Shamarr Allen’s life for as long as he can recall. A musical prodigy, people have forever recognized his extraordinary talents as a musician. Shamarr’s countless career accomplishments are highlighted by performances with artists Patti LaBelle, Lenny Kravitz, Harry Connick Jr., Branford Marsalis, and a multi-city tour and studio recordings with country legend Willie Nelson, Ray Price, Leon Russell, and R.E.M.. His personal compositions include music for the New Orleans Saints, “Bring Em To The Dome,” the ecologically conscious oil spill record, “Sorry Ain’t Enough No More.”
Amazing Achievements
In 2011, he with his band the Underdawgs, were invited to tour Kazakhstan and Kyrgyzstan as cultural ambassadors for the United States State Department. Again in 2012, the Underdawgs were again invited by the State Department to tour Central Asia this time touring Kazakhstan and Turkmenistan. Also in 2012, Shamarr was featured on the New Orleans Jazz & Heritage Festivals’ Congo Square poster (seen to the right). In 2013, the band was honored to be invited to perform at The John F. Kennedy Center for the Performing Arts, the national center for the performing arts in Washington, DC. With all of those amazing achievements, Shamarr claims one of his favorite moments as being the first trumpet player to play the National Anthem for President Barack Obama. Ultimately, he played for the President twice, the second time with multi-platinum artist, Harry Connick Jr. at the White House.

Latest Album
His new album, 504-799-8147, showcases immense musical diversity. Combining elements of hip hop, rock, soul, and pop it delivers a powerful wallop of fun, good music, and genre bending blends of his original sound, hip-rock. Filled with new classics, Typical Rock Star, pronounces that you will not catch Shamarr in skinny jeans, eye liner or any of the trappings of predictable rockers. A new version of Party All Night is sure to delight new and old fans, while Whatever You Wanna Do is an alternative rock sounding number with an astonishing guitar-amped trumpet solo. Shamarr has always done “his own thing,” which is only one4 of the many reasons his album contains no cover songs and only original material. “I’m just going to keep doing my own music, I believe that creating new music is just as important is live improvisation.” As Shamarr Allen’s star keeps rising, it is evident that everything he sets to do will be just like his music: unique and unforgettable.
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5456 - SHAMARR ALLEN AND THE UNDERDAWGS - Box Who In? (2009)

SHAMMAR ALLEN AND THE UNDERDAWGS
''BOX WHO IN?''
MAY 15 2009
64:48

1. Intro /0:30
2. Can You Feel It /5:37
3. Crazy /5:26
4. Bad Habit /4:05
5. Night in Tunisia (Feat. Soul Rebels) /6:10
6. Outta Control /5:00
7. The World Is a Ghetto /6:48
8. Drunk Too Much /3:45
9. Spread My Wings (Feat. Yolonda Windsay) /3:29
10. Roc Da Mic (Feat. Stanton Moore) /4:01
11. Live 4 the Moment /4:08
12. Party All Night /3:23
13. Only in America (Feat. Dee-1) /4:00
14. We'll Figure It Out /4:29
15. Ima Holla Back (Feat. the School Boys) (Bonus Track) /4:02

William Terry/Bass
Floyd Gray/Drums
Matt Clark/Guitar, Backing Vocals
Jason Butler/Keyboards
Herbert Stevens/Percussions, Backing Vocals
Shamarr Allen/Vocal, Trumpet/Guitar Amped Trumpet, Trombone

BIO
Music has been a part of Shamarr Allen’s life for as long as he can recall. A musical prodigy, people have forever recognized his extraordinary talents as a musician. Shamarr’s countless career accomplishments are highlighted by performances with artists Patti LaBelle, Lenny Kravitz, Harry Connick Jr., Branford Marsalis, and a multi-city tour and studio recordings with country legend Willie Nelson, Ray Price, Leon Russell, and R.E.M.. His personal compositions include music for the New Orleans Saints, “Bring Em To The Dome,” the ecologically conscious oil spill record, “Sorry Ain’t Enough No More.”

Amazing Achievements
In 2011, he with his band the Underdawgs, were invited to tour Kazakhstan and Kyrgyzstan as cultural ambassadors for the United States State Department. Again in 2012, the Underdawgs were again invited by the State Department to tour Central Asia this time touring Kazakhstan and Turkmenistan. Also in 2012, Shamarr was featured on the New Orleans Jazz & Heritage Festivals’ Congo Square poster (seen to the right). In 2013, the band was honored to be invited to perform at The John F. Kennedy Center for the Performing Arts, the national center for the performing arts in Washington, DC. With all of those amazing achievements, Shamarr claims one of his favorite moments as being the first trumpet player to play the National Anthem for President Barack Obama. Ultimately, he played for the President twice, the second time with multi-platinum artist, Harry Connick Jr. at the White House.
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5455 - SHAMARR ALLEN - Meet Me On Frenchmen Street (2007)

SHAMARR ALLEN
''MEET ME ON FRENCHMEN STREET''
2007
57:55

1. Meet Me On Frenchmen Street (Feat. Kermit Ruffins)/5:26
2. St. James Infirmary/5:53
3. When You're Smiling (Feat. Arlee Leonard & Dr. Michael White)/5:03
4. Yes Suh!/3:22
5. Blues for Chester (Feat. Irvin Mayfield)/6:02
6. Milenburg Joy/5:41
7. It's Only a Paper Moon (Feat. Bob French)/5:23
8. Do You Know What It Means to Miss New Orleans (Feat. Bob French)/4:51
9. Saints Medley/6:01
10. Party All Night (Bonus Track)/3:23
11. The World Is a Ghetto (Bonus Track)/6:50

Shamarr Allen/Trumpet, Vocals
Bob French/Drums
Irvin Mayfield/Trumpet
David Pulphus/Bass
Thadeus Richard/Piano
Herlin Riley/Drums
Kermit Ruffins/Vocals
Paul Edward Sanchez/Vocals
Ellen Smith/Vocals
Herbert Stevens/Percussion
Stephen Walker/Trombone

BIO
Music has been a part of Shamarr Allen’s life for as long as he can recall. A musical prodigy, people have forever recognized his extraordinary talents as a musician. Shamarr’s countless career accomplishments are highlighted by performances with artists Patti LaBelle, Lenny Kravitz, Harry Connick Jr., Branford Marsalis, and a multi-city tour and studio recordings with country legend Willie Nelson, Ray Price, Leon Russell, and R.E.M.. His personal compositions include music for the New Orleans Saints, “Bring Em To The Dome,” the ecologically conscious oil spill record, “Sorry Ain’t Enough No More.”
Amazing Achievements
In 2011, he with his band the Underdawgs, were invited to tour Kazakhstan and Kyrgyzstan as cultural ambassadors for the United States State Department. Again in 2012, the Underdawgs were again invited by the State Department to tour Central Asia this time touring Kazakhstan and Turkmenistan. Also in 2012, Shamarr was featured on the New Orleans Jazz & Heritage Festivals’ Congo Square poster (seen to the right). In 2013, the band was honored to be invited to perform at The John F. Kennedy Center for the Performing Arts, the national center for the performing arts in Washington, DC. With all of those amazing achievements, Shamarr claims one of his favorite moments as being the first trumpet player to play the National Anthem for President Barack Obama. Ultimately, he played for the President twice, the second time with multi-platinum artist, Harry Connick Jr. at the White House.

ALBUM NOTES
BY CDBABY
Shamarr Allen was born and raised in the birthplace of Jazz -- New Orleans, Louisiana --and became immersed in music at the early age of 7. With the spirit and demeanor of Louis Armstrong, Shamarr has put his own unique spin on the interpretation of the music. Like Armstrong, his concern for people and pleasing an audience always comes first. He has also mastered the art of fusing traditional with contemporary jazz and funk.

Shamarr’s father, a saxophonist by hobby became his first music teacher. As a teenager he attended the Louis “Satchmo” Armstrong Summer Jazz Camp where he studied under the tutelage of Jazz educators Edward “Kidd” Jordan, Clyde Kerr Jr., Herlin Riley and the late Alvin Batiste. At age 13, Shamarr was invited to play with the Pittsburg University Orchestra and at 16 appeared at Carnegie Hall with the Mahogany Brass Band.

Shamarr began his professional career as a street musician in the French Quarter playing with Tuba Fats. His artistry was also greatly influenced by his elementary and private music instructor Yvette Best, then, flautist for the North Dakota Philharmonic and by his mentors Leroy Jones, Joe Torregano, Bob French and Tim Green - some of New Orleans’ most noted Jazz musicians. Shamarr credits them with greatly impacting what he does today. Playing with street musicians for tourists led to his involvement with New Orleans brass bands -- the Hot 8 Brass Band, Rebirth Brass Band, Lil’ Rascals, Treme and others.

Expanding his horizons, Shamarr now plays a variety of music styles. He presently leads a traditional Jazz band in addition to his own Funk/Rock group, The Underdawgs. He has written and produced Hip Hop tracks, traditional Jazz and rock tunes. He has shared the bandstand with music greats like Branford Marsalis, Harry Connick Jr., Dr. Michael White, Henry Butler, Bob French, Leo Nocentelli, George Porter, Ivan Neville, Tim Green and Marcia Ball to name a few and has performed in many festivals and concerts around the world.

Shamarr has played with many of New Orleans most prominent musicians and bands and has been featured on several recordings. He also released his debut solo CD in October titled "Meet Me on Frenchmen Street.” When asked about this album, Bob French, one of the elder statesmen of the New Orleans Jazz community, says of the album: “I think everybody that likes music and everybody who loves Jazz should have this album as their personal best in their collection. The young man is the new coming of his era. When you talk about people like Pops and all the great players, he's a great player. Besides that, he's smart enough to get some of the best musicians in the city of New Orleans to record with him.”

Along with a busy performance schedule, Shamarr currently runs a weekly clinic at Sound Café in New Orleans where he teaches music to middle and high school Jazz enthusiasts. As a result of his new desire to pass his knowledge on to others, the city of New Orleans honored Shamarr in 2007 for his work as a teacher and role model.
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5151 - SHAMARR ALLEN PAUL SANCHEZ - Bridging The Gap (2010)

SHAMMAR ALLEN PAUL SANCHEZ
''BRIDGING THE GAP''
APRIL 30 2010
32:12

1/Father and Son/4:15
2/I'm Good How 'Bout You/2:53
3/Heartless/3:29
4/Instant Karma/3:28
5/So Much to Learn/3:25
6/Still Is Still Moving/2:54
7/Love Is Blind/4:10
8/Meet Me on Frenchmen Street/3:10
9/Hurricane Party for a New New Orleans/2:36
10/Laugh While You're Dying/1:51

Album Notes
By CDBaby
New Orleans natives Paul Sanchez and Shamarr Allen have both made names for themselves as multi-talented, charismatic musicians, both locally and nationally. Paul continues to wow audiences with his singing, songwriting and storytelling, playing either solo, with John Boutte, or with Paul Sanchez and the Rolling Road Show. In addition to his solo efforts and playing with his band the Underdawgs, Shamarr and his trumpet added national tours with Galactic and Willie Nelson among others to his resume this year.
Bridging the Gap is based on Paul’s choice of songs from his generation of rock music for Shamarr and vice versa. Shamarr recorded a version of John Lennon’s Instant Karma and Paul’s first challenge was Kayne West’s Heartless.
This latest collaboration hopes to continue the spirit of community of New Orleans music now growing on Threadhead Records. Its goal is to explore the cultural and generational gaps to do what music does best, communicate and connect.
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