PETE BROWN & PHIL RYAN
''ROAD TO COBRAS''
2010
74:53
1/Flag A Ride
Pete Brown / Phil Ryan/4:19
2/Living on the Edge
Pete Brown / Phil Ryan/4:54
3/Between us
Pete Brown / Phil Ryan/4:28
4/Klip-On Weirdness Kit
Pete Brown / Phil Ryan/4:20
5/The Ballad of Psucho and Delia
Pete Brown / Phil Ryan/6:18
6/Tell Me
Pete Brown / Phil Ryan/4:49
7/Men Only
Pete Brown / Phil Ryan/5:07
8/13th Floor
Pete Brown / Phil Ryan/5:40
9/Scroll On
Pete Brown / Phil Ryan/7:10
10/When Love Has Wings
Pete Brown / Phil Ryan/4:28
11/Moving Target
Pete Brown / Phil Ryan/5:38
12/Didi
Pete Brown / Phil Ryan/4:49
13/Sneaky Spot Trading Man
Pete Brown / Phil Ryan/6:25
14/Couldn't We Try Again?
Pete Brown / Phil Ryan/6:28
Rietta Austin /Vocals (Background)
Maggie Bell /Vocals
Arthur Brown /Vocals
Laurie Brown /Trumpet
Pete Brown /Percussion, Producer, Vocal Arrangement, Vocals
Clem Clempson /Guitar (Rhythm)
Lee Goodall /Flute, Saxophone
David Hadley /Bass
Helen Hardy /Vocals (Background)
Bob Jenkins /Drums
John McKenzie /Bass
Jim Mullen /Guitar
Mo Nazam /Guitar
Phil Ryan /Horn Arrangements, Keyboards, Producer, Vocal Arrangement
Mick Taylor /Guitar
Art Themen /Saxophone
Annie Whitehead /Trombone
BIOGRAPHY
by Andy Kellman
One of the key eccentrics of the Harvest stable and a successful collaborative lyricist for Cream ("I Feel Free," "Sunshine of Your Love"), poet/percussionist/vocalist/trumpet player Pete Brown was one of the many artists to arise from the British beat movement in the mid- to late '60s. Like a lot of his peers, Brown's spin on progressive rock came from backgrounds in folk, jazz, and blues.
Brown was kicking around the scene as a poet until being approached by Cream to assist in songwriting. Upon achieving chart success with the trio, Brown decided to go the musician route. Graham Bond asked Brown to help out with some songs for the Graham Bond Organisation, and he was eventually invited to sing with the group on-stage. Once they broke up, Brown helped form the Battered Ornaments, hoping to work with musicians whose skills didn't dwarf his own. The group fell in with Harvest, the progressive subsidiary of EMI that housed the likes of Syd Barrett, Deep Purple, and Roy Harper. The Battered Ornaments' only record with Brown, A Meal You Can Shake Hands With in the Dark, was released in 1969.
The Battered Ornaments booted Brown from the band on the night prior to a supporting gig for the Rolling Stones at Hyde Park; his vocals on the recording of the group's second record were eventually wiped off. The sacked singer immediately set about forming Piblokto!, a group that, for 1970's Things May Come and Things May Go But the Art School Dance Goes on Forever, comprised bassist Roger Bunn, guitarist Jim Mullen, organist Dave Thompson, and Battered Ornaments drummer Rob Tait. Bunn was replaced by Steve Glover for Thousands on a Raft, which was released six months after the debut. Another shake up in the lineup predated the final Piblokto! release, the single "Flying Hero Sandwich."
Brown teamed up again with Graham Bond for 1972's one-off Two Heads Are Better Than One, which featured contributions from several of Brown's former bandmates. With keyboardist Ian Lynn, who played on Thousands on a Raft, he formed Back to the Front, a group that performed but never recorded in their original form. The group lasted until 1977; Brown faded away from music, at least in a performance sense, until 1983's Party in the Rain, which featured most of Back to the Front behind him.
The '90s saw Brown working again with Phil Ryan, a keyboardist who played with Man, the Eyes of Blue, and the final lineup of Piblokto! They made two records together, Ardours of the Lost Rake and Coals to Jerusalem. Toward the end of the decade, he formed the Interoceters, a group that performed songs from his lengthy career. Brown has also maintained a working relationship with Jack Bruce and has participated in the making of several records by other artists.
DoWnLoAd
''ROAD TO COBRAS''
2010
74:53
1/Flag A Ride
Pete Brown / Phil Ryan/4:19
2/Living on the Edge
Pete Brown / Phil Ryan/4:54
3/Between us
Pete Brown / Phil Ryan/4:28
4/Klip-On Weirdness Kit
Pete Brown / Phil Ryan/4:20
5/The Ballad of Psucho and Delia
Pete Brown / Phil Ryan/6:18
6/Tell Me
Pete Brown / Phil Ryan/4:49
7/Men Only
Pete Brown / Phil Ryan/5:07
8/13th Floor
Pete Brown / Phil Ryan/5:40
9/Scroll On
Pete Brown / Phil Ryan/7:10
10/When Love Has Wings
Pete Brown / Phil Ryan/4:28
11/Moving Target
Pete Brown / Phil Ryan/5:38
12/Didi
Pete Brown / Phil Ryan/4:49
13/Sneaky Spot Trading Man
Pete Brown / Phil Ryan/6:25
14/Couldn't We Try Again?
Pete Brown / Phil Ryan/6:28
Rietta Austin /Vocals (Background)
Maggie Bell /Vocals
Arthur Brown /Vocals
Laurie Brown /Trumpet
Pete Brown /Percussion, Producer, Vocal Arrangement, Vocals
Clem Clempson /Guitar (Rhythm)
Lee Goodall /Flute, Saxophone
David Hadley /Bass
Helen Hardy /Vocals (Background)
Bob Jenkins /Drums
John McKenzie /Bass
Jim Mullen /Guitar
Mo Nazam /Guitar
Phil Ryan /Horn Arrangements, Keyboards, Producer, Vocal Arrangement
Mick Taylor /Guitar
Art Themen /Saxophone
Annie Whitehead /Trombone
BIOGRAPHY
by Andy Kellman
One of the key eccentrics of the Harvest stable and a successful collaborative lyricist for Cream ("I Feel Free," "Sunshine of Your Love"), poet/percussionist/vocalist/trumpet player Pete Brown was one of the many artists to arise from the British beat movement in the mid- to late '60s. Like a lot of his peers, Brown's spin on progressive rock came from backgrounds in folk, jazz, and blues.
Brown was kicking around the scene as a poet until being approached by Cream to assist in songwriting. Upon achieving chart success with the trio, Brown decided to go the musician route. Graham Bond asked Brown to help out with some songs for the Graham Bond Organisation, and he was eventually invited to sing with the group on-stage. Once they broke up, Brown helped form the Battered Ornaments, hoping to work with musicians whose skills didn't dwarf his own. The group fell in with Harvest, the progressive subsidiary of EMI that housed the likes of Syd Barrett, Deep Purple, and Roy Harper. The Battered Ornaments' only record with Brown, A Meal You Can Shake Hands With in the Dark, was released in 1969.
The Battered Ornaments booted Brown from the band on the night prior to a supporting gig for the Rolling Stones at Hyde Park; his vocals on the recording of the group's second record were eventually wiped off. The sacked singer immediately set about forming Piblokto!, a group that, for 1970's Things May Come and Things May Go But the Art School Dance Goes on Forever, comprised bassist Roger Bunn, guitarist Jim Mullen, organist Dave Thompson, and Battered Ornaments drummer Rob Tait. Bunn was replaced by Steve Glover for Thousands on a Raft, which was released six months after the debut. Another shake up in the lineup predated the final Piblokto! release, the single "Flying Hero Sandwich."
Brown teamed up again with Graham Bond for 1972's one-off Two Heads Are Better Than One, which featured contributions from several of Brown's former bandmates. With keyboardist Ian Lynn, who played on Thousands on a Raft, he formed Back to the Front, a group that performed but never recorded in their original form. The group lasted until 1977; Brown faded away from music, at least in a performance sense, until 1983's Party in the Rain, which featured most of Back to the Front behind him.
The '90s saw Brown working again with Phil Ryan, a keyboardist who played with Man, the Eyes of Blue, and the final lineup of Piblokto! They made two records together, Ardours of the Lost Rake and Coals to Jerusalem. Toward the end of the decade, he formed the Interoceters, a group that performed songs from his lengthy career. Brown has also maintained a working relationship with Jack Bruce and has participated in the making of several records by other artists.
DoWnLoAd