Weekend Roundup.

Vegas With Randolph-Rings Around the Sun. The Mid-Atlantic region's answer to Fountains of Wayne returns with its third full-length album, and much in the manner of their previous release Above the Blue, the new album consists of singles they've put out in the interim plus several new tracks. This time around they've enlisted the help of power pop luminaries such as David Myhr (Merrymakers), Andy Reed (An American Underdog) and Brandon Schott and the result is their strongest disc to date. Opener "You Set the World on Fire" sets the album on fire with some classic-sounding power pop, "Salt Water Taffy" and "Cool Things" draw the FoW comparison in stark relief as everyday pleasures are turned into pop odes, and "Everybody Wants an Atom Bomb" somehow condenses the last 75 years of US geopolitics into 3 1/2 minutes of catchy-as-hell power pop. Elsewhere, they write about stuff that interests them: "My Lost Colony" is ostensibly about the lost colony of Roanoke that was the basis for a recent Sleepy Hollow episode, and who doesn't love a "Snow Day"? And Myhr, Reed and Schott lend their talents and harmonies to the anthemic title track. One of 2013's best from a band that just keeps getting better.

CD Baby



Roseland-Roseland. This Greensboro, North Carolina band isn't strictly power pop; rather, they're highly melodic folk/rock, alt-country, Americana, whatever you want to call it. But if you listen hard, you can hear some Teenage Fanclub in there if it makes you feel better. Regardless, those who love a good melody with sweet harmonies will want to check this one out. "Plans to Ride" is a brilliant opener with its "fell in love with a rolling stone" refrain and jangly melody reminiscent of The Jayhawks or CSNY, and "Long Hard Way to Fall" sounds like a lost Gary Louris/Mark Olson collaboration. Meanwhile, "In Between" could almost pass for one of Alex Chilton's more acoustic-leaning early Big Star tracks, and "Nice Place to Go" is lovely in its simplicity. As far as I'm concerned, this is the best album of its type I've heard all year, and if you pop leanings take you to the folk or country side at all, this is a must.

CD Baby | iTunes

CD of the Day, 5/9/13: VA-Drink a Toast to Innocence: A Tribute to Lite Rock

Perhaps the most anticipated release of 2013 to date has been Andrew Curry's "Monsters of Lite Rock" project, funded by Kickstarter, to assemble a compilation of those sort-of-cheesy "lite rock" (also known as "yacht rock") hits of the late 70s and early 80s covered by today's power pop artists. The Kickstarter was successful, and the fruits of Curry's (and the artists') labor is here with the double-disc, 28-track Drink a Toast to Innocence. The lineup Curry has assembled is impressive, featuring the likes of Bleu, Mike Viola, Willie Wisely, David Myhr, Michael Carpenter, Linus of Hollywood, Seth Swirsky and so many more of my (and your) favorite artists.

As with most covers compilations, Toast features the usual mix of faithful re-creations and bold re-imaginings. To what degree you prefer either is always affected by the level of your fondness for the original and the covering artist, but there are plenty of each to choose from here. To me, however, my favorite covers have fallen into a third category: covers that sound like they could have originals by the covering artist. In other words, they make the cover their own. The two here that stand out in that regard are Greg Pope's cover of Poco's "Crazy Love" and Lannie Flowers' version of the Orleans staple "Dance With Me". In Pope's case, it's a great match of cover and artist; by taking the original and speeding it up just a microsopic bit it sounds like one of his typical slightly off-kilter pop gems, while Flowers turns "Dance With Me" into one of his usual rollicking (and rocking) power pop numbers by adding a honky-tonk piano to the mix in contrast to the highly laid-back original.

In the re-imagining department, there are several standouts. The Davenports turn Randy Van Warmer's borderline treacly "Just When I Needed You Most" into a driving power pop track, Lisa Mychols speeds up the David Soul (of Starsky & Hutch fame) ballad "Don't Give Up on Us" and gives it the full-band treatment, while Willie Wisely takes the sexual subtext of The Atlanta Rhythm Section's "So Into You" and makes it the text, complete with moaning female vocals in the outro. Also rocking things up a bit is Vegas With Randolph and their version of Little River Band's "Cool Change". Plus I give them credit for keeping a straight face while singing lines like "The albatross and the whales/they are my brother".

As for the faithful covers, there are plenty to choose from here. Kyle Vincent, whose style is pretty much 70's lite rock and would be a natural to cover any of the songs featured here, is perfect on Ambrosia's "How Much I Feel"; ex-Merrymaker David Myhr captures the spirit of 10cc with "The Things We Do for Love", and the two halves of The Red Button play to their strengths - Mike Rukeberg with the power poppy "Believe it or Not" (theme from "The Greatest American Hero") and Seth Swirsky's eerily channels Henry Gross almost note-for-note on "Shannon", the ultimate tear-jerking dead dog song. Boston buddies Bleu and Mike Viola take on "Baby Come Back" and "Steal Away", each of which sound exactly you'd hear them in your head singing these tracks, but I'll give Viola kudos for starting to sing "What a Fool Believes" at the end of "Steal Away", since the latter was pretty much a rip-off of the former.

Ironically there's no cover here of "Same Old Lang Syne", the Dan Fogelberg lite rock classic from which the title of the compilation derives. Curry has said it was on the list of songs submitted to the artists to cover, but nobody took it up. Hmmm...sounds like an opening for a Volume 2. The lack of Fogelberg notwithstanding, this is without doubt the best covers compilation since Not Lame's Right to Chews from 2002, which had power poppers covering early 70s' bubblegum classics, and it deserves to be highlighted outside the immediate power pop community.

CD Baby | iTunes | Bandcamp

Two for Thursday, 8/4/11

Vegas With Randolph-Above the Blue. This Washington, DC band lets no moss grow under their feet - after they released their self-titled debut in 2009, they've issued a series of singles, and here they're collected on Above the Blue. If you missed them the first time around, the singles are really good: "The Better Part" is a punchy pop-rocker, the title track is Secret Powers-styled power pop, and "Some Time to Love" is very reminiscent of Fountains of Wayne. What they add to the singles collection is another of their "song suites", this time called "Double Play". Going from horn-based rave-up to acoustic interlude to straight-up power pop, Vegas With Randolph remain masters of the medley, and the Abbey Road-style album experience is not to be dismissed in the era of the iPod.

CD Baby | MySpace | iTunes

The Quags-Priceless Grains of Sand. It's great to have this Oregon band back for the first time since 2005's Devil's Music. The Quags are on the Paisley Pop label and for those unfamiliar it means classic rock-infused power pop, in this case reminiscent of bands like The Kinks and The Figgs. The opening 1-2 of "Human Thing" and "Favorite Parasite" drive this comparison home, and the laidback "Beautifully Insane" is another treat. Elsewhere, "It Takes Heart" is a Rockpile-styled delight, "Going Through the Convulsions" rocks out, and "Do Yourself a Mischief" closes things on a wonderfully jangly note with a hint of The Who. Here's hoping we won't have to wait six years for the next one.

CD Baby | MySpace | iTunes

Singles Friday.

With the music industry's inexorable transition to digital and the immediacy of the Internet, what's old is becoming new again as the primary method of music release of the 1950s and 1960s, the single, is becoming the outlet of choice for more and more artists. The only drawback though, for independent artists, is that the single doesn't seem to get as much fanfare as the album as they're mostly released exclusively on a digital basis. This means that niche retailers (i.e., the Not Lames and Kool Kats of the power pop community) usually won't be selling and promoting them, and reviewers and bloggers (like yours truly) often stumble upon them by accident. All of which is a long-winded way to getting around to saying I have some new singles by artists previously reviewed on Absolute Powerpop to share. Here goes:

Rob Laufer-"How I Love You". A sweet love song and a nice tune, not included on his recently released Excruciating Bliss. Check it out at iTunes.

The Bulletproof Vests-"(Don't) Throw My Love Away"/"Shadow Child". Earlier this year, we brought you their debut, and they've followed up with this two-song single in the same vein of the album. They're so old school they've actually released this on a vinyl 45 (on the original lathe from Stax, they claim) as well as digitally. CD Baby | iTunes

Vegas With Randolph-"Some Time to Live". Since we last checked in with this DC-area band last year with their fine debut, they've released an EP (Side Trip) and now this new single. Links here are for their artist pages so you can check out both: CD Baby | iTunes

Khalid Hanifi-"Hog Futures" and "My Latest Trainwreck". Two quality singles from the former Maypops man and solo artist who gave us the excellent Pamplemousse Presse in 2008. CD Baby | iTunes | listen at his official site (with another new track "Shootin' the Breeze")

CD of the Day, 5/11/09: Vegas With Randolph-Vegas With Randolph

Vegas With Randolph is a band from the Washington DC area (not Las Vegas) that's fronted by John Ratts and Eric Kern, who have been writing songs (500 of 'em, according to their notes) since high school. They've been playing the songs on their debut album for several years now, and it shows as they've honed a pop delight here. Reminiscent at times of other multi-fronted power pop groups (Fastball, Sloan) as well as Willie Wisely and Fountains of Wayne, the result is a left-field surprise that deserves attention in the power pop community.

Normally, I'll start a review with the first track because usually in power pop, the goal is the catch the listener's ear right away. But I'm going to start at the end here, with VWR's ambitious "Longplay" suite - six mini-songs woven together. While not quite Side 2 of Abbey Road, it compares favorably with last year's Lannie Flowers disc as well as the last two from Sloan. "Got to Have Your Love" and in particular, "Dreams of the Night" are highlights of the suite, reminding me of Eric Carmen and Paul McCartney.

As for the proper tracks, there are plenty of standouts. "Be the One", with its playful piano backing, channels the 50s through the 70s, "Milky Way Girl" sounds like it was recorded by a skinny-tie late 70s/early 80s power pop band, "When" recalls The Tomorrows & The Roswells, and if Noel Gallagher ever wrote a song about the French Revolution, "Versailles" would be it. Elsewhere "Arizona Blue" is a first-class ballad, and "Buses, Trains & Planes" answers the musical question "what would Fountains of Wayne & Belle and Sebastian sound like if they collaborated?". As you can tell by now, this one touches all the power pop bases, so listen below and you'll find something you like.

CD Baby | MySpace