10579 - DEREK ST. HOLMES - THEN & NOW (2000) (REPOST)
DEREK ST. HOLMES
''THEN & NOW''
JULY 4 2000
41:47
**********
1 Dr. Love 3:39
2 Just an Illusion 3:52
3 In Too Deep 3:15
4 Sunsets 3:56
5 Standing in the Rain 3:59
6 Sometimes 4:25
7 My Turn to Cry 3:16
8 The Wind 3:51
9 Surrounded 4:31
10 Sheila 7:03
All Tracks By St. Holmes
**********
Steve Pace/Drums
Derek St. Holmes/Arranger, Guitar, Percussion, Vocals
**********
REVIEW/AMG
Michael B. Smith
Derek St. Holmes made quite a name for himself beginning in 1973 when he was hired by Ted Nugent as his guitarist and singer. St. Holmes was a staple of many Nugent tours and albums, including recording Spirit of the Wild with him in 1995. With the release of Then & Now, St. Holmes steps into a pair of comfortable shoes performing his own music, a bluesy, pop/rock that is a lot easier on the ears than some of the gonzo Ted recordings. The set opens with "Dr. Love," with an infectious rock & roll beat underscoring St. Holmes' powerhouse vocals, which hook you and reel you in before you even realize fishing season is open. "Just an Illusion" tells the age-old story of getting the wool pulled over your eyes in a relationship. He plays his guitar with heart and soul and lots of emotion, whereas many guitarists choose the path of speed and guitar tricks. "In Too Deep" is another track that showcases Derek's superb guitar artistry, and "Sunsets" is a mesmerizing acoustic ballad, with a haunting melody and flawless vocals, one of the finest tracks on the album. Next up is "Standing in the Rain," which could be the absolute best song on the record, with its electric blues feel that sends chills up and down your spine, more great guitar, both electric and acoustic, and arrangements that are right on target. Chase Chitty on bass and Steve Pace on drums help to make this a killer track. "Sometimes" rocks the house, followed by "My Turn to Cry," another acoustic ballad filled with excellent lyrics, "If loving you is crazy I don't want to be sane," and fabulous acoustic rhythm guitar, underscored by Russ Still's B-3 organ. Next up is "The Wind," another great rocker, hot on the heels of the ballad "Surrounded" and the showstopper, "Sheila," featuring a truckload of guitars, digital delay, and drums, a powerful, soulful blues song about the heartbreak of a breakup. Then & Now is one of the freshest, most exciting CDs you'll have the pleasure of spinning, and you won't be able to get the songs out of your head.
**********
BIOGRAPHY/AMG
Greg Prato
Known primarily as the rhythm guitarist and vocalist on Ted Nugent's early (and best) solo albums, Derek St. Holmes has also subsequently lent his talents to recordings by other artists and by the dawn of the 21st century, finally launched his own solo career. Hailing from a small city not far from Detroit (Riverview, MI), St. Holmes became originally interested in music via his mother, who sang regularly in a church choir. Not long after, St. Holmes picked up guitar and began to sing himself and was influenced by the usual Brit-rock suspects of the '60s (the Rolling Stones, the Beatles), but also soul and blues artists (Marvin Gaye, Aretha Franklin, B.B. King). By the early '70s, St. Holmes was fronting a local Michigan rock outfit called Scott, who opened up several shows for Ted Nugent. Nugent's singer at the time left the Motor City Madman high and dry and several auditions were arranged with St. Holmes, all of which proved unfruitful. Just as St. Holmes was about to relocate to the West Coast to try his luck there, a final audition was arranged and this time, St. Holmes and Nugent decided to unite.
A fine rhythm section of bassist Rob Grange and drummer Cliff Davies signed on as well, as the newly assembled Ted Nugent Band toured the U.S. for a few years, and in the process, became one of tightest and most ferocious hard rock outfits in the U.S. The quartet was signed to Epic shortly thereafter, resulting in Nugent's self-titled release in 1975. The album (along with continued non-stop touring) helped establish the group even further, but inter-band friction threatened to derail the group (Nugent wanted to be the sole leader and focus of the attention, while the other members wanted more of a democracy). Just prior to when recording sessions for a sophomore effort were scheduled to get under way, St. Holmes left the group and was replaced by a then-unknown Meat Loaf for 1976's Free-for-All (although St. Holmes managed to appear on some of the recording). While the album was another success, Nugent quickly realized that St. Holmes was better suited for the group and was welcomed back into the band prior to the album's supporting tour.
Nugent's third release, 1977's Cat Scratch Fever, turned out to be the group's big commercial breakthrough, resulting in the Nuge's lone solo hit single (the album's anthemic title track) and further sold-out arena tours. But big-time success only seemed to fuel the problems between St. Holmes and Nugent, resulting in St. Holmes leaving the band for good shortly after the 1978 in-concert set Double Live Gonzo (Nugent continued to prosper for a period, but St. Holmes' exit would ultimately prove detrimental to the Nuge's career). St. Holmes formed a new outfit, Saint Paradise (along with his former Nugent bandmate Grange), who only managed to issue a lone self-titled release for Warner Bros. in 1979 before splitting up as well. Up next for St. Holmes was a collaboration with former Aerosmith guitarist Brad Whitford, dubbed Whitford/St. Holmes. That duo also managed to issue only a lone self-titled release in 1981 for Columbia Records (although another album was completed, it was ultimately shelved) before Whitford returned back to Aerosmith and St. Holmes briefly reunited with Nugent for a tour.
St. Holmes was then invited to join Michael Schenker's band in England, but his participation with the former Scorpions/UFO guitarist only lasted for a pair of albums, Built to Destroy and Live at Hammersmith, as St. Holmes opted to return back home in the U.S. to be closer to his wife and then-newborn baby. St. Holmes spent a few years in the mid-'80s putting together a band in Chicago before reuniting once more with Nugent. St. Holmes continued to tour and record off and on with the Nuge (Nugent's main focus during the late '80s/early '90s was the pop/rock supergroup Damn Yankees, however), including lending his vocals to Nugent's 1995 back to basics release Spirit of the Wild. Soonafter, St. Holmes formed Big People, which was comprised of former Cars bassist/vocalist Ben Orr (who sadly passed away in October of 2000), Billy Joel drummer Liberty DeVitto, plus guitarists Pat Travers and former .38 Special member Jeff Carlisi. 2000 saw the release of St. Holmes' first true solo release, the fine Then & Now.
**********
WEBSITE
**********
TO THE TOP
**********
''THEN & NOW''
JULY 4 2000
41:47
**********
1 Dr. Love 3:39
2 Just an Illusion 3:52
3 In Too Deep 3:15
4 Sunsets 3:56
5 Standing in the Rain 3:59
6 Sometimes 4:25
7 My Turn to Cry 3:16
8 The Wind 3:51
9 Surrounded 4:31
10 Sheila 7:03
All Tracks By St. Holmes
**********
Steve Pace/Drums
Derek St. Holmes/Arranger, Guitar, Percussion, Vocals
**********
REVIEW/AMG
Michael B. Smith
Derek St. Holmes made quite a name for himself beginning in 1973 when he was hired by Ted Nugent as his guitarist and singer. St. Holmes was a staple of many Nugent tours and albums, including recording Spirit of the Wild with him in 1995. With the release of Then & Now, St. Holmes steps into a pair of comfortable shoes performing his own music, a bluesy, pop/rock that is a lot easier on the ears than some of the gonzo Ted recordings. The set opens with "Dr. Love," with an infectious rock & roll beat underscoring St. Holmes' powerhouse vocals, which hook you and reel you in before you even realize fishing season is open. "Just an Illusion" tells the age-old story of getting the wool pulled over your eyes in a relationship. He plays his guitar with heart and soul and lots of emotion, whereas many guitarists choose the path of speed and guitar tricks. "In Too Deep" is another track that showcases Derek's superb guitar artistry, and "Sunsets" is a mesmerizing acoustic ballad, with a haunting melody and flawless vocals, one of the finest tracks on the album. Next up is "Standing in the Rain," which could be the absolute best song on the record, with its electric blues feel that sends chills up and down your spine, more great guitar, both electric and acoustic, and arrangements that are right on target. Chase Chitty on bass and Steve Pace on drums help to make this a killer track. "Sometimes" rocks the house, followed by "My Turn to Cry," another acoustic ballad filled with excellent lyrics, "If loving you is crazy I don't want to be sane," and fabulous acoustic rhythm guitar, underscored by Russ Still's B-3 organ. Next up is "The Wind," another great rocker, hot on the heels of the ballad "Surrounded" and the showstopper, "Sheila," featuring a truckload of guitars, digital delay, and drums, a powerful, soulful blues song about the heartbreak of a breakup. Then & Now is one of the freshest, most exciting CDs you'll have the pleasure of spinning, and you won't be able to get the songs out of your head.
**********
BIOGRAPHY/AMG
Greg Prato
Known primarily as the rhythm guitarist and vocalist on Ted Nugent's early (and best) solo albums, Derek St. Holmes has also subsequently lent his talents to recordings by other artists and by the dawn of the 21st century, finally launched his own solo career. Hailing from a small city not far from Detroit (Riverview, MI), St. Holmes became originally interested in music via his mother, who sang regularly in a church choir. Not long after, St. Holmes picked up guitar and began to sing himself and was influenced by the usual Brit-rock suspects of the '60s (the Rolling Stones, the Beatles), but also soul and blues artists (Marvin Gaye, Aretha Franklin, B.B. King). By the early '70s, St. Holmes was fronting a local Michigan rock outfit called Scott, who opened up several shows for Ted Nugent. Nugent's singer at the time left the Motor City Madman high and dry and several auditions were arranged with St. Holmes, all of which proved unfruitful. Just as St. Holmes was about to relocate to the West Coast to try his luck there, a final audition was arranged and this time, St. Holmes and Nugent decided to unite.
A fine rhythm section of bassist Rob Grange and drummer Cliff Davies signed on as well, as the newly assembled Ted Nugent Band toured the U.S. for a few years, and in the process, became one of tightest and most ferocious hard rock outfits in the U.S. The quartet was signed to Epic shortly thereafter, resulting in Nugent's self-titled release in 1975. The album (along with continued non-stop touring) helped establish the group even further, but inter-band friction threatened to derail the group (Nugent wanted to be the sole leader and focus of the attention, while the other members wanted more of a democracy). Just prior to when recording sessions for a sophomore effort were scheduled to get under way, St. Holmes left the group and was replaced by a then-unknown Meat Loaf for 1976's Free-for-All (although St. Holmes managed to appear on some of the recording). While the album was another success, Nugent quickly realized that St. Holmes was better suited for the group and was welcomed back into the band prior to the album's supporting tour.
Nugent's third release, 1977's Cat Scratch Fever, turned out to be the group's big commercial breakthrough, resulting in the Nuge's lone solo hit single (the album's anthemic title track) and further sold-out arena tours. But big-time success only seemed to fuel the problems between St. Holmes and Nugent, resulting in St. Holmes leaving the band for good shortly after the 1978 in-concert set Double Live Gonzo (Nugent continued to prosper for a period, but St. Holmes' exit would ultimately prove detrimental to the Nuge's career). St. Holmes formed a new outfit, Saint Paradise (along with his former Nugent bandmate Grange), who only managed to issue a lone self-titled release for Warner Bros. in 1979 before splitting up as well. Up next for St. Holmes was a collaboration with former Aerosmith guitarist Brad Whitford, dubbed Whitford/St. Holmes. That duo also managed to issue only a lone self-titled release in 1981 for Columbia Records (although another album was completed, it was ultimately shelved) before Whitford returned back to Aerosmith and St. Holmes briefly reunited with Nugent for a tour.
St. Holmes was then invited to join Michael Schenker's band in England, but his participation with the former Scorpions/UFO guitarist only lasted for a pair of albums, Built to Destroy and Live at Hammersmith, as St. Holmes opted to return back home in the U.S. to be closer to his wife and then-newborn baby. St. Holmes spent a few years in the mid-'80s putting together a band in Chicago before reuniting once more with Nugent. St. Holmes continued to tour and record off and on with the Nuge (Nugent's main focus during the late '80s/early '90s was the pop/rock supergroup Damn Yankees, however), including lending his vocals to Nugent's 1995 back to basics release Spirit of the Wild. Soonafter, St. Holmes formed Big People, which was comprised of former Cars bassist/vocalist Ben Orr (who sadly passed away in October of 2000), Billy Joel drummer Liberty DeVitto, plus guitarists Pat Travers and former .38 Special member Jeff Carlisi. 2000 saw the release of St. Holmes' first true solo release, the fine Then & Now.
**********
WEBSITE
**********
TO THE TOP
**********