GRAHAME BOND
''SOLID BOND''
MAY 1970
65:56
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1 Green Onions 05:17 (Steve Cropper, Booker T. Jones, Al Jackson Jr., Lewis Steinberg)
2 Springtime In The City 03:15
3 Can't Stand It 05:09
4 Only Sixteen 05:05
5 Last Night 03:41 (The Mar-Keys)
6 Long Legged Baby 03:14
7 Walkin' In The Park 03:06
8 It's Not Goodbye 05:00
9 Neighbour Neighbour 03:16
10 Ho Ho Country Kicking Blues 07:57 (Jack Bruce)
11 The Grass Is Greener 09:33 (Graham Bond, John McLaughlin)
12 Doxy 11:18 (Sonny Rollins)
Tracks By Graham Bond, Except As Indicated
Tracks 1 To 9 - The Graham Bond Organization - Recorded At Olympic Sound Studios, 1966 (Stereo)
Tracks 10 To 12 - The Graham Bond Quartet - Recorded Live At Klook's Kleek, June 1963 (Mono)
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Ginger Baker/Drums On 10, 11, 12
Graham Bond/Keyboards, Organ, Saxophone, Vocals
Jack Bruce/Bass Guitar On 10, 11, 12
Dick Heckstall-Smith/Alto Saxophone, Soprano Saxophone On 1 To 9
Jon Hiseman/Drums On 1 To 9
John McLaughlin/Guitar On 10, 11, 12
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REVIEW/AMG
Richie Unterberger
This rather odd double LP is a patchy, yet good assortment of '60s material that Bond did not put out during that decade, and which remains unavailable on any other release. Nine of the 12 tracks date from 1966, with Bond accompanied by Dick Heckstall-Smith on sax and Jon Hiseman on drums (Jack Bruce and Ginger Baker had by this time left to join Cream). Most of those nine songs are not on the two proper albums he issued in the '60s (The Sound of '65 and There's a Bond Between Us), and though a few did appear on those albums and non-LP singles, these recordings are different versions. While not up to the level of the best cuts waxed by the Bruce/Baker lineup, these Hiseman/Heckstall-Smith-backed numbers are still solid jazzy R&B with that aura of faint menace unique to Bond's mid-'60s work. His singing is particularly effective in its drawn-out anguish on "It's Not Goodbye" and "Springtime in the City" has those uneasy descending chord progressions and creepy R&B black-mass organ that were Bond specialties. "Neighbour Neighbour" and "Walkin' in the Park" aren't as good as the versions he did with Bond and Baker on the first two Graham Bond Organization LPs, but they're different enough to merit hearing. The three remaining songs were done in 1963 with Bruce, Baker, Heckstall-Smith, and John McLaughlin, and are long, straight jazz pieces that are much different in nature. Historically they're interesting, particularly in their documentation of the period in which McLaughlin (who solos well, though his free jazz style was a long way off in coming) was in the band. However, Bond's outfit became much more distinguished as an R&B group than they were as an average jazz one, making the 1963 material more of a curiosity than a highlight of his discography.
**********
BIOGRAPHY/AMG
Richie Unterberger
An important, underappreciated figure of early British R&B, Graham Bond is known in the U.S., if at all, for heading the group that Jack Bruce and Ginger Baker played in before they joined Cream. Originally an alto sax jazz player -- in fact, he was voted Britain's New Jazz Star in 1961 -- he met Bruce and Baker in 1962 after joining Alexis Koerner's Blues Incorporated, the finishing school for numerous British rock and blues musicians. By the time he, Bruce, and Baker split to form their own band in 1963, Bond was mostly playing the Hammond organ, as well as handling the lion's share of the vocals. John McLaughlin was a member of the Graham Bond Organization in the early days for a few months, and some live material that he recorded with the group was eventually issued after most of their members had achieved stardom in other contexts. Saxophonist Dick Heckstall-Smith completed Bond's most stable lineup, who cut a couple of decent albums and a few singles in the mid-'60s.
In their prime, the Graham Bond Organization played rhythm & blues with a strong jazzy flavor, emphasizing Bond's demonic organ and gruff vocals. The band arguably would have been better served to feature Bruce as their lead singer -- he is featured surprisingly rarely on their recordings. Nevertheless, their best records were admirably tough British R&B/rock/jazzsoul, and though Bond has sometimes been labeled as a pioneer of jazz-rock, in reality it was much closer to rock than jazz. The band performed imaginative covers and fairly strong original material, and Bond was also perhaps the very first rock musician to record with the Mellotron synthesizer. Hit singles, though, were necessary for British bands to thrive in the mid-'60s, and Bond's group began to fall apart in 1966, when Bruce and Baker joined forces with Eric Clapton to form Cream. Bond attempted to carry on with the Organization for a while with Heckstall-Smith and drummer Jon Hiseman, both of whom went on to John Mayall's Bluesbreakers and Colosseum.
Bond never recaptured the heights of his work with the Organization. In the late '60s he moved to the U.S., recording albums with musicians including Harvey Brooks, Harvey Mandel, and Hal Blaine. Moving back to Britain, he worked with Ginger Baker's Airforce, the Jack Bruce Band, and Cream lyricist Pete Brown, as well as forming the band Holy Magick, who recorded a couple albums. Bond's demise was more tragic than most: he developed serious drug and alcohol problems and an obsession with the occult, and it has even been posthumously speculated (in the British Bond biography Mighty Shadow) that he sexually abused his stepdaughter. He committed suicide by throwing himself into the path of a London Underground train in 1974.
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GBO BIOGRAPHY/WIKIPEDIA
**********
GB/BIOGRAPHY/WIKIPEDIA
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TO THE TOP
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''SOLID BOND''
MAY 1970
65:56
**********
1 Green Onions 05:17 (Steve Cropper, Booker T. Jones, Al Jackson Jr., Lewis Steinberg)
2 Springtime In The City 03:15
3 Can't Stand It 05:09
4 Only Sixteen 05:05
5 Last Night 03:41 (The Mar-Keys)
6 Long Legged Baby 03:14
7 Walkin' In The Park 03:06
8 It's Not Goodbye 05:00
9 Neighbour Neighbour 03:16
10 Ho Ho Country Kicking Blues 07:57 (Jack Bruce)
11 The Grass Is Greener 09:33 (Graham Bond, John McLaughlin)
12 Doxy 11:18 (Sonny Rollins)
Tracks By Graham Bond, Except As Indicated
Tracks 1 To 9 - The Graham Bond Organization - Recorded At Olympic Sound Studios, 1966 (Stereo)
Tracks 10 To 12 - The Graham Bond Quartet - Recorded Live At Klook's Kleek, June 1963 (Mono)
**********
Ginger Baker/Drums On 10, 11, 12
Graham Bond/Keyboards, Organ, Saxophone, Vocals
Jack Bruce/Bass Guitar On 10, 11, 12
Dick Heckstall-Smith/Alto Saxophone, Soprano Saxophone On 1 To 9
Jon Hiseman/Drums On 1 To 9
John McLaughlin/Guitar On 10, 11, 12
**********
REVIEW/AMG
Richie Unterberger
This rather odd double LP is a patchy, yet good assortment of '60s material that Bond did not put out during that decade, and which remains unavailable on any other release. Nine of the 12 tracks date from 1966, with Bond accompanied by Dick Heckstall-Smith on sax and Jon Hiseman on drums (Jack Bruce and Ginger Baker had by this time left to join Cream). Most of those nine songs are not on the two proper albums he issued in the '60s (The Sound of '65 and There's a Bond Between Us), and though a few did appear on those albums and non-LP singles, these recordings are different versions. While not up to the level of the best cuts waxed by the Bruce/Baker lineup, these Hiseman/Heckstall-Smith-backed numbers are still solid jazzy R&B with that aura of faint menace unique to Bond's mid-'60s work. His singing is particularly effective in its drawn-out anguish on "It's Not Goodbye" and "Springtime in the City" has those uneasy descending chord progressions and creepy R&B black-mass organ that were Bond specialties. "Neighbour Neighbour" and "Walkin' in the Park" aren't as good as the versions he did with Bond and Baker on the first two Graham Bond Organization LPs, but they're different enough to merit hearing. The three remaining songs were done in 1963 with Bruce, Baker, Heckstall-Smith, and John McLaughlin, and are long, straight jazz pieces that are much different in nature. Historically they're interesting, particularly in their documentation of the period in which McLaughlin (who solos well, though his free jazz style was a long way off in coming) was in the band. However, Bond's outfit became much more distinguished as an R&B group than they were as an average jazz one, making the 1963 material more of a curiosity than a highlight of his discography.
**********
BIOGRAPHY/AMG
Richie Unterberger
An important, underappreciated figure of early British R&B, Graham Bond is known in the U.S., if at all, for heading the group that Jack Bruce and Ginger Baker played in before they joined Cream. Originally an alto sax jazz player -- in fact, he was voted Britain's New Jazz Star in 1961 -- he met Bruce and Baker in 1962 after joining Alexis Koerner's Blues Incorporated, the finishing school for numerous British rock and blues musicians. By the time he, Bruce, and Baker split to form their own band in 1963, Bond was mostly playing the Hammond organ, as well as handling the lion's share of the vocals. John McLaughlin was a member of the Graham Bond Organization in the early days for a few months, and some live material that he recorded with the group was eventually issued after most of their members had achieved stardom in other contexts. Saxophonist Dick Heckstall-Smith completed Bond's most stable lineup, who cut a couple of decent albums and a few singles in the mid-'60s.
In their prime, the Graham Bond Organization played rhythm & blues with a strong jazzy flavor, emphasizing Bond's demonic organ and gruff vocals. The band arguably would have been better served to feature Bruce as their lead singer -- he is featured surprisingly rarely on their recordings. Nevertheless, their best records were admirably tough British R&B/rock/jazzsoul, and though Bond has sometimes been labeled as a pioneer of jazz-rock, in reality it was much closer to rock than jazz. The band performed imaginative covers and fairly strong original material, and Bond was also perhaps the very first rock musician to record with the Mellotron synthesizer. Hit singles, though, were necessary for British bands to thrive in the mid-'60s, and Bond's group began to fall apart in 1966, when Bruce and Baker joined forces with Eric Clapton to form Cream. Bond attempted to carry on with the Organization for a while with Heckstall-Smith and drummer Jon Hiseman, both of whom went on to John Mayall's Bluesbreakers and Colosseum.
Bond never recaptured the heights of his work with the Organization. In the late '60s he moved to the U.S., recording albums with musicians including Harvey Brooks, Harvey Mandel, and Hal Blaine. Moving back to Britain, he worked with Ginger Baker's Airforce, the Jack Bruce Band, and Cream lyricist Pete Brown, as well as forming the band Holy Magick, who recorded a couple albums. Bond's demise was more tragic than most: he developed serious drug and alcohol problems and an obsession with the occult, and it has even been posthumously speculated (in the British Bond biography Mighty Shadow) that he sexually abused his stepdaughter. He committed suicide by throwing himself into the path of a London Underground train in 1974.
**********
GBO BIOGRAPHY/WIKIPEDIA
**********
GB/BIOGRAPHY/WIKIPEDIA
**********
TO THE TOP
**********